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												  Brass Bands of the World a Historical DirectoryBrass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................
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												  A Replica of the Stretch Clock Recently Reinstated at the West End of Independence HallA replica of the Stretch clock recently reinstated at the west end of Independence Hall. (Photograph taken by the author in summer of 197J.) THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY The Stretch Qlock and its "Bell at the State House URING the spring of 1973, workmen completed the construc- tion of a replica of a large clock dial and masonry clock D case at the west end of Independence Hall in Philadelphia, the original of which had been installed there in 1753 by a local clockmaker, Thomas Stretch. That equipment, which resembled a giant grandfather's clock, had been removed in about 1830, with no other subsequent effort having been made to reconstruct it. It therefore seems an opportune time to assemble the scattered in- formation regarding the history of that clock and its bell and to present their stories. The acquisition of the original clock and bell by the Pennsylvania colonial Assembly is closely related to the acquisition of the Liberty Bell. Because of this, most historians have tended to focus their writings on that more famous bell, and to pay but little attention to the hard-working, more durable, and equally large clock bell. They have also had a tendency either to claim or imply that the Liberty Bell and the clock bell had been procured in connection with a plan to celebrate the fiftieth anniversary, or "Jubilee Year," of the granting of the Charter of Privileges to the colony by William Penn. But, with one exception, nothing has been found among the surviving records which would support such a contention.
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												  A Proposed Campanile for Kansas State CollegeA PROPOSED CAMPANILE FOR KANSAS STATE COLLEGE by NILES FRANKLIN 1.1ESCH B. S., Kansas State College of Agriculture and Applied Science, 1932 A THESIS submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1932 LV e.(2 1932 Rif7 ii. TABLE OF CONTENTS Page INTRODUCTION 1 THE EARLY HISTORY OF BELLS 3 BELL FOUNDING 4 BELL TUNING 7 THE EARLY HISTORY OF CAMPANILES 16 METHODS OF PLAYING THE CARILLON 19 THE PROPOSED CAMPANILE 25 The Site 25 Designing the Campanile 27 The Proposed Campanile as Submitted By the Author 37 A Model of the Proposed Campanile 44 SUMMARY '47 ACKNOWLEDGMENTS 54 LITERATURE CITED 54 1. INTRODUCTION The purpose of this thesis is to review and formulate the history and information concerning bells and campaniles which will aid in the designing of a campanile suitable for Kansas State College. It is hoped that the showing of a design for such a structure with the accompanying model will further stimulate the interest of both students, faculty members, and others in the ultimate completion of such a project. The design for such a tower began about two years ago when the senior Architectural Design Class, of which I was a member, was given a problem of designing a campanile for the campus. The problem was of great interest to me and became more so when I learned that the problem had been given to the class with the thought in mind that some day a campanile would be built.
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												  Bellfounders.Pdf| ============================================================== | ============================================================== | | | | | | TERMS OF USE | | | | | CARILLONS OF THE WORLD | The PDF files which constitute the online edition of this | | --------- -- --- ----- | publication are subject to the following terms of use: | | | (1) Only the copy of each file which is resident on the | | | GCNA Website is sharable. That copy is subject to revision | | Privately published on behalf of the | at any time without prior notice to anyone. | | World Carillon Federation and its member societies | (2) A visitor to the GCNA Website may download any of the | | | available PDF files to that individual's personal computer | | by | via a Web browser solely for viewing and optionally for | | | printing at most one copy of each page. | | Carl Scott Zimmerman | (3) A file copy so downloaded may not be further repro- | | Chairman of the former | duced or distributed in any manner, except as incidental to | | Special Committee on Tower and Carillon Statistics, | the course of regularly scheduled backups of the disk on | | The Guild of Carillonneurs in North America | which it temporarily resides. In particular, it may not be | | | subject to file sharing over a network. | | ------------------------------------------------------- | (4) A print copy so made may not be further reproduced. | | | | | Online Edition (a set of Portable Document Format files) | | | | CONTENTS | | Copyright November 2007 by Carl Scott Zimmerman | | | | The main purpose of this publication is to identify and | | All rights reserved. No part of this publication may | describe all of the traditional carillons in the world. But | | be reproduced, stored in a retrieval system, or trans- | it also covers electrified carillons, chimes, rings, zvons | | mitted, in any form other than its original, or by any | and other instruments or collections of 8 or more tower bells | | means (electronic, photographic, xerographic, recording | (even if not in a tower), and other significant tower bells.
