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APPENDIX a Transportation Study
APPENDIX A Transportation Study Submitted by: 2990 Lava Ridge Court Suite 200 Roseville, CA 95661 DRAFT OCTOBER 2011 Chapter 4|THE PLAN Exhibit 4-1. Preferred Alternative Plan Prepared for: Old Sacramento State Historic Park General Plan and EIR | Page 4-5 Final Transportation Study for the Old Sacramento State Historic Park and California State Railroad Museum General Plan December 2011 RS10-2810 TABLE OF CONTENTS 1. Introduction .................................................................................. 1 Project Description .................................................................................................................................... 2 Study Intersections .................................................................................................................................... 3 Data Collection ......................................................................................................................................... 4 Standards of Significance ........................................................................................................................... 4 Analysis Methodology ............................................................................................................................... 6 2. Existing Conditions ........................................................................ 9 Project Area Transportation Facilities ........................................................................................................ -
Manifiesto De La Alhambra English
Fernando Chueca Goitia and others The Alhambra Manifesto (1953) Translated by Jacob Moore Word Count: 2,171 Source: Manifiesto de la Alhambra (Madrid, Dirección General de Arquitectura, 1953). Republished as El Manifiesto de la Alhambra: 50 años después: el monumento y la arquitectura contemporánea, ed. Ángel Isac, (Granada: Patronato de la Alhambra y Generalife, Consejería de Cultura, Junta de Andalucía : Tf Editores, 2006) 356-375. We, the signers of this Manifesto, do not want to be pure iconoclasts, for we are already too weary of such abrupt and arbitrary turns. So people will say: “Why the need for a Manifesto, a term which, almost by definition, implies a text that is dogmatic and revolutionary, one that breaks from the past, a public declaration of a new credo?” Simply put, because reality, whose unequivocal signs leave no room for doubt, is showing us that the ultimate traditionalist posture, which architecture adopted after the war of Liberation, can already no longer be sustained and its tenets are beginning to fall apart. […] Today the moment of historical resurrections has passed. There is no use denying it; just as one cannot deny the existence of the Renaissance in its time or that of the nineteenth century archaeological revivals. The arts have tired of hackneyed academic models and of cold, lifeless copies, and seek new avenues of expression that, though lacking the perfection of those that are known, are more radical and authentic. But one must also not forget that the peculiar conditions implicit in all that is Spanish require that, within the global historical movement, we move forward, we would not say with a certain prudence, but yes, adjusting realities in our own way. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Bioclimatic Devices of Nasrid Domestic Buildings
Bioclimatic Devices of Nasrid Domestic Buildings Luis José GARCÍA-PULIDO studies in ARCHITECTURE, HISTORY & CULTURE papers by the 2011-2012 AKPIA@MIT visiting fellows AKPIA@MIT 2 The Aga Khan Program for Islamic Architecture at the Massachusetts Institute of Technology 3 2011-2012 CONTENTS 1. INTRODUCTION 6.1.A.1. Control of Spaces and Natural Light 6.1.A.2. Reflecting Surfaces 2. CLIMATIC CHANGES IN THE PAST AND THEIR INFLUENCES 6.1.A.3. North-South Orientation 6.1.A.4. Microclimate Provided by Courtyards IN SOCIETIES 6.1.A.5. Spatial Dispositions around the Courtyard. The 2.1. The Roman Climatic Optimum Sequence Patio-Portico-Qubba/Tower 2.2. The Early Medieval Pessimum 6.1.B. Indirect Methods of Passive Refrigeration (Heat 2.3. The Medieval Warm Period Dissipation) 2.4. The Little Ice Age 6.1.B.1. Ventilation 6.1.B.2. Radiation 6.1.B.3. Evaporation and Evapotranspiration 3. BUILDING AGAINST A HARSH CLIMATE IN THE ISLAMIC WORLD 7. BIOCLIMATIC DEVICES IN OTHER ISLAMIC REGIONS 3.1. Orientation and Flexibility WITH COMPARABLE CLIMATOLOGY TO THE SOUTHEAST 3.2. Shading IBERIAN PENINSULA 3.3. Ventilation 7.1 The North West of Maghreb 7.1.1. The Courtyard House in the Medinas of North Maghreb 4. COURTYARD HOUSES 7.2 The Anatolian Peninsula 4.1. The Sequence from the Outside to the Courtyard 7.2.1. Mediterranean Continental Climate 4.2. Taming the Climate 7.2.2. Mediterranean Marine Climate 7.2.3. Mediterranean Mountainous Climate 5. NASRID HOUSE TYPOLOGY 7.2.4. Dry and Hot Climate 7.2.5. -
