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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Fillia's Futurism Writing, Politics, Gender and Art after the First World War Permalink https://escholarship.org/uc/item/2r47405v Author Baranello, Adriana Marie Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Fillia’s Futurism Writing, Politics, Gender and Art after the First World War A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian By Adriana Marie Baranello 2014 © Copyright by Adriana Marie Baranello 2014 