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												  Church Bells Vol 12 (Bells and Bell Ringing)December 3, 1881. ] Church Bells. 7 Bob, and College Single— in 36 mins. T. Houghton, 1; P. Johnson, 2; T. BELLS AND BELL-RINGING. Ellison, 3 ; P. Hamblett (composer and conductor), 4; J. Ellison, 0 ; T. Houghton, jun., 6. Tenor, 12 cwt. At St. Nicholas, Witham, Essex. A Mew Peal. 2 3 4 5 6 Ox Tuesday evening, the 15th ult., a peal of 720 Bob Minor, with 42 Sir ,— I forward the accompanying peal of 720 Extreme E 2 4 6 3 5 singles, was rung in 27 mins. G. Butler, 1; A. Chalk, 2 ; A. Fryatt, 3; W . K. E 2 6 5 4 3 Minor in three parts, with 9 extremes and 3 singles. I Hutley, 4; E. Garnett, 5; H. Sayer (conductor), 6. E 2 5 3 6 4 Also at the same church on Thursday, the 24th ult., a peal of 720 Bob should he glad if you would kindly insert the same in S 2 3 5 6 4 Minor, containing 21 bobs and 12 singles, was rung in 27 mins. G. Butler, your forthcoming issue, believing it would be of interest E 2 5 4 3 6 1 ; A. Chalk, 2 ; W. G. Richards, 3 ; W. K. Hutley, 4; E. Garnett, 5 ; H. to six-boll ringers. E 2 4 6 5 3 Sayer (conductor), 6. Tenor, 18 cwt. Both peals were composed by Mr. E 2 6 3 4 5 N. J. Pitstow of Saffron Walden, Essex. [A ll the above are members of the How to make an extrem e•' T ? 4 5 ? ? S 2 3 6 4 5 Essex Association.] 1 2 4 6 6 o E 2 6 5 3 4 At St.
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												  Contents of the Southwell and Nottingham Guild of Church Bellringers LibraryContents Of The Southwell And Nottingham Guild Of Church Bellringers Library BELLRINGING BOOKS / BELL MUSIC AND OTHER RINGING MEMORABILIA All of this collection is in the ownership of The Southwell and Nottingham Guild of Church Bell Ringers It is located at Saddlers Cottage, Farm Lane, East Markham, NG22 0QH Note: Errors may have been inserted but every effort has been made to be correct. Last Update 18th January 2021 1 CONTENTSU OF THIS LIST ITEMS IN PAPER FORMAT – BOOKS AND LEAFLETS CENTRAL COUNCIL PUBLICATIONS 3 A.R.T. - ASSOCIATION OF RINGING TEACHERS 9 JASPER SNOWDON CHANGE RINGING SERIES 10 SHERBOURNE TEACHING AIDS 11 GENERAL BOOKS ON BELLS 12 LEAFLETS AND/OR ARTICLES FROM BOOKS 19 CHURCH GUIDES, CHURCH BOOKS AND PARISH MAGAZINES 21 RELIGEOUS BOOKS AND NON BELLRINGING 23 NEWSPAPER ARTICLES 24 VARIOUS GUILD AND ASSOCIATION BOOKS 25 DEDICATION OF BELLS SERVICE SHEETS 33 RINGER’S FUNERAL SERVICE SHEETS 33 ITEMS OF NON-BOOK FORMAT GRAMAPHONE RECORDS 8 INCH RECORDS 33 10 INCH 78’s 34 12 INCH 78’s 35 7 INCH 45’s AND 33’s 36 7 INCH BBC SOUND EFFECTS CHURCH BELLS 38 7 INCH BBC SOUND EFFECTS CLOCK BELLS 40 10 INCH 33 1/3rpm RECORDS 42 12 INCH 33 1/3rpm CHURCH BELLS 43 HANDBELLS 44 CARILLON CHURCH BELLS 51 SCHULMERICH ELECTRONIC CARILLON BELLS 54 OTHER VARIOUS TYPES OF BELLS 56 NON RINGING RELIGON 58 COMPACT DISCS BELLS VARIOUS AND COPY OF RECORDS 59 DOCUMENTS – MS WORD AND OTHER FORMATS 69 BOOKS IN PDF FORMAT 70 VHS PAL VIDEO 75 DVD’S 75 CASSETTE TAPES 76 PROJECTOR SLIDES AND LANTERN SLIDES 76 COMPUTER PROGRAMS 77 BELLRINGING MEMORABILIA 78 LIST OF BRITISH TOWER BELLS ON RECORDINGS 81 LIST OF FOREGN BELLS ON RECORDINGS 82 LIST OF HANDBELL TEAMS ON RECORDINGS 84 LIST OF CHURCH BELL CARILLONS ON RECORDINGS 89 LIST OF ELECTRONIC CARILLON BELLS ON RECORDINGS 91 Note: The Whitechepel Foundary closed down in 2018 The Library can be used by all ringers and must be authorised by the Guild Librarian in the first instance.
