MUSIC MARKETING for the DIGITAL ERA Issue 72 | 31St October 2012
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Lead a Normal Life
1: Lead A Normal Life “My family arrived in this country from Spain at the time of the Armada, and the story goes we were adopted by Cornish peasants . .” Peter Gabriel, 1974 “My dad is an electrical engineer, inventor type, reserved, shy, analytical, and my mum’s more instinctive, she responds by the moment – music is her big thing. And I’ve got both.” Peter Gabriel, 2000 HEN Peter Gabriel spoke of rather trusting a ‘country man than a Wtown man’ in Genesis’ 1974 song ‘The Chamber Of 32 Doors’, he could well have been talking about his own roots. For in his 63 years (at the time of writing), Gabriel has spent less than a decade living in a city. Although he keeps a residence in West London, Gabriel lives in rustic splendour at his home by his Real World studios in Box near Bath in Wiltshire, which echoes the rural idyll of his childhood in the Surrey countryside. The physical roots of his life could be a metaphor for his semi-detached relationship with showbusiness; near enough, yet far away. Surrey is less than an hour from London and his residence now is less than 15 minutes from the bustling city centre of Bath. He can get into the middle of things easily when he needs to, yet he remains far enough removed. It is not dissimilar to his relationship with the mainstream of popular music. Whenever Gabriel has neared the big time (or indeed, ‘Big Time’, his 1986 hit single) he has been there just enough to receive acclaim and at times, stellar sales, before retreating back to the anonymous comfort of the margins. -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
Advertising Content and Consumer Engagement on Social Media: Evidence from Facebook
University of Pennsylvania ScholarlyCommons Marketing Papers Wharton Faculty Research 1-2018 Advertising Content and Consumer Engagement on Social Media: Evidence from Facebook Dokyun Lee Kartik Hosanagar University of Pennsylvania Harikesh Nair Follow this and additional works at: https://repository.upenn.edu/marketing_papers Part of the Advertising and Promotion Management Commons, Business Administration, Management, and Operations Commons, Business Analytics Commons, Business and Corporate Communications Commons, Communication Technology and New Media Commons, Marketing Commons, Mass Communication Commons, Social Media Commons, and the Technology and Innovation Commons Recommended Citation Lee, D., Hosanagar, K., & Nair, H. (2018). Advertising Content and Consumer Engagement on Social Media: Evidence from Facebook. Management Science, http://dx.doi.org/10.1287/mnsc.2017.2902 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/marketing_papers/339 For more information, please contact [email protected]. Advertising Content and Consumer Engagement on Social Media: Evidence from Facebook Abstract We describe the effect of social media advertising content on customer engagement using data from Facebook. We content-code 106,316 Facebook messages across 782 companies, using a combination of Amazon Mechanical Turk and natural language processing algorithms. We use this data set to study the association of various kinds of social media marketing content with user engagement—defined as Likes, comments, shares, and click-throughs—with the messages. We find that inclusion of widely used content related to brand personality—like humor and emotion—is associated with higher levels of consumer engagement (Likes, comments, shares) with a message. We find that directly informative content—like mentions of price and deals—is associated with lower levels of engagement when included in messages in isolation, but higher engagement levels when provided in combination with brand personality–related attributes. -
KWLC Fall Semester 2011
