Modern & Contemporary

Modern & Contemporary Art New Bond Street, London | 27 June 2019 Detail lot 13

Detail lot 39

Detail lot 23

Detail lot 36 Modern & Contemporary Art New Bond Street, London I Thursday 27 June 2019 at 4pm

VIEWING ENQUIRIES CUSTOMER SERVICES REGISTRATION 101 New Bond Street, London Cassi Young Monday to Friday 8.30am to 6pm IMPORTANT NOTICE Saturday 22 June 11am - 5pm +44 (0) 20 7468 5815 +44 (0) 20 7447 7447 Please note that all customers, Sunday 23 June 11am - 5pm [email protected] irrespective of any previous activity Monday 24 June 9am - 4pm As a courtesy to intending with Bonhams, are required to Tuesday 25 June 9.30am - 5pm Itziar Ramos bidders, Bonhams will provide a complete the Bidder Registration Wednesday 26 June 9am - 5pm +44 (0) 20 7468 8263 written indication of the physical Form in advance of the sale. The Thursday 27 June 9am - 1pm [email protected] condition of lots in this sale if a form can be found at the back of request is received up to 24 hours every catalogue and on our website SALE NUMBER THANKS TO: before the auction starts. This at www.bonhams.com and should written Indication is issued subject be returned by email or post to the 25601 Benedetta Alpini Olivier Morris-Jones to Clause 3 of the Notice to Bidders. specialist department or to the bids department at [email protected] CATALOGUE William Mees Tim Readhead ILLUSTRATIONS £30.00 Nathan Brown Front cover: Lot 33 To bid live online and / or leave Back cover: Lot 27 internet bids please go to BIDS © ADAGP, Paris and DACS, www.bonhams.com/auctions/25601 +44 (0) 20 7447 7447 London 2019 and click on the Register to bid link +44 (0) 20 7447 7401 fax at the top left of the page. [email protected] PRESS ENQUIRIES To bid via the internet +44 (0) 20 7468 5871 please visit bonhams.com [email protected] Telephone bidding Please note that bids should be submitted no later than 4pm on the day prior to the sale. New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bid not being processed.

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Bonhams 1793 Limited Bonhams International Board Registered No. 4326560 Malcolm Barber Co-Chairman, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Montpelier Street, London SW7 1HH Matthew Girling CEO, Asaph Hyman, Caroline Oliphant, +44 (0) 20 7393 3900 Edward Wilkinson, Geoffrey Davies, James Knight, +44 (0) 20 7393 3905 fax Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Rupert Banner, Simon Cottle. Specialists for this Auction

London

Cassi Young Specialist, Head of Sale

Itziar Ramos Junior Cataloguer

Impressionist & Modern India Phillips Global Head

Hannah Foster Head of Department, London

Ruth Woodbridge Specialist, London

Julia Ryff Specialist, London

Aimée Honig Junior Specialist, London

Frederick Millar Junior Cataloguer, London

Post-War & Contemporary Ralph Taylor Global Head

Giacomo Balsamo International Head of Sale Departmental Director Clémence Tasiaux Head of Department, London

Maria Mattsson-Louguinets Specialist, London

Irene Sieberger Junior Specialist, London

Anna Smith Cataloguer, London International Representatives

Europe

Catherine Yaiche Paris

Emma Dalla Libera Rome

Luca Curradi Milan

Emilie Millon Paris

Andrea Bodmer Zurich

Thomas Kamm Munich

Katharina Schmid Stuttgart

Marie Lingenthal Hamburg

Kieran O’Boyle Dublin

Koen Samson Amsterdam

Johann Leibbrandt Madrid

Teresa Ybarra Barcelona

Asia Livie Gallone-Moeller Geneva

Filipa de Andrade Lisbon

Edward Wilkinson Hong Kong

Bernadette Rankine Singapore

Yao Yao London

Dorothy Lin Hong Kong

Annie Kwok Beijing

Ryo Wakabayashi Tokyo Sale Information

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Payment All charges due to Cadogan Tate may be paid to them in advance or at the time of collection from their warehouse. Payment may be made by cash, credit, or debit card (Please note Amex is not accepted).

Information on charges Central Middlesex Acton Ln Hospital due is available by email at Park Royal [email protected] Acton Ln or telephone on Cadogan Tate +44 (0) 800 988 6100 Coronation Road W e d s P a te a o r r n R k A v e R e s A o 40 a y h a Park l C

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West Acton Horn Lane Station Detail lot 35 INTRODUCTION

This summer, Bonhams is delighted to present the inaugural Modern & Contemporary Art sale at our global headquarters at New Bond Street. A fresh auction concept and platform, this sale celebrates works from the avant-garde to the contemporary. Creating a dialogue between established and respected artists from the early twentieth century to boundary pushing contemporary figures, Modern & Contemporary Art explores the discerning and curated taste of today’s collector.

Modern classics from renowned artists Joan Miró, Léonard Tsuguharu Foujita and Max Ernst are in conversation with works by 2019 Turner Prize nominee Oscar Murillo and contemporary female artists including Cecily Brown, Giosetta Fioroni and Jenny Holzer. A dynamic grouping of Italian Futurism from the first half of the twentieth century precedes captivating works from the Op Art Movement executed in the 70s, discussing two key periods of the past century.

A further highlight of the sale is the rare and complete group of 131 full-sized skateboard decks by Supreme. One of the most sought-after apparel brands in the world, Supreme has successfully blurred the boundaries between streetwear, visual culture and the arts. Collaborating with contemporary artists Cindy Sherman, Gilbert & George, Urs Fischer and Raymond Pettibon to name a few, Supreme’s designs are exclusive and highly coveted. 1 AR GIOSETTA FIORONI (B. 1932) Liberty, 1967 signed and dated giosetta fioroni ‘67 (lower right) metallic enamel and graphite on paper 50 x 69.9 cm. 19 11/16 x 27 1/2 in.

£4,500 - 6,500 US$5,700 - 8,200 €5,100 - 7,300

Provenance Collection of the artist, Rome Sale: Bonhams, London, Vision 21, 30 June 2010, lot 231 Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 13 2 JENNY HOLZER (B. 1950) Provenance Selection from the SURVIVAL SERIES (Fingers slide where the brain is Barbara Gladstone Gallery, New York close...), 1983-1985 Studio Guenzani, Milan painted aluminium mounted on board Acquired directly from the above by the present owner circa 1993 15.2 x 21.8 cm. 6 x 8 9/16 in.

This work is number two from an edition of ten.

£4,000 - 6,000 US$5,100 - 7,600 €4,500 - 6,800

This work is accompanied by a certificate of authenticity signed by the artist.

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 3 SHARA HUGHES (B. 1981) Exhibited Tal’s Bathroom, 2008 Rivoli, Galleria Metroquadro, Shara Hughes, 2009, p. 12, illustrated in signed and dated SHARA HUGHES 2008 (lower right); signed, titled colour, p. 40, illustrated and dated SHARA HUGHES 2008 “Tals Bathroom” (on the reverse) acrylic, oilstick, glitter, gold leaf and mixed media on paper 57 x 76 cm. 22 7/16 x 29 15/16 in.

£4,000 - 6,000 US$5,100 - 7,600 €4,500 - 6,800

Provenance Galleria Metroquadro, Rivoli Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 15 4 AR DAVID BRIAN SMITH (B. 1981) Provenance Ant Hill-Wednesday, 2012 Albert Baronian Gallery, Brussels oil and gold leaf on herringbone linen Bernier/Eliades, Athens 180 x 150 cm. Acquired directly from the above by the present owner in 2014 70 7/8 x 59 1/16 in. Exhibited £4,000 - 6,000 London, Carl Freedman Gallery, David Brian Smith: Goodwill and The US$5,100 - 7,600 Unknown Man, 2012 €4,500 - 6,800

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 5 TP CAMERON JAMIE (B. 1969) Personnage I, 2014 glazed ceramic 180 x 31.5 x 33 cm. 70 7/8 x 12 3/8 x 13 in.

£5,000 - 7,000 US$6,300 - 8,900 €5,600 - 7,900

This work is accompanied by a photo-certificate of authenticity signed by the artist.

Provenance Bernier/Eliades, Athens Acquired directly from the above by the present owner in 2014

Exhibited Athens, Bernier/Eliades, Cameron Jamie, 2014

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 17 6 AR CHANTAL JOFFE (B. 1969) Provenance Untitled, 1998 Galleria In Arco, Turin signed and dated Chantal Joffe 1998 (on the reverse) Acquired directly from the above by the present owner oil on board (double sided) 29 x 21.5 cm. Exhibited 11 7/16 x 8 7/16 in. Turin, Galleria In Arco, Facts & Fictions: La nuova pittura internazionale tra immaginario e realtà, 1998, pp. 10-11, illustrated in colour Vigevano, Castello di Vigevano, La Donna oggetto, 2006, p. 69, £1,800 - 2,500 illustrated in colour US$2,300 - 3,200 €2,000 - 2,800

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 7 AR CECILY BROWN (B. 1969) Provenance Untitled, 2010 Two Palms, New York signed and dated Cecily Brown 2010 (on the reverse) Acquired directly from the above by the present owner monotype on lanaquarelle 96 x 76.3 cm. 37 13/16 x 30 1/16 in.

£7,000 - 10,000 US$8,900 - 13,000 €7,900 - 11,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 19 8 AR LÉONARD TSUGUHARU FOUJITA (1886-1968) Portrait de jeune femme, 1941 signed and inscribed in Japanese and further signed and dated Foujita 1941 (lower left) watercolour, pen, India ink and estompe on paper 26.5 x 18.5 cm. 10 7/16 x 7 5/16 in.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

Provenance Private Collection, France

Literature Sylvie Buisson, Léonard-Tsuguharu Foujita, sa vie, son oeuvre, Vol. II, Paris 2001, p. 371, no. 41.30, illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

FUTURISMO

“Everything is moving, running, changing fast. A profile is never The subdued war and post-war period is often misconstrued still before our eyes, but increasingly appears and disappears… as the virtual dissolution of Futurism, however, it is quite the Moving objects multiply, change shape as they follow one contrary. The movement continued to develop and evolve upon another, like headlong vibrations, in space. That is how a tirelessly, eventually culminating in one of the most defining running horse does not have four legs, but twenty…” – Umberto movements of the Italian Modern Art scene: Aeropittura. In Boccioni, 1910 1919, Marinetti gathered 460 works for the Grande Esposizione Nazionale Futurista where he offered the opportunity for In early 1909 the editor, poet and promoter of the arts a number of young Futurists to debut. He referred to the Filippo Tommaso Marinetti exploded onto the Italian cultural formative, pre-war years as “the first futurists”, subsequently scene with his Futurist manifesto, which swiftly became a prompting Julius Evola to refer to the “second Futurist period”, transatlantic and global phenomenon with movements such thus second wave Futurism came to be. This second wave of as Rayonism, Precisionism and Vorticism, amongst others, all artistic endeavour found inspiration by focusing on the industrial drawing immense influence from it. Having initially been coined post-war reconstruction, which pushed the Futurists to explore “Electricism”, then “Dynamism”, Marinetti eventually, and very “mechanical art”, as Paladini describes so passionately: “Teeth deliberately, settled on the name “Futurism”. It was a title that and gears, cogs and dynamos, the magnificent architectures he hoped would stir the hearts and minds of the Italian youth, to of cranes and iron bridges, blast furnaces, gas generators and rid them of their creative shackles and topple the long standing towers with their dizzying mechanics…The straight line, firm traditional of rigidity, convention and antiquity in Italian art. The and aristocratic…Pure steel and three-dimensional forms of vigour and public demonstrations with which the movement nuts and bolts of the factory world, the source of modern life manifested itself perhaps more closely resembled a political and of our great revolt” (p. 132). What better and more modern revolution, as opposed to a creative one. Marinetti had created mechanical form than the aeroplane, which was dubbed by an ideology and new sociological approach to the world, one Marinetti himself as “the very symbol of Futurism”. It is this motif that would have far-reaching effects on art history. that became the most prominent icon for the second wave futurists through Aeropittura. The completely undiscovered, Whilst the Futurist movement had originally been born from unpainted motion of flight and aerial observation provided an a literary mind, it was only a matter of time before Marinetti exhilarating new subject matter and was entirely Futurist by met with equally inquisitive painters, subsequently expanding definition. The seamless gliding of a plane over an expansive the group from a visual capacity. In February 1910, Giacomo landscape offered a far cleaner, more dynamic energy than Balla, Carlo Carrà, Gino Severini, Umberto Boccioni and Luigi that of the motorcar rushing through the busy streets and also Russolo’s names appeared on the official publication of the first offered a new perspective for emotive abstraction. painters’ manifesto of the Futurist movement, the Manifesto dei Pittori futuristi. With a particular interest in the huge technological The role Marinetti and Futurism played in rejuvenating Italy’s and scientific advances of the early twentieth century, the culture over the twentieth century was, and indeed very much Futurist painters devoured the energy and dynamism of the still is, vast and the effect on global avant-garde movements metropolis, modern industry and of contemporary inventions equally so. The present selection of Italian Futurist works offers such as the car. They produced works of great emotion, as a truly eclectic display of the diversity of the Futurist movement Peter Selz described it, “[translating] the kinetic rhythms and the from some of the period’s finest artists. Giacomo Balla’s playful confused, intense sensations of modern life into potent visual Futurist fashion design worked onto the surface of a postcard, form” (Futurism, The Museum of Modern Art, New York, 1961, Pippo Rizzo’s energetic rendition of a spot lit circus clown p. 7). However, as with many of the avant-garde movements juggling on stage, transporting us to the lively city evening, and of this time, the onslaught of global war and the modernised finally Giulio D’Anna’s glorious Messina landscapes with the industrialisation of death brought tragedy to the ranks this iconic Caproni aeroplane gracefully gliding through the sky, it group of vibrant and promising artists. is no wonder that Aeropittura is often considered as the liveliest expression of Italian modern art, and that it had such a profound effect on the art of the early twentieth century. 9 * AR GIACOMO BALLA (1871-1958) Figura femminile (recto); Movimento Futurista Roma (on the reverse), circa 1920 indistinctly signed (lower left); inscribed TANTI FUTUR [sic] SALUTI ALLA AMATISSSSSSIIIIIMA [sic] CLARA CAILLOT MOVIMENTOFUTURISTA [sic] ROMA (on the reverse) gouache and pen and ink on postal card (recto); gouache, watercolour and pen and ink on postal card (on the reverse) 13.7 x 8.6 cm. 5 3/8 x 3 3/8 in.

£5,000 - 7,000 US$6,300 - 8,900 €5,600 - 7,900

The authenticity of this work has kindly been confirmed by Dott.ssa Elena Gigli.

Reverse Provenance Charlotte Caillot Collection, Rome, circa 1920, a gift from the artist Private Collection, U.S.A.

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 10 AR PIPPO RIZZO (1897-1964) Exhibited Giocoliere, circa 1921 Florence, Associazione Culturale NAJS, Serate Futuriste, 2011, signed Pippo Rizzo (lower left) illustrated in colour on the cover of the exhibition catalogue oil on board laid down on panel Turin, Galleria Matteotti, Depero Futurista L’Arte dell’avvenire, 2016, p. 80.5 x 61.5 cm. 54, illustrated in colour 31 11/16 x 24 3/16 in.

£20,000 - 30,000 US$25,000 - 38,000 €23,000 - 34,000

The authenticity of this work has kindly been confirmed by the Archivio Storico Futuristi Siciliani.

Provenance Private Collection, Palermo Private Collection, Rome Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 25 11 AR ROBERTO MARCELLO BALDESSARI (1894-1965) Figura con mantello rosso [Le Bistrot], 1921 signed R·M·BALDESSARI (lower right) and inscribed LE BISTROT (upper centre); signed, titled and dated Roberto Marcello Baldessari: 1921 figura con mantello rosso (on the reverse) oil on canvas 96.9 x 72 cm. 38 1/8 x 28 3/8 in.

£40,000 - 60,000 US$51,000 - 76,000 €45,000 - 68,000

The authenticity of this work has kindly been confirmed by the Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari. This work will be included in the forthcoming Roberto Marcello Baldessari catalogue raisonné, currently being prepared by Dott. Maurizio Scudiero.

Provenance Salvatore Betti Collection, Rome/Buenos Aires Private Collection, Rome Private Collection, Italy Acquired directly from the above by the present owner

Roberto Marcello Baldessari was one of the great figures of Italian In 1918 Baldessari’s style entered a phase of Cézannian influence, in Futurism, together with his fellow founders Giacomo Balla and Umberto which the lines started to soften, altering the intensity of the angular Boccioni. After his apprenticeship with Luigi Comel at the Scuola Reale shapes and transforming the overwhelming plasticity through softer Elisabettiana in Rovereto, Baldessari moved to Florence in 1915 where fringed brush strokes. This new technique is typified by Figura con he first encountered and adhered to Futurist principles. During his mantello rosso. In the present work, the strong lines on the left side of stay in Florence he often visited the café Le Giubbe Rosse, a hotbed the painting slowly lose their rigidity as they flow to the right, producing of Futurist activity, and collaborated with the Futurist magazines L’Italia a captivating and partially abstract composition. Figura con mantello Futurista and Roma Futurista!. During these years, he came to define rosso is one of the last works to be considered strictly Futurist, before his own personal pictorial style for which he would later be known. the artist moved towards a more figurative style in the early-1920s.

We are grateful to Dott. Maurizio Scudiero for his assistance cataloguing this work.

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

12 AR GIULIO D’ANNA (1908-1978) Santuario della Madonna di Tindari + aerei Caproni, 1928 - 1929 signed ‘G. D’ANNA’ (lower left) oil on panel 50 x 63 cm. 19 11/16 x 24 13/16 in.

£25,000 - 35,000 US$32,000 - 44,000 €28,000 - 39,000

The authenticity of this work has kindly been confirmed by the Archivio Storico Futuristi Siciliani.

Provenance Private Collection, Italy Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 13 AR GIULIO D’ANNA (1908-1978) Paesaggio simultaneo + aerei Caproni, circa 1929 - 1930 signed G. D’ANNA (lower right) gouache and pencil on buff paper 44.5 x 59.9 cm. 17 1/2 x 23 9/16 in.

£10,000 - 15,000 US$13,000 - 19,000 €11,000 - 17,000

The authenticity of this work has kindly been confirmed by the Archivio Storico Futuristi Siciliani.

Provenance Private Collection, Italy Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 29 14 AR BRUNO MUNARI (1907-1998) Fra due aeroplani signed MUN. (centre) and inscribed fra due aereoplani di uguali caratteristiche di volo - quello che richiede per la sua produzione in serie il minor numero di uomini-ora é senza discussione il migliore - (lower centre), further inscribed al tratto (upper centre) and inscribed again c,8 nero-o. 14 ink, collage and pencil on paper 17.5 x 11.9 cm. 6 7/8 x 4 11/16 in.

£1,800 - 2,200 US$2,300 - 2,800 €2,000 - 2,500

Provenance Private Collection, Rome

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 15 AR GERARDO DOTTORI (1884-1977) Gerardo Dottori was an exponent of Italian Futurism, and the first Futurist to Alba-paesaggio, 1932 exhibit at the Venice Biennial in 1924. Known primarily for his representation fresco laid down on board of the landscape of Umbria, seen from the skies, he contributed to the 36.6 x 110 cm. Futurist movement with the invention of the Aeropittura technique, 14 7/16 x 43 5/16 in. promulgated in the 1929 manifesto entitled Perspectives of Flight.

The present fresco comes from the main residence of the Tenuta £15,000 - 20,000 Chiugiana, near Perugia, and was painted in 1932 alongside the entire US$19,000 - 25,000 cycle of frescos present in the villa. The Tenuta Chiugiana was built by €17,000 - 23,000 an important Umbrian entrepreneur in the late 1920s, upon the ruins of an old monastery. The owner of the house, Felicioni, was a close The authenticity of this work has kindly been confirmed by the Archivio friend of Dottori and he commissioned the artist to decorate the rooms Gerardo Dottori. of the upper floors of the building with landscapes, and various floral and marine motives. The works remained in situ until the end of the Provenance 1960s when Felicioni’s heirs ordered for the decorations to be removed. Felicioni Collection, Perugia Private Collection, Italy Alba-paesaggio depicts an abstract landscape constructed using Acquired directly from the above by the present owner strong geometrical shapes, filled with bright primary colours. The artist depicts here the moment of dawn, in full dynamic glory. Literature Massimo Duranti, Gerardo Dottori, Catalogo generale ragionato, We are grateful to Dott. Massimo Duranti for his assistance cataloguing Perugia 2006, p. 633, no. 888 - 1832, illustrated this work.

