FJU TU Fils 1909-1944

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i I^T A *. i «< ; » <• .» FJU TU filS 1909-1944 RECONSTRUCTING THE UNIVERSE EDITED BY VIVIEN GREENE CONTENTS 21 Introduction VIVIEN GREENE 22 The Invention of the Programmatic Avant-Garde CLAUDIA SALARIS 50 The Dynamics of Futurism's Historiography ENRICO CRISPOLTI 58 Futurism, Politics, and Society ADRIAN LYTTELTON Modified Divisionism: On Zang Tumb Tuuum Futurism, Fascism, and Mino Futurist Painting in 1910 JEFFREY T.SCHNAPP Somenzi's Journals of the 1930s: SIMONETTA FRAQUELLI 156 Futurismo, Sant'Elia, 79 and Artecrazia The Reign of the Man Whose SUSAN THOMPSON Futurist Serate and Gallery Roots Are Cut: Dehumanism and 256 Performances Anti-Christianity in the Futurist Revolution GUNTER BERGHAUS Gerardo Dottori, 90 EMILIO GENTILE the Umbrian Futurists, 170 and Regional Futurism Giacomo Balla, Anton Giulio MASSIMO DURANTI and Etienne-Jules Futurism and Italian Intervention in Bragaglia, Marey 261 MARTA BRAUN World War I 95 WALTER L. ADAMSON Shock and Awe: Futurist Aeropittura 175 and the Theories Giacomo Balla: of Giulio Douhet The Conquest of Speed Rosa Rosa and the Question of EMILY BRAUN FABIO BENZI Gender in Wartime Futurism 269 103 LUCIA RE 184 Futurist Ceramics Futurist Music SILVIA BARISIONE GIOVANNI LISTA Gilbert Clavel, Fortunato Depero, 116 and Balli Plastici: Rome and Capri, 287 1917-1918 The Lacerba Show in Florence and GABRIELLA BELLI Futurist Photography: Futurism's Exhibition Strategy 191 Tato and the 1930s DANIELA FONTI MARIA ANTONELLA PELIZZARI 120 The Opera d'Arte Totale 295 VIVIEN GREENE 211 The Question of Terminal for a "Unique Forms": Theory and Works Civilian Airport: The Pavilion of the as the of FLAVIO FERGONZl Capri Epicenter Futurist Movement "Slow" Futurism 127 at the Triennial MICHELANGELO SABATINO MATTEO FOCHESSATI "A Futurism of Place": 221 309 Futurist Travel and the European and Dance Avant-Garde, 1910-1914 Futurism Slow Time: Futurist Murals MARINA ISGRO PATRIZIA VEROLI ROMY GOLAN 136 227 317 Drawn into the Future: Ivo Pannaggi: Celestial Futurism Urban Visions by Mario Chiattone Meccano-Futurista, and the "Parasurreal" and Antonio Sant'Elia Constructivist, Proletarian LISA PANZERA ESTHER DA COSTA MEYER CHRISTINE POGGI 326 141 235 339 Plates 350 Index 334 Selected Bibliography 338 Glossary.

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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Fillia's Futurism Writing, Politics, Gender and Art after the First World War Permalink https://escholarship.org/uc/item/2r47405v Author Baranello, Adriana Marie Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Fillia’s Futurism Writing, Politics, Gender and Art after the First World War A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian By Adriana Marie Baranello 2014 © Copyright by Adriana Marie Baranello 2014 ABSTRACT OF THE DISSERTATION Fillia’s Futurism Writing, Politics, Gender and Art after the First World War By Adriana Marie Baranello Doctor of Philosophy in Italian University of California, Los Angeles, 2014 Professor Lucia Re, Co-Chair Professor Claudio Fogu, Co-Chair Fillia (Luigi Colombo, 1904-1936) is one of the most significant and intriguing protagonists of the Italian futurist avant-garde in the period between the two World Wars, though his body of work has yet to be considered in any depth. My dissertation uses a variety of critical methods (socio-political, historical, philological, narratological and feminist), along with the stylistic analysis and close reading of individual works, to study and assess the importance of Fillia’s literature, theater, art, political activism, and beyond. Far from being derivative and reactionary in form and content, as interwar futurism has often been characterized, Fillia’s works deploy subtler, but no less innovative forms of experimentation. For most of his brief but highly productive life, Fillia lived and worked in Turin, where in the early 1920s he came into contact with Antonio Gramsci and his factory councils.
