Loyola of Los Angeles Law Review Volume 5 Number 2 Article 4 4-1-1972 Drug Lyrics, the FCC and the First Amendment Tom Wheeler Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Law Commons Recommended Citation Tom Wheeler, Drug Lyrics, the FCC and the First Amendment, 5 Loy. L.A. L. Rev. 329 (1972). Available at: https://digitalcommons.lmu.edu/llr/vol5/iss2/4 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact
[email protected]. DRUG LYRICS, THE FCC AND THE FIRST AMENDMENT L INTRODUCTION In the late 1950's, a nimble-fingered black guitarslinger from Chicago sold nearly a million copies of a phonograph record which taunted: "Roll Over Beethoven, dig these rhythm and blues."1 Chuck Berry was acknowledging an explosive two or three year-old musical form which popularly became known as "rock and roll". During the last two decades, this billion dollar-a-year phenomenon2 has generated a staggering impact on youth. Essentially iconoclastic3 in its embryonic years and consistently identified with rebellious attitudes towards sex4 and other moral issues, this "profoundly subversive'"5 music was adopted as the "sounds of the American cultural revolution."6 Opposition was inevitable. Negative reactions ranged from the apathetic disgust of some critics7 to vigorous condemnation by civic 1.