OP ART

Across fantastical mirages of colour, pattern and form, the dynamic perspectives and dizzying surfaces pioneered by the optical art movement (op art) emerged in earnest in the 1960s and 1970s, experimenting with geometry to push the aesthetic margins of the psychology of perception to their apogee. Dadamaino, Victor Vasarely and Jiří Hilmar represent three key op artists working across Europe in the second half of the Twentieth Century, each emerging from their respective milieus with exceptional approaches to the illusionistic depth of the canvas, adopting visual effects and trompe l’oeil techniques to construct paintings and assemblages that beguile the spectator’s sense of space and movement.

From discrete series and periods of each artist, the present works illustrate the variety of styles and methods of the op artists. Presaging the simplicity of Minimalism, with close ties to Lucio Fontana, Piero Manzoni’s Azimuth collective and the Zero group in Germany, Dadamaino was a leading member of the Italian avant-garde whose work developed a quintessential purity, interested as she was in the lucid, spatial potentialities of the canvas plane. Sharing a concern for how surfaces can function through relative movement, Hilmar, born in Czechoslovakia, fused a rational order of individual elements to produce shimmering surfaces; an effect that Vasarely generated with a masterful understanding of how composition and perspective produces the effect of three-dimensionality. Iconic and hugely influential, Vasarely’sCATHÉ (1973-1975) is a gleaming example of the artist’s distinctive warping quadrant.

Three exemplary works from the 1970s by distinguished op artists, the following lots demonstrate the remarkable range and visual impact of the illusionary style that is so evocative of the art and design of the period, using simple techniques to produce complex, dazzling effects. 16 AR VICTOR VASARELY (1906-1997) CATHÉ, 1973-1975 signed vasarely (lower right); signed, titled, dated and numbered VASARELY CATHÉ 1973/75 2862 (on the reverse) acrylic on canvas 80.5 x 80.5 cm. 31 11/16 x 31 11/16 in.

£35,000 - 45,000 US$44,000 - 57,000 €39,000 - 51,000

The authenticity of the present work has been confirmed by Pierre Vasarely, President of the Fondation Vasarely, universal legatee and the moral right holder of Victor Vasarely. This work will be included in the forthcoming Catalogue Raisonné de l’Oeuvre Peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-en- Provence.

Provenance Private Collection, London

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

17 AR DADAMAINO (1930-2004) Provenance Cromorilievo 74/75, 1974-1975 Private Collection, Europe, acquired directly from the artist signed, titled, dated and inscribed DADAMAINO 20159 MILANO VIA Renata Fabbri Arte Contemporanea, Milan BITONTO 24 CROMORILIEVO 74,75 (on the reverse) Acquired directly from the above by the present owner in 2014 painted wood construction laid on board Relief: 30 x 30 x 8.5 cm. 11 13/16 x 11 13/16 x 3 3/8 in. Overall: 100 x 100 x 8.5 cm. 39 3/8 x 39 3/8 x 3 3/8 in.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

This work is registered in the Archivio Dadamaino, Milan, under no. 126/14, and is accompanied by a photo-certificate of authenticity.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 37 18 AR JIŘÍ HILMAR (B. 1937) Grau, 1970 signed, titled, dated and inscribed Jiri Hilmar Grau 1970 (on a label affixed to the reverse); inscribed P2399 (on the reverse) tempera on cardboard relief laid on card in artist’s Plexiglas box 71.5 x 71.5 x 5.8 cm. 28 1/8 x 28 1/8 x 2 5/16 in. Lateral side: 50.8 x 50.8 x 5.8 cm. 20 x 20 x 2 5/16 in.

£3,000 - 5,000 US$3,800 - 6,300 €3,400 - 5,600

Provenance Sale: Bolland & Marotz, Germany, 9 October 2004, lot 775 Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ANGELA CONNER

Born in 1935, London-based artist Angela Conner is best- known for her monumental mobile sculptures. She trained in Dame Barbara Hepworth’s St Ives studio early in her career, before developing her signature kinetic works which are activated solely by natural forces such as wind and water.

Whilst vast in scale and impressive in material, Conner’s work is characterised by the contrasting simplicity of the mechanics she engineers to realise the mobile aspects of each design. Conner’s sculptures move with water; tip in the wind; play with gravity, light and shadow. Mirroring natural forces, they seek to evoke in their viewer the feelings experienced in the increasingly rare moments when one slows down and engages with one’s surroundings.

The following lots are maquettes for some of her most iconic public commissions; full-scale versions of Poise can be viewed in Ireland, England and Tennessee, whilst Wave, installed in Dublin’s Park West Plaza, stands as the tallest wind and water sculpture in Europe.

Conner’s work features in notable public and private collections worldwide, including the Metropolitan Museum of Art, the National Portrait Gallery, the Chatsworth Collection, St George’s Chapel, Windsor, and the American Museum in Bath. She has had a solo show at Hatfield House, exhibited at the Victoria and Albert Museum and the Royal Academy of the Arts in London, and was awarded an American Institute of Architects’ Honorary Award for sculpture and co-design of Heinz Plaza, Pittsburgh USA.

“[What I love about kinetic sculpture is that] there is no technology involved as such. I love harnessing the forces of nature to make something move, because they are so much more powerful. These forces take us out of this planet we live on to contemplating the wonders of outer space. Our ignorance is vast, especially mine, but somehow a natural force is a link into something intriguing, and gives you a sense of touching the infinite. […] You don’t need to know anything about art or the art world to enjoy them. When something moves, everyone stops and stares. People respond to them emotionally as children would, but the deeper meaning is: this is what water can do; what wind can do; what nature can do. We humans think we are so special, but really we are very insignificant indeed.” Top Wave (full-scale version of lot 19) Angela Conner © The Artist’s Studio, London Excerpt from: Angela Conner in conversation with Helen Chislett, Above Poise (full-scale version of lot 20) April 2019 (full interview available on bonhams.com) © The Artist’s Studio, London 19 AR ANGELA CONNER (B. 1935) Wave 1, 1992 signed, dated and inscribed Conner 1992 maquette for WIND MOBILE and further inscribed (on the base) carbon fibre steel and marble base 88 x 28.5 x 28.5 cm 34 5/8 x 11 1/4 x 11 1/4 in.

This work is from an edition of five.

£3,000 - 5,000 US$3,800 - 6,300 €3,400 - 5,600

Provenance Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 20 AR ANGELA CONNER (B. 1935) Poise, 2000 marble dust, resin and stainless steel 78 x 79 x 34 cm. 30 11/16 x 31 1/8 x 13 3/8 in.

This work is from an edition of four.

£5,000 - 7,000 US$6,300 - 8,900 €5,600 - 7,900

Provenance Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 41 21 AR JOAN MIRÓ (1893-1983) Sans titre, 1970 signed, dedicated and dated à Mauro Pejla Miró. 6/XI/70 (lower edge) pen and coloured wax crayon on paper 19.8 x 19.8 cm. 7 13/16 x 7 13/16 in.

£6,000 - 8,000 US$7,600 - 10,000 €6,800 - 9,000

Please note that this work will be presented to ADOM prior to the sale.

Provenance Mauro Pejla Collection, Italy, a gift from the artist

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 22 ▲ LOUIS MARCOUSSIS (1878-1941) Nature morte à la guitare, circa 1921 signed Marcoussis (lower centre) oil on glass 38 x 28.7 cm. 14 15/16 x 11 5/16 in.

£30,000 - 50,000 US$38,000 - 63,000 €34,000 - 56,000

Provenance Galerie Jeanne Bucher, Paris Private Collection, acquired directly from the above on 19 December 1943 Sale: Christie’s, Paris, Art Impressionniste et Moderne, 3 December 2013, lot 38 Private Collection, France, acquired directly from the above sale

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 43 23 AR CARLOS NADAL (1917-1998) Provenance La plage, 1982 Lester Galleries, California signed cNadal (lower right); signed, titled, dated and stamped with Acquired directly from the above by the present owner circa 1990 artist’s atelier stamp LA PLAGE cNadal 1982 (on the reverse) oil and acrylic on canvas 46 x 55.5 cm. 18 1/8 x 21 7/8 in.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

The authenticity of this work has kindly been confirmed by the Comité Nadal.

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 24 AR ANDRÉ BRASILIER (B. 1929) Provenance Cavalcade au ciel rose, 2010 Private Collection, Japan signed André Brasilier. (lower right); signed, titled and dated Cavalcade Sale: Christie’s, South Kensington, Impressionist/Modern, 6 February au Ciel rose A. B. 2010 (on the stretcher) 2015, lot 50 oil on canvas Acquired directly from the above by the present owner 65.2 x 46.2 cm. 25 11/16 x 18 3/16 in.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

The authenticity of this work has kindly been confirmed by Monsieur Alexis Brasilier.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 45 25 RAOUL DUFY (1877-1953) Bouquet de fleurs stamped with the artist’s signature Raoul Dufy (lower right) gouache, watercolour, pencil and collage on card 38.3 x 30.4 cm. 15 1/16 x 11 15/16 in.

£3,000 - 5,000 US$3,800 - 6,300 €3,400 - 5,600

The authenticity of this work has kindly been confirmed by Madame Fanny Guillon-Laffaille. This work will be included in the forthcoming supplement of the Catalogue raisonné des Aquarelles, Gouaches et Pastels de Raoul Dufy, currently being prepared.

Provenance Private Collection, Paris

26 AR CARLOS NADAL (1917-1998) Marché du Bruxelles signed and titled cNadal marche [sic] Bruxelles- (lower right) gouache, watercolour and coloured felt-tip pen on paper 21.6 x 29.5 cm. 8 1/2 x 11 5/8 in.

£1,500 - 2,000 US$1,900 - 2,500 €1,700 - 2,300

The authenticity of this work has kindly been confirmed by the Comité Nadal.

Exhibited London, Messum’s, Carlos Nadal 1917-1998, 2011, no. 28

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 27 AR JEAN DUFY (1888-1964) Vue aérienne de Paris: le jardin des Tuileries et la Basilique du Sacré Cœur de Montmartre signed Jean Dufy (lower right) gouache on paper 60.3 x 46.5 cm. 23 3/4 x 18 5/16 in.

£12,000 - 18,000 US$15,000 - 23,000 €14,000 - 20,000

The authenticity of this work has kindly been confirmed by Monsieur Jacques Bailly. This work will be included in Vol. III of the forthcoming Jean Dufy catalogue raisonné, currently being prepared.

Provenance Private Collection, Europe

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 47 28 RAOUL DUFY (1877-1953) Projet pour les ballets de Monte-Carlo signed Raoul Dufy (lower right) gouache on paper 44.5 x 55.5 cm. 17 1/2 x 21 7/8 in.

£5,000 - 7,000 US$6,300 - 8,900 €5,600 - 7,900

Provenance Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 29 AR GEORGES ROUAULT (1871-1958) Provenance Profil de femme au chapeau, 1915 Private Collection, France gouache on paper laid within the artist’s mount Painting: 43.5 x 27 cm. 17 1/8 x 10 5/8 in. Mount: 62.7 x 45.5 cm. 24 11/16 x 17 15/16 in.

£12,000 - 18,000 US$15,000 - 23,000 €14,000 - 20,000

The authenticity of this work has kindly been confirmed by the Fondation Georges Rouault. This work will be included in the forthcoming Georges Rouault catalogue raisonné, currently being prepared.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 49 30 AR JOAN MIRÓ (1893-1983) Sans titre, 1964 signed Miró. (lower right), dedicated a Fernando Gutiérrez, (lower left) and inscribed cordialmente (centre) and numbered H.C. (centre right) coloured wax crayon and pencil on wove paper (on folded double page from Joan Miró, Obra inèdita recent. Barcelona: Sala Gaspar, Galeria Metrás i Belarte, December 1964)

£6,000 - 8,000 US$7,600 - 10,000 €6,800 - 9,000

The authenticity of this work has kindly been confirmed by ADOM.

Provenance Galería Cortina, Barcelona Acquired directly from the above by the present owner

31 AR MAX ERNST (1891-1976) Initiale B, 1958 signed max ernst (lower right) etching, pencil and collage on paper laid on card 12.6 x 17.8 cm. 4 15/16 x 7 in.

£3,000 - 5,000 US$3,800 - 6,300 €3,400 - 5,600

The authenticity of this work has kindly been confirmed by Dr. Jürgen Pech.

Provenance Sale: Lasseron & Associés, Paris, 22 May 2015, lot 19 Acquired directly from the above by the present owner

Literature Werner Spies, Sigrid and Günter Metken, Max Ernst Oeuvre-Katalog, Werke 1954-1963, Vol. VI, Cologne 1998, p. 179, no. 3395, illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 32 AR MAX ERNST (1891-1976) Provenance Surimpression des lithos: No SL 135 XXXV + 135 XXXIII, 1970 Galerie Alphonse Chave, Vence, no. 5083 signed max ernst (lower right) and inscribed essai (lower left) Acquired directly from the above by the present owner in 2018 unique lithograph on Japan paper 21.5 x 25 cm. Exhibited 8 7/16 x 9 13/16 in. Vence, Galerie Alphonse Chave, Max Ernst, Aurait Cent Ans, 1991, n.p., illustrated in colour £8,000 - 12,000 US$10,000 - 15,000 €9,000 - 14,000

The authenticity of this work has kindly been confirmed by Dr. Jürgen Pech.

33 AR TP OSCAR MURILLO (B. 1986) Untitled (Fried Chick), 2012 oil, oil stick, spray paint and dirt on canvas 248 x 181 cm. 97 5/8 x 71 1/4 in.

£80,000 - 120,000 US$100,000 - 150,000 €90,000 - 140,000

Provenance Private Collection, LA Acquired directly from the above by the present owner in 2013

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

Compelling, spirited and grand in scale, Untitled (Fried Chick) (2012) is Where words such as ‘pollo,’ ‘yoga,’ ‘milk’ and ‘mango’ appear across foundational work by the Colombian-born, Turner Prize nominated artist Murillo’s oeuvre, they become aesthetic devices in tandem with their Oscar Murillo; exhibiting all the hallmarks of his energetic and spontaneous implicit meaning – impactful hand-sketched lines of text that divide style that combines raw panels of canvas, flashes of text and colour with the canvas in a similar vein to the paintings of Jean-Michel Basquiat. aggregated dirt and impressions from the studio floor. Rising to artistic Murillo interprets his own unique style thusly: “the words are very maturity and institutional acclaim in monumental fashion, his inclusion in displaced. Like cultural displacement with performance, in painting it’s such major exhibitions as The Forever Now: Contemporary Painting in material displacement, object displacement [...] I also like to think that an Atemporal World at the Museum of Modern Art, New York, in 2014, in these paintings also imply a displacement of time. They’re like rugs. An addition to solo exhibitions at the Centro Cultural Daoíz y Velarde, Madrid unstretched painting is a kind of abstract thing, one that suggests that and the Institute of Contemporary Arts, London, has cemented Murillo’s it perhaps has been found or comes from some other space or time. international standing as one of the foremost contemporary painters But while it has this aura of being a historical thing when placed out of currently working; culminating in his nomination for the Turner Prize in context, it just comes from the studio” (Oscar Murillo in conversation 2019 for his exhibition Violent Amnesia at Kettle’s Yard, Cambridge. with Legacy Russell, Bomb Magazine, No. 122, Winter 2013, online).

Activating the more static, Modernist modes of abstract painting Untitled (Fried Chick) is an elegant example of Murillo’s collaging of through installations, social gatherings and interactive artworks, Murillo’s surfaces and techniques that flaunts the dirt from the artist’s studio multifaceted practice has continued to express the artist’s experiences floor, bringing the painting to life through its closeness to the “authentic” of displacement and multiculturalism, demonstrated in the present work detritus and rubble of Murillo’s workspace. In the present work, the with a bravura charm and dynamic materiality. For Murillo, the process raw support of the canvas plays host to an almost performative mark- of painting provides a method of accumulation; composing his works making, suffused with a palpable energy that channels the automatic through a build-up of material, of folds, marks and daubs of paint that motions of Jackson Pollock, complemented by a revisionist ideology illustrate the artist’s own relationship to his itinerant lifestyle and “layering” that Murillo credits to the Neo-concretism of Lygia Clark, Lygia Pape of identity. Born in La Paila in South East Colombia, Murillo remains deeply and Hélio Oiticica. The present work comes to market following Murillo’s influenced by his roots and his arrival in London as an immigrant at the nomination for the Turner Prize in 2019 – a significant recognition of the age of ten. The present work represents a superbly nuanced evocation artist’s distinguished practice and place amongst his contemporaries. of these themes, employing single words or phrases that encourage An exemplary early work by Murillo, Untitled (Fried Chick) is an immense a reading of Murillo’s paintings through the lens of cultural critique. painting of masterful austerity, eliciting all of the methods and conceptual hooks that has made Murillo such an internationally lauded artist.

56 | BONHAMS

34 AR TP MICHEL FRÈRE (1961-1999) Provenance Untitled, 1992-1993 Jean Bernier, Athens signed and dated MF 92 1993 (on the reverse) Acquired directly from the above by the present owner in 1994 oil on canvas 151.4 x 180.4 cm. Exhibited 59 5/8 x 71 in. Athens, Jean Bernier, Michel Frère, 1994, no. 3 Charleroi, Palais des Beaux-Arts, Michel Frère/Peintures, 1995, p. 35, illustrated in colour and p. 60, no. 22, illustrated in colour £5,000 - 7,000 (installation view) US$6,300 - 8,900 €5,600 - 7,900

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 35 AR TP BOSCO SODI (B. 1970) Provenance Untitled, 2011 ProjectB Gallery, Milan mixed media on canvas Acquired directly from the above by the present owner in 2012 186 x 186 cm. 73 1/4 x 73 1/4 in.

£18,000 - 25,000 US$23,000 - 32,000 €20,000 - 28,000

This work is accompanied by a photo-certificate of authenticity signed by the artist.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 59 36 AR DAMIEN HIRST (B. 1965) In a Spin, the Action of the World on things, Volume I, 2002 each etching signed by the artist household gloss and silkscreen on buckram laid on fibreboard with the complete portfolio of 23 etchings in colours on Hahnemühle paper Painting: 97.2 x 75.5 cm. 38 1/4 x 29 3/4 in. Each sheet: 91 x 70.5 cm. 35 13/16 x 27 3/4 in.

This work is number fifty from an edition of sixty-eight, each with a unique spin painting.

£40,000 - 60,000 US$51,000 - 76,000 €45,000 - 68,000

Provenance Paragon Press, London Acquired directly from the above by the present owner in 2003

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 4 of the 23 etchings 37 * KENNETH NOLAND (1924-2010) Pairs, from the Handmade Paper Project (Diptych), 1978 Each: signed, dated and inscribed Kenneth Noland © 1978 L-21 and Kenneth Noland © 1978 R-21 respectively (on the reverse) handmade and hand-coloured paper pulp Each: 40 x 40 cm. 15 3/4 x 15 3/4 in.

£3,000 - 5,000 US$3,800 - 6,300 €3,400 - 5,600

Provenance Sale: Mainichi Auction, Tokyo, Paintings, prints & sculpture, 8 September 2018, lot 1059 Private Collection, Tokyo Acquired directly from the above by the present owner

Literature Kenneth E. Tyler, Tyler Graphics: Catalogue Raisonné, 1974-1985, New York 1987, p. 271 (diagram illustrated)

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 38 * SOL LEWITT (1928-2007) 9 Pyramids on a 9-part Grid, 1991 signed and numbered S. LeWitt 2/15 (on the underside of the base) cast polyester resin on formica base 34 x 73.7 x 73.7 cm. 13 3/8 x 29 x 29 in.

This work is number two from an edition of fifteen, plus six artist’s proofs.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

Provenance Rosa Esman Gallery, New York Acquired directly from the above by the present owner in 2002

Literature Gary Garrels Ed., Sol LeWitt: A Restrospective, San Francisco 2000, p. 273, no. 257, another example illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 63 A RARE COMPLETE GROUP OF SUPREME SKATEBOARDS 39 TP SUPREME, NEW YORK A complete group of 131 full-sized Supreme skateboard decks, published by Supreme New York between 2011-2019.