Grace Rochfort
Rochfort: Classicism and Anti-Classicism Agora Rochfort 1 Classicism and Anti-Classicism in the Quintessentially Romantic Grace Rochfort (Editor’s Note: The two Delacroix paintings mentioned in this essay are available through these two links: www.mystudios.com/.../delacroix-dante.htmland www.ibiblio.org/wm/paint/auth/delacroix/) At the turn of the nineteenth century, two different groups of idealists had formed; both were unhappy with the state of the world, but each had its own ideas about how to effect change. It was a battle between the head and the heart. Classicists chose to use intellect and had a responsibility toward civic duty, while Romantics opted to follow emotion and were individualistic. Washington Irving’sTales of the Alhambra is a quintessentially Romantic work that defies all Classicism. Contrasting this are Eugene Delacroix’s paintings, which are a combination of Romanticism and Neo-Classicism. When compared, the distinct themes of Classicism and anti-Classicism help to create a tension between the works and give them intrigue. Eugene Delacroix was an innovative and revolutionary Romantic painter who embellished his creations with imaginative detail. His earliest paintings were based on hearsay, legends, and the imagination of other writers and artists. In 1832, he traveled to Morocco, where the subjects and themes that he was seeking in many of his paintings came to life. In the same year, Irving publishedTales of the Alhambra, a short story that captures the exoticism of the palace in Granada, Spain. Irving got so caught up in the foreign culture that one evening, when Published by Digital Showcase @ University of Lynchburg, 2007 1 Agora, Vol. -
La Alhambra in Granada, One of the Most Beautiful and Admired Monuments in the Wold
La Alhambra in Granada, one of the most beautiful and admired monuments in the wold. An old legend says that the Alhambra was built by night, in the light of torches. Its reddish dawn did believe the people of Grenada that the color was like the strength of the blood. The Alhambra, a monument of Granada for Spain and the world. La Alhambra was so called because of its reddish walls (in Arabic, («qa'lat al-Hamra'» means Red Castle ). It is located on top of the hill al-Sabika, on the left bank of the river Darro, to the west of the city of Granada and in front of the neighbourhoods of the Albaicin and of the Alcazaba. The Alhambra is one of the most serenely sensual and beautiful buildings in the world, a place where Moorish art and architecture reached their pinnacle. A masterpiece for you to admire, and it is in Granada, a city full of culture and history. Experience the beauty and admire this marvel of our architectural heritage. Let it touch your heart. Granada is the Alhambra and the gardens, the Cathedral, the Royal Chapel, convents and monasteries, the old islamic district Albayzin where the sunset is famous in the world or the Sacromonte where the gypsies perform flamenco shows in the caves where they used to live...Granada is this and many more things. The Alhambra is located on a strategic point in Granada city, with a view over the whole city and the meadow ( la Vega ), and this fact leads to believe that other buildings were already on that site before the Muslims arrived. -
Metropolitan Transportation Improvement Program
- 2021-2024 Metropolitan Transportation Improvement Program SACOG MISSION BOARD MEMBERS AND MEMBER JURISDICTIONS Provide leadership and a Karm Bains, Sutter County dynamic, collaborative public Krista Bernasconi, City of Roseville forum for achieving an efficient regional transportation system, Gary Bradford, Yuba County innovative and integrated Chris Branscum, City of Marysville regional planning, and high quality of life within the greater Pamela Bulahan, City of Isleton Sacramento region. Trinity Burruss, City of Colfax Jan Clark-Crets, Town of Loomis Rich Desmond, Sacramento County Lucas Frerichs, City of Davis Sue Frost, Sacramento County Jill Gayaldo, City of Rocklin Lakhvir Ghag, City of Live Oak Bonnie Gore, Placer County Martha Guerrero, City of West Sacramento Shon Harris, City of Yuba City Rick Jennings, City of Sacramento Paul Joiner, City of Lincoln Patrick Kennedy, Sacramento County Mike Kozlowski, City of Folsom Rich Lozano, City of Galt Porsche Middleton, City of Citrus Heights Pierre Neu, City of Winters David Sander, City of Rancho Cordova Michael Saragosa, City of Placerville Don Saylor, Yolo County Jay Schenirer, City of Sacramento Matt Spokely, City of Auburn Tom Stallard, City of Woodland Darren Suen, City of Elk Grove Wendy Thomas, El Dorado County Rick West, City of Wheatland Amarjeet Benipal, Ex-Officio Member 2021-2024 MTIP Contents A Guide to the Metropolitan Transportation Improvement Program Contents Page Number Introduction ................................................................................................................................. -