KWLC Fall Semester 2011 The Fall 2011 schedule is here! From Rock, to Dubstep, Classical to Jazz, KWLC is serving up a bit of everything on the platter of commercial-free radio broadcasting this semester. Shows marked with an asterisk are web-only and stream online at luther.edu/kwlc. Monday Wednesday Friday 8–9 PM: Mike Jungbluth (Rock)* 8 – 9P: Travis Houle (Rock)* *8 – 9P: Peter Jarzyna (Rock) 9-10 PM: Logan Langley and 9 – 10P: Erik Sand and Sam Zook *9 – 10P: Dylan Hinton (Rock) Andrew Meland (Variety Hour)* (Rock/Folk Rock)* 10 – 11P: Josh Bacon and Jamison 10-11 PM: Bianca Lutchen (Rock) 10 – 11P: Joe Thor (Rock) Ash (Rock) 11-12 AM: Cate Anderson (Rock) 11 – 12A: Kelsey Simpkins (Rock) 11 – 12A: Michaela Peterson 12-1 AM: Rahul Patle and Perran 12 – 1A: Carl Sorenson (Rock) (Rock) Wetzel (House/Dubstep) 12 – 1A: Marissa Schuh (Rock) Tuesday Thursday 9–10 PM: Kenza Sahir (Acoustic *9 – 10P: Ryan Castelaz (Rock) Rock)* 10 – 11P: Seth Duin (Rock) 10–11 PM: Quincy Voris (Rock) 11 – 12A: Katherine Mohr (Rock) 11–12 AM: Gunnar Halseth (Rock) 12 – 1A: Michael Crowe (Loud 12–1 AM: Georgia Windhorst Rock) (Rock) The AM | October 7th, 2011 2 KWLC Fall Semester 2011, cont. Saturday Sunday 7 – 8A: Lilli Petsch-Horvath (Classical) 7A – 12P: Sunday Services 8 – 9A: Hannah Strack (Broadway) 12 – 1P: Maren Quanbeck (Classical) 9 – 10A: Thando May (Afro-Pop) 1 – 2P: Alex Robinson (Classical) 10 – 11A: Marin Nycklemoe (Blues) 2 – 3P: Matt Lind (Classical) 11 – 12P: Noah Lange (Bluegrass/Folk) 3 – 4P: Michael Peterson (Classical) 12 – 12:50P: Margaret Yapp (Folk) 4 – 5P: Leif Larson (Jazz) 12:50 – 4:30P: Fall Football Coverage 5 – 6P: Kevin Coughenour (Jazz) 4:30 – 5P: Kyle Holder (Rock) 6 – 7P: Ted Olsen (Jazz) 5 – 6P: Cole Matteson (Folk/Bluegrass) 7 – 8P: Fred Burdine (Jazz) 6 – 7P: Ashley Urspringer (Rock) 8 – 9P: David Clair (Jazz) 7 – 8P: Rose Weselmann (Rock) 9 – 10P: Carl Cooley (Jazz/Rock) 8 – 9P: Gene Halverson (Rock) 10 – 11P: Emily Cochrane (Rock) 9 – 10P: Imsouchivy Suos (World) 11 – 12A: Matt Dickinson (Rock) 10 – 11P: Megan Creasey (Elec. -
TX-NR636 AV RECEIVER Advanced Manual
TX-NR636 AV RECEIVER Advanced Manual CONTENTS AM/FM Radio Receiving Function 2 Using Remote Controller for Playing Music Files 15 TV operation 42 Tuning into a Radio Station 2 About the Remote Controller 15 Blu-ray Disc player/DVD player/DVD recorder Presetting an AM/FM Radio Station 2 Remote Controller Buttons 15 operation 42 Using RDS (European, Australian and Asian models) 3 Icons Displayed during Playback 15 VCR/PVR operation 43 Playing Content from a USB Storage Device 4 Using the Listening Modes 16 Satellite receiver / Cable receiver operation 43 CD player operation 44 Listening to Internet Radio 5 Selecting Listening Mode 16 Cassette tape deck operation 44 About Internet Radio 5 Contents of Listening Modes 17 To operate CEC-compatible components 44 TuneIn 5 Checking the Input Format 19 Pandora®–Getting Started (U.S., Australia and Advanced Settings 20 Advanced Speaker Connection 45 New Zealand only) 6 How to Set 20 Bi-Amping 45 SiriusXM Internet Radio (North American only) 7 1.Input/Output Assign 21 Connecting and Operating Onkyo RI Components 46 Slacker Personal Radio (North American only) 8 2.Speaker Setup 24 About RI Function 46 Registering Other Internet Radios 9 3.Audio Adjust 27 RI Connection and Setting 46 DLNA Music Streaming 11 4.Source Setup 29 iPod/iPhone Operation 47 About DLNA 11 5.Listening Mode Preset 32 Firmware Update 48 Configuring the Windows Media Player 11 6.Miscellaneous 33 About Firmware Update 48 DLNA Playback 11 7.Hardware Setup 33 Updating the Firmware via Network 48 Controlling Remote Playback from a PC 12 8.Remote Controller Setup 39 Updating the Firmware via USB 49 9.Lock Setup 39 Music Streaming from a Shared Folder 13 Troubleshooting 51 Operating Other Components Using Remote About Shared Folder 13 Reference Information 58 Setting PC 13 Controller 40 Playing from a Shared Folder 13 Functions of REMOTE MODE Buttons 40 Programming Remote Control Codes 40 En AM/FM Radio Receiving Function Tuning into stations manually 2. -
Content Social Media