Each approximately: 81 x 21 cm. 31 7/8 x 8 1/4 in.

£100,000 - 150,000 US$130,000 - 190,000 €110,000 - 170,000

Provenance Supreme, London Acquired directly from the above by the present owner between 2011 and 2019

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 65 One of the definitive lifestyle brands of the last thirty years, Supreme has ascended to a cross-cultural icon of fashion and art, collaborating with some of the most important artists of the contemporary period since its launch in 1994. Quintessentially the identity and ethos of the brand, the series of artist-collaborative skateboard decks that Supreme began in 1998 demonstrate how the label pioneered a movement that influenced luxury fashion houses to adopt collaborative lines as a key aspect of their business, from Adidas to Louis Vuitton and Raf Simons. A collection of original, full-size Supreme decks produced between 2011-2019, featuring such momentous artists as Jake and Dinos Chapman, Urs Fischer, Nan Goldin, Mike Kelley, Cindy Sherman and Dash Snow, amongst others, the 131 objects that comprise the present lot are impeccable, rare works of art that speak to the cultural significance of Supreme as a generation-defining marque. The skateboard decks have quickly become collector’s items, not just for skateboarders or stylists, but for the art market for whom the limited- edition pieces represent unique and alternative works by major artists.

Emerging from the Downtown scene in Manhattan in the 1990s, British- born owner James Jebbia opened the inaugural Supreme outlet on Lafayette Street in SoHo, New York, with a dedicated cult following amidst the skateboarders and artists of Manhattan, refashioning the gritty image of streetwear and subculture in the mould of contemporary art – presenting garments and accessories in-store with the polish and elegance of a luxury brand or gallery. It was this cross-pollination of styles, designs and motifs that identified Supreme as a breakthrough presence in the industry, attracting the attention of artists and creatives who appreciated the spirit of appropriation, collaboration and experimentation. From the infamous design of the now iconic box logo to the signature t-shirts, Supreme has garnered such recognition thanks to this synthesis of “high” art and “low” culture; none better illustrated than across the undersides of Supreme skateboard decks.

Collaborating with artists since the beginning of the series, Jebbia and Neville Wakefield curated a selection of artists with both personal ties to the label, as well as boundary-pushing, seminal artists of their respective generations, to design the limited-run pieces. Released in 2015, the skateboard decks produced by Larry Clark are undoubtedly some of the most important and exclusive works from the collection. Celebrating twenty years since the release of Clark’s controversial film Kids (1995), Supreme’s collaboration with the film director and photographer celebrates not only one of the first pieces of cinema to explore the raw experience and intricacies of youth culture, but reflects upon Supreme’s own closeness to the production having supplied garments for the cast, which included two original Supreme team skateboarders. This attention to detail and shared histories echoes throughout the collaborations featured here, not least in those of Dash Snow and Harmony Korine who were similarly young artists and creatives on the Downtown scene.

One of the largest collections of the highly sought-after full-size Supreme skateboard decks, purchased by the present owner from the London outlet over the last decade, the present lot is an outstanding testament to the history of a streetwear brand that grew into a cultural icon. Emboldening the tired post-punk aesthetic of SoHo in the 1990s through working closely with the leading contemporary artists, the skateboard decks are a collective of individual works of art that represent the cutting-edge of fashion and contemporary art, and the exceptional results of such collaborative practice. 40 CHUNG SANG-HWA (B. 1932) Untitled, 1978 signed, dated and inscribed CHUNG SANG HWA 1978 年, 11月-15 鉛筆素描鄭相和 (on the reverse) and numbered No.19 (on a label affixed to the reverse) graphite on cut and torn card 65 x 50 cm. 25 9/16 x 19 11/16 in.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

Provenance Bergheim Culture Institute, Bergheim Acquired directly from the above by the present owner in 1980

Exhibited Bergheim, Bergheim Culture Institute, Chung-Sang Hwa: Paintings and Drawings, 1980

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

41 SANDÚ DARIÉ (1908-1991) Untitled, circa 1950s signed DARIE (lower right) oil on panel 46 x 36 cm. 18 1/8 x 14 3/16 in.

£12,000 - 18,000 US$15,000 - 23,000 €14,000 - 20,000

This work is accompanied by a photo-certificate of authenticity signed by Mr Pedro de Oraá.

The authenticity of this work has kindly been confirmed by Mr Roberto Cobas.

Provenance Willow Fine Art Gallery, Florida Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

42 AR JEAN LURÇAT (1892-1966) Provenance Le pêcheur, 1936 E. J. Van Wisselingh & Co., Amsterdam, no. 7876 signed and dated JeanLurçat 1936 (lower right) Private Collection, Arnhem, acquired from the above circa 1960 gouache and watercolour on card Acquired directly from the above by the present owner 47 x 35.3 cm. 18 1/2 x 13 7/8 in.

£1,500 - 2,000 US$1,900 - 2,500 €1,700 - 2,300

The authenticity of this work has kindly been confirmed by Monsieur Gerard Denizeau. This work will be included in the forthcoming Jean Lurçat catalogue raisonné, currently being prepared.

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 43 AR ENZO BENEDETTO (1905-1991) Exhibited Seduta spiritica Rome, Centro Internazionale Antinoo per l’Arte, Enzo Benedetto, signed benedetto (lower right); bears inscription ENZO BENEDETTO Stefania Lotti - Vite Futuriste, 2015, p. 93 SEDUTA SPIRITICA 1943 (on the reverse) oil on burlap Literature 62 x 74 cm. Enrica Torelli Landini, Enzo Benedetto, mostra antologica, exh. cat., 24 7/16 x 29 1/8 in. Rome 1991 p. 26, no. 130 (dated differently)

£3,000 - 5,000 US$3,800 - 6,300 €3,400 - 5,600

Provenance Collection of the artist, Italy Private Collection, Italy, a gift from the above Thence by descent to the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 73 44 AR ROBERTO CRIPPA (1921-1972) Provenance Spirali, 1951 Private Collection, Milan signed twice, dated and numbered Crippa 1951 ADN M/3/XII/02 (on Thence by descent to the present owner the reverse) oil on canvas 45 x 35 cm. 17 11/16 x 13 3/4 in.

£2,000 - 3,000 US$2,500 - 3,800 €2,300 - 3,400

This work is registered in the Archivio Roberto Crippa, Milan, under no. ADN M/3/XII/02 and is accompanied by a photo-certificate of authenticity.

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 45 AR ROBERTO CRIPPA (1921-1972) Provenance Untitled, 1957 Private Collection, Milan signed and dated Crippa 57 (lower right); signed twice, dated and Thence by descent to the present owner numbered Crippa 57 ADN M/3/XII/01 (on the reverse) oil on canvas 114 x 146 cm. 44 7/8 x 57 1/2 in.

£12,000 - 18,000 US$15,000 - 23,000 €14,000 - 20,000

This work is registered in the Archivio Roberto Crippa, Milan, under no. ADN M/3/XII/01 and is accompanied by a photo-certificate of authenticity.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 75 46 AR ENRICO DONATI (1909-2008) Provenance Curtain Call II, 1971 Staempfli Gallery, New York signed Donati (lower right); signed, titled and dated Curtain Call II 1971 Sale: Christie’s, New York, Contemporary Art, 14 February 1989, lot 9 Enrico Donati (on the stretcher) Private Collection, France oil and sand on canvas Gift from the above to the present owner, circa 1998 110.5 x 99 cm. 43 1/2 x 39 in.

£5,000 - 7,000 US$6,300 - 8,900 €5,600 - 7,900

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 47 AR ANTONIO CORPORA (1909-2004) This work is accompanied by a photo-certificate of authenticity signed Misura di Spazio Luce, 1971 by the artist. signed and dated Corpora 71 (lower right); signed, titled and dated Corpora 71 Misura di Spazio - Luce (on the reverse) The authenticity of this work has kindly been confirmed by the Archivio oil on canvas Antonio Corpora, Rome. 162 x 130 cm. 63 3/4 x 51 3/16 in. Provenance Galleria Ghelfi, Verona Acquired directly from the above by the present owner, circa 2009 £6,000 - 8,000 US$7,600 - 10,000 Literature €6,800 - 9,000 Floriano De Santi, Corpora: catalogo generale ragionato dei dipinti dal 1930 al 2001, Vol. I, Rome 2004, p. 170, no. 230, illustrated in colour

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 77 48 AR CORRADO CAGLI (1910-1976) The authenticity of this work has kindly been confirmed by the Archivio Sistema di curve a usbergo, 1971 Corrado Cagli. signed and dated Cagli 71 (lower left); signed, dedicated and dated A Zizzari Cordialmente Cagli Aprile 1972 (on the reverse) Provenance acrylic and silkscreen ink on canvas Zizzari Collection, Rome, a gift from the artist 130 x 103 cm. Private Collection, Milan 51 3/16 x 40 9/16 in. Thence by descent to the present owner

£5,000 - 7,000 US$6,300 - 8,900 €5,600 - 7,900

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 49 AR MARINO MARINI (1901-1980) The authenticity of this work has kindly been confirmed by the Cavallo e cavaliere, 1949 Fondazione Marino Marini. signed MARINO (lower right) gouache, brush and India ink, and wash on paper laid on board Provenance 33 x 41 cm. Aldrich Collection, US, circa 1959 13 x 16 1/8 in. Cadby-Birch Gallery, New York Private Collection, UK

£6,000 - 8,000

US$7,600 - 10,000 Exhibited Virginia, The Virginia Museum, The Aldrich Collection, 1959, no. L €6,800 - 9,000 1-59-31

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 79 50 * AR PAUL DELVAUX (1897-1994) Femme à la coupe signed P.DELVAUX (lower right) brush and ink on paper 32 x 27 cm. 12 5/8 x 10 5/8 in.

£2,000 - 3,000 US$2,500 - 3,800 €2,300 - 3,400

Please note that this work will be presented to the Fondation Paul Delvaux prior to the sale.

Provenance New Smith Gallery, Brussels Private Collection, Tokyo Acquired directly from the above by the present owner

51 ERNST LUDWIG KIRCHNER (1880-1938) Mann am Tisch, circa 1915 pencil on yellow paper 13.8 x 11.3 cm. 5 7/16 x 4 7/16 in.

£2,000 - 3,000 US$2,500 - 3,800 €2,300 - 3,400

This work is listed in the Ernst Ludwig Kirchner Archives, Wichtrach/Bern.

This work is a preparatory study for the lithograph Der Mörder for Emile Zola’s novel La Bête humaine.

Provenance Florian Karsch Collection, Germany, no. E71-747/35 Lise Gujer Collection, Germany

Exhibited Berlin, Galerie Nierendorf, 1972, no. 220

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 52 AR JOAN MIRÓ (1893-1983) Literature Sans titre, 1973 Jacques Dupin & Ariane Lelong-Mainaud, Joan Miró, Catalogue signed Miró (lower right); numbered and dated III. 19/I/73. 3/I/73 (on raisonné. Drawings, Vol. IV, 1973 - 1976, Paris 2013, p. 38, no. 2481, the reverse) illustrated charcoal and pencil on paper 49.6 x 64.7 cm. 19 1/2 x 25 1/2 in.

£18,000 - 25,000 US$23,000 - 32,000 €20,000 - 28,000

The authenticity of this work has kindly been confirmed by ADOM.

Provenance Galería Maeght, Barcelona, no. 1549 Galerie Matignon, Paris Acquired directly from the above by the present owner

Exhibited Paris, Centre Georges Pompidou, Dessins de Miró, 1978 - 1979, p. 133, no. 322, illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 81 53 AR RICHARD LONG (B. 1945) A line in California, 1982 titled and dated A LINE IN CALIFORNIA 1982 (lower centre) gelatin silver print laid on card with pencil Image: 49 x 72.8 cm. 19 5/16 x 28 11/16 in. Sheet: 84.5 x 120 cm. 33 1/4 x 47 1/4 in.

£6,000 - 8,000 US$7,600 - 10,000 €6,800 - 9,000

Provenance Anthony d’Offay Gallery, London Acquired directly from the above by the present owner in 1983

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 54 AR RICHARD LONG (B. 1945) A line in California, 1982 titled and dated A LINE IN CALIFORNIA 1982 (lower centre) gelatin silver print laid on card with pencil Image: 49 x 72 cm. 19 5/16 x 28 3/8 in. Sheet: 84.5 x 120 cm. 33 1/4 x 47 1/4 in.

£6,000 - 8,000 US$7,600 - 10,000 €6,800 - 9,000

Provenance Acquired directly from the artist by the present owner

55 AR JUERGEN TELLER (B. 1964) This work is accompanied by a certificate of authenticity Making a Move, London 2003, 2003 signed by the artist. C-Type print Image: 143 x 96 cm. Provenance 56 5/16 x 37 13/16 in. Donated by the artist Sheet: 157 x 103.3 cm. 61 13/16 x 40 11/16 in. Exhibited Berlin, Contemporary Fine Arts, Zwei Schäuferle mit Kloß und eine This work is number one from an edition of five, plus two Kinderportion Schnitzel mit Pommes Frites, 2003 artist’s proofs.

£12,000 - 18,000 US$15,000 - 23,000 €14,000 - 20,000

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 56 AR TP WALEAD BESHTY (B. 1976) White Curl (YMC/FourMagnet: Los Angeles, California, February 27th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 186-016, 05313), 2014 colour photographic paper 253.5 x 126.4 cm. 99 13/16 x 49 3/4 in.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

This work is unique.

Provenance Hamburg Kennedy Photographs, New York Acquired directly from the above by the present owner in 2014

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 85 57 * AR BERND AND HILLA BECHER (1931-2007 AND 1934-2015) Blast Furnace, Rombas, Lorraine, France, 1984, 1989 signed Bernd Becher Hilla Becher (on the reverse) gelatin silver print 61 x 49.7 cm. 24 x 19 9/16 in.

This work is from an edition of five.

£6,000 - 8,000 US$7,600 - 10,000 €6,800 - 9,000

Provenance Sonnabend Gallery, New York Acquired directly from the above by the present owner

Literature Armin Zweite Ed., Bernd & Hilla Becher: Typologies, Cambridge 2004, p. 98, another example illustrated 57

58 * AR BERND AND HILLA BECHER (1931-2007 AND 1934-2015) Water Tower, Oberhausen, Germany, 1967, 1989 signed, titled and numbered Bernd Becher Hilla Becher WATERTOWER OBERHAUSEN/RUHR, GERMANY PHOTO 1967 Ed 3/5 (on the reverse) gelatin silver print 61 x 51.5 cm. 24 x 20 1/4 in.

This work is number three from an edition of five.

£8,000 - 12,000 US$10,000 - 15,000 €9,000 - 14,000

Provenance Sonnabend Gallery, New York Acquired directly from the above by the present owner

59 * AR BERND AND HILLA BECHER (1931-2007 AND 1934-2015) Blast Furnace, Rombas, Lorraine, France, 1984, 1989 signed Bernd Becher Hilla Becher (on the reverse) gelatin silver print 60.6 x 50.3 cm. 23 7/8 x 19 13/16 in.

This work is number one from an edition of five

£6,000 - 8,000 US$7,600 - 10,000 €6,800 - 9,000

Provenance Sonnabend Gallery, New York Acquired directly from the above by the present owner

59 For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 60 * AR BERND AND HILLA BECHER (1931-2007 AND 1934-2015) Cooling Tower, Mons, Borinage, Belgium, 1967, 1989 signed, titled and numbered Bernd Becher Hilla Becher COOLING TOWER, MONS, BORINAGE, BELGIUM, 1967 3 (on the reverse) gelatin silver print 61.5 x 51.5 cm. 24 3/16 x 20 1/4 in.

This work is number three from an edition of five.

£8,000 - 12,000 US$10,000 - 15,000 €9,000 - 14,000

Provenance Sonnabend Gallery, New York Acquired directly from the above by the present owner

Literature Armin Zweite Ed., Bernd & Hilla Becher: Typologies, Cambridge 2004, p. 30, another example illustrated

61 * AR BERND AND HILLA BECHER (1931-2007 AND 1934-2015) Lime Kilns Ten Boer, Holland, 1968 signed, inscribed and dated Bernd Becher Hilla Becher KALKÖFEN TEN BOER HOLLAND 1968 (on the reverse) gelatin silver print 62 x 50.5 cm. 24 7/16 x 19 7/8 in.

This work is number two from an edition of five

£8,000 - 12,000 US$10,000 - 15,000 €9,000 - 14,000

Provenance Sonnabend Gallery, New York Acquired directly from the above by the present owner

Literature Armin Zweite Ed., Bernd & Hilla Becher: Typologies, Cambridge 2004, p. 80, another example illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 87 62 AR A. R. PENCK (1939- 2017) Provenance Schwarzes Kreuz, weisses Kreuz, gelber Ball 5, 1975-1976 Galerie Michael Werner, Cologne signed ar penck (lower left) and signed with the artist’s initial and titled r Deweer Art Gallery, Otegem Schwarzes Kreuz, weisses Kreuz, gelber Ball 5 (lower right) Acquired directly from the above by the previous owner in 1986 gouache on paper Thence by descent to the present owner 72.7 x 102 cm. 28 5/8 x 40 3/16 in. Exhibited Otegem, Deweer Art Gallery, A.R. Penck, 1986 £2,000 - 3,000 US$2,500 - 3,800 €2,300 - 3,400

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 63 AR GEORG BASELITZ (B. 1938) Provenance Untitled (Blick aus dem Fenster), 1982 Galerie Neuendorf, Hamburg signed and dated Baselitz 14. VI 82 (lower right) Galerie Michael Werner, Cologne ink on paper Galerie Collection d’Art, Amsterdam 60.5 x 43 cm. Private Collection, Europe 23 13/16 x 16 15/16 in. Sale: Christie’s, Amsterdam, Post-War & Contemporary Art, 4 November 2015, lot 291 Acquired directly from the above by the present owner £12,000 - 18,000

US$15,000 - 23,000

€14,000 - 20,000 Exhibited Amsterdam, Galerie Collection d’Art, Georg Baselitz, gouaches en tekeningen, 1993 This work is registered in the Archiv Georg Baselitz, Munich, under no. GBZ 1229.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 89 64 AR MEL BOCHNER (B. 1940) Provenance Blah, Blah, Blah, 2009 Two Palms, New York signed and dated BOCHNER 2009 (upper centre) Metroquadro, Turin monoprint, collage, engraving, embossing and oil on handmade and Acquired directly from the above by the present owner in 2013 hand-dyed Twinrocker paper 30 x 22.9 cm. Exhibited 11 13/16 x 9 in. Turin, Metroquadro, Il dissidio sulla parola, 2009, no. 2584

£3,000 - 5,000 US$3,800 - 6,300 €3,400 - 5,600

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 65 AR TP JOSÉ-MARÍA CANO (B. 1959) Provenance Gary Tanaka, 2006 ProjectB Gallery, Milan indistinctly signed on the reverse Acquired directly from the above by the present owner in 2007 encaustic on canvas laid on board 210.3 x 150 cm. 82 13/16 x 59 1/16 in.

This work is accompanied by a photo-certificate of authenticity.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 91 66 AR LUCAS PRICE (B. 1975) Deflation Painting #7, 2018 signed, dated and inscribed Lucas Price 2018 BC (on the reverse) acrylic on canvas 160.3 x 120.2 cm. 63 1/8 x 47 5/16 in.

£2,000 - 3,000 US$2,500 - 3,800 €2,300 - 3,400

Provenance Private Collection, UK

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 67 BEN VAUTIER (B. 1935) Provenance Arrête de chercher du nouveau, 1996 Galerie Jérôme de Noirmont, Paris signed and dated Ben 96 (lower right); signed, dated and inscribed Acquired directly from the above by the present owner C’est Anne qui me dit tout cela et souvent je pense qu’elle a raison mais j’arrive pas changer Ben 96 (on the reverse) acrylic on canvas 130 x 162 cm. 51 3/16 x 63 3/4 in.

