65 – Alhambra. Granada, Spain. Nasrid Dynasty. 1354-1391 C.E., Whitewashed Adobe, Stucco, Wood, Tile, Paint, and Gilding

Total Page:16

File Type:pdf, Size:1020Kb

65 – Alhambra. Granada, Spain. Nasrid Dynasty. 1354-1391 C.E., Whitewashed Adobe, Stucco, Wood, Tile, Paint, and Gilding 65 – Alhambra. Granada, Spain. Nasrid Dynasty. 1354-1391 C.E., Whitewashed adobe, stucco, wood, tile, paint, and gilding. (4 images) “the red female” – reflects the color of red clay of which the fort is made built originally as a medieval stronghold – castle, palace, and residential annex for subordinates o citadel is the oldest part, then the Moorish rulers(Nasrid) palaces . palace of Charles V (smaller Renaissance) built where part of the original Alhambra (including original main entrance) was torn down Royal complex had (for the wives and mistresses): running water (cold and hot) and pressurized water for showering – bathroom were open to the elements to allow light and air Court of the Lions o Oblong courtyard (116 x 66 ft) with surrounding gallery supported on 124 white marble columns (irregularly placed), filigree wall o Fountain – figures of twelve lions: symbols of strength, power, and sovereignty . Poem on fountain (written by Ibn Zamrak) praises the beauty of fountain and the power of the lions and describes the ingeious hydraulic systems –which baffled all who saw them (that made each of the lions in turn produce water from its mouth – one each hour) reflection of the culture of the last centuries of the Moorish rule of Al Andalus, reduced to the Nasrid Emirate of Granada (conquered by Spanish Christians in 1392) Artistic choices: reproduced the same forms and trends + creating a new style o Isolation from rest of Islam + relations with Christian kingdoms influenced building styles o No master plan for the total site o Muslim art in its final European stages – only consistent theme: “paradise on earth” o Red, blue, and a golden yellow (faded by time and exposure) are main colors o Decoration: mostly Arabic inscriptions made into geometric patterns made into arabesques (rhythmic linear patterns) Court of the Lions Hall of the Sisters .
Recommended publications
  • Castile and the Conquest of Granada
    RUSSIAN ACADEMY OF SCIENCES Institute of Oriental Manuscripts (Asiatic Museum) WRITTEN MONUMENTS OF THE ORIENT Founded in 2014 Issued biannually 2017 (1) Editors Irina Popova, Institute of Oriental Manuscripts, RAS, St. Petersburg (Editor-in-Chief) Svetlana Anikeeva, Vostochnaya Literatura Publisher, Moscow Tatiana Pang, Institute of Oriental Manuscripts, RAS, St. Petersburg Elena Tanonova, Institute of Oriental Manuscripts, RAS, St. Petersburg Published with the support Editorial Board of St. Petersburg State Desmond Durkin-Meisterernst, Turfanforschung, University Alumni Association BBAW, Berlin and Irina and Yuri Vasilyev Michael Friedrich, Universität Hamburg Foundation Yuly Ioannesyan, Institute of Oriental Manuscripts, RAS, St. Petersburg Karashima Seishi, Soka University, Tokyo Aliy Kolesnikov, Institute of Oriental Manuscripts, RAS, St. Petersburg Alexander Kudelin, Institute of World Literature, RAS, Moscow Karine Marandzhyan, Institute of Oriental Manuscripts, RAS, St. Petersburg Nie Hongyin, Institute of Ethnology and Anthropology, CASS, Beijing Georges-Jean Pinault, École Pratique des Hautes Études, Paris Stanislav Prozorov, Institute of Oriental Manuscripts, RAS, St. Petersburg Rong Xinjiang, Peking University Nicholas Sims-Williams, University of London Takata Tokio, Kyoto University Stephen F. Teiser, Princeton University Hartmut Walravens, Staatsbibliothek zu Berlin Nataliya Yakhontova, Institute of Oriental Manuscripts, RAS, St. Petersburg Nauka Peter Zieme, Freie Universität Berlin Vostochnaya Literatura 2017 IN THIS
    [Show full text]
  • MJMES Volume VIII
    Volume VIII 2005-2006 McGill Journal of Middle East Studies Revue d’études du Moyen-Orient de McGill MCGILL JOURNAL OF MIDDLE EAST STUDIES LA REVUE D’ÉTUDES DU MOYEN- ORIENT DE MCGILL A publication of the McGill Middle East Studies Students’ Association Volume VIII, 2005-2006 ISSN 1206-0712 Cover photo by Torie Partridge Copyright © 2006 by the McGill Journal of Middle East Studies A note from the editors: The Mandate of the McGill Journal of Middle East Studies is to demonstrate the dynamic variety and depth of scholarship present within the McGill student community. Staff and contributors come from both the Graduate and Undergraduate Faculties and have backgrounds ranging from Middle East and Islamic Studies to Economics and Political Science. As in previous issues, we have attempted to bring this