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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Comment, March 1, 1979
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1979 The ommeC nt, March 1, 1979 Bridgewater State College Volume 52 Number 5 Recommended Citation Bridgewater State College. (1979). The Comment, March 1, 1979. 52(5). Retrieved from: http://vc.bridgew.edu/comment/461 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Vol. LII No.5 Bridgewater State College March 1,1979 Students to Receive Minimum by Karen Tobin The Comment attempted to students are getting 1t. Minimum On Tuesday, February 27, contact Dr. Richard Veno, the wage is low enough in these days of President Rondileau announced his Director of the Student Union, Dr. inflation." decision on the campus minimum -Owen McGowan, the Head David Morwick, Financial Aid wage question. Beginning on March Librarian, and David Morwick, the Officer, said that the new minimum 1, all students employed by Financial Aid Officer to find out their wage should not adversely effect the Bridgewater State College will' reactions to Dr. Rondileau's, College Work-Study Program. receive the federal minimum wage announcement. Dr. Vena was out people will simply eaam their money, of $2.90 per hour. (on business) and therefore could more quickly. He noted there is the i. Dr. Rondileau explained the not comment. Dr. McGowen. Head possibility that some of this year's decision, 'We studied the'situation Librarian, saId that the raise in awards may be increased but this is very carefully. We came to the best minimum. -
Robin Trower Biography by Greg Prato
New Releases Discover Articles Recommendations My Profile Search bmit Que Robin Trower Biography by Greg Prato One of rock's prime guitarists, due to his uncanny ability to channel Jimi Hendrix's blues-psych, Fender Strat- fueled playing style. Read Full Biography Overview Biography Discography Songs Credits Related Share on Artist Biography by Greg Prato Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945 in Catford, England, Trower spent the early '60s playing guitar in various London-based outfits, the most successful being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break, however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades. While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work and eventually left for a solo career. -
Students Arrested
4II& 0 / 4 - j , , 1 Vol. ix.No. #Theus ▼ university of nofre domeObserver - sf. many’s college MMonday, onday, >April 21, 1975 At local bar Students arrested CAME by Maureen Flynn “when this cop came over and I asked him Staff Reporter 'What’s going on?’ The next thing I knew he Six Notre Dame students were among nine ordered me to put my hands on the car and he persons arrested Friday night outside Bridget kicked my legs back. Then I was handcuffed and taken to the jail,” Herenda stated. NOTRE DAME McGuire’s Filling Station, a local tavern. Five of the six were charged with disobeying a "The only order he gave me was to put my COLLECTION public safety order to disperse after a hands on the car,” the student continued, “and I disturbance inside the tavern resulted in the did it right away.” Herenda voiced concern that arrest of a tenth person. The sixth was charged the incident might affect his chances for em with disorderly conduct. ployment. “I’m looking for a job right now,” he The students were released from the South said. “Now when they ask, Have you ever been Bend jail the next morning upon payment of $50 arrested?’ I’m going to have to answer yes. ‘For bond. what?’ Nothing.” Vice officers were initially called to Bridget Notre Dame junior John Cooper expressed McGuire’s at 1:45 a.m. to answer of a complaint consternation over the charge of disorderly of minors drinking in the building. According to conduct lodged against him. -