65 – Alhambra. Granada, Spain. Nasrid Dynasty. 1354-1391 C.E., Whitewashed Adobe, Stucco, Wood, Tile, Paint, and Gilding
65 – Alhambra. Granada, Spain. Nasrid Dynasty. 1354-1391 C.E., Whitewashed adobe, stucco, wood, tile, paint, and gilding. (4 images) “the red female” – reflects the color of red clay of which the fort is made built originally as a medieval stronghold – castle, palace, and residential annex for subordinates o citadel is the oldest part, then the Moorish rulers(Nasrid) palaces . palace of Charles V (smaller Renaissance) built where part of the original Alhambra (including original main entrance) was torn down Royal complex had (for the wives and mistresses): running water (cold and hot) and pressurized water for showering – bathroom were open to the elements to allow light and air Court of the Lions o Oblong courtyard (116 x 66 ft) with surrounding gallery supported on 124 white marble columns (irregularly placed), filigree wall o Fountain – figures of twelve lions: symbols of strength, power, and sovereignty . Poem on fountain (written by Ibn Zamrak) praises the beauty of fountain and the power of the lions and describes the ingeious hydraulic systems –which baffled all who saw them (that made each of the lions in turn produce water from its mouth – one each hour) reflection of the culture of the last centuries of the Moorish rule of Al Andalus, reduced to the Nasrid Emirate of Granada (conquered by Spanish Christians in 1392) Artistic choices: reproduced the same forms and trends + creating a new style o Isolation from rest of Islam + relations with Christian kingdoms influenced building styles o No master plan for the total site o Muslim art in its final European stages – only consistent theme: “paradise on earth” o Red, blue, and a golden yellow (faded by time and exposure) are main colors o Decoration: mostly Arabic inscriptions made into geometric patterns made into arabesques (rhythmic linear patterns) Court of the Lions Hall of the Sisters . -
GEI Report Template Feb2009 and Msword 2007
Final American River Common Features Project General Reevaluation Report Historic Properties Management Plan Prepared for: U.S. Army Corps of Engineers, Sacramento District July 2017 Prepared by: Consulting Engineers and Scientists Final American River Common Features Project General Reevaluation Report Historic Properties Management Plan Prepared for: U.S. Army Corps of Engineers, Sacramento District 1325 J Street Sacramento, CA 95814-2922 Contact: Name: Melissa Montag Title: Senior Environmental Manager Phone: 916-557-7907 Prepared by: GEI Consultants, Inc. 2868 Prospect Park Drive, Suite 400 Sacramento, CA 95670 (916) 631-4500 Contact: Barry Scott, RPA Senior Archaeologist (916) 213.2767 July 17, 2017 Barry Scott, MA, RPA Senior Archaeologist Project No. 1602400 Table of Contents Acronyms and Abbreviations .................................................................................................................................. v Executive Summary and Content of Document .................................................................................................... 1 Chapter 1. Introduction and Description of the Undertaking ................................................................... 1-1 1.1 Purpose and Application of the Historic Properties Management Plan .......................... 1-1 1.1.1 Roles and Responsibilities ................................................................................. 1-2 1.2 Description of the Undertaking ....................................................................................... -
Barcelona, Spain: Fall 2017
Barcelona, Spain: Fall 2017 Course Descriptions (11/01/16 ht) Contra Costa Community College District (Diablo Valley College) HUM 105: Introduction to Humanities- Arts & Ideas 3 units Did you know that you can “read” gardens to determine what a culture thinks about power, death and beauty? Why are there so many references to nature in Barcelona’s architectural jewels? How did three Catalan artists change art forever? How do artists and writers respond to tragedies like WWI and the Spanish Civil War? If these questions intrigue you, or if you just love the idea of understanding the ideas and history behind the splendor of Barcelona, then take this fun interdisciplinary class. Through our unit on the cultural history of European gardens you’ll analyze the metaphysics inherent in places