£7,000 - 10,000 US$8,900 - 13,000 €7,900 - 11,000

£4,000 - 6,000 US$5,100 - 7,600 €4,500 - 6,800

Provenance Lisson Gallery, London Acquired directly from the above by the present owner in 1987

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 69 * AR DAN REES (B. 1982) Provenance DR/P 2546/U Shaker Peg Painting, 2013 Sale: Angel Art Charity Auction, Los Angeles, 23 June 2016 Each: signed and dated Dan Rees 2013 (on the reverse) Acquired directly from the above by the present owner oil on linen and shaker peg rail

Each painting left to right: 179.7 x 129.3 cm. 70 3/4 x 50 7/8 in.

119.5 x 79.5 cm. 47 1/16 x 31 5/16 in.

149.6 x 99.6 cm. 58 7/8 x 39 3/16 in.

Overall: 179.7 x 565.8 cm. 70 3/4 x 222 3/4 in.

£20,000 - 30,000 US$25,000 - 38,000 €23,000 - 34,000

£2,500 - 3,500 US$3,200 - 4,400 €2,800 - 3,900

Provenance Galerie René Drouin, Paris Acquired directly from the above by the previous owner Thence by descent to the present owner

Exhibited Norwich, Norwich Castle Museum, Fine Paintings from East Anglia, 1964, p. 9, no. 17

Literature Helen F. Grant, Studies in Modern Spanish Literature and Art, London 1972, p. 119, no. 7, illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 71 AR CHRISTO (B. 1935) Wrapped Invoices from Johnson Printing Company, Minneapolis, Minnesota, 1979 signed and dated Christo 1979 (on the reverse) paper, polyethylene and twine 11 x 24.8 cm. 4 5/16 x 9 3/4 in.

£8,000 - 12,000 US$10,000 - 15,000 €9,000 - 14,000

This work is unique and accompanied by a photo-certificate of authenticity signed by the artist.

Provenance Frank and Dorothy Shear Collection, St Paul Sale: Skinner, Boston, American & European Works of Art, 21 September 2018, lot 384 Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 97 72 AR MARIO CEROLI (B. 1938) Cavallo in corsa, 1993 signed Ceroli (lower centre); signed and dedicated Per Andrea Vignati con fraterna amicizia Mario (on the reverse) wood collage and crayon on cardboard 24.8 x 35 cm. 9 3/4 x 13 3/4 in.

£1,000 - 1,500 US$1,300 - 1,900 €1,100 - 1,700

Provenance Gift from the artist to the present owner

Exhibited Rome, Galleria Ricerca D’arte, Ceroli: Vedere... Vedere... Vedere..., 2007-2008, p. 101, no. 67, illustrated in colour

This work will be sold with the exhibition catalogue.

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 73 AR MARINO MARINI (1901-1980) Piccolo cavallo conceived in 1973 from an edition of ten in gold, this version was cast at a later date polished metal 12 x 10.5 x 1.5 cm. 4 3/4 x 4 1/8 x 9/16 in.

£18,000 - 25,000 US$23,000 - 32,000 €20,000 - 28,000

The authenticity of this work has kindly been confirmed by the Fondazione Marino Marini.

Provenance Private Collection, Milan

Literature Giovanni Carandente, Marino Marini, catalogo ragionato della scultura, Milan 1998, p. 335, no. 476a, another cast illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 99 74 AR ALAIN JACQUET (1939-2008) Florence, 1969 signed, dated and numbered Alain Jacquet 1969 37/50 (on the reverse) cellulose on canvas 155.4 x 102.3 cm. 61 3/16 x 40 1/4 in.

This work is number thirty-seven from an edition of fifty.

£3,000 - 5,000 US$3,800 - 6,300 €3,400 - 5,600

Provenance Private Collection, Florence Thence by descent to the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 75 * ARISTIDE MAILLOL (1861-1944) Iva, circa 1930 stamped with the artist’s monogram (lower centre) sanguine on paper 45.7 x 24.5 cm. 18 x 9 5/8 in.

£1,000 - 1,500 US$1,300 - 1,900 €1,100 - 1,700

The authenticity of this work has kindly been confirmed by Monsieur Olivier Lorquin.

Provenance Galerie Tokoro, Tokyo Private Collection, Tokyo Acquired directly from the above by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN & CONTEMPORARY ART | 101 76 AR MIRKO BASALDELLA (1910-1969) Allegoria della settimana (bangle), 1948-1950 signed Mirko (on the outer edge) gold and diamond 7.5 x 7 x 6 cm. 2 15/16 x 2 3/4 x 2 3/8 in.

This work is accompanied by a photo-certificate of authenticity.

£6,500 - 8,500 US$8,200 - 11,000 €7,300 - 9,600

Provenance Acquired directly from the artist by the previous owner Gift from the above to the present owner

Left: Mirko Basaldella Week days allegory, 1947 Private Collection, Rome Courtesy Archivio Corrado Cagli

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

104 | BONHAMS KARL SCHMIDT-ROTTLUFF

Karl Schmidt-Rottluff (1884 - 1976) was one of the four founders of the Die Brücke group established in Dresden in June 1905. This group developed a distinctive, modern style through a radically anti- traditional artistic vision and invited not only artists but also patrons to join their cause, serving as a bridge between art and society.

One of these supporters was Dr Rosa Schapire (1874-1954) a distinguished and prolific patron, collector and critic in early twentieth- century German Expressionism. Born into a wealthy Jewish family in Poland and having studied art history at Zurich and Heidelberg Universities, the emphasis in her collection was on the oeuvre of Karl Schmidt-Rottluff, who depicted her in several portraits, and in 1921 carried out an important decorative plan for her living room in Hamburg where the artist designed a wide range of lifestyle objects as furniture, carpets, tablecloths and cushions. Another patron and member of the Die Brücke group was Elsa Delbanco (1876 - 1972) who, along with her husband, became one of the earliest collectors of Schmidt-Rottluff’s jewellery.

Promoting German Expressionism, considered by the Nazis to be ‘degenerate art’, was however to become a political struggle and in 1939 Rose Schapire fled Nazi Germany to the UK, saving part of her collection with the help of important art dealer and son of Elsa Delbanco, Gustav Delbanco (1903-1997), who had already relocated to England from Nazi Germany in the early 1930s. Rose Schapire was to become the ambassador of this early twentieth-century German art movement in the UK alongside Gustav Delbanco who would continue to introduce British audiences to this radical art movement.

Thanks to their efforts the first Karl Schmidt-Rottluff exhibition inthe UK took place in the Leicester Museum and Art Gallery in 1953. After Schapire’s death in 1954, Gustav Delbanco along with the celebrated art historian Nikolaus Pevsner (1902-1983) assumed responsibility and took care of the Schapire Estate distributing exceptional German Expressionist works among important European museums.

This extremely rare collection of jewellery by Karl Schmidt-Rottluff in the form of brooches and rings issues from the collections of Rose Schapire and Elsa Delbanco, and exemplifies the extent of the vision promoted by Die Brücke group, in which their ideals of primitivism and a return to nature are intertwined with daily life through the pervasiveness of their art and craft.

MODERN & CONTEMPORARY ART | 105 THREE BROOCHES BY KARL SCHMIDT-ROTTLUFF FROM THE COLLECTION OF ROSA SCHAPIRE AND ELSA DELBANCO

77 AR KARL SCHMIDT-ROTTLUFF (1884-1976) a) b) A round silver brooch with face-like decoration, 1910 Provenance circular cut out silver sheet with repoussé, embossed and beaded rim Rosa Schapire Collection, Hamburg and London Diameter: 6.2 cm. Gustav Delbanco, London 2 7/16 in. Private Collection, UK, by descent from the above b) Exhibited A round brass brooch with two opposite letters K, circa 1910 Hamburg, Museum für Kunst und Gewerbe, Karl Schmidt-Rottluff, circular cut out brass bronze sheet with repoussé, embossed and 1925 beaded rim Diameter: 5.5 cm. Literature 2 3/16 in. Sauerlandt, Karl Schmidt-Rottluff-Ausstellung im Museum für Kunst und Gewerbe, Hamburger Fremdenblatt 1925, illustrated c) Gerhard Wietek, Karl Schmidt-Rottluff in Hamburg und Schleswig- Oval silver brooch with rough crystal in host rock, 1911-1912 Holstein, Neumünster 1984, p. 104 signed S.Rottluff (on the reverse) Gerhard Wietek, Schmidt-Rottluff, Oldenburger Jahre 1907-1912, vaulted walled silver sheet of irregular oval outline and rough crystal in Oldenburg 1995, pp. 205 and 470 host rock Gerhard Wietek, Karl Schmidt-Rottluff, Plastik und Kunsthandwerk 5.6 x 7 x 2.7 cm. Werkverzeichnis, Munich 2001, p. 442, no. 357, illustrated 2 3/16 x 2 3/4 x 1 1/16 in. c)

£5,000 - 7,000 Provenance Rosa Schapire Collection, Hamburg and London US$6,300 - 8,900 Gustav Delbanco, London €5,600 - 7,900 Private Collection, UK, by descent from the above a) Exhibited Provenance Hamburg, Museum für Kunst und Gewerbe, Karl Schmidt-Rottluff, Elsa Delbanco Collection, Hamburg and London 1925 Gustav Delbanco, London, by descent from the above Private Collection, UK, by descent from the above Literature Sauerlandt, Karl Schmidt-Rottluff-Ausstellung im Museum für Kunst Exhibited und Gewerbe, Hamburger Fremdenblatt 1925 London, Victoria and Albert Museum, Goldsmiths Hall, International Gerhard Wietek, Karl Schmidt-Rottluff in Hamburg und Schleswig- exhibition of modern jewelry/Worshipful Company of Goldsmiths, Holstein, Neumünster 1984, p. 104 1961, no. 704 b Anne Ward, Der Ring im Wandel der Zeit, Erlangen 1987, p. 158, illustrated Literature Gerhard Wietek, Schmidt-Rottluff, Oldenburger Jahre 1907-1912, Gerhard Wietek, Maler der Brücke. Farbige Kartengrüsse an Rosa Oldenburg 1994, pp. 205 and 470 Schapire von Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, Karl Gerhard Wietek, Karl Schmidt-Rottluff, Plastik und Kunsthandwerk Schmidt-Rottluff, Wiesbaden 1958, no. 6 (post card) Werkverzeichnis, Munich 2001, p. 449, no. 366, illustrated Gerhard Wietek, Karl Schmidt-Rottluff in Hamburg und Schleswig- Holstein, Neumünster 1984, p. 96 Anne Ward, Der Ring im Wandel der Zeit, Erlangen 1987, p. 158, illustrated Gerd Presler, “Brücke” an Dr. Rosa Schapire, Mannheim 1990 Gerhard Wietek, Schmidt-Rottluff, Oldenburger Jahre 1907-1912, Oldenburg 1995, pp. 205, 437 and 592 Gerhard Wietek, Karl Schmidt-Rottluff, Plastik und Kunsthandwerk Werkverzeichnis, Munich 2001, p. 442, no. 356, illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. a

c THREE RINGS BY KARL SCHMIDT-ROTTLUFF FROM THE COLLECTION OF ROSA SCHAPIRE AND ELSA DELBANCO

78 AR KARL SCHMIDT-ROTTLUFF (1884-1976) a) b) A shield-shaped hammered silver ring, 1910-1911 Provenance cut out of one piece of silver sheet with open hoop Elsa Delbanco Collection or Rosa Schapire Collection, Hamburg and 3.6 x 2 x 2.3 cm. London 1 7/16 x 13/16 x 7/8 in. Gustav Delbanco, London Ring size: O Private Collection, UK, by descent from the above b) Literature A silver ring with green hardstone, circa 1920 Anne Ward, Rings through the ages, New York 1981, p. 139 signed S. Rottluff (on the underside) Gerhard Wietek, Karl Schmidt-Rottluff in Hamburg und Schleswig- cabochon-cut green hardstone within a silver mount Holstein, Neumünster 1984, p. 104 3 x 2.2 x 3 cm. Anne Ward, Der Ring im Wandel der Zeit, Erlangen 1987, p. 158 1 3/16 x 7/8 1 3/16 in. Gerhard Wietek, Schmidt-Rottluff, Oldenburger Jahre 1907-1912, Ring size: Q Oldenburg 1995, p. 205 Gerhard Wietek, Karl Schmidt-Rottluff, Plastik und Kunsthandwerk c) Werkverzeichnis, Munich 2001, p. 517, no. 481, illustrated An oval shield-shaped silver ring, circa 1920 signed S.Rottluff (on the reverse) c) curved shield engraved with a triangular motif, the shank attached by Provenance two slots on each side Elsa Delbanco Collection or Rosa Schapire Collection, Hamburg and 5 x 2 x 2 cm. London 1 15/16 x 13/16 x 13/16 in. Gustav Delbanco, London Ring size: O 1⁄2 Private Collection, U.K, by descent from the above

£7,000 - 9,000 Literature Anne Ward, Rings through the ages, New York 1981, p. 139 US$8,900 - 11,000 Gerhard Wietek, Karl Schmidt-Rottluff in Hamburg und Schleswig- €7,900 - 10,000 Holstein, Neumünster 1984, pp. 96 and 104 Anne Ward, Der Ring im Wandel der Zeit, Erlangen 1987, p. 158, a) Gerhard Wietek, Schmidt-Rottluff, Oldenburger Jahre 1907-1912, Provenance Oldenburg 1995, p. 205 Rosa Schapire Collection, Hamburg and London Gerhard Wietek, Karl Schmidt-Rottluff, Plastik und Kunsthandwerk Gustav Delbanco, London Werkverzeichnis, Munich 2001, p. 518, no. 482, illustrated Private Collection, UK, by descent from the above

Exhibited Hamburg, Museum für Kunst und Gewerbe, Karl Schmidt-Rottluff, 1925

Literature Sauerlandt, Karl Schmidt-Rottluff-Ausstellung im Museum für Kunst und Gewerbe, Hamburger Fremdenblatt 1925, illustrated Will Grohmann, Karl Schmidt-Rottluff, Stuttgart 1956, p. 60 Anne Ward, Rings through the ages, New York 1981, p. 139 Gerhard Wietek, Karl Schmidt-Rottluff in Hamburg und Schleswig- Holstein, Neumünster 1984, p. 104 Gerhard Wietek, Schmidt-Rottluff, Oldenburger Jahre 1907-1912, Oldenburg 1995, p. 205 Gerhard Wietek, Karl Schmidt-Rottluff, Plastik und Kunsthandwerk Werkverzeichnis, Munich 2001, no. 462, p. 507, illustrated

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. c

b 79 * PETER ROSTOVSKY (B. 1970) Epiphany Model 3, 2001 signed and dated Peter Rostovsky 2001 (on the reverse of the painting) Painting: oil on canvas Sculpture: oil, air-dry clay, plastic, aqua-resin and acrylic Painting: 61.5 x 183 cm. 24 3/16 x 72 1/16 in. Sculpture: 19.5 x 14.7 x 14.7 cm. 7 11/16 x 5 13/16 x 5 13/16 in.

£1,000 - 1,500 US$1,300 - 1,900 €1,100 - 1,700

Provenance James Harris Gallery, Seattle Acquired directly from the above by the present owner

Exhibited Tacoma, Tacoma Art Museum, Lewis & Clark Territory: Contemporary Artists Revisit Place, Race, and Memory, 2004, no. 75

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 80 AR YVES KLEIN (1928-1962) Table IKB signed and numbered 01A118 R. Klein-Moquay (on a label affixed to the underside) blue pigment in glass, Plexiglas and chrome metal-plated base 38 x 100 x 125 cm. 14 15/16 x 39 3/8 x 49 3/16 in.

This work is part of an edition started in 1963 under the supervision of Rotraut Klein-Moquay based on a model by Yves Klein.

£15,000 - 20,000 US$19,000 - 25,000 €17,000 - 23,000

Provenance Serge Ziegler Galerie, Zurich Acquired directly from the above by the present owner in 2001

Bonhams would like to thank Archives Yves Klein for their assistance in cataloguing this work.

VIEWING ENQUIRIES SAM FRANCIS 7 June, 9am - 5pm +44 (0) 20 7468 8262 Untitled 8 June, 11am - 5pm [email protected] Offset lithograph in colours, 1982, on Arches 9 June, 11am - 5pm wove paper, signed and inscribed ‘AP 3/25’ 10 June, 9am - 5pm bonhams.com/prints 11 June, 9am - 5pm in pencil, one of 25 artist’s proofs aside from 12 June, 9am - 5pm the edition of 250 13 June, 9am - 12pm £2,500 - 3,500 *

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NTB/MAIN/V1/4.2019 8. VAT Debit cards issued in the name of the Buyer (including China Animal Health and Veterinary Laboratories Agency (AHVLA) Union Pay (CUP) cards and debit cards issued by Visa Wildlife Licensing The prevailing rate of VAT at the time of going to press is 20%, and MasterCard only). There is no limit on payment value if Floor 1, Zone 17, Temple Quay House but this is subject to government change and the rate payable payment is made in person using Chip & Pin verification. 2 The Square, Temple Quay will be the rate in force on the date of the Sale. BRISTOL BS1 6EB Payment by telephone may also be accepted up to £5,000, Tel: +44 (0) 117 372 8774 The following symbols, shown beside the Lot number, are subject to appropriate verification procedures, although this The refusal of any CITES licence or permit and any delay in used to denote that VAT is due on the Hammer Price and facility is not available for first time buyers. 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If you shipping as well as export licenses please contact under the Occupiers Liability Act 1957, or (iv) any other liability do so, please quote your paddle number and invoice number as Alban Shipping on +44 (0) 1582 493 099 to the extent the same may not be excluded or restricted as the reference. Our Trust Account details are as follows: [email protected] a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Bank: National Westminster Bank Plc 12. EXPORT/TRADE RESTRICTIONS Buyer’s Agreement. The same applies in respect of the Seller, Address: PO Box 4RY as if references to us in this paragraph were substituted with 250 Regent Street It is your sole responsibility to comply with all export and references to the Seller. London W1A 4RY import regulations relating to your purchases and also to Account Name: Bonhams 1793 Limited Trust Account obtain any relevant export and/or import licence(s). Export 15. 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Generally, please contact our shipping the condition of a clock or watch does not imply that the Lot is can collect your purchases and should be made payable to department before the Sale if you require assistance in in good condition and without defects, repairs or restorations. Bonhams 1793 Limited. relation to export regulations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original Cash: you may pay for Lots purchased by you at this Sale 13. CITES REGULATIONS to them. Furthermore, Bonhams makes no representation or with notes or coins in the currency in which the Sale is warranty that any clock or watch is in working order. As clocks conducted (but not any other currency) provided that the total Please be aware that all Lots marked with the symbol Y are and watches often contain fine and complex mechanisms, amount payable by you in respect of all Lots purchased by subject to CITES regulations when exporting these items Bidders should be aware that a general service, change of you at the Sale does not exceed £3,000, or the equivalent outside the EU. These regulations may be found at battery or further repair work, for which the Buyer is solely in the currency in which the Sale is conducted, at the time http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or responsible, may be necessary. Bidders should be aware when payment is made. If the amount payable by you for Lots may be requested from: that the importation of watches such as Rolex, Frank Muller exceeds that sum, the balance must be paid otherwise than and Corum into the United States is highly restricted. These in coins or notes; this limit applies to both payment at our watches may not be shipped to the USA and can only be premises and direct deposit into our bank account. imported personally.

NTB/MAIN/V1/4.2019 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are 20. PHOTOGRAPHS CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 Authority or import licence. Explanation of Catalogue Terms • “Bill Brandt”: in our opinion a work by the artist.