Diane Edith Watson: the Iconic Living Legend of Los Angeles Politics
VOL. LXXXVII NO. 6, $1.00 +CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself.” THURSDAY, FEBRUARY 11, 2021 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 Diane Edith Watson: The Iconic Living Legend of Los Angeles Politics Vice President Kamala has traveled the world and her family. She was born Harris. believes that understanding in Los Angeles in County The iconic political the culture, mentality and General Hospital. Her fa- leader still spends her days customs around the world, ther, William Allen Louis (although quarantined) on has played a large part in Watson, was one of the the phone talking, mentor- allowing her to understand first Black officers hired ing and issuing advice to and succeed in all of her in LAPD and she says her some of the most influen- positions, over her long mother, Dorothy Elizabeth tial leaders from Los An- and heralded political ca- O’Neal Watson, was an geles to Washington D.C. reer. educator and one of the or- Over her five decades in In an interview with The ganizers of Holman United Diane Edith Watson COURTESY PHOTO Diane Watson (m) on the podium at her district office in Los Angeles with the late John Mack (l) and Willis Edwards (r). COURTESY PHOTO BY DANNY J. BAKEWELL, JR. legendary political icon had had already spoken with a Executive Editor already been on the phone cadre of Washington D.C. with House Speaker Nancy leaders, all in the hopes that public service, Diane Wat- Sentinel, Watson spoke Methodist Church on Ad- Diane Edith Watson has Pelosi, was coordinating her the retired congresswoman son has been a school board about her life and says ams Blvd., although Wat- lived a full life and shows pink and green wardrobe was feeling up to making member, a California sena- that the basis of her acts- son is and has remained, to no signs of slowing down. -
The Ursinus Weekly, April 3, 1975" (1975)
Ursinus College Digital Commons @ Ursinus College Ursinus Weekly Newspaper Newspapers 4-3-1975 The rsinU us Weekly, April 3, 1975 Cynthia Fitzgerald Ursinus College Judith James Ursinus College C. Joy Keene Ursinus College Ruth Von Kummer Ursinus College Marilyn Harsch Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/weekly Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Fitzgerald, Cynthia; James, Judith; Keene, C. Joy; Von Kummer, Ruth; Harsch, Marilyn; Searles, Robert A.; and Saraco, Joseph, "The Ursinus Weekly, April 3, 1975" (1975). Ursinus Weekly Newspaper. 34. https://digitalcommons.ursinus.edu/weekly/34 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus Weekly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Cynthia Fitzgerald, Judith James, C. Joy Keene, Ruth Von Kummer, Marilyn Harsch, Robert A. Searles, and Joseph Saraco This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/weekly/34 mhr lltrsinus m.erkly Volume LXXIV THURSDAY, APRIL 3, 1975 Someone Old -~~~f.'3~f:~·....... : ,~~ t';)~,,~~ CCC-Student ____ ""'0 0 ~ • w. "'" ~ .0 _ Someone New "0 t:T~~. ,.' ~ ,.~ ~ Success Seen 1;!urdumy, Casebeer, Gleason familiar names like these have been Come to Ursznus Land of A, w!;7;!'~I;dK~:!£ in th' S'howing up on the list of candi minds of all Ursinus freshmen, the dates accepted for admission to Ur · D h ~h Central Coo rdinating Committee is sinus in the fall of '75. -
“Amarillo by Morning” the Life and Songs of Terry Stafford 1
In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. -
The PLU Percussion and Steel Pan Ensembles Friday, May 1, 2015 At