content & social media CONTENT & SOCIAL MEDIA / 1 Introduction A couple of years ago, people were more insistent on keeping content marketing and social media marketing divided as clearly separate entities. However, as social media platforms have evolved and the ways in which brands communicate have changed to reflect such changes, the concepts of content vs social have started to blur. Ultimately, it doesn’t really matter if you’re writing a blog or you’re writing a social media post - both are content and both have the potential of helping you generate traffic, leads and sales. In the realm of social media, content is simply approached in a different way. You’re not writing an 800-word blog (at least not typically), rather you’re publishing shorter, easier- to-digest posts. Some may be text, others may be photos or videos, some may be a combination of these types. Depending on the platform, the kind of content you can craft also changes drastically. A simple example is Twitter’s restrictive 140-character limit per tweet - a parameter that essentially makes it a social microblog. CONTENT & SOCIAL MEDIA / 2 In this eBook, we will be looking at some of the most important points to remember when it comes to creating content on social media. These include: • IDENTIFYING AND UNDERSTANDING THE QUIRKS OF DIFFERENT SOCIAL MEDIA PLATFORMS - Facebook - Twitter - LinkedIn - Instagram - Google+ • CONSIDERING YOUR CONTENT - Text posts - Media / Photos & Videos - External links • THE IMPORTANCE OF CONSISTENCY CONTENT & SOCIAL MEDIA / 3 understanding thE Quirks of your social media platform Here’s a list of just some of the SOCIAL MEDIA PLATFORMS out there: Facebook Tumblr Twitter Snapchat LinkedIn Pinterest Instagram Myspace (yes, it still exists) Vine YouTube Google+ And potentially hundreds of other, smaller and lesser-known social networks The number is overwhelming, but the good news is that you can cut this list down to some of its key players. -
Issue No. 39 September/October 2016 3 Videogames Have Become Bonafide EYE Entertainment Franchises
Press Play LÉON Lewis Del Mar Luna Aura Marshmello NAO and more THE STORM ISSUE NO. 39 REPORT SEPTEMBER/OCTOBER 2016 TABLE OF CONTENTS 4 EYE OF THE STORM Press Play: How videogames could save the music industry 5 STORM TRACKER Roadies Roll Call, Kiira Is Killing It, The Best and the Brightest 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Martin Garrix. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Videogames have become a lucrative channel artists who are worth watching. Only those showing the most for musicians seeking incremental revenue promising potential for future commercial success make it onto our as well as exposure to a captive and highly monthly list. engaged audience. Soundtracks for games include a varied combination of original How do we know? music scores, sound effects and licensed tracks. Artists from Journey (yes, Journey) Through correspondence with industry insiders and our own ravenous to Linkin Park have created gamified music media consumption, we spend our month gathering names of artists experiences to bring their songs to visual who are “bubbling under”. We then extensively vet this information, life. In the wake of Spotify announcing an analyzing an artist’s print & digital media coverage, social media entire section of its streaming platform growth, sales chart statistics, and various other checks and balances to dedicated to videogame music, we’ve used ensure that our list represents the cream of the crop. -
Facebook Timeline
Facebook Timeline 2003 October • Mark Zuckerberg releases Facemash, the predecessor to Facebook. It was described as a Harvard University version of Hot or Not. 2004 January • Zuckerberg begins writing Facebook. • Zuckerberg registers thefacebook.com domain. February • Zuckerberg launches Facebook on February 4. 