like Gaudi’s Park Güell, Granada’s Al Alhambra and Paris’ Versailles. We’ll study the philosophical roots of the Catalan Modernisme movement and see how Barcelona’s buildings were part of a larger trend of urban planning. You’ll learn the amazing story of how art was radically changed by Picasso, Miró and Dalí, three impoverished Catalan painters who saw “reality” a completely different way. Finally we’ll study the impact of WWI and the Spanish Civil War on the arts, from Picasso’s Guernica, to works by American writer Ernest Hemingway. This class will incorporate many field trips (maybe even an optional one to Paris), so be prepared to explore. MATH 124: Mathematics for Liberal Arts 3 Units Prerequisite: Intermediate Algebra = the prerequisite equivalent at DVC is MATH 120 or 119 or equivalent. -
Public Art Implementation Budget
CITY OF WEST SACRAMENTO WASHINGTON DISTRICT PUBLIC ART IMPLEMENTATION PLAN CONTENTS EXECUTIVE SUMMARY . 1 ACKNOWLEDGEMENTS . 5 SECTION 1 . BACKGROUND . 9 SECTION 2 . PROPOSED ART CONCEPTS . 25 SECTION 3 . IMPLEMENTATION . 69 APPENDICES . 79 APPENDIX A: PRELIMINARY ENGAGEMENT AND SURVEY SUMMARY APPENDIX B: COLLECTION MANAGEMENT PROCEDURES APPENDIX C: COMMUNITY ENGAGEMENT 1 EXECUTIVE SUMMARY 2 EXECUTIVE SUMMARY 3 EXECUTIVE SUMMARY intentions for art investments, the WDPAIP will expand PURPOSE opportunities to integrate art into the planning, funding, Public art helps to support a vibrant urban riverfront. and design of capital improvement projects and new It encourages pedestrian, scooter, and bicycle travel private investment. The WDPAIP builds upon the by adding visual interest and wayfinding to the public interaction between the development and redevelopment streetscape and enriching the pedestrian and bicycling of new housing and commercial projects with walkability, experience. Public art is a driver of local economic transportation pathways and nodes, iconic architecture, development and has the potential to catalyze and foster the River Walk, and historical landmarks. Anselm Keifer Sculpture, London community identity. The Washington District Public Art Implementation Plan (WDPAIP) defines a distinct art POLICY CONTEXT West Sacramento, and the Crocker Art Museum, to create investment strategy to foster transit-oriented, pedestrian- a comprehensive plan for public art and arts experiences A primary impetus for the plan is Washington Realized, and bike-friendly development patterns. This Plan connecting both cities with pedestrian-friendly pathways. A Sustainable Community Strategy, which was adopted in provides guidance the City will use to develop public 2015 as a framework for updating the 1996 Washington artworks that highlight the Riverfront, gateway corridors, District Specific Plan. -
Sacramento (Calif.) Planning Department Records
http://oac.cdlib.org/findaid/ark:/13030/c8j390d9 No online items Guide to the Sacramento (Calif.) Planning Department records Sean Heyliger Center for Sacramento History 551 Sequoia Pacific Blvd. Sacramento, California 95811-0229 Phone: (916) 808-7072 Fax: (916) 264-7582 Email: [email protected] URL: http://www.centerforsacramentohistory.org/ © 2013 Center for Sacramento History. All rights reserved. Guide to the Sacramento (Calif.) CTY0008 1 Planning Department records Guide to the Sacramento (Calif.) Planning Department records Collection number: CTY0008 Center for Sacramento History Sacramento, CA Processed by: Sean Heyliger Date Completed: 2019-08-19 Encoded by: Sean Heyliger © 2013 Center for Sacramento History. All rights reserved. Descriptive Summary Title: Sacramento (Calif.) Planning Department records Dates: 1955-2008 Bulk Dates: 1976-1996 Collection number: CTY0008 Creator: Sacramento (Calif.). City Planning Department Collection Size: 16 boxes(16 linear feet) Repository: Center for Sacramento History Sacramento, California 95811-0229 Abstract: The Sacramento (Calif.). City Planning Department records consist of 16 boxes of Sacramento residential and non-residential building surveys conducted mostly between 1976-1996. Each survey consists of a historical/architectural survey form which includes information about the structure such as building type, architect, builder, date of construction, style, significant architectural features, additions/alterations, evaluation desingation and a photograph of the structure. Physical location: 7H1, 7H2, 7I1 Languages: Languages represented in the collection: English Access Collection is open for research use. Publication Rights All requests to publish or quote from private collections held by the Center for Sacramento History (CSH) must be submitted in writing to [email protected]. Permission for publication is given on behalf of CSH as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the patron.