multifaceted approach to bear on matters pertinent to the region. *** The McGill Journal of Middle East Studies is registered with the National Library of Canada (ISSN 1206-0712). We have regularized the subscription rates as follows: $15.00 Canadian per issue (subject to availability), plus $3.00 Canadian for international shipping. *** Please address all inquiries, comments, and subscription requests to: The McGill Journal of Middle East Studies c/o MESSA Stephen Leacock Building, Room 414 855 Sherbrooke Street West Montreal, Quebec H3A 2T7 Editors-in-chief Aliza Landes Ariana Markowitz Layout Editor Ariana Markowitz Financial Managers Morrissa Golden Avigail Shai Editorial Board Kristian Chartier Laura Etheredge Tamar Gefen Morrissa Golden
    [Show full text]
  • Manifiesto De La Alhambra English
    Fernando Chueca Goitia and others The Alhambra Manifesto (1953) Translated by Jacob Moore Word Count: 2,171 Source: Manifiesto de la Alhambra (Madrid, Dirección General de Arquitectura, 1953). Republished as El Manifiesto de la Alhambra: 50 años después: el monumento y la arquitectura contemporánea, ed. Ángel Isac, (Granada: Patronato de la Alhambra y Generalife, Consejería de Cultura, Junta de Andalucía : Tf Editores, 2006) 356-375. We, the signers of this Manifesto, do not want to be pure iconoclasts, for we are already too weary of such abrupt and arbitrary turns. So people will say: “Why the need for a Manifesto, a term which, almost by definition, implies a text that is dogmatic and revolutionary, one that breaks from the past, a public declaration of a new credo?” Simply put, because reality, whose unequivocal signs leave no room for doubt, is showing us that the ultimate traditionalist posture, which architecture adopted after the war of Liberation, can already no longer be sustained and its tenets are beginning to fall apart. […] Today the moment of historical resurrections has passed. There is no use denying it; just as one cannot deny the existence of the Renaissance in its time or that of the nineteenth century archaeological revivals. The arts have tired of hackneyed academic models and of cold, lifeless copies, and seek new avenues of expression that, though lacking the perfection of those that are known, are more radical and authentic. But one must also not forget that the peculiar conditions implicit in all that is Spanish require that, within the global historical movement, we move forward, we would not say with a certain prudence, but yes, adjusting realities in our own way.
    [Show full text]
  • Six Canonical Projects by Rem Koolhaas
    5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript
    [Show full text]
  • The Berber Identity: a Double Helix of Islam and War by Alvin Okoreeh
    The Berber Identity: A Double Helix of Islam and War By Alvin Okoreeh Mezquita de Córdoba, Interior. Muslim Spain is characterized by a myriad of sophisticated and complex dynamics that invariably draw from a foundation rooted in an ethnically diverse populace made up of Arabs, Berbers, muwalladun, Mozarebs, Jews, and Christians. According to most scholars, the overriding theme for this period in the Iberian Peninsula is an unprecedented level of tolerance. The actual level of tolerance experienced by its inhabitants is debatable and relative to time, however, commensurate with the idea of tolerance is the premise that each of the aforementioned groups was able to leave a distinct mark on the era of Muslim dominance in Spain. The Arabs, with longstanding ties to supremacy in Damascus and Baghdad exercised authority as the conqueror and imbued al-Andalus with culture and learning until the fall of the caliphate in 1031. The Berbers were at times allies with the Arabs and Christians, were often enemies with everyone on the Iberian Peninsula, and in the times of the taifas, Almoravid and Almohad dynasties, were the rulers of al-Andalus. The muwalladun, subjugated by Arab perceptions of a dubious conversion to Islam, were mired in compulsory ineptitude under the pretense that their conversion to Islam would yield a more prosperous life. The Mozarebs and Jews, referred to as “people of the book,” experienced a wide spectrum of societal conditions ranging from prosperity to withering persecution. This paper will argue that the Berbers, by virtue of cultural assimilation and an identity forged by militant aggressiveness and religious zealotry, were the most influential ethno-religious group in Muslim Spain from the time of the initial Muslim conquest of Spain by Berber-led Umayyad forces to the last vestige of Muslim dominance in Spain during the time of the Almohads.