650 Harvard students joined thefacebook.com in the first week of launch. March • Facebook expands to MIT, Boston University, Boston College, Northeastern University, Stanford University, Dartmouth College, Columbia University, and Yale University. April • Zuckerberg, Dustin Moskovitz, and Eduardo Saverin form Thefacebook.com LLC, a partnership. June • Facebook receives its first investment from PayPal co-founder Peter Thiel for US$500,000. • Facebook incorporates into a new company, and Napster co-founder Sean Parker becomes its president. • Facebook moves its base of operations to Palo Alto, California. N. Lee, Facebook Nation, DOI: 10.1007/978-1-4614-5308-6, 211 Ó Springer Science+Business Media New York 2013 212 Facebook Timeline August • To compete with growing campus-only service i2hub, Zuckerberg launches Wirehog. It is a precursor to Facebook Platform applications. September • ConnectU files a lawsuit against Zuckerberg and other Facebook founders, resulting in a $65 million settlement. October • Maurice Werdegar of WTI Partner provides Facebook a $300,000 three-year credit line. December • Facebook achieves its one millionth registered user. 2005 February • Maurice Werdegar of WTI Partner provides Facebook a second $300,000 credit line and a $25,000 equity investment. April • Venture capital firm Accel Partners invests $12.7 million into Facebook. Accel’s partner and President Jim Breyer also puts up $1 million of his own money. -
London Junior Publicist Job Spec
JOB VACANCY Junior Publicist - London About WMA WMA exists to create impactful results for its partners across the digital space. We connect brands, artists and audiences through the convergence of digital media, from music and entertainment to lifestyle and technology. The WMA network is highly experienced and extends globally with bases in London, New York, LA and Nashville to provide a fully integrated digital service. By building strong relationships and original engagements, we work to create something truly memorable for our clients. Current clients: Ministry of Sound, Sony Music Canada, CMG, Decca Records, The Orchard, Sony Music Germany plus many more. The Role An incredible opportunity exists for an enthusiastic and motivated Junior Publicist to join our London team. The right candidate will be a strong writer with a proven track record of running multiple successful PR campaigns; confident in independently managing a diverse roster of artists and able to help deliver successful new business pitches. WMA works with a variety of clients that include major/indie label signed artists and several entertainment brands. The position is charged with developing and executing best in class PR campaigns for WMA’s clients and will include all aspects of account management. KEY RESPONSIBILITIES: • Delivering innovative PR campaigns to position talent, brands and WMA as industry leaders, especially in the digital space • Building and maintaining strong media relationships with UK publications/platforms • Working closely with our client roster -
Indie Blijft Ons Bezighouden Gratis Epub, Ebook
INDIE BLIJFT ONS BEZIGHOUDEN GRATIS Auteur: Ant. P. De Graaff Aantal pagina's: 143 pagina's Verschijningsdatum: 2003-06-21 Uitgever: Uitgeverij van Wijnen EAN: 9789051942668 Taal: nl Link: Download hier Indie blijft ons bezighouden / druk 1 De auteur, die van maart tot begin oktober zelf uitgezonden was naar het toenmalige Nederlands-Indië als sergeant -gewondenverzorger van het ste Bataljon Infanterie , heeft twintig boeken geschreven over de problematiek van de vooral dienstplichtige militairen die in de jaren na de Tweede Wereldoorlog naar Nederlands-Indië werden gezonden tijdens de politionele acties. Het bekendst werd zijn boek De heren worden bedankt , met in totaal zeven drukken. Met zijn boeken was De Graaff een spreekbuis geworden voor veel Indiëveteranen en stelde hij misstanden aan de kaak die Nederlandse soldaten destijds en als veteraan overkwamen. In leidde een verzoeningsreis van hem naar Indonesië waarbij ook met voormalige vijanden gesproken werd, tot commotie onder Indiëveteranen. Voor zijn boeken kreeg hij van het Ministerie van Defensie in de Kolonel Antoni Waardering uitgereikt. De Graaff overleed op 4 januari aan een herseninfarct. Hij werd 79 jaar. Zijn 19e boek Eindelijk erkenning verscheen in het voorjaar van Zijn 20e en laatste boek, waarvan bij zijn overlijden pagina 56 in de typemachine bleef steken, is alsnog uitgegeven in januari De titel hiervan is: "Vaarwel Kameraad! Uit Wikipedia, de vrije encyclopedie. Het dagboek van soldaat A. Naamruimten Artikel Overleg. Weergaven Lezen Bewerken Brontekst bewerken Geschiedenis. Gebruikersportaal Snelcursus Hulp en contact Donaties. Links naar deze pagina Verwante wijzigingen Bestand uploaden Speciale pagina's Permanente koppeling Paginagegevens Deze pagina citeren Wikidata-item. -