Proof of Firearms • “Attributed to Bill Brandt”: in our opinion probably a work by The term “proof exemption” indicates that a firearm has been Lots marked with a ‘S58´ and bearing yellow labels are for the artist, but less certainty to authorship is expressed than examined at a Proof House, but not proved, as either (a) it was obsolete calibres and no licence is required unless ammunition in the preceding category. deemed of interest and not intended for use, or (b) ammunition is held. • “Signed and/or titled and/or dated and/or inscribed”: in was not available. In either case, the firearm must be regarded our opinion the signature and/or title and/or date and/or as unsafe to fire unless subsequently proved. Firearms Unmarked Lots require no licence. inscription are in the artist’s hand. proved for Black Powder should not be used with smokeless • “Signed and/or titled and/or dated and/or inscribed in ammunition. Please do not hesitate to contact the Modern Sporting Gun another hand”: in our opinion the signature and/or title and/ Department should you have any queries. or date and/or inscription have been added by The term “Certificate of Unprovability” indicates that a firearm another hand. has been examined at a Proof House and is deemed both Taxidermy and Related Items • The date given is that of the image (negative). Where no unsuitable for proof and use. Reproof is required before any On behalf of the Seller of these articles, Bonhams undertakes further date is given, this indicates that the photographic such firearm is to be used. to comply fully with Cites and DEFRA regulations. Buyers print is vintage (the term “vintage” may also be included in are advised to inform themselves of all such regulations and the Lot Description). A vintage photograph is one which should expect the exportation of items to take some time to Guns Sold as Parts was made within approximately 5-10 years of the negative. Barrels of guns sold as parts will only be made available for arrange. Where a second, later date appears, this refers to the date sleeving and measurements once rendered unserviceable of printing. Where the exact printing date is not known, but according to the Gun Barrel Proof Act of 1968 to 1978 and the 18. FURNITURE understood to be later, “printed later” will appear in the Lot Rules of Proof. Description.

Upholstered Furniture • Unless otherwise specified, dimensions given are those of Whilst we take every care in cataloguing furniture which has Condition of Firearms the piece of paper on which the image is printed, including Comment in this Catalogue is restricted, in general, to been upholstered we offer no Guarantee as to the originality any margins. Some photographs may appear in the exceptional condition and to those defects that might of the wood covered by fabric or upholstery. Catalogue without margins illustrated. affect the immediate safety of a firearm in normal use. An • All photographs are sold unframed unless stated in the Lot intending Bidder unable to make technical examinations 19. JEWELLERY Description. and assessments is recommended to seek advice from a gunmaker or from a modern firearms specialist. All prospective Gemstones 21. PICTURES Bidders are advised to consult the ˚ of bore and wall-thickness Historically many gemstones have been subjected to a variety measurements posted in the saleroom and available from the of treatments to enhance their appearance. Sapphires and Explanation of Catalogue Terms department. Bidders should note that guns are stripped only rubies are routinely heat treated to improve their colour and The following terms used in the Catalogue have the following where there is a strong indication of a mechanical malfunction. clarity, similarly emeralds are frequently treated with oils meanings but are subject to the general provisions relating to Stripping is not, otherwise, undertaken. Guns intended for use or resin for the same purpose. Other treatments such as Descriptions contained in the Contract for Sale: should be stripped and cleaned beforehand. Hammer guns staining, irradiation or coating may have been used on other • “Jacopo Bassano”: in our opinion a work by the artist. should have their rebound mechanisms checked before use. gemstones. These treatments may be permanent, whilst When the artist’s forename(s) is not known, a series of The safety mechanisms of all guns must be tested before use. others may need special care or re-treatment over the years asterisks, followed by the surname of the artist, whether All measurements are approximate. to retain their appearance. Bidders should be aware that preceded by an initial or not, indicates that in our opinion Estimates assume that gemstones may have been subjected the work is by the artist named; Original Gun Specifications Derived from Gunmakers to such treatments. A number of laboratories issue certificates • “Attributed to Jacopo Bassano”: in our opinion probably The Sporting Gun Department endeavours to confirm a gun’s that give more detailed Descriptions of gemstones. However a work by the artist but less certainty as to authorship is original specification and date of manufacture with makers who there may not be consensus between different laboratories on expressed than in the preceding category; hold their original records. the degrees, or types of treatment for any particular gemstone. • “Studio/Workshop of Jacopo Bassano”: in our opinion a In the event that Bonhams has been given or has obtained work by an unknown hand in a studio of the artist which Licensing Requirements certificates for any Lot in the Sale these certificates will be may or may not have been executed under the artist’s Firearms Act 1968 as amended disclosed in the Catalogue. Although, as a matter of policy, direction; Bonhams is constantly reviewing its procedures and would Bonhams endeavours to provide certificates from recognised • “Circle of Jacopo Bassano”: in our opinion a work by remind you that, in the case of firearms or shotguns subject to laboratories for certain gemstones, it is not feasible to obtain a hand closely associated with a named artist but not certification, to conform with current legislation, Bonhams is certificates for each Lot. In the event that no certificate is necessarily his pupil; required to see, as appropriate, your original registered firearms published in the Catalogue, Bidders should assume that the • “Follower of Jacopo Bassano”: in our opinion a work by a dealer’s certificate / shot gun certificate / firearm certificate / gemstones may have been treated. Neither Bonhams nor painter working in the artist’s style, contemporary or nearly museum firearms licence / Section 5 authority or import licence the Seller accepts any liability for contradictions or differing contemporary, but not necessarily his pupil; (or details of any exemption from which you may benefit, for certificates obtained by Buyers on any Lots subsequent to • “Manner of Jacopo Bassano”: in our opinion a work in the instance Crown servant status) for the firearm(s) you have the Sale. style of the artist and of a later date; purchased prior to taking full payment of the amount shown • “After Jacopo Bassano”: in our opinion, a copy of a known on your invoice. Should you not already be in possession of Estimated Weights work of the artist; such an authority or exemption, you are required to initially If a stone(s) weight appears within the body of the Description • “Signed and/or dated and/or inscribed”: in our opinion the pay a deposit of 95% of the total invoice with the balance of in capital letters, the stone(s) has been unmounted and signature and/or date and/or inscription are from the hand 5% payable on presentation of your valid certificate or licence weighed by Bonhams. If the weight of the stone(s) is stated of the artist; showing your authority to hold the firearm(s) concerned. to be approximate and does not appear in capital letters, the • “Bears a signature and/or date and/or inscription”: in our stone(s) has been assessed by us within its/their settings, opinion the signature and/or date and/or inscription have Please be advised that if a successful Bidder is then unable and the stated weight is a statement of our opinion only. This been added by another hand. to produce the correct paperwork, the Lot(s) will be reoffered information is given as a guide and Bidders should satisfy by Bonhams in the next appropriate Sale, on standard terms themselves with regard to this information as to its accuracy. 22. PORCELAIN AND GLASS for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you. Signatures Damage and Restoration 1. A diamond brooch, by Kutchinsky For your guidance, in our Catalogues we attempt to detail, In the case of RFD certificates and Section 5 authorities, we When the maker’s name appears in the title, in Bonhams’ as far as practicable, all significant defects, cracks and wish to keep an up-to-date copy on file. Please supply us with opinion the piece is by that maker. restoration. Such practicable Descriptions of damage cannot a Fax or photocopy. It would be helpful if you could send us an be definitive, and in providing Condition Reports, we cannot updated copy whenever your certificate or authority is renewed 2. A diamond brooch, signed Kutchinsky Guarantee that there are no other defects present which have or changed. Has a signature that, in Bonhams’ opinion, is authentic but not been mentioned. Bidders should satisfy themselves by may contain gemstones that are not original, or the piece may inspection, as to the condition of each Lot. Please see the Lots marked ‘S1´ and bearing red labels are Section 1 firearms have been altered. Contract for Sale printed in this Catalogue. Because of the and require a valid British Firearms certificate, RFD Licence or difficulty in determining whether an item of glass has been import licence. 3. A diamond brooch, mounted by Kutchinsky repolished, in our Catalogues reference is only made to visible Has been created by the jeweller, in Bonhams’ opinion, but chips and cracks. No mention is made of repolishing, severe Lots marked ‘S2’ and bearing blue labels are Section 2 using stones or designs supplied by the client. or otherwise. firearms and require a valid British Shotgun certificate, RFD licence or import licence.

NTB/MAIN/V1/4.2019 23. VEHICLES Bottling Details and Case Terms 1 THE CONTRACT The following terms used in the Catalogue have the following The Veteran Car Club of Great Britain meanings: 1.1 These terms and the relevant terms for Bidders and CB – Château bottled Buyers in the Notice to Bidders govern the Contract Dating Plates and Certificates DB – Domaine bottled for Sale of the Lot by the Seller to the Buyer. When mention is made of a Veteran Car Club Dating Plate or EstB – Estate bottled Dating Certificate in this Catalogue, it should be borne in mind BB – Bordeaux bottled that the Veteran Car Club of Great Britain using the services of BE – Belgian bottled 1.2 The Definitions and Glossary contained in Appendix Veteran Car Company Ltd, does from time to time, review cars FB – French bottled 3 in the Catalogue are incorporated into this Contract already dated and, in some instances, where fresh evidence GB – German bottled for Sale and a separate copy can also be provided becomes available, the review can result in an alteration of OB – Oporto bottled by Bonhams on request. Where words and phrases date. Whilst the Club and Veteran Car Company Ltd make UK – United Kingdom bottled are used which are in the List of Definitions, they are every effort to ensure accuracy, the date shown on the Dating owc – original wooden case printed in italics. Plate or Dating Certificate cannot be guaranteed as correct and iwc – individual wooden case intending purchasers should make their own enquiries as to the oc – original carton date of the car. 1.3 The Seller sells the Lot as the principal to the SYMBOLS Contract for Sale, such contract being made 24. WINE between the Seller and you through Bonhams which THE FOLLOWING SYMBOLS ARE USED TO DENOTE acts in the sole capacity as the Seller’s agent and not Lots which are lying under Bond and those liable to VAT may as an additional principal. However, if the Catalogue Y Subject to CITES regulations when exporting these items not be available for immediate collection. states that Bonhams sells the Lot as principal, or outside the EU, see clause 13. such a statement is made by an announcement TP Objects displayed with a TP will be located at the by the Auctioneer, or by a notice at the Sale, or an Examining the wines Cadogan Tate warehouse and will only be available for It is occasionally possible to provide a pre-Sale tasting for insert in the Catalogue, then Bonhams is the Seller collection from this location. larger parcels (as defined below). This is generally limited to for the purposes of this agreement. W Objects displayed with a w will be located in the more recent and everyday drinking wines. Please contact the Bonhams Warehouse and will only be available for department for details. collection from this location. 1.4 The contract is made on the fall of the Auctioneer’s Δ Wines lying in Bond. hammer in respect of the Lot when it is knocked It is not our policy to inspect every unopened case. In the case AR An Additional Premium will be payable to us by the Buyer down to you. of wines older than 20 years the boxes will usually have been to cover our Expenses relating to payment of royalties opened and levels and appearance noted in the Catalogue under the Artists Resale Right Regulations 2006. See where necessary. You should make proper allowance for clause 7 for details. 2 SELLER’S UNDERTAKINGS variations in ullage levels and conditions of corks, capsules ○ The Seller has been guaranteed a minimum price for the and labels. Lot, either by Bonhams or a third party. This may take the 2.1 The Seller undertakes to you that: form of an irrevocable bid by a third party, who may make

Corks and Ullages a financial gain on a successful Sale or a financial loss if Ullage refers to the space between the base of the cork unsuccessful. 2.1.1 the Seller is the owner of the Lot or is duly authorised and the wine. Ullage levels for Bordeaux shaped bottles are ▲ Bonhams owns the Lot either wholly or partially or may to sell the Lot by the owner; only normally noted when below the neck and for Burgundy, otherwise have an economic interest. Alsace, German and Cognac shaped bottles when greater Ф This lot contains or is made of ivory. The United States than 4 centimetres (cm). Acceptable ullage levels increase with 2.1.2 save as disclosed in the Entry for the Lot in the Government has banned the import of ivory into age; generally acceptable levels are as follows: Catalogue, the Seller sells the Lot with full title the USA. guarantee or, where the Seller is an executor, trustee, Under 15 years old – into neck or less than 4cm liquidator, receiver or administrator, with whatever 15 to 30 years old – top shoulder (ts) or up to 5cm Ω a •, †, *, G, , see clause 8, VAT, for details. right, title or interest he may have in the Lot; Over 30 years old – high shoulder (hs) or up to 6cm DATA PROTECTION – USE OF YOUR INFORMATION It should be noted that ullages may change between 2.1.3 except where the Sale is by an executor, trustee, publication of the Catalogue and the Sale and that corks may Where we obtain any personal information about you, we liquidator, receiver or administrator the Seller is both fail as a result of transporting the wine. We will only accept shall only use it in accordance with the terms of our Privacy legally entitled to sell the Lot, and legally capable responsibility for Descriptions of condition at the time of Policy (subject to any additional specific consent(s) you may of conferring on you quiet possession of the Lot publication of the Catalogue and cannot accept responsibility have given at the time your information was disclosed). A and that the Sale conforms in every respect with for any loss resulting from failure of corks either before or after copy of our Privacy Policy can be found on our Website www. the terms implied by the Sale of Goods Act 1979, this point. bonhams.com or requested by post from Customer Services Sections 12(1) and 12(2) (see the Definitions and Department, 101 New Bond Street, London, W1S 1SR or by Glossary); Options to buy parcels email from [email protected] A parcel is a number of Lots of identical size of the same wine, 2.1.4 the Seller has complied with all requirements, legal or bottle size and Description. The Buyer of any of these Lots has APPENDIX 1 the option to accept some or all of the remaining Lots in the otherwise, relating to any export or import of the Lot, parcel at the same price, although such options will be at the and all duties and taxes in respect of the export or Auctioneer’s sole discretion. Absentee Bidders are, therefore, CONTRACT FOR SALE import of the Lot have (unless stated to the contrary advised to bid on the first Lot in a parcel. in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third IMPORTANT: These terms may be changed in advance of parties have complied with such requirements in the Wines in Bond the Sale of the Lot to you, by the setting out of different past; Wines lying in Bond are marked Δ. All Lots sold under Bond, terms in the Catalogue for the Sale and/or by placing and which the Buyer wishes to remain under Bond, will be an insert in the Catalogue and/or by notices at the Sale invoiced without VAT or Duty on the Hammer Price. If the venue and/or on Bonhams’ website, and/or by oral 2.1.5 subject to any alterations expressly identified as Buyer wishes to take the Lot as Duty paid, UK Excise Duty and announcements before and during the Sale at the Sale such made by announcement or notice at the Sale VAT will be added to the Hammer Price on the invoice. venue. You should be alert to this possibility of changes venue or by the Notice to Bidders or by an insert in and ask in advance of bidding if there have been any. the Catalogue or on the Bonhams website, the Lot Buyers must notify Bonhams at the time of the sale whether corresponds with the Contractual Description of they wish to take their wines under Bond or Duty paid. If a the Lot, being that part of the Entry about the Lot in Lot is taken under Bond, the Buyer will be responsible for all Under this contract the Seller’s liability in respect of the Catalogue which is in bold letters and (except VAT, Duty, clearance and other charges that may be payable the quality of the Lot, it’s fitness for any purpose and for colour) with any photograph of the Lot in the thereon. its conformity with any Description is limited. You are Catalogue. strongly advised to examine the Lot for yourself and/ Buyers outside the UK must be aware that any forwarding or obtain an independent examination of it before you agent appointed to export their purchases must have a buy it. 3 DESCRIPTIONS OF THE LOT movement certificate for Lots to be released under Bond.

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in

NTB/MAIN/V1/4.2019 the Catalogue which is not printed in bold letters, not later than 4.30pm on the second working day 8.1.5 to take legal proceedings against you for any sum the remainder of which Entry merely sets out (on following the Sale and you must ensure that the due under the Contract for Sale and/or damages for the Seller’s behalf) Bonhams’ opinion about the Lot funds are cleared by the seventh working day after breach of contract; and which is not part of the Contractual Description the Sale. Payment must be made to Bonhams by upon which the Lot is sold. Any statement or one of the methods stated in the Notice to Bidders 8.1.6 to be paid interest on any monies due (after as well representation other than that part of the Entry unless otherwise agreed with you in writing by as before judgement or order) at the annual rate referred to in paragraph 2.1.5 (together with any Bonhams. If you do not pay in full any sums due in of 5% per annum above the base rate of National express alteration to it as referred to in paragraph accordance with this paragraph, the Seller will have Westminster Bank Plc from time to time to be 2.1.5), including any Description or Estimate, the rights set out in paragraph 8 below. calculated on a daily basis from the date upon which whether made orally or in writing, including in the such monies become payable until the date of actual Catalogue or on Bonhams’ Website, or by conduct, payment; or otherwise, and whether by or on behalf of the 7 COLLECTION OF THE LOT Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual 7.1 Unless otherwise agreed in writing with you by 8.1.7 to repossess the Lot (or any part thereof) which has Description upon which the Lot is sold. Bonhams, the Lot will be released to you or to your not become your property, and for this purpose order only when Bonhams has received cleared (unless the Buyer buys the Lot as a Consumer from funds to the amount of the full Purchase Price and the Seller selling in the course of a Business) you 3.2 Except as provided in paragraph 2.1.5, the Seller all other sums owed by you to the Seller and to hereby grant an irrevocable licence to the Seller by does not make or give and does not agree to Bonhams. himself and to his servants or agents to enter upon make or give any contractual promise, undertaking, all or any of your premises (with or without vehicles) obligation, guarantee, warranty, or representation during normal Business hours to take possession of of fact, or undertake any duty of care, in relation 7.2 The Seller is entitled to withhold possession from you the Lot or part thereof; to any Description of the Lot or any Estimate in of any other Lot he has sold to you at the same or relation to it, nor of the accuracy or completeness at any other Sale and whether currently in Bonhams’ of any Description or Estimate which may have possession or not, until payment in full and in cleared 8.1.8 to retain possession of any other property sold to been Bonhams. No such Description or Estimate is funds of the Purchase Price and all other sums due you by the Seller at the Sale or any other auction incorporated into this Contract for Sale. to the Seller and/or Bonhams in respect of the Lot. or by private treaty until all sums due under the Contract for Sale shall have been paid in full in cleared funds; 4 FITNESS FOR PURPOSE AND SATISFACTORY 7.3 You should note that Bonhams has reserved the right QUALITY not to release the Lot to you until its investigations under paragraph 3.11 of the Buyers’ agreement 8.1.9 to retain possession of, and on three months’ written set out in Appendix 2 have been completed to notice to sell, Without Reserve, any of your other 4.1 The Seller does not make and does not agree Bonhams’ satisfaction. property in the possession of the Seller and/or of to make any contractual promise, undertaking, Bonhams (as bailee for the Seller) for any purpose obligation, guarantee, warranty, or representation of (including, without limitation, other goods sold to fact in relation to the satisfactory quality of the Lot or 7.4 You will collect and remove the Lot at your own you) and to apply any monies due to you as a result its fitness for any purpose. expense from Bonhams’ custody and/ or control or of such Sale in satisfaction or part satisfaction of any from the Storage Contractor’s custody in accordance amounts owed to the Seller or to Bonhams; and with Bonhams’ instructions or requirements. 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods 8.1.10 so long as such goods remain in the possession Act 1979 or otherwise, as to the satisfactory quality 7.5 You will be wholly responsible for packing, handling of the Seller or Bonhams as its bailee, to rescind of the Lot or its fitness for any purpose. and transport of the Lot on collection and for the contract for the Sale of any other goods sold to complying with all import or export regulations in you by the Seller at the Sale or at any other auction connection with the Lot. 5 RISK, PROPERTY AND TITLE or by private treaty and apply any monies received from you in respect of such goods in part or full 7.6 You will be wholly responsible for any removal, satisfaction of any amounts owed to the Seller or to 5.1 Risk in the Lot passes to you after 7 days from the storage or other charges or expenses incurred by Bonhams by you. day upon which it is knocked down to you on the the Seller if you do not remove the Lot in accordance fall of the Auctioneer’s hammer in respect of the with this paragraph 7 and will indemnify the Seller Lot, or upon collection of the Lot if earlier. The Seller 8.2 You agree to indemnify the Seller against all legal against all charges, costs, including any legal costs will not be responsible thereafter for the Lot prior and other costs of enforcement, all losses and other and fees, expenses and losses suffered by the Seller to you collecting it from Bonhams or the Storage expenses and costs (including any monies payable by reason of your failure to remove the Lot including Contractor, with whom you have separate contract(s) to Bonhams in order to obtain the release of the any charges due under any Storage Contract. All as Buyer. You will indemnify the Seller and keep the Lot) incurred by the Seller (whether or not court such sums due to the Seller will be payable on Seller fully indemnified from and against all claims, proceedings will have been issued) as a result of demand. proceedings, costs, expenses and losses arising in Bonhams taking steps under this paragraph 8 on respect of any injury, loss and damage caused to a full indemnity basis together with interest thereon the Lot beyond 7 days from the day of the fall of the 8 FAILURE TO PAY FOR THE LOT (after as well as before judgement or order) at the Auctioneer’s hammer until you obtain full title to it. rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until 8.1 If the Purchase Price for a Lot is not paid to payment by you. 5.2 Title to the Lot remains in and is retained by the Bonhams in full in accordance with the Contract for Seller until the Purchase Price and all other sums Sale, the Seller will be entitled, with the prior written payable by you to Bonhams in relation to the Lot agreement of Bonhams but without further notice to 8.3 On any resale of the Lot under paragraph 8.1.2, the have been paid in full to, and received in cleared you, to exercise one or more of the following rights Seller will account to you in respect of any balance funds by, Bonhams. (whether through Bonhams or otherwise): remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 6 PAYMENT 8.1.1 to terminate immediately the Contract for Sale of the 28 days of receipt of such monies by him or on his Lot for your breach of contract; behalf. 6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of 8.1.2 to resell the Lot by auction, private treaty or any 9 THE SELLER’S LIABILITY the Auctioneer’s hammer in respect of the Lot. other means on giving seven days’ written notice to you of the intention to resell; 9.1 The Seller will not be liable for any injury, loss or 6.2 Time will be of the essence in relation to payment of damage caused by the Lot after the fall of the the Purchase Price and all other sums payable by 8.1.3 to retain possession of the Lot; Auctioneer’s hammer in respect of the Lot. you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), 8.1.4 to remove and store the Lot at your expense; 9.2 Subject to paragraph 9.3 below, except for breach of all such sums must be paid to Bonhams by you in the express undertaking provided in paragraph 2.1.5, the currency in which the Sale was conducted by the Seller will not be liable for any breach of any term