    [Show full text]
  • Table of Contents: Lesson Set for “Cities of Light”
    TABLE OF CONTENTS: LESSON SET FOR “CITIES OF LIGHT” BASIC LESSONS ENRICHMENT LESSONS INTRODUCTORY ACTIVITIES 1: Vocabulary Lesson 7: Map Activities ● Words and definitions by segment ● Al-Andalus in world/regional history ● Introduction to quotes by experts & ● Al-Andalus the Jewel: geographic characteristics context clues of the Iberian Peninsula 2: Viewers Guide 8: Introduction to the Abrahamic Faiths ● Overview of each film chapter ● Background reading and activity MAKING THE POINT OF THE FILM 3: Reading a Historical Map Sequence 9: Material Culture: Achievements of al-Andalus ● Outline maps showing periods in al- ● Material culture in al-Andalus in text and image Andalus history (sciences, arts, technologies, crafts) 4: Timeline Activity 10: Andalusian Literature [Primary Source ● Tracing the chronology of events and Activity]: periods in Andalusian history ● Poetry highlighting aspects of life in al-Andalus, with analysis (technology, reflections on politics, social life) 5: Discussing the Film 11: Story of the Transfer of Knowledge from the ● Questions for each film segment Ancients to Islamic Spain to Europe 12: Legend vs. History: Will the Real El Cid Please Stand Up? CONCLUDING ACTIVITIES 6: Tolerance and Intolerance: 13: Analyzing Secondary Sources: How Do Conditions and Outcomes Modern Historians Assess the Significance of a. Questions, Flow Charts & Keys Muslim Spain? b. Applying the film’s message to our times ● How do historians view the legacy of Spain ● What lessons can we draw from this legacy? SPECIAL FEATURE: Historical Fiction: The Sword CITIES OF LIGHT Film, website, and curriculum lesson plans made possible with support from Unity Productions Foundation, the U.S. Department of Education Title VI grant awarded to Georgetown University, and the United States Institute of Peace.
    [Show full text]
  • Al-Andalus' Lessons for Contemporary European
    IMMIGRATION, JUSTICE AND SOCIETY AL-ANDALUS’ LESSONS FOR CONTEMPORARY EUROPEAN MODELS OF INTEGRATION MYRIAM FRANÇOIS • BETHSABÉE SOURIS www.europeanreform.org @europeanreform Established by Margaret Thatcher, New Direction is Europe’s leading free market political foundation & publisher with offices in Brussels, London, Rome & Warsaw. New Direction is registered in Belgium as a not-for-profit organisation and is partly funded by the European Parliament. REGISTERED OFFICE: Rue du Trône, 4, 1000 Brussels, Belgium. EXECUTIVE DIRECTOR: Naweed Khan. www.europeanreform.org @europeanreform The European Parliament and New Direction assume no responsibility for the opinions expressed in this publication. Sole liability rests with the author. AUTHORS TABLE OF CONTENTS 1 INTRODUCTION 6 2 AL-ANDALUS’ MODEL OF INTEGRATION 8 2.1 THE IBERIAN HISTORY FROM THE MUSLIM CONQUEST TO THE RECONQUISTA 10 2.1.1 Visigoth Spain 11 2.1.2 The Muslim advance in Arabia and Northern Africa 11 2.1.3 The conquest of Spain 12 2.1.4 The unstable first years of the Umayyad dynasty 14 2.1.5 The golden ages of the Caliphate of Cordoba 14 2.1.6 The fall of the Caliphate of Cordoba 16 2.1.7 The end of Al-Andalus and the Reconquista 16 2.2 2.2 THE SOCIAL MODEL OF INTEGRATION OF AL-ANDALUS 18 2.2.1 The social and religious landscape 19 2.2.2 Controversy over the meaning of ‘convivencia’ 19 2.2.3 Protection of religious’ communities boundaries 21 2.2.4 Towards an increased integration and acculturation: The Arabization of the non-Muslim communities 22 2.2.5 The cultural impact of the convivencia 25 Myriam François Bethsabée Souris 2.2.6 Limits of coexistence 26 Dr Myiam Francois is a journalist and academic with a Bethsabée Souris is a PhD candidate in Political Science at 3 TODAY’S EUROPEAN MODELS OF MUSLIM INTEGRATION 28 focus on France and the Middle East.