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Opere D'arte Moderna E Contemporanea 5 2
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Futurism in Chicago (June 26) 9/17/09 4:19 PM
Futurism in Chicago (June 26) 9/17/09 4:19 PM ItalianFuturism.org Events, Exhibitions, and Scholarship pertaining to Italian Futurism Search Home Exhibition List Contact Facebook Manifestos About Posts Comments Futurism in Chicago (June 26) Categories Select Category By Jess P. Recent Publications Published: 25 June 2009 8:46 PM MDTPosted in: Events, ExhibitionsTags: chicago, flory Powered by LibraryThing Comments [1] Digg it! Links Facebook Edit Post (CISF) Centro Internazaionale di Studi EVENT sul Futurismo Alberto Bragaglia website 100th Anniversary of the Birth of the Futurist Movement Archivi del futurismo in With the Participation of Massimiliano Finazzer Flory Sicilia Beinecke Library Friday, June 26, 2009, 6:00pm Centro di Studi Aldo Italian Cultural Institute Chicago Palazzeschi Comitato Nazionale per le In celebration of the most important and stimulating Italian contribution to the Celebrazioni del Manifesto renewal of artistic culture in the 20th century, this evening will explore the futurista multiplicity of Futurism through the theatrical reading of a selection of Futurist Estorick Collection manifestos by Massimiliano Finazzer Flory, accompanied by musical Futur-ism improvisations and a dance piece. FuturAltare http://www.italianfuturism.org/2009/06/futurism-in-chicago/ Page 1 of 3 Futurism in Chicago (June 26) 9/17/09 4:19 PM FuturisMI A truly unique performance characterized by a panorama of the expressions and Futurist Restaurant shades of the Futurist movement, the most radical Italian avant-garde movement, Lacerba
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Modern & Contemporary
Modern & Contemporary Art New Bond Street, London | 27 June 2019 Detail lot 13 Detail lot 39 Detail lot 23 Detail lot 36 Modern & Contemporary Art New Bond Street, London I Thursday 27 June 2019 at 4pm VIEWING ENQUIRIES CUSTOMER SERVICES REGISTRATION 101 New Bond Street, London Cassi Young Monday to Friday 8.30am to 6pm IMPORTANT NOTICE Saturday 22 June 11am - 5pm +44 (0) 20 7468 5815 +44 (0) 20 7447 7447 Please note that all customers, Sunday 23 June 11am - 5pm [email protected] irrespective of any previous activity Monday 24 June 9am - 4pm As a courtesy to intending with Bonhams, are required to Tuesday 25 June 9.30am - 5pm Itziar Ramos bidders, Bonhams will provide a complete the Bidder Registration Wednesday 26 June 9am - 5pm +44 (0) 20 7468 8263 written indication of the physical Form in advance of the sale. The Thursday 27 June 9am - 1pm [email protected] condition of lots in this sale if a form can be found at the back of request is received up to 24 hours every catalogue and on our website SALE NUMBER THANKS TO: before the auction starts. This at www.bonhams.com and should written Indication is issued subject be returned by email or post to the 25601 Benedetta Alpini Olivier Morris-Jones to Clause 3 of the Notice to Bidders. specialist department or to the bids department at [email protected] CATALOGUE William Mees Tim Readhead ILLUSTRATIONS £30.00 Nathan Brown Front cover: Lot 33 To bid live online and / or leave Back cover: Lot 27 internet bids please go to BIDS © ADAGP, Paris and DACS, www.bonhams.com/auctions/25601 +44 (0) 20 7447 7447 London 2019 and click on the Register to bid link +44 (0) 20 7447 7401 fax at the top left of the page.
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Futurismo : 1909-1944 / Claudia Salaris
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Filippo Tommaso Marinetti Correspondence and Papers, 1886-1974, Bulk 1900-1944
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Filippo Tommaso Marinetti: “Como Se Seduce a Las Mujeres”: Un Ejemplo De Prosa Futurista
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LIBRERIA PONTREMOLI · Futurismo · Collezione Mughini
COLLEZIONE MUGHINI COLLEZIONE MUGHINI / LIBRERIA ANTIQUARIA PONTREMOLI LIBRERIA ANTIQUARIA PONTREMOLI Via Vigevano 15 - 20144 Milano Tel. (+39) 02 58 10 38 06 www.libreriapontremoli.it [email protected] LIBRERIA ANTIQUARIA PONTREMOLI TIPO_1315T14-Pontremoli@001-172 02/12/14 16:16 Pagina 2 TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 3 TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 4 A pagina precedente: Benedetta (?), Marinetti, Prampolini e Tato nella sala futurista della III Biennale romana, marzo 1925. TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 5 FUTURISMO / COLLEZIONE MUGHINI TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 6 TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 7 COLLEZIONE MUGHINI LIBRERIA ANTIQUARIA PONTREMOLI MILANO TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 8 LIBRERIA ANTIQUARIA PONTREMOLI Via Vigevano 15 - 20144 Milano Tel. (+39) 02 58 10 38 06 www.libreriapontremoli.it [email protected] Ricerca bibliografica e immagini: Giacomo Coronelli Progetto grafico e impaginazione: Santo Alligo Per i dati tipografico/editoriali vedi colophon in fine Milano, dicembre 2014 TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 9 SOMMARIO Il futurismo di Mughini, Lucia Di Maio e Giovanni Milani p. 11 Libri futuristi addio, Giampiero Mughini p. 13 FUTURISMO / COLLEZIONE MUGHINI Catalogo p. 23 BOT! / COLLEZIONE MUGHINI Lo scaffale di Enrica, Giacomo Coronelli p. 293 Catalogo p. 297 Bibliografia p. 321 TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 10 TIPO_1315T14-Pontremoli@001-172 02/12/14 16:17 Pagina 11 COLLEZIONE MUGHINI IL FUTURISMO DI GIAMPIERO MUGHINI i domanda Giampiero Mughini, quasi in chiusura de La collezione: «Che farò un giorno dei libri che vi sto raccontando? Varranno a qualcuno? Non so».
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