NTB/MAIN/V1/4.2019 that the Lot will correspond with any Description cost to it, that party will not, for so long as such APPENDIX 2 applied to it by or on behalf of the Seller, whether circumstances prevail, be required to perform such implied by the Sale of Goods Act 1979 or otherwise. obligations. This paragraph does not apply to the obligations imposed on you by paragraph 6. BUYER’S AGREEMENT WITH BONHAMS

9.3 Unless the Seller sells the Lot in the course of a These terms may be changed in advance of the Business and the Buyer buys it as a Consumer, 10.4 Any notice or other communication to be given under IMPORTANT: Sale of the Lot to you, by the setting out of different terms in the Contract for Sale must be in writing and may be the Catalogue for the Sale and/or by placing an insert in the delivered by hand or sent by first class post or air Catalogue and/or by notices at the Sale venue and/or by oral 9.3.1 the Seller will not be liable (whether in negligence, mail or fax transmission, if to the Seller, addressed announcements before and during the Sale at the Sale venue. other tort, breach of contract or statutory duty or in c/o Bonhams at its address or fax number in the You should be alert to this possibility of changes and ask in restitution or under the Misrepresentation Act 1967, Catalogue (marked for the attention of the Company advance of bidding if there have been any. or in any other way) for any lack of conformity with, Secretary), and if to you to the address or fax number or inaccuracy, error, misdescription or omission in of the Buyer given in the Bidding Form (unless any Description of the Lot or any Entry or Estimate in notice of any change of address is given in writing). 1 THE CONTRACT relation to the Lot made by or on behalf of the Seller It is the responsibility of the sender of the notice or 1.1 These terms govern the contract between Bonhams (whether made in writing, including in the Catalogue, communication to ensure that it is received in a legible personally and the Buyer, being the person to whom or on the Website, or orally, or by conduct or form within any applicable time period. otherwise) and whether made before or after this a Lot has been knocked down by the Auctioneer. agreement or prior to or during the Sale; 10.5 If any term or any part of any term of the Contract 1.2 The Definitions and Glossary contained in Appendix for Sale is held to be unenforceable or invalid, 3 to the Catalogue for the Sale are incorporated 9.3.2 the Seller will not be liable for any loss of Business, such unenforceability or invalidity will not affect the into this agreement and a separate copy can also Business profits or revenue or income or for loss of enforceability and validity of the remaining terms or be provided by us on request. Where words and reputation or for disruption to Business or wasted the remainder of the relevant term. phrases which are defined in the List of Definitions time on the part of the Buyer or of the Buyer’s are used in this agreement, they are printed in italics. management or staff or, for any indirect losses or Reference is made in this agreement to information consequential damages of any kind, irrespective in 10.6 References in the Contract for Sale to Bonhams will, printed in the Notice to Bidders, printed in the any case of the nature, volume or source of the loss where appropriate, include reference to Bonhams’ Catalogue for the Sale, and where such information or damage alleged to be suffered, and irrespective officers, employees and agents and to any subsidiary is referred to it is incorporated into this agreement. of whether the said loss or damage is caused by of Bonhams Holdings Limited and to its officers, or claimed in respect of any negligence, other tort, employees and agents. 1.3 Except as specified in paragraph 4 of the Notice to breach of contract, statutory duty, restitutionary claim Bidders the Contract for Sale of the Lot between you or otherwise; 10.7 The headings used in the Contract for Sale are for and the Seller is made on the fall of the Auctioneer’s convenience only and will not affect its interpretation. hammer in respect of the Lot, when it is knocked 9.3.3 in any circumstances where the Seller is liable to down to you. At that moment a separate contract is you in respect of the Lot, or any act, omission, also made between you and Bonhams on the terms 10.8 In the Contract for Sale “including” means “including, statement, or representation in respect of it, or in this Buyer’s Agreement. without limitation”. this agreement or its performance, and whether in damages, for an indemnity or contribution or for 1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any a restitutionary remedy or in any way whatsoever, 10.9 References to the singular will include reference to breach of contract or other default by the Seller, the Seller’s liability will be limited to payment of a the plural (and vice versa) and reference to any one unless Bonhams sells the Lot as principal. sum which will not exceed by way of maximum the gender will include reference to the other genders. amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of 1.5 Our personal obligations to you are governed by any loss or damage alleged to be suffered or sum 10.10 Reference to a numbered paragraph is to a this agreement and we agree, subject to the terms claimed as due, and irrespective of whether the paragraph of the Contract for Sale. below, to the following obligations: liability arises from any negligence, other tort, breach of contract, statutory duty, bailee’s duty, restitutionary 1.5.1 we will, until the date and time specified in the Notice 10.11 Save as expressly provided in paragraph 10.12 claim or otherwise. to Bidders or otherwise notified to you, store the Lot nothing in the Contract for Sale confers (or purports in accordance with paragraph 5; to confer) on any person who is not a party to the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will Contract for Sale any benefit conferred by, or the 1.5.2 subject to any power of the Seller or us to refuse to be construed as excluding or restricting (whether right to enforce any term of, the Contract for Sale. release the Lot to you, we will release the Lot to you directly or indirectly) any person’s liability or excluding in accordance with paragraph 4 once you have paid or restricting any person’s rights or remedies in to us, in cleared funds, everything due to us and the 10.12 Where the Contract for Sale confers an immunity respect of (i) fraud, or (ii) death or personal injury Seller; from, and/or an exclusion or restriction of, the caused by the Seller’s negligence (or any person responsibility and/or liability of the Seller, it will also under the Seller’s control or for whom the Seller is 1.5.3 we will provide guarantees in the terms set out in operate in favour and for the benefit of Bonhams, legally responsible), or (iii) acts or omissions for which paragraphs 9 and 10. Bonhams’ holding company and the subsidiaries the Seller is liable under the Occupiers Liability Act of such holding company and the successors and 1957, or (iv) any other liability to the extent the same 1.6 We do not make or give and do not agree to make assigns of Bonhams and of such companies and of may not be excluded or restricted as a matter of law. or give any contractual promise, undertaking, any officer, employee and agent of Bonhams and obligation, Guarantee, warranty, representation of such companies, each of whom will be entitled to fact in relation to any Description of the Lot or any rely on the relevant immunity and/or exclusion and/or 10 MISCELLANEOUS Estimate in relation to it, nor of the accuracy or restriction within and for the purposes of Contracts completeness of any Description or Estimate which (Rights of Third Parties) Act 1999, which enables the may have been made by us or on our behalf or by 10.1 You may not assign either the benefit or burden of benefit of a contract to be extended to a person who or on behalf of the Seller (whether made orally or in the Contract for Sale. is not a party to the contract, and generally at law. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether 10.2 The Seller’s failure or delay in enforcing or exercising 11 GOVERNING LAW made before or after this agreement or prior to or any power or right under the Contract for Sale will during the Sale. No such Description or Estimate is not operate or be deemed to operate as a waiver of incorporated into this agreement between you and All transactions to which the Contract for Sale his rights under it except to the extent of any express us. Any such Description or Estimate, if made by us applies and all connected matters will be governed waiver given to you in writing. Any such waiver will or on our behalf, was (unless Bonhams itself sells by and construed in accordance with the laws of not affect the Seller’s ability subsequently to enforce the Lot as principal) made as agent on behalf of the that part of the United Kingdom where the Sale any right arising under the Contract for Sale. Seller. takes place and the Seller and you each submit to the exclusive jurisdiction of the courts of that part 10.3 If either party to the Contract for Sale is prevented of the United Kingdom, save that the Seller may from performing that party’s respective obligations bring proceedings against you in any other court of under the Contract for Sale by circumstances competent jurisdiction to the extent permitted by beyond its reasonable control or if performance of its the laws of the relevant jurisdiction. Bonhams has a obligations would by reason of such circumstances complaints procedure in place. give rise to a significantly increased financial

NTB/MAIN/V1/4.2019 2 PERFORMANCE OF THE CONTRACT FOR or terrorist financing, and that you not under paragraph 4.2. These storage fees form part of our SALE investigation for neither have been charged nor Expenses. convicted in connection with any criminal activity. You undertake to us personally that you will 4.5 Until you have paid the Purchase Price and any observe and comply with all your obligations and 3.10 Where you are acting as agent for another party Expenses in full the Lot will either be held by us as undertakings to the Seller under the Contract for (“your Principal”), you undertake and warrant that: agent on behalf of the Seller or held by the Storage Sale in respect of the Lot. Contractor as agent on behalf of the Seller and 3.10.1 you have conducted suitable customer due diligence ourselves on the terms contained in the Storage 3 PAYMENT AND BUYER WARRANTIES into your Principal under applicable Sanctions and Contract. Anti-Money Laundering laws and regulations; 3.1 Unless agreed in writing between you and us or as 4.6 You undertake to comply with the terms of any otherwise set out in the Notice to Bidders, you must 3.10.2 your Principal is not a Sanctioned Party and not Storage Contract and in particular to pay the pay to us by not later than 4.30pm on the second owned, partially owned or controlled by a Sanctioned charges (and all costs of moving the Lot into storage) working day following the Sale: Party, and you have no reason to suspect that your due under any Storage Contract. You acknowledge Principal has been charged or convicted with, money and agree that you will not be able to collect the Lot 3.1.1 the Purchase Price for the Lot; laundering, terrorism or other crimes; from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all 3.1.2 a Buyer’s Premium in accordance with the rates set 3.10.3 funds used for your or your Principal’s purchase charges due under the Storage Contract. out in the Notice to Bidders on each lot, and are not connected with or derived from any criminal activity, including without limitation tax evasion, 4.7 You will be wholly responsible for packing, handling 3.1.3 if the Lot is marked [AR], an Additional Premium money laundering or terrorist financing; and transport of the Lot on collection and for which is calculated and payable in accordance with complying with all import or export regulations in the Notice to Bidders together with VAT on that sum 3.10.4 items purchased by you and your Principal through connection with the Lot. if applicable so that all sums due to us are cleared Bonhams are not being purchased or to be used funds by the seventh working day after the Sale. in any way connected with or to facilitate breaches 4.8 You will be wholly responsible for any removal, of applicable Tax, Anti-Money Laundering or Anti- storage, or other charges for any Lot not removed 3.2 You must also pay us on demand any Expenses Terrorism laws and regulations; and in accordance with paragraph 4.2, payable at our payable pursuant to this agreement. current rates, and any Expenses we incur (including 3.10.5 that you consent to Bonhams relying upon your any charges due under the Storage Contract), all of 3.3 All payments to us must be made in the currency customer due diligence, undertaking to retain which must be paid by you on demand and in any in which the Sale was conducted, using, unless records of your due diligence for at least 5 years and event before any collection of the Lot by you or on otherwise agreed by us in writing, one of the to make such due diligence records available for your behalf. methods of payment set out in the Notice to inspection by an independent auditor in the event we Bidders. Our invoices will only be addressed to the request you to do so. 5 STORING THE LOT registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved 3.11 We reserve the rights to make enquiries about any We agree to store the Lot until the earlier of your that arrangement, in which case we will address the person transacting with us and to identify the source removal of the Lot or until the time and date set out invoice to the principal. of any funds received from you. In the event we have in the Notice to Bidders, on the Sale Information not completed our investigations in respect of anti- Page or at the back of the catalogue (or if no date 3.4 Unless otherwise stated in this agreement all terrorism financing, anti-money laundering or other is specified, by 4.30pm on the seventh day after the sums payable to us will be subject to VAT at the financial and identity checks concerning either you Sale) and, subject to paragraphs 3, 6 and 10, to be appropriate rate and VAT will be payable by you on or the Seller, to our satisfaction at our discretion, we responsible as bailee to you for damage to or the all such sums. shall be entitled to retain Lots and/or proceeds of loss or destruction of the Lot (notwithstanding that it Sale, postpone or cancel any sale and to take any is not your property before payment of the Purchase 3.5 We may deduct and retain for our own benefit from other actions required or permitted under applicable Price). If you do not collect the Lot before the time the monies paid by you to us the Buyer’s Premium, law, without liability to you. and date set out in the Notice to Bidders (or if no the Commission payable by the Seller in respect date is specified, by 4.30pm on the seventh day of the Lot, any Expenses and VAT and any interest 4 COLLECTION OF THE LOT after the Sale) we may remove the Lot to another earned and/or incurred until payment to the Seller. location, the details of which will usually be set out 4.1 Subject to any power of the Seller or us to refuse to in the relevant section of the Catalogue. If you have 3.6 Time will be of the essence in relation to any release the Lot to you, once you have paid to us, in not paid for the Lot in accordance with paragraph 3, payment payable to us. If you do not pay the cleared funds, everything due to the Seller and to and the Lot is moved to any third party’s premises, Purchase Price, or any other sum due to us in us, and once we have completed our investigations the Lot will be held by such third party strictly to accordance with this paragraph 3, we will have the under paragraph 3.11 we will release the Lot to Bonhams’ order and we will retain our lien over the rights set out in paragraph 7 below. you or as you may direct us in writing. The Lot will Lot until we have been paid in full in accordance with only be released on production of a buyer collection paragraph 3. 3.7 Where a number of Lots have been knocked down document, obtained from our cashier’s office. to you, any monies we receive from you will be 6 RESPONSIBILITY FOR THE LOT applied firstly pro-rata to pay the Purchase Price of 4.2 You must collect and remove the Lot at your own each Lot and secondly pro-rata to pay all amounts expense by the date and time specified in the Notice 6.1 Title (ownership) in the Lot pass to you on payment due to Bonhams. to Bidders, or if no date is specified, by 4.30pm on of the Purchase Price to us in full in cleared funds, the seventh day after the Sale. although we reserve the right not to release the Lot 3.8 You warrant that neither you nor - if you are a to you until our investigations have been completed company, your directors, officers or your owner or 4.3 For the period referred to in paragraph 4.2, the Lot to our satisfaction under paragraph 3.11. their directors or shareholders - are an individual can be collected from the address referred to in the or an entity that is, or is owned or controlled by Notice to Bidders for collection on the days and 6.2 Please note that under the Contract for Sale, the individuals or entities that are: times specified in the Notice to Bidders. Thereafter, risk in the Lot passes to you after 7 days from the the Lot may be removed elsewhere for storage and day upon which it is knocked down to you or upon 3.8.1 the subject of any sanctions administered or you must enquire from us as to when and where you collection of the Lot if earlier, and you are advised enforced by the U.S. Department of the Treasury’s can collect it, although this information will usually be to obtain insurance in respect of the Lot as soon as Office of Foreign Assets Control, the U.S. Departure set out in the Notice to Bidders. possible after the Sale. of State, the United Nations Security Council, the European Union, Her Majesty’s Treasury, or other 4.4 If you have not collected the Lot by the date relevant sanctions authority (“Sanctions” and a specified in the Notice to Bidders, you authorise 7 FAILURE TO PAY OR TO REMOVE THE LOT “Sanctioned Party”); or us, acting in this instance as your agent and on AND PART PAYMENTS your behalf, to enter into a contract (the “Storage 3.8.2 located, organised or resident in a country or territory Contract”) with the Storage Contractor for the 7.1 If all sums payable to us are not so paid in full at the that is, or whose government is, the subject of storage of the Lot on the then current standard time they are due and/or the Lot is not removed in Sanctions, including without limitation, Iran, North terms and conditions agreed between Bonhams and accordance with this agreement, we will (without Korea, Sudan and Syria. the Storage Contractor (copies of which are available further notice to you unless otherwise provided on request). If the Lot is stored at our premises below), be entitled to exercise one or more of the 3.9 You warrant that the funds being used for your storage fees at our current daily rates (currently a following rights (without prejudice to any rights we purchase have no link with criminal activity including minimum of £3 plus VAT per Lot per day) will be may exercise on behalf of the Seller): without limitation money laundering, tax evasion payable from the expiry of the period referred to in

NTB/MAIN/V1/4.2019 7.1.1 to terminate this agreement immediately for your 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only breach of contract; hold remaining from any monies received by us in by means of a process not generally accepted for respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 7.1.2 to retain possession of the Lot; this paragraph 7 after the payment of all sums due to published or by means of a process which it was us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 7.1.3 to remove, and/or store the Lot at your expense; all such sums paid to us. employed.