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												  Download Restoration of the BellsHISTORIC TRINITY CATHEDRAL BELLS HISTORY AND DESCRIPTION OF THE HISTORIC TRINITY BELLS Brief History of the Trinity Bells Trinity Cathedral has been welcoming worshippers at the corner of 2nd Street and St John Street for over 150 years. The historic building first opened its doors in 1863 and grew rapidly with San Jose. In 1876 the church had to be reconfigured and enlarged to its present configuration to accommodate the growth of the congregation. But the little bell perched on the roof didn’t have enough presence to satisfy the congregation in those days. So, in 1879, the church leaders put their heads together and, rather than go for a bigger bell, they would instead install a “ring” of 5 bells tuned to the first five notes of the music scale. This would allow them to play simple versions of hymns from the tower. (Sets of bells are referred to as “rings” – 4 to 8 bells; “chimes” – 9 to 22 bells; and “carillons” – 24 bells and up). The order went to the Meneely Bell Foundry in West Troy, NY, 20 miles up the Hudson River from the state capitol in Albany. Foundry records show that the order was received in November of 1879, and were shipped in April of 1880 along with instructions for hanging them. The bells were played from a bell stand with pump-handle batons connected by rope to the bells 2 levels above in the tower. In 1905 Trinity ordered two more bells from Meneely and added them to the “ring”. This lasted until 1960 when two more bells from the Petit & Fritsen Royal Foundry in The Netherlands were added (Meneely by now had gone out of business).
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												  Features HEAR YE! HEAR YE! 75Th Congress to Be Held in Mariemont by Richard WatsonNo. 97 April 2017 www.gcna.org Newsletter of the Guild of Carillonneurs in North America Features HEAR YE! HEAR YE! 75th Congress to be held in Mariemont by Richard Watson th 75 Congress in he Thomas J. Emery Memorial, The Mariemont . 1 T Village of Mariemont, Ohio, and 2020 Election Mariemont carillonneurs Richard Gegner Candidates . 4. and Richard Watson wish to cordially invite you to attend the 75th Congress of the Guild Midwest International of Carillonneurs in North America, to be held Carillon Festival . 8 June 18-22 in Mariemont. The congress will begin with registration in the lobby of the From the Archives . 9 . Mariemont Inn, Sunday afternoon, June 18; 56th International the historic Emery Chapel, with its nearly Carillon Festival 2017 . 10. 900-year-old stone roof, and the museum of the Mariemont Preservation Foundation will Plus be available for exploration in the afternoon. In the evening, the hosts’ recital will be followed Calendar . 3 by an Ice Cream Social in the park. Take Notes: Recitals will be given on the Mary M. Emery Carillon Education . .13 . The Mary M. Emery Memorial Carillon Memorial Carillon, located in Dogwood Park, Installations, Renovations, Mariemont; business meetings will be held and Dedications . 7 . presentations given in the auditorium of the Mariemont Elementary School (formerly the High School). A tour using fine, comfortable Overtones: intercity coaches has been arranged for the Tuesday (June 20th) of the congress, taking Regional Notes . .8 . participants first to Carillon Historical Park in Dayton, Ohio, where we will be hosted by Notices . 15. carillonneur Larry Weinstein; two artist recitals will be presented on the Deeds Memorial Carillon, there will be a buffet luncheon in the new Carillon Brewing Company building Transitions .
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												  First Presbyterian Church of Seneca FallsFirst Presbyterian Church of Seneca Falls Toward a Church as GENEROUS and JUST as God’s Grace.... September Newsletter 2020 Pastor’s Corner Inside this issue: “For where two or three are gathered together in my Session Briefs 2 name, there I am in the midst of them.” Matthew 18:20 Fall is starting again and I had hoped we would be face Birthdays 2 to face again. Alas, it doesn’t appear that we will be, be the mission and ministries of the church continue. In March, when we quickly had to shut down in-person Women’s Circle 3 activities, we did our best to bridge the gap. As we en- ter into a longer phase of being online, I wanted to make sure that we are doing more than putting a band-aid on the situation. Uncomfortable Truths 3 On Saturday, September 5th at 10:30am, in the parking lot of the church, we will be blessing our student backpacks as well as our students. Sun- New Members/History 4 day school will meet on Sundays via Zoom at 4pm starting on September of the Bells 1th. Blessing of the Back- Church Coffee Hour will be held on Sundays at 11am via Zoom. We will 5 packs have a presentation in September by Chris Lajewski at the Montezuma Audobon Center; Melissa Killileagh will talk about her new book; and Denise Ruth, a Ranger at the Women’s Rights National park will also Presbytery Meeting 5 speak. In addition, Jim Clark will be updating the church regarding our first year of being 100% solar.