Studio Series: The PLU Percussion and Steel Pan Ensembles Friday, May 1, 2015 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music present Studio Series: The PLU Percussion and Steel Pan Ensembles Dr. Miho Takekawa, Director Friday, May 1, 2015 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches, pagers and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. Program PLU Steel Pan Ensemble Shaker ......................................................................................................................................... Tracy Thornton, edit. Steve Popernack Mambo In Miami ........................................................................................................................... Armando Peraza, arr. Matt Duback Air On The G String ................................................................................................................................ J.S. Bach, arr. Franz Grissom Baja ....................................................................................................................................................... Trinidad Traditional, arr. Shores Jeilymar Brady, Shayla Chaykin, Kaela Shoe, Adam Smith, Christine Smith, Tim Hager, drummer; Obe Quarless, community member PLU Percussion Ensemble Layers ..................................................................................................................................................................................... -
MUSIC LIST Email: Info@Partytimetow Nsville.Com.Au
Party Time Page: 1 of 73 Issue: 1 Date: Dec 2019 JUKEBOX Phone: 07 4728 5500 COMPLETE MUSIC LIST Email: info@partytimetow nsville.com.au 1 THING by Amerie {Karaoke} 100 PERCENT PURE LOVE by Crystal Waters 1000 STARS by Natalie Bassingthwaighte {Karaoke} 11 MINUTES by Yungblud - Halsey 1979 by Good Charlotte {Karaoke} 1999 by Prince {Karaoke} 19TH NERVIOUS BREAKDOWN by The Rolling Stones 2 4 6 8 MOTORWAY by The Tom Robinson Band 2 TIMES by Ann Lee 20 GOOD REASONS by Thirsty Merc {Karaoke} 21 - GUNS by Greenday {Karaoke} 21 QUESTIONS by 50 Cent 22 by Lilly Allen {Karaoke} 24K MAGIC by Bruno Mars 3 by Britney Spears {Karaoke} 3 WORDS by Cheryl Cole {Karaoke} 3AM by Matchbox 20 {Karaoke} 4 EVER by The Veronicas {Karaoke} 4 IN THE MORNING by Gwen Stefani {Karaoke} 4 MINUTES by Madonna And Justin 40 MILES OF ROAD by Duane Eddy 409 by The Beach Boys 48 CRASH by Suzi Quatro 5 6 7 8 by Steps {Karaoke} 500 MILES by The Proclaimers {Karaoke} 60 MILES AN HOURS by New Order 65 ROSES by Wolverines 7 DAYS by Craig David {Karaoke} 7 MINUTES by Dean Lewis {Karaoke} 7 RINGS by Ariana Grande {Karaoke} 7 THINGS by Miley Cyrus {Karaoke} 7 YEARS by Lukas Graham {Karaoke} 8 MILE by Eminem 867-5309 JENNY by Tommy Tutone {Karaoke} 99 LUFTBALLOONS by Nena 9PM ( TILL I COME ) by A T B A B C by Jackson 5 A B C BOOGIE by Bill Haley And The Comets A BEAT FOR YOU by Pseudo Echo A BETTER WOMAN by Beccy Cole A BIG HUNK O'LOVE by Elvis A BUSHMAN CAN'T SURVIVE by Tania Kernaghan A DAY IN THE LIFE by The Beatles A FOOL SUCH AS I by Elvis A GOOD MAN by Emerson Drive A HANDFUL -
Santana Spirits Dancing in the Flesh Mp3, Flac, Wma
Santana Spirits Dancing In The Flesh mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Spirits Dancing In The Flesh Country: Europe Released: 1990 Style: Psychedelic Rock, Classic Rock MP3 version RAR size: 1531 mb FLAC version RAR size: 1191 mb WMA version RAR size: 1728 mb Rating: 4.9 Votes: 489 Other Formats: AA MMF MPC MP2 ASF AUD MP1 Tracklist Hide Credits Let There Be Light / Spirits Dancing In The Flesh Bass – Alphonso JohnsonChoir – Charisse Dancy, Darryl Williams , De Anna Brown, Kevin Swan Butler, Lovetta Brown, Lynice Pinkard, Marjo Keller, Sandra Hunter Congas – Armando PerazaDirected By [Choir Director] – Edwin M. Harper. Jr.Drums – Walfredo 1 Reyes*Engineer – Jim GainesEngineer [Additional Engineering] – Devon BernardoniGuitar, 7:22 Narrator – Carlos SantanaKeyboards – Chester Thompson , Devon BernardoniLead Vocals – Stephen King Lead Vocals, Narrator – Tramaine HawkinsMixed By – Jim GainesMixed By [Additional