7.1.4 to take legal proceedings against you for payment 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and of any sums payable to us by you (including the THE LOT tests on the Lot as we in our absolute discretion Purchase Price) and/or damages for breach of consider necessary to satisfy ourselves that the Lot contract; 8.1 Whenever it becomes apparent to us that the Lot is is or is not a Forgery. the subject of a claim by someone other than you 7.1.5 to be paid interest on any monies due to us (after and other than the Seller (or that such a claim can 9.5 If we are satisfied that a Lot is a Forgery we will (as as well as before judgement or order) at the annual reasonably be expected to be made), we may, at our principal) purchase the Lot from you and you will rate of 5% per annum above the base lending rate absolute discretion, deal with the Lot in any manner transfer the title to the Lot in question to us, with of National Westminster Bank Plc from time to time which appears to us to recognise the legitimate full title guarantee, free from any liens, charges, to be calculated on a daily basis from the date upon interests of ourselves and the other parties involved encumbrances and adverse claims, in accordance which such monies become payable until the date of and lawfully to protect our position and our legitimate with the provisions of Sections 12(1) and 12(2) of actual payment; interests. Without prejudice to the generality of the the Sale of Goods Act 1979 and we will pay to you discretion and by way of example, we may: an amount equal to the sum of the Purchase Price, 7.1.6 to repossess the Lot (or any part thereof) which has Buyer’s Premium, VAT and Expenses paid by you in not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or respect of the Lot. (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to grant an irrevocable licence to us, by ourselves, our the Lot; and/or 9.6 The benefit of paragraph 9 is personal to, and servants or agents, to enter upon all or any of your incapable of assignment by, you. premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or business hours to take possession of any Lot or part 9.7 If you sell or otherwise dispose of your interest in the thereof; 8.1.3 commence interpleader proceedings or seek any Lot, all rights and benefits under this paragraph will other order of any court, mediator, arbitrator or cease. 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or treaty or any other means on giving you three 9.8 Paragraph 9 does not apply to a Lot made up of or months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in including a Chinese painting or Chinese paintings, a return for pursuing a course of action agreed to by motor vehicle or motor vehicles, a Stamp or Stamps 7.1.8 to retain possession of any of your other property in you. or a Book or Books. our possession for any purpose (including, without limitation, other goods sold to you or with us for Sale) 8.2 The discretion referred to in paragraph 8.1: 10 OUR LIABILITY until all sums due to us have been paid in full; 8.2.1 may be exercised at any time during which we have 10.1 We will not be liable whether in negligence, other 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at tort, breach of contract or statutory duty or in purpose whether at the time of your default or at any any time after such possession, where the cessation restitution or under the Misrepresentation Act 1967 time thereafter in payment or part payment of any of such possession has occurred by reason of any or in any other way for lack of conformity with or sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any inaccuracy, error, misdescription or omission in arbitrator or government body; and any Description of the Lot or any Entry or Estimate 7.1.10 on three months’ written notice to sell, Without in respect of it, made by us or on our behalf or by Reserve, any of your other property in our 8.2.2 will not be exercised unless we believe that there or on behalf of the Seller (whether made in writing, possession or under our control for any purpose exists a serious prospect of a good arguable case in including in the Catalogue, or on the Bonhams’ (including other goods sold to you or with us for favour of the claim. Website, or orally, or by conduct or otherwise) and Sale) and to apply any monies due to you as a result whether made before or after this agreement or prior of such Sale in payment or part payment of any 9 FORGERIES to or during the Sale. amounts owed to us; 9.1 We undertake a personal responsibility for any 10.2 Our duty to you while the Lot is at your risk and/or 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this your property and in our custody and/or control is to reject a bid from you at any future Sale or to require paragraph 9. exercise reasonable care in relation to it, but we will you to pay a deposit before any bid is accepted by not be responsible for damage to the Lot or to other us at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: persons or things caused by: to apply such deposit in payment or part payment, as the case may be, of the Purchase Price of any Lot 9.2.1 your name appears as the named person to whom 10.2.1 handling the Lot if it was affected at the time of Sale of which you are the Buyer. the original invoice was made out by us in respect of to you by woodworm and any damage is caused as the Lot and that invoice has been paid; and a result of it being affected by woodworm; or 7.1.12 having made reasonable efforts to inform you, to release your name and address to the Seller, so they 9.2.2 you notify us in writing as soon as reasonably 10.2.2 changes in atmospheric pressure; nor will we be might take appropriate steps to recover the amounts practicable after you have become aware that the liable for: due and legal costs associated with such steps. Lot is or may be a Forgery, and in any event within one year after the Sale, that the Lot is a Forgery; and 10.2.3 damage to tension stringed musical instruments; or 7.2 You agree to indemnify us against all legal and other costs, all losses and all other Expenses (whether or 9.2.3 within one month after such notification has been 10.2.4 damage to gilded picture frames, plaster picture not court proceedings will have been issued) incurred given, you return the Lot to us in the same condition frames or picture frame glass; and if the Lot is or by us as a result of our taking steps under this as it was at the time of the Sale, accompanied by becomes dangerous, we may dispose of it without paragraph 7 on a full indemnity basis together with written evidence that the Lot is a Forgery and details notice to you in advance in any manner we think fit interest thereon (after as well as before judgement or of the Sale and Lot number sufficient to identify the and we will be under no liability to you for doing so. order) at the rate specified in paragraph 7.1.5 from Lot. the date upon which we become liable to pay the 10.3.1 We will not be liable to you for any loss of Business, same until payment by you. 9.3 Paragraph 9 will not apply in respect of a Forgery if: Business profits, revenue or income or for loss of Business reputation or for disruption to Business or 7.3 If you pay us only part of the sums due to us such 9.3.1 the Entry in relation to the Lot contained in the wasted time on the part of the Buyer’s management payment shall be applied firstly to the Purchase Price Catalogue reflected the then accepted general or staff or, if you are buying the Lot in the course of of the Lot (or where you have purchased more than opinion of scholars and experts or fairly indicated a Business, for any indirect losses or consequential one Lot pro-rata towards the Purchase Price of each that there was a conflict of such opinion or reflected damages of any kind, irrespective in any case of Lot) and secondly to the Buyer’s Premium (or where the then current opinion of an expert acknowledged the nature, volume or source of the loss or damage you have purchased more than one Lot pro-rata to to be a leading expert in the relevant field; or alleged to be suffered, and irrespective of whether the Buyer’s Premium on each Lot) and thirdly to any the said loss or damage is caused by or claimed other sums due to us. in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

NTB/MAIN/V1/4.2019 10.3.2 Unless you buy the Lot as a Consumer, in any the Lot was listed in the Catalogue under confer) on any person who is not a party to this circumstances where we are liable to you in “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to respect of a Lot, or any act, omission, statement, was stated in the Catalogue to comprise or contain a enforce any term of, this agreement. representation in respect of it, or this agreement collection, issue or Books which are undescribed or or its performance, and whether in damages, for the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity an indemnity or contribution or for a restitutionary relevant parts of the Book contain blanks, half titles from, and/or an exclusion or restriction of, the remedy or in any way whatsoever, our liability will be or advertisements. responsibility and/or liability of Bonhams, it will also limited to payment of a sum which will not exceed operate in favour and for the benefit of Bonhams’ by way of maximum the amount of the Purchase If we are reasonably satisfied that a Lot is a non- holding company and the subsidiaries of such Price of the Lot plus Buyer’s Premium (less any conforming Lot, we will (as principal) purchase the holding company and the successors and assigns sum you may be entitled to recover from the Seller) Lot from you and you will transfer the title to the Lot of Bonhams and of such companies and of any irrespective in any case of the nature, volume or in question to us, with full title guarantee, free from officer, employee and agent of Bonhams and such source of any loss or damage alleged to be suffered any liens, charges, encumbrances and adverse companies, each of whom will be entitled to rely or sum claimed as due, and irrespective of whether claims and we will pay to you an amount equal to on the relevant immunity and/or exclusion and/or the liability arises from negligence, other tort, the sum of the Purchase Price and Buyer’s Premium restriction within and for the purposes of Contracts breach of contract, statutory duty, bailee’s duty, a paid by you in respect of the Lot. (Rights of Third Parties) Act 1999, which enables the restitutionary claim or otherwise. benefit of a contract to be extended to a person who The benefit of paragraph 10 is personal to, and is not a party to the contract, and generally at law. You may wish to protect yourself against loss by incapable of assignment by, you and if you sell or obtaining insurance. otherwise dispose of your interest in the Lot, all rights 13 GOVERNING LAW and benefits under this paragraph will cease. 10.4 Nothing set out above will be construed as excluding All transactions to which this agreement applies or restricting (whether directly or indirectly) any 12 MISCELLANEOUS and all connected matters will be governed by and person’s liability or excluding or restricting any construed in accordance with the laws of that part person’s rights or remedies in respect of (i) fraud, or 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or (ii) death or personal injury caused by our negligence this agreement. is to take) place and we and you each submit to (or any person under our control or for whom we the exclusive jurisdiction of the courts of that part are legally responsible), or (iii) acts or omissions for 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring which we are liable under the Occupiers Liability Act power or right under this agreement will not operate proceedings against you in any other court of 1957, or (iv) any other liability to the extent the same or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by may not be excluded or restricted as a matter of law, under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a or (v) under our undertaking in paragraph 9 of these given to you in writing. Any such waiver will not affect complaints procedure in place. conditions. our ability subsequently to enforce any right arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION 11 BOOKS MISSING TEXT OR ILLUSTRATIONS 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we Where the Lot is made up wholly of a Book or Books performing that party’s respective obligations shall only use it in accordance with the terms of our Privacy and any Book does not contain text or illustrations (in under this agreement by circumstances beyond its Policy (subject to any additional specific consent(s) you may either case referred to as a “non-conforming Lot”), reasonable control or if performance of its obligations have given at the time your information was disclosed). A we undertake a personal responsibility for such a would by reason of such circumstances give rise copy of our Privacy Policy can be found on our Website www. non-conforming Lot in accordance with the terms of to a significantly increased financial cost to it, that bonhams.com or requested by post from Customer Services this paragraph, if: party will not, for so long as such circumstances Department, 101 New Bond Street, London W1S 1SR, United prevail, be required to perform such obligations. This Kingdom or by email from [email protected]. the original invoice was made out by us to you in paragraph does not apply to the obligations imposed respect of the Lot and that invoice has been paid; on you by paragraph 3. APPENDIX 3 and 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY you notify us in writing as soon as reasonably under this agreement must be in writing and may practicable after you have become aware that the be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the Lot is or may be a non-conforming Lot, and in any air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context event within 20 days after the Sale (or such longer for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The period as we may agree in writing) that the Lot is a address or fax number of the relevant party given Glossary is to assist you to understand words and phrases non-conforming Lot; and in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not of address is given in writing). It is the responsibility be familiar. within 20 days of the date of the relevant Sale (or of the sender of the notice or communication to such longer period as we may agree in writing) you ensure that it is received in a legible form within any LIST OF DEFINITIONS return the Lot to us in the same condition as it was applicable time period. at the time of the Sale, accompanied by written “Additional Premium” a premium, calculated in accordance evidence that the Lot is a non-conforming Lot and 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses details of the Sale and Lot number sufficient to is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale identify the Lot. unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer but not if: the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the Entry in the Catalogue in respect of the Lot 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank indicates that the rights given by this paragraph do appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). not apply to it; or employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale. the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are for “Bidder” Any person considering, attempting or making a Bid, reflected the then accepted general opinion of convenience only and will not affect its interpretation. including those who have completed a Bidding Form. scholars and experts or fairly indicated that there “Bidding Form” our Bidding Registration Form, our Absentee was a conflict of such opinion; or 12.8 In this agreement “including” means “including, Bidding Form or our Telephone Bidding Form. without limitation”. “Bonhams” Bonhams 1793 Limited or its successors or it can be established that the Lot is a non- assigns. Bonhams is also referred to in the Buyer’s Agreement, conforming Lot only by means of a process not 12.9 References to the singular will include reference to the Conditions of Business and the Notice to Bidders by the generally accepted for use until after the date on the plural (and vice versa) and reference to any one words “we”, “us” and “our”. which the Catalogue was published or by means gender will include reference to the other genders. “Book” a printed Book offered for Sale at a specialist Book of a process which it was unreasonable in all the Sale. circumstances for us to have employed; or 12.10 Reference to a numbered paragraph is to a “Business” includes any trade, Business and profession. paragraph of this agreement. “Buyer” the person to whom a Lot is knocked down by the the Lot comprises atlases, maps, autographs, Auctioneer. The Buyer is also referred to in the Contract for manuscripts, extra illustrated books, music or 12.11 Save as expressly provided in paragraph 12.12 Sale and the Buyer’s Agreement by the words “you” and periodical publications; or nothing in this agreement confers (or purports to “your”.

NTB/MAIN/V1/4.2019 “Buyer’s Agreement” the contract entered into by Bonhams “Motoring Catalogue Fee” a fee payable by the Seller to “indemnity”: an obligation to put the person who has the with the Buyer (see Appendix 2 in the Catalogue). Bonhams in consideration of the additional work undertaken benefit of the indemnity in the same position in which he would “Buyer’s Premium” the sum calculated on the Hammer Price by Bonhams in respect of the cataloguing of motor vehicles have been, had the circumstances giving rise to the indemnity at the rates stated in the Notice to Bidders. and in respect of the promotion of Sales of motor vehicles. not arisen and the expression “indemnify” is construed “Catalogue” the Catalogue relating to the relevant Sale, “New Bond Street” means Bonhams’ saleroom at 101 New accordingly. including any representation of the Catalogue published on Bond Street, London W1S 1SR. “interpleader proceedings”: proceedings in the Courts to our Website. “Notional Charges” the amount of Commission and VAT determine ownership or rights over a Lot. “Commission” the Commission payable by the Seller to which would have been payable if the Lot had been sold at the “knocked down”: when a Lot is sold to a Bidder, indicated by Bonhams calculated at the rates stated in the Contract Form. Notional Price. the fall of the hammer at the Sale. “Condition Report” a report on the physical condition of a Lot “Notional Fee” the sum on which the Consignment Fee “lien”: a right for the person who has possession of the Lot to provided to a Bidder or potential Bidder by Bonhams on behalf payable to Bonhams by the Seller is based and which is retain possession of it. of the Seller. calculated according to the formula set out in the Conditions “risk”: the possibility that a Lot may be lost, damaged, “Conditions of Sale” the Notice to Bidders, Contract for Sale, of Business. destroyed, stolen, or deteriorate in condition or value. Buyer’s Agreement and Definitions and Glossary. “Notional Price” the latest in time of the average of the “title”: the legal and equitable right to the ownership of a Lot. “Consignment Fee” a fee payable to Bonhams by the Seller high and low Estimates given by us to you or stated in the “tort”: a legal wrong done to someone to whom the wrong calculated at rates set out in the Conditions of Business. Catalogue or, if no such Estimates have been given or stated, doer has a duty of care. “Consumer” a natural person who is acting for the relevant the Reserve applicable to the Lot. purpose outside his trade, Business or profession. “Notice to Bidders” the notice printed at the back or front of SALE OF GOODS ACT 1979 “Contract Form” the Contract Form, or vehicle Entry form, as our Catalogues. applicable, signed by or on behalf of the Seller listing the Lots “Purchase Price” the aggregate of the Hammer Price and The following is an extract from the Sale of Goods Act 1979: to be offered for Sale by Bonhams. VAT on the Hammer Price (where applicable), the Buyer’s “Contract for Sale” the Sale contract entered into by the Premium and VAT on the Buyer’s Premium and any Expenses. “Section 12 Implied terms about title, etc Seller with the Buyer (see Appendix 1 in the Catalogue). “Reserve” the minimum price at which a Lot may be sold “Contractual Description” the only Description of the Lot (whether at auction or by private treaty). (1) In a contract of sale, other than one to which subsection (being that part of the Entry about the Lot in the Catalogue “Sale” the auction Sale at which a Lot is to be offered forSale (3) below applies, there is an implied term on the part of which is in bold letters, any photograph (except for the colour) by Bonhams. the seller that in the case of a sale he has a right to sell and the contents of any Condition Report) to which the Seller “Sale Proceeds” the net amount due to the Seller from the the goods, and in the case of an agreement to sell he undertakes in the Contract of Sale the Lot corresponds. Sale of a Lot, being the Hammer Price less the Commission, will have such a right at the time when the property is to “Description” any statement or representation in any any VAT chargeable thereon, Expenses and any other amount pass. way descriptive of the Lot, including any statement or due to us in whatever capacity and howsoever arising. representation relating to its authorship, attribution, condition, “Seller” the person who offers the Lot for Sale named on (2) In a contract of sale, other than one to which subsection provenance, authenticity, style, period, age, suitability, quality, the Contract Form. Where the person so named identifies on (3) below applies, there is also an implied term that- origin, value, estimated selling price (including the Hammer the form another person as acting as his agent, or where the Price). person named on the Contract Form acts as an agent for a (a) the goods are free, and will remain free until “Entry” a written statement in the Catalogue identifying the principal (whether such agency is disclosed to Bonhams or the time when the property is to pass, from any Lot and its Lot number which may contain a Description and not), “Seller” includes both the agent and the principal who charge or encumbrance not disclosed or known illustration(s) relating to the Lot. shall be jointly and severally liable as such. The Seller is also to the buyer before the contract is made, and “Estimate” a statement of our opinion of the range within referred to in the Conditions of Business by the words “you” which the hammer is likely to fall. and “your”. (b) the buyer will enjoy quiet possession of the “Expenses” charges and Expenses paid or payable by “Specialist Examination” a visual examination of a Lot by a goods except in so far as it may be disturbed by Bonhams in respect of the Lot including legal Expenses, specialist on the Lot. the owner or other person entitled to the benefit banking charges and Expenses incurred as a result of “Stamp” means a postage Stamp offered for Sale at a of any charge or encumbrance so disclosed or an electronic transfer of money, charges and Expenses Specialist Stamp Sale. known. for loss and damage cover, insurance, Catalogue and “Standard Examination” a visual examination of a Lot by a other reproductions and illustrations, any customs duties, non-specialist member of Bonhams’ staff. (3) This subsection applies to a contract of sale in the advertising, packing or shipping costs, reproductions rights’ “Storage Contract” means the contract described in case of which there appears from the contract or is fees, taxes, levies, costs of testing, searches or enquiries, paragraph 8.3.3 of the Conditions of Business or paragraph to be inferred from its circumstances an intention that preparation of the Lot for Sale, storage charges, removal 4.4 of the Buyer’s Agreement (as appropriate). the seller should transfer only such title as he or a third charges, removal charges or costs of collection from the Seller “Storage Contractor” means the company identified as such person may have. as the Seller’s agents or from a defaulting Buyer, plus VAT if in the Catalogue. applicable. “Terrorism” means any act or threatened act of terrorism, (4) In a contract to which subsection (3) above applies there “Forgery” an imitation intended by the maker or any other whether any person is acting alone or on behalf of or in is an implied term that all charges or encumbrances person to deceive as to authorship, attribution, origin, connection with any organisation(s) and/or government(s), known to the seller and not known to the buyer have authenticity, style, date, age, period, provenance, culture, committed for political, religious or ideological or similar been disclosed to the buyer before the contract is source or composition, which at the date of the Sale had a purposes including, but not limited to, the intention to influence made. value materially less than it would have had if the Lot had not any government and/or put the public or any section of the been such an imitation, and which is not stated to be such public into fear. (5) In a contract to which subsection (3) above applies an imitation in any description of the Lot. A Lot will not be a “Trust Account” the bank account of Bonhams into which all there is also an implied term that none of the following Forgery by reason of any damage to, and/or restoration and/ sums received in respect of the Purchase Price of any will disturb the buyer’s quiet possession of the goods, or modification work (including repainting or over painting) Lot will be paid, such account to be a distinct and separate namely: having been carried out on the Lot, where that damage, account to Bonhams’ normal business bank account. restoration or modification work (as the case may be) does not “VAT” value added tax at the prevailing rate at the date of the (a) the seller; substantially affect the identity of the Lot as one conforming to Sale in the United Kingdom. the Description of the Lot. “Website” Bonhams Website at www.bonhams.com (b) in a case where the parties to the contract intend “Guarantee” the obligation undertaken personally by “Withdrawal Notice” the Seller’s written notice to Bonhams that the seller should transfer only such title as a Bonhams to the Buyer in respect of any Forgery and, in the revoking Bonhams’ instructions to sell a Lot. third person may have, that person; case of specialist Stamp Sales and/or specialist Book Sales, a “Without Reserve” where there is no minimum price at which Lot made up of a Stamp or Stamps or a Book or Books as set a Lot may be sold (whether at auction or by private treaty). (c) anyone claiming through or under the seller or out in the Buyer’s Agreement. that third person otherwise than under a charge “Hammer Price” the price in the currency in which the Sale is GLOSSARY or encumbrance disclosed or known to the buyer conducted at which a Lot is knocked down by the Auctioneer. before the contract is made. “Loss and Damage Warranty” means the warranty described The following expressions have specific legal meanings with in paragraph 8.2 of the Conditions of Business. which you may not be familiar. The following glossary is (5A) As regards England and Wales and Northern Ireland, the “Loss and Damage Warranty Fee” means the fee described intended to give you an understanding of those expressions term implied by subsection (1) above is a condition and in paragraph 8.2.3 of the Conditions of Business. but is not intended to limit their legal meanings: the terms implied by subsections (2), (4) and (5) above “Lot” any item consigned to Bonhams with a view to its Sale are warranties.” “artist’s resale right”: the right of the creator of a work of art at auction or by private treaty (and reference to any Lot will to receive a payment on Sales of that work subsequent to the include, unless the context otherwise requires, reference to original Sale of that work by the creator of it as set out in the individual items comprised in a group of two or more items Artists Resale Right Regulations 2006. offered for Sale as one Lot). “bailee”: a person to whom goods are entrusted.