    [Show full text]
  • Bioclimatic Devices of Nasrid Domestic Buildings
    Bioclimatic Devices of Nasrid Domestic Buildings Luis José GARCÍA-PULIDO studies in ARCHITECTURE, HISTORY & CULTURE papers by the 2011-2012 AKPIA@MIT visiting fellows AKPIA@MIT 2 The Aga Khan Program for Islamic Architecture at the Massachusetts Institute of Technology 3 2011-2012 CONTENTS 1. INTRODUCTION 6.1.A.1. Control of Spaces and Natural Light 6.1.A.2. Reflecting Surfaces 2. CLIMATIC CHANGES IN THE PAST AND THEIR INFLUENCES 6.1.A.3. North-South Orientation 6.1.A.4. Microclimate Provided by Courtyards IN SOCIETIES 6.1.A.5. Spatial Dispositions around the Courtyard. The 2.1. The Roman Climatic Optimum Sequence Patio-Portico-Qubba/Tower 2.2. The Early Medieval Pessimum 6.1.B. Indirect Methods of Passive Refrigeration (Heat 2.3. The Medieval Warm Period Dissipation) 2.4. The Little Ice Age 6.1.B.1. Ventilation 6.1.B.2. Radiation 6.1.B.3. Evaporation and Evapotranspiration 3. BUILDING AGAINST A HARSH CLIMATE IN THE ISLAMIC WORLD 7. BIOCLIMATIC DEVICES IN OTHER ISLAMIC REGIONS 3.1. Orientation and Flexibility WITH COMPARABLE CLIMATOLOGY TO THE SOUTHEAST 3.2. Shading IBERIAN PENINSULA 3.3. Ventilation 7.1 The North West of Maghreb 7.1.1. The Courtyard House in the Medinas of North Maghreb 4. COURTYARD HOUSES 7.2 The Anatolian Peninsula 4.1. The Sequence from the Outside to the Courtyard 7.2.1. Mediterranean Continental Climate 4.2. Taming the Climate 7.2.2. Mediterranean Marine Climate 7.2.3. Mediterranean Mountainous Climate 5. NASRID HOUSE TYPOLOGY 7.2.4. Dry and Hot Climate 7.2.5.
    [Show full text]
  • Grace Rochfort
    Rochfort: Classicism and Anti-Classicism Agora Rochfort 1 Classicism and Anti-Classicism in the Quintessentially Romantic Grace Rochfort (Editor’s Note: The two Delacroix paintings mentioned in this essay are available through these two links: www.mystudios.com/.../delacroix-dante.htmland www.ibiblio.org/wm/paint/auth/delacroix/) At the turn of the nineteenth century, two different groups of idealists had formed; both were unhappy with the state of the world, but each had its own ideas about how to effect change. It was a battle between the head and the heart. Classicists chose to use intellect and had a responsibility toward civic duty, while Romantics opted to follow emotion and were individualistic. Washington Irving’sTales of the Alhambra is a quintessentially Romantic work that defies all Classicism. Contrasting this are Eugene Delacroix’s paintings, which are a combination of Romanticism and Neo-Classicism. When compared, the distinct themes of Classicism and anti-Classicism help to create a tension between the works and give them intrigue. Eugene Delacroix was an innovative and revolutionary Romantic painter who embellished his creations with imaginative detail. His earliest paintings were based on hearsay, legends, and the imagination of other writers and artists. In 1832, he traveled to Morocco, where the subjects and themes that he was seeking in many of his paintings came to life. In the same year, Irving publishedTales of the Alhambra, a short story that captures the exoticism of the palace in Granada, Spain. Irving got so caught up in the foreign culture that one evening, when Published by Digital Showcase @ University of Lynchburg, 2007 1 Agora, Vol.