September 17, 2012
volume 12 - issue 3 - tuesday, september 18, 2012 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by rebeccalaurion Let me start out by saying that if you didn’t attend the Seth Meyers comedy show on September 6th, you really missed out. I’ll be the first to admit that the most recent seasons of Saturday Night Live (of which Meyers is the Head Writer, for those of you unaware) haven’t been the show’s best. So I was worried that the evening would be filled with the same lackluster material I’ve come to expect from Meyers, week af- ter week. I was actually concerned that the highlight of the evening would be when ev- eryone decided to simultaneously belt out by bendonovan “Somebody that I Used to Know” when it played over the loudspeakers. In the interest of full disclosure, I should So you can imagine my surprise when start by saying that I have been a lifelong Meyers stepped onto the stage, and pro- Democrat—I’ve worked on campaigns, I’ve ceeded to actually make me laugh. And interned for Democratic politicians, and not just in a chuckle-quietly-at-a-pass- I’ve voted Democrat in every election I’ve ing-humorous-remark style, but actually been eligible to participate in. laughing, leaning-forward-in-your-seat- But at the Democratic National Con- because-you-can’t-sit-upright laughing. vention in Charlotte, North Carolina two The question must be asked, however, weeks ago, and in over the subsequent week of why Meyers was more entertaining live of campaigning, the Democrats pulled off a in person than live on television. -
View Was Conducted with a Convenience Sample of Patients Being Treated for MM
JMIR Cancer Patient-Centered Innovations, Education and Technology for Cancer Care and Cancer Research Volume 4 (2018), Issue 2 ISSN: 2369-1999 Contents Original Papers Barriers and Facilitators of Using Sensored Medication Adherence Devices in a Diverse Sample of Patients With Multiple Myeloma: Qualitative Study (e12) Alemseged Asfaw, Connie Yan, Karen Sweiss, Scott Wirth, Victor Ramirez, Pritesh Patel, Lisa Sharp. 3 Web-Based Patient-Reported Outcomes Using the International Consortium for Health Outcome Measurement Dataset in a Major German University Hospital: Observational Study (e11373) Maria Karsten, Dorothee Speiser, Claudia Hartmann, Nele Zeuschner, Kai Lippold, Verena Kiver, Peter Gocke, Valerie Kirchberger, Jens-Uwe Blohmer. 14 Online Decision Support Tool for Personalized Cancer Symptom Checking in the Community (REACT): Acceptability, Feasibility, and Usability Study (e10073) Marzena Nieroda, Artitaya Lophatananon, Brian McMillan, Li-Chia Chen, John Hughes, Rona Daniels, James Clark, Simon Rogers, Kenneth Muir. 22 Association Between Adherence to Cancer Screening and Knowledge of Screening Guidelines: Feasibility Study Linking Self-Reported Survey Data With Medical Records (e10529) Aisha Lofters, Deanna Telner, Sumeet Kalia, Morgan Slater. 38 Exploring the Most Visible German Websites on Melanoma Immunotherapy: A Web-Based Analysis (e10676) Julia Brütting, Theresa Steeb, Lydia Reinhardt, Carola Berking, Friedegund Meier. 51 Reliability of Cancer Treatment Information on the Internet: Observational Study (e10031) Ryo Ogasawara, Noriyuki Katsumata, Tatsushi Toyooka, Yuko Akaishi, Takaaki Yokoyama, Gemmu Kadokura. 61 How to Optimize Health Messages About Cancer on Facebook: Mixed-Methods Study (e11073) Priscila Biancovilli, Claudia Jurberg. 68 A Rapid Process for Identifying and Prioritizing Technology-Based Tools for Health System Implementation (e11195) Emily Dibble, Bradley Iott, Allen Flynn, Darren King, Mark MacEachern, Charles Friedman, Tanner Caverly.