NTB/MAIN/V1/4.2019 Bonhams Specialist Departments

19th Century Paintings Australian Colonial Furniture Chinese Paintings Golf Sporting Mechanical Music Museum Services Russian Art Client Services Departments London and Australiana Hong Kong Memorabilia London San Francisco London Charles O’ Brien +61 2 8412 2222 Iris Miao, Edinburgh Jon Baddeley Laura King Pfaff Daria Khristova U.S.A. +44 20 7468 8360 +852 3607 0011 Kevin McGimpsey +44 20 7393 3872 +1 415 503 3210 +44 20 7468 8334 New York Books, Maps & Manuscripts Hamish Wilson New York San Francisco Madalina Lazen London Clocks +44 131 240 0916 Modern & Contemporary Native American Art Yelena Harbick (415) 861 7500 +1 212 644 9108 Matthew Haley London African Art San Francisco +1 212 644 9136 (415) 861 8951 fax +44 20 7393 3817 James Stratton Irish Art London Ingmars Lindbergs Monday - Friday, 9am to 5pm 20th Century British Art New York +44 20 7468 8364 London Giles Peppiatt +1 415 503 3393 Scientific Instruments London Ian Ehling New York Penny Day + 44 20 7468 8355 London Los Angeles Matthew Bradbury +1 212 644 9094 Darren Sutherland Jonathan Snellenburg +44 20 7468 8366 New York Natural History Jon Baddeley (323) 850 7500 +44 20 7468 8295 +1 212 461 6531 +1 212 461 6530 Hayley Grundy Los Angeles +44 20 7393 3872 (323) 850 6090 fax Los Angeles Impressionist & +1 917 206 1624 Claudia Florian New York Monday - Friday, 9am to 5pm 20th Century Fine Art Catherine Williamson Coins & Medals Modern Art +1 323 436 5437 Jonathan Snellenburg San Francisco +1 323 436 5442 London London Modern & Contemporary Thomas E. Lindgren +1 212 461 6530 New York Sonja Moro San Francisco John Millensted India Phillips Middle Eastern Art +1 310 469 8567 • (212) 644 9001 +1 415 694 9002 Adam Stackhouse +44 20 7393 3914 +44 20 7468 8328 London Scottish Pictures (212) 644 9009 fax +1 415 503 3266 Los Angeles New York Nima Sagharchi Old Master Pictures Edinburgh Monday - Friday, 9am to 5pm Aboriginal Art Paul Song Caitlyn Pickens +44 20 7468 8342 London Chris Brickley Australia British & European Glass +1 323 436 5455 +1 212 644 9135 Andrew Mckenzie +44 131 240 2297 Toll Free Francesca Cavazzini London Los Angeles Modern & Contemporary +44 20 7468 8261 (800) 223 2854 +61 2 8412 2222 John Sandon Entertainment Memorabilia Kathy Wong South Asian Art Los Angeles Silver & Gold Boxes +44 20 7468 8244 London +1 323 436 5415 London Mark Fisher London U.K. African, Oceanic Katherine Schofield Tahmina Ghaffar +1 323 436 5488 Ellis Finch Monday to Friday 8.30 to 6.00 & Pre-Columbian Art British Ceramics +44 20 7393 3871 Indian, Himalayan & Southeast +44 207 468 8382 +44 20 7393 3973 +44 (0) 20 7447 7447 Los Angeles London Los Angeles Asian Art Orientalist Art Fredric W. Backlar John Sandon Catherine Williamson New York Modern Decorative London Sporting Guns Bids +1 323 436 5416 • +44 20 7468 8244 +1 323 436 5442 Mark Rasmussen Art + Design Charles O’Brien London +44 (0) 20 7447 7447 Dana Hawkes +1 917 206 1688 London +44 20 7468 8360 Patrick Hawes +44 (0) 20 7447 7401 fax American Paintings California & Western +1 978 283 1518 Hong Kong Mark Oliver +44 20 7393 3815 To bid via the internet please visit New York Paintings & Sculpture Edward Wilkinson +44 20 7393 3856 Photography bonhams.com Jennifer Jacobsen Los Angeles European Ceramics +852 2918 4321 New York New York Space History +1 917 206 1699 Scot Levitt London Benjamin Walker Laura Paterson San Francisco +1 323 436 5425 Sebastian Kuhn Islamic & Indian Art +1 212 710 1306 +1 917 206 1653 Adam Stackhouse Antiquities Kathy Wong +44 20 7468 8384 London Dan Tolson Los Angeles & San Francisco +1 415 503 3266 London +1 323 436 5415 Oliver White +1 917 206 1611 Morisa Rosenberg Francesca Hickin San Francisco European Paintings +44 20 7468 8303 Los Angeles +1 323 436 5435 Travel Pictures +44 20 7468 8226 Aaron Bastian London Jason Stein +1 415 503 3259 London +1 415 503 3241 Charles O’ Brien Japanese Art +1 323 436 5466 Veronique Scorer Antique Arms & Armour +44 20 7468 8360 London Post-War and +44 20 7393 3962 London Carpets New York Suzannah Yip Motor Cars Contemporary Art David Williams London Madalina Lazen +44 20 7468 8368 London London Watches & +44 20 7393 3807 Helena Gumley-Mason +1 212 644 9108 New York Tim Schofield Ralph Taylor Wristwatches +44 20 8393 2615 Los Angeles Jeff Olson +44 20 7468 5804 +44 20 7447 7403 London Art Collections, Estates & Valuations Mark Fisher +1 212 461 6516 New York New York Jonathan Darracott London Chinese & Asian Art +1 323 436 5488 Rupert Banner Muys Snijders, +44 20 7447 7412 Harvey Cammell London Rocco Rich Jewellery +1 212 461 6515 +212 644 9020 New York +44 (0) 20 7468 8340 Asaph Hyman +1 323 436 5410 London Eric Minoff Jacqueline Towers-Perkins, Jonathan Snellenburg New York +44 20 7468 5888 Jean Ghika 1 917 206 1630 +1 212 644 9039 +1 212 461 6530 Sherri Cohen Rosangela Assennato European Sculptures +44 20 7468 8282 Evan Ide Lisa De Simone, Hong Kong +1 917 206 1671 +44 20 7393 3883 & Works of Art Emily Barber +1 917 340 4657 +1 917 206 1607 Tim Bourne Los Angeles Edinburgh London +44 20 7468 8284 Los Angeles Los Angeles +852 3607 0021 Leslie Wright Ian Glennie Michael Lake New York Jakob Greisen Sharon Squires +1 323 436 5408 +44 131 240 2299 +44 20 8963 6813 Brett O’Connor +1 415 503 3284 +1 323 436 5404 Whisky Joseph Francaviglia New York +1 212 461 6525 Michael Caimano Laura Bjorstad Edinburgh +1 323 436 5443 Bruce MacLaren Furniture and Decorative Art Caroline Morrissey +1 929 666 2243 +1 323 436 5446 Martin Green Lydia Ganley +1 917 206 1677 London +1 212 644 9046 San Francisco +44 131 225 2266 +1 323 436 4496 Los Angeles Thomas Moore Camille Barbier Mark Osborne Prints and Multiples Hong Kong San Francisco Rachel Du +44 20 8963 2816 +1 212 644 9035 +1 415 503 3353 London Daniel Lam Victoria Richardson +1 323 436 5587 Los Angeles Los Angeles Europe Lucia Tro Santafe +852 2918 4321 +1 415 503 3207 San Francisco Angela Past Emily Waterfall Philip Kantor +44 20 7468 8262 Celeste Smith Dessa Goddard +1 323 436 5422 +1 323 436 5426 +32 476 879 471 New York Wine +1 415 503 3214 +1 415 503 3333 Anna Hicks San Francisco Deborah Ripley London Hong Kong +1 323 436 5463 Shannon Beck Automobilia +1 212 644 9059 Richard Harvey Australian Art Xibo Wang San Francisco +1 415 503 3306 London Los Angeles +44 20 7468 5811 Australia +852 3607 0010 Jeffrey Smith Hong Kong Toby Wilson Morisa Rosenberg San Francisco Merryn Schriever Sydney +1 415 215 7385 Paul Redmayne +44 20 8963 2842 +1 323 447 9374 Christine Ballard +61 2 8412 2222 Alex Clark Yvett Klein +852 3607 0006 Adrian Pipiros +1 415 503 3221 +61 3 8640 4088 +61 2 8412 2231 Greek Art +44 20 8963 2840 Hong Kong London Marine Art Daniel Lam Anastasia Orfanidou London Motorcycles +852 2918 4321 +44 20 7468 8356 Veronique Scorer London +44 20 7393 3962 Ben Walker +44 20 8963 2819 • Indicates independent contractor James Stensel +44 20 8963 2818 Los Angeles G-NET30/5/19 Craig Mallery +1 323 436 5470 Bonhams Specialist Departments

International Salerooms

London New York Hong Kong London Edinburgh Los Angeles San Francisco 101 New Bond Street 580 Madison Avenue Suite 2001 Montpelier Street London 22 Queen Street 7601 W. Sunset Boulevard 220 San Bruno Avenue London W1S 1SR New York, NY One Pacific Place SW7 1HH Edinburgh Los Angeles San Francisco +44 20 7447 7447 10022 88 Queensway +44 20 7393 3900 EH2 1JX CA 90046 CA 94103 +44 20 7447 7400 fax +1 (212) 644 9001 Admiralty +44 20 7393 3905 fax +44 131 225 2266 +1 (323) 850 7500 +1 (415) 861 7500 +1 (212) 644 9007 fax Hong Kong +44 131 220 2547 fax +1 (323) 850 6090 fax +1 (415) 861 8951 fax +852 2918 4321 +852 2918 4320 fax

Offices and Associated Companies

AFRICA AUSTRALIA ASIA EUROPE NORTH AMERICA UNITED KINGDOM

Nigeria Sydney Beijing Austria Italy - Milan USA Massachusetts Canada South East Tetbury Yorkshire & North Scotland Neil Coventry 97-99 Queen Street, Vivian Zhang Thomas Kamm Via Boccaccio 22 Amy Corcoran England Eight Bells House East England +234 (0)8110 033 792 Woollahra, NSW 2025 Unit S102A, Beijing +49 (0) 89 2420 5812 20123 Milano Representatives: +1 (617) 742 0909 Toronto, Ontario 14 Church Street Bonhams West +27 (0)7611 20171 Australia Lufthansa Center, [email protected] +39 0 2 4953 9020 Arizona boston@bonhams. Kristin Kearney Guildford Tetbury Leeds of Scotland neil.coventry@bonhams. +61 (0) 2 8412 2222 50 Liangmaqiao Road, [email protected] Terri Adrian-Hardy com 340 King St East Millmead, Gloucestshire The West Wing Kirkhill House com +61 (0) 2 9475 4110 fax Chaoyang District, Belgium +1 (602) 859 1843 2nd Floor, Office 213 Guildford, GL8 8JG Bowcliffe Hall Broom Road East [email protected] Beijing 100125, China Boulevard Italy - Rome [email protected] Nevada Toronto ON Surrey GU2 4BE +44 1666 502 200 Bramham Newton Mearns South Africa - +86 (0) 10 8424 3188 Saint-Michel 101 Via Sicilia 50 David Daniel M5A 1K8 +44 1483 504 030 +44 1666 505 107 Leeds Glasgow Johannesburg Melbourne [email protected] 1040 Brussels 00187 Roma California +1 (775) 831 0330 +1 (416) 462 9004 +44 1483 450 205 fax LS23 6LP G77 5LL Penny Culverwell Como House +32 (0) 2 736 5076 +39 06 485 900 Central Valley nevada@bonhams. info.ca@bonhams. fax +44 113 234 5755 +44 141 223 8866 +27 (0)71 342 2670 Como Avenue Singapore [email protected] [email protected] David Daniel com com Representatives: +44 113 244 3910 penny.culverwell@bonhams. South Yarra Bernadette Rankine +1 (916) 364 1645 Isle of Wight Dorset fax com Melbourne VIC 3141 11th Floor, Wisma Atria France The Netherlands sacramento@bonhams. New Mexico Montreal, Quebec +44 1273 220 000 Matthew Lacey Wales Australia 435 Orchard Road 4 rue de la Paix De Lairessestraat 154 com Terri Adrian-Hardy +1 (514) 209 2377 +44 1935 815 271 +61 (0) 3 8640 4088 Singapore 238877 75002 Paris 1075 HL Amsterdam +1 (602) 859 1843 info.ca@bonhams. Representative: North West England Representatives: +61 (0) 2 9475 4110 fax +65 (0) 6701 8038 +33 (0) 1 42 61 10 10 +31 (0) 20 67 09 701 California newmexico@ com Brighton & Hove East Anglia and Cardiff [email protected] +65 (0) 6701 8001 fax [email protected] amsterdam@bonhams. Palm Springs bonhams.com Tim Squire-Sanders Bury St. Edmunds Chester Jeff Muse bernadette.rankine@ com Brooke Sivo +44 1273 220 000 Michael Steel 2 St Johns Court, +44 2920 727 980 bonhams.com Germany - Cologne +1 (760) 350 4255 Oregon MIDDLE EAST +44 1284 716 190 Vicars Lane, Katharina Schmid Portugal palmsprings@bonhams. Sheryl Acheson West Sussex Chester, Taiwan +49 (0) 221 9865 3419 Rua Bartolomeu Dias com +1 (971) 727 7797 Israel +44 (0) 1273 220 000 Norfolk CH1 1QE Jenny Tsai +49 (0) 157 9234 6717 nº160. 1º oregon@bonhams. Joslynne Halibard The Market Place +44 1244 313 936 37th Floor, Taipei 101 [email protected] Belem California com +972 (0)54 553 5337 Reepham +44 1244 340 028 Tower 1400-031 Lisbon San Diego joslynne.halibard@ South West Norfolk NR10 4JJ fax No. 7 Xinyi Road, Germany - Hamburg +351 218 293 291 Brooke Sivo Texas – Dallas bonhams.com England +44 1603 871 443 Section 5 Marie Becker Lingenthal [email protected] +1 (760) 567 1744 Mary Holm +44 1603 872 973 Taipei, 100 +49 (0) 17 4236 0022 sandiego@bonhams. +1 (214) 557 2716 Bath fax Manchester +886 2 8758 2898 [email protected] Spain - Barcelona com [email protected] SOUTH AMERICA Queen Square House The Stables +886 2 8758 2897 fax Teresa Ybarra Charlotte Street Midlands 213 Ashley Road [email protected] Germany - Munich +34 930 156 686 Colorado Texas – Houston Brazil Bath BA1 2LL Hale WA15 9TB Maximilianstrasse 52 +34 680 347 606 Lance Vigil Lindsay Davis +55 11 3031 4444 +44 1225 788 988 Knowle +44 161 927 3822 80538 Munich barcelona@bonhams. +1 (720) 355 3737 +1 (713) 855 7452 +55 11 3031 4444 +44 1225 446 675 The Old House +44 161 927 3824 +49 (0) 89 2420 5812 com colorado@bonhams. [email protected] fax fax Station Road fax [email protected] com Knowle, Solihull Spain - Madrid Virginia Cornwall – Truro West Midlands Germany - Stuttgart Núñez de Balboa no Florida Gertraud Hechl 36 Lemon Street B93 0HT Channel Islands Neue Brücke 2 4-1C April Matteini +1 (202) 422 2733 Truro +44 1564 776 151 New Bridge Offices 28001 Madrid +1 (305) 978 2459 virginia@bonhams. Cornwall +44 1564 778 069 Jersey 70173 Stuttgart +34 915 78 17 27 [email protected] com TR1 2NR fax La Chasse +49 (0) 711 2195 2640 [email protected] Alexis Butler +44 1872 250 170 La Rue de la Vallee +49 (0) 157 9234 6717 +1 (305) 878 5366 Washington +44 1872 250 179 Oxford St Mary [email protected] Switzerland - Geneva [email protected] Heather O’Mahony fax Banbury Road Jersey JE3 3DL Rue Etienne-Dumont 10 +1 (206) 566 3913 Shipton on Cherwell +44 1534 722 441 Greece 1204 Geneva Georgia seattle@bonhams. Exeter Kidlington OX5 1JH +44 1534 759 354 7 Neofytou Vamva +41 (0) 22 300 3160 Mary Moore Bethea com The Lodge +44 1865 853 640 fax Street [email protected] +1 (404) 842 1500 Southernhay West +44 1865 372 722 Athens 10674 [email protected] Washington DC Exeter, Devon fax Representative: +30 (0) 210 3636 404 Switzerland - Zurich Mid-Atlantic Region EX1 1JG Guernsey [email protected] Andrea Bodmer Illinois & Midwest Gertraud Hechl +44 1392 425 264 +44 1481 722 448 Dreikönigstrasse 31a Natalie B. Waechter +1 (202) 422 2733 +44 1392 494 561 Ireland 8002 Zürich +1 (773) 267 3300 washingtonDC fax 31 Molesworth Street +41 44 281 9535 Shawn Marsh @bonhams.com Dublin 2 [email protected] +1 (773) 680 2881 +353 (0) 1 602 0990 [email protected] [email protected]

G-NET17/5/19 Bonhams Global Network

International Salerooms

Offices and Associated Companies

AFRICA AUSTRALIA ASIA EUROPE NORTH AMERICA UNITED KINGDOM

G-NET17/5/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Modern & Contemporary Art Thursday 27 June, 2019 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. 25601 Sale venue: New Bond Street, London Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our website £5,000 - 10,000 ...... by 500s (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (to be invoiced if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Address interest to you including those provided by third parties. Would you like to receive information from us by email? or post City County / State Notice to Bidders. At least 24 hours before the Sale, clients must provide Post / Zip code Country government or state issued photographic proof of ID and date of birth e.g. - passport, driving licence - and if not included in Telephone mobile Telephone daytime ID document, proof of address e.g - utility bill, bank or credit card statement etc. Corporate clients should also provide a Telephone evening Fax copy of their articles of association / company registration documents, and the entities name and registered address, Preferred number(s) in order for Telephone Bidding (inc. country code) documentary proof of its beneficial owners and directors, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed or completed. For higher value lots E-mail (in capitals) you may also be asked to provide a bank reference. By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news concerning Bonhams. Bonhams does not sell or trade email addresses. If successful I am registering to bid as a private buyer I am registering to bid as a trade buyer I will collect the purchases myself

Please arrange shippers to contact me with If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before a quote and I agree that you may pass them my contact details. / - - Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/05/19 Thursday 27 June, 2019 Index New Bond Street, London

A A. R. PENCK 62 JUERGEN TELLER 55 ALAIN JACQUET 74 JULIAN OPIE 68 ANDRÉ BRASILIER 24 ANGELA CONNER 19, 20 K ANTONIO CORPORA 47 KARL SCHMIDT-ROTTLUFF 77, 78 ARISTIDE MAILLOL 75 KENNETH NOLAND 37 B L BEN VAUTIER 67 LÉONARD TSUGUHARU FOUJITA 8 BERND AND HILLA BECHER 57, LOUIS MARCOUSSIS 22 58, 59, 60, 61 LUCAS PRICE 66 BOSCO SODI 35 BRUNO MUNARI 14 M MARINO MARINI 49, 73 C MARIO CEROLI 72 CAMERON JAMIE 5 MAX ERNST 31, 32 CARLOS NADAL 23, 26 MEL BOCHNER 64 CECILY BROWN 7 MICHEL FRÈRE 34 CHANTAL JOFFE 6 MIRKO BASALDELLA 76 CHRISTO 71 MODEST CUIXART 70 CHUNG SANG-HWA 40 CORRADO CAGLI 48 O OSCAR MURILLO 33 D DADAMAINO 17 P DAMIEN HIRST 36 PAUL DELVAUX 50 DAN REES 69 PETER ROSTOVSKY 79 DAVID BRIAN SMITH 4 PIPPO RIZZO 10 E R ENRICO DONATI 46 RAOUL DUFY 25, 28 ENZO BENEDETTO 43 RICHARD LONG 53, 54 ERNST LUDWIG KIRCHNER 51 ROBERTO CRIPPA 44, 45 ROBERTO MARCELLO BALDESSARI 11 G GEORG BASELITZ 63 S GEORGES ROUAULT 29 SANDÚ DARIÉ 41 GERARDO DOTTORI 15 SHARA HUGHES 3 GIACOMO BALLA 9 SOL LEWITT 38 GIOSETTA FIORONI 1 SUPREME, NEW YORK 39 GIULIO D’ANNA 12, 13 V J VICTOR VASARELY 16 JEAN DUFY 27 JEAN LURÇAT 42 W JENNY HOLZER 2 WALEAD BESHTY 56 JIŘÍ HILMAR 18 JOAN MIRÓ 21, 30, 52 Y JOSÉ-MARÍA CANO 65 YVES KLEIN 80 Bonhams 101 New Bond Street London W1S 1SR

+44 (0) 20 7447 7447 bonhams.com

AUCTIONEERS SINCE 1793