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												  Design Principles for Tower and Steeple RestorationDesign Principles for Tower and Steeple Restoration Robert Fulmer Fulmer Associates LLC P.O. Box 434, North Conway, NH 03860 Phone: 603-828-2458 • E-mail: [email protected] S Y M P O S I U M O N B U I L D I N G E N V E L O P E T E C H N O L O G Y • O C T O B E R 2 0 1 6 F U L M E R • 5 7 Abstract The contemporary tectonics of analyzing and designing the restoration or construction of architectural towers and steeples can both inspire and confound contemporary design professionals. The effective design of steeples, bell towers, spires, and clock towers requires a multidisciplinary synthesis of technical, aesthetic, and engineering requirements that are unique to tower architecture. In this presentation, the speaker will discuss construction con siderations and design problems inherent to tower projects by reviewing recent restoration case histories. The information shared will help designers to produce effective and thorough design processes for architectural tower and steeple projects. Speaker Robert Fulmer — Fulmer Associates LLC ROBERT FUlmER specializes in the analysis and diagnosis of building envelope issues for both historical and contemporary structures. He provides inspection, design, specifica tion, and project management services for building envelope projects involving institutional, academic, and ecclesiastical structures. Fulmer is a published author and has lectured on historical preservation and contemporary building envelope topics. He is past president of the New England Chapter of RCi, inc. and currently serves on the board of directors of the National Slate Association and is chair of its Education Committee.
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												  Bells of All NationsBells of All Nations by Ernest Morris File 02 – Part one, Chapters I to VII – Pages 1 to 54 This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing CHAPTER I Origin and Development THE ORIGIN OF BELLS TOOK place in those distant days when man began primitively and tentatively to work and to hammer metals. His early impressions would be that malleable copper beaten into a saucer-like shape had a resonancy when struck, which intrigued his rudimentary feeling for music. In the Bronze Age, when the melting and mixing of copper and tin became prevalent, the increase in resonance and tonal power of the cast bronze instrument over the hammered copper one would become apparent ; and we may consider that in the Bronze Age the bell began its career. The Saucer-shape was probably the earliest form of bell-but the spherical hollow type is also ancient, small in size, with holes here and there, and having a little ball of metal rolling loose therein. These are called crotals-meaning rattle-and of this shape presumably were the golden Bells which were commanded to be made for the adornment of the Ephod of Aaron. 1 In media:val days too, a similar method arose of adorning the vestments of the Christian priesthood. , We have notices of several magnificent robes which were thus dec-orated. Conrad, Abbot of Canterbury, had a cope fringed with one hundred and forty little silver bells ; and fifty-one of silver gilt tinkled round the cope of Lanfranc.
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												  Sacred Music Volume 122 Number 4Santa Barbara, California SACRED MUSIC Volume 122, Number 4, Winter 1995 FROM THE EDITORS 3 Publishers A Parish Music Program CREATIVITY AND THE LITURGY 6 Kurt Poterack SURVEY OF THE HISTORY OF CAMPANOLOGY IN THE WESTERN 7 CHRISTIAN CULTURAL TRADITION Richard J. Siegel GREGORIAN CHANT, AN INSIDER'S VIEW: MUSIC OF HOLY WEEK 21 Mother M. Felicitas, O.S.B. MUSICAL MONSIGNORI OR MILORDS OF MUSIC HONORED BY THE POPE. PART II 27 Duane L.C.M. Galles REVIEWS 36 NEWS 40 EDITORIAL NOTES 41 CONTRIBUTORS 41 INDEX OF VOLUME 122 42 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of Publication: 548 Lafond Avenue, Saint Paul, Minnesota 55103. Editorial Board: Rev. Msgr. Richard J. Schuler, Editor Rev. Ralph S. March, S.O. Cist. Rev. John Buchanan Harold Hughesdon William P. Mahrt Virginia A. Schubert Cal Stepan Rev. Richard M. Hogan Mary Ellen Strapp News: Rev. Msgr. Richard J. Schuler 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Paul Salamunovich, 10828 Valley Spring Lane, N. Hollywood, Calif. 91602 Paul Manz, 1700 E. 56th St., Chicago, Illinois 60637 Membership, Circulation and Advertising: 548 Lafond Avenue, Saint Paul, Minnesota 55103 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Monsignor Richard J. Schuler Vice-President Gerhard Track General Secretary Virginia A. Schubert Treasurer Donna Welton Directors Rev. Ralph S. March, S.O. Cist. Mrs. Donald G. Vellek William P.