    [Show full text]
  • The Islamic Legacy of Spain Dr
    © 2006 Deveny 1 The Islamic Legacy of Spain Dr. Thomas Deveny, McDaniel College Islam in Spain National Geographic: what was the most important city in the world in the year 1000? “Spain is Different” (or: “Europe ends at the Pyrenees”) Geography: Al-Andalus Córdoba Sevilla Granada (Toledo, etc.) History: Islamic Presence: 711-1492 and beyond Spain at the beginning of the eighth century; the invasion Córdoba: Umayyad Emirate (756-929): Abd ar-Rahman “The Immigrant” Umayyad Caliphate (929-1031): Abd ar-Rahman III (Medina az-Zahra) Al-Mansur: “aceifas” Sevilla: Taifa Kingdoms (1031-1090) Hispano-Muslim , Berber, Slavs; Toledo reconquered: 1085 The Almohavids and Almohads (1090-1212): Berber reform movements Granada: Nasrid Dynasty Muhammed ibn Nasr: Coexistence: Mozárabes, mudéjares; moriscos Alfonso X (1221-1284): school of translators in Toledo Edict of expulsión: 1609 Art and Architecture Architectural features: arches, alfiz, ajimez, mocárabes, azulejos Córdoba: Great Mosque; Medina az-Zahra Sevilla: Giralda, Almorávid walls, etc. Granada: Alhambra, Generalife Toledo, Málaga, Valencia, Zaragoza, Teruel, etc. Agriculture The Green Revolution Scientific Legacy Mathematics: numeric system Translations of Euclides “Las Tablas” Optics Astronomy © 2006 Deveny 2 Cultural Legacy Philosophy Ibn Rushd (Averroes) Maimómedes Poetry Jarchas Ibn Hasm: The Ring of the Dove History Ibn Jaldún Daily Life Language Customs Exhibits, web sites Language Administration: aduana, alcalde, Science:álgebra, cenit, cifra Home: almohada, alfombra, taza Agriculture:
    [Show full text]
  • Mexico and Spain on the Eve of Encounter
    4 Mexico and Spain on the Eve of Encounter In comparative history, the challenge is to identify significant factors and the ways in which they are related to observed outcomes. A willingness to draw on historical data from both sides of the Atlantic Ocean will be essen- tial in meeting this challenge. — Walter Scheidel (2016)1 uring the decade before Spain’s 1492 dynastic merger and launching of Dtrans- Atlantic expeditions, both the Aztec Triple Alliance and the joint kingdoms of Castile and Aragón were expanding their domains through con- quest. During the 1480s, the Aztec Empire gained its farthest flung province in the Soconusco region, located over 500 miles (800 km) from the Basin of Mexico near the current border between Mexico and Guatemala. It was brought into the imperial domain of the Triple Alliance by the Great Speaker Ahuitzotl, who ruled from Tenochtitlan, and his younger ally and son- in- law Nezahualpilli, of Texcoco. At the same time in Spain, the allied Catholic Monarchs Isabela of Castile and Ferdinand of Aragón were busy with military campaigns against the southern emirate of Granada, situated nearly the same distance from the Castilian heartland as was the Soconusco from the Aztec heartland. The unification of the kingdoms ruled by Isabela and Ferdinand was in some sense akin to the reunifi- cation of Hispania Ulterior and Hispania Citerior of the early Roman period.2 The conquest states of Aztec period Mexico and early modern Spain were the product of myriad, layered cultural and historical processes and exchanges. Both were, of course, ignorant of one another, but the preceding millennia of societal developments in Mesoamerica and Iberia set the stage for their momentous en- counter of the sixteenth century.
    [Show full text]
  • Islam in Spain 1 Islam in Spain
    Islam in Spain 1 Islam in Spain Islam in Spain has had a fundamental presence in the culture and history of the nation. The religion was present in modern Spanish soil from 711 until 1492 under the rule of the Arabs and Moors of al-Andalus. For key historical dates, see Timeline of the Muslim presence in the Iberian peninsula. As of 2007, an estimated over 1 million Muslims live in Spain,[1] most of them recent immigrants from North Africa, Middle East, and South Asia; although there are also some Spanish converts, estimated at around 20,000.[2] The first Mosque after the Moors were expelled in 1492, in modern Spain, was built after approximately 500 years in 1982.[3] History Conquest Hispania was the Latin name given to the whole Iberian Peninsula (covering the territories of present day Spain and Portugal), and after the fall of the Western Roman Empire (476 AD) the Teutonic tribe of Visigoths ended up ruling the whole peninsula until the Islamic conquest (during that time they pushed another Teutonic tribe out—the Vandals – and conquered another one—the Suevi). It is frequently stated in historical sources that Spain was one of the former Roman provinces where the Latin language and culture The Great Mosque of Córdoba turned church after the Reconquista. grew deep roots. After the fall of the Empire the Visigoths continued the tradition by becoming probably the most Romanized of all Teutonic tribes. On April 30 of 711, Berber leader Tariq ibn-Ziyad landed at Gibraltar and by the end of the campaign most of the Iberian Peninsula (except for small areas in the north-west such as Asturias and the Basque territory) were brought under Islamic rule.
    [Show full text]