Mixing] – Devon BernardoniProducer – Carlos Santana, Chester Thompson , Jim GainesVocals – Walter A. RedmondWritten-By – Carlos Santana, Chester Thompson Gypsy Woman Backing Vocals – Jim Gilstrap, Kevin Dorsey, Oren Waters, Phillip IngramBass – Benny RietveldCongas, Bongos – Armando PerazaDrums – Walfredo Reyes*Engineer – Paul 2 EricksenEngineer [Additional Engineering] – Devon BernardoniGuitar – Carlos 4:29 SantanaKeyboards – Chester Thompson Lead Vocals – Alex LigertwoodMixed By – Paul EricksenMixed By [Additional Mixing] – Devon BernardoniProducer, Arranged By – Peter Wolf Written-By – Curtis Mayfield -
Herbie Hancock 1 Jive Hoot (Bob Brookmeyer)
MUNI 20150420 – Herbie Hancock 1 Jive Hoot (Bob Brookmeyer) 4:43 From album BOB BROOKMEYER AND FRIENDS (Columbia CS 9037 / 468413) Bob Brookmeyer-vtb; Stan Getz-ts; Gary Burton-vib; Herbie Hancock-p; Ron Carter- b; Elvin Jones-dr. New York City, May 1964. Herbie Hancock: THE COMPLETE BLUE NOTE SIXTIES SESSIONS (all compositions by Herbie Hancock) Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey (all sessions) Three Wishes 5:10 Donald Byrd-tp; Wayne Shorter-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. December 11, 1961. From album Donald Byrd: FREE FORM (Blue Note 95961) Watermelon Man 7:08 Freddie Hubbard-tp; Dexter Gordon-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. May 28, 1962. From album TAKIN’ OFF (Blue Note 84109 / 46506) Yams 7:56 Jackie McLean-as; Donald Byrd-tp; Herbie Hancock-p; Butch Warren-b; Tony Williams-dr. February 11, 1963. Jackie McLean: VERTIGO (Blue Note LT-1085) Blind Man, Blind Man 8:16 Donald Byrd-tp; Grachan Moncur III-tb; Hank Mobley-ts; Grant Green-g; Herbie Hancock-p; Chuck Israels-b; Tony Williams-dr. March 19, 1963. MY POINT OF VIEW (Blue Note 84126 / 84126-2) Mimosa 6:34 Herbie Hancock-p; Paul Chambers-b; Willie Bobo-dr, timb; Oswaldo „Chihuahua“ Martinez-bongos, finger cymbals. August 30, 1963. INVENTIONS AND DIMENSIONS (Blue Note 84147 / -2) One Finger Snap 7:16 Freddie Hubbard-co; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr. June 17, 1964. EMPYREAN ISLES (Blue Note 84175 / -2) Maiden Voyage 7:55 Dolphin Dance 9:16 Freddie Hubbard-tp; George Coleman-ts; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr. -
Founder & Chairman of Electro Scan Inc
CHUCK HANSEN Founder & Chairman of Electro Scan Inc. Chuck Hansen has a pretty cool life outside of trenchless technology. He has played his saxophone on stage with the likes of Tower of Power, Huey Lewis, Todd Rundgren, to name a few. His passion for rock n’ roll music runs deep — rooted in his childhood and in full bloom as an adult. He plays live music with rock stars, as well as owns a recording studio, where he records his own music (he’s recorded 24 CDs) in addition to other artists. Hansen is known in trenchless circles as the founder and chairman of Electro Scan Inc. (2011) and was founder of Hansen Information Technologies (1983), which developed asset management systems for water and sewer agencies. Electro Scan is an alternative to CCTV cameras to certify a trenchless lining and rehab projects as “leak-free.” He’s been playing music for more than 50 years, first learning the clarinet from his brother in the second grade then switching to the big baritone sax in the eighth grade. By high school, he was tabbed to play in the famous Monterey Jazz Festival’s All-Star Band competition, allowing him to take the stage with the likes of Dizzy Gilliespe, Louis Belson and Clark Terry. He went on to play in the U.C. Berkeley Jazz Band. Today, Hansen plays, in addition to the baritone sax, the bass sax and the contrabass sax. His “real world” job sometimes inhibits when he can play but he says he does each with as much passion and gusto as he can; each requires such enthusiasm and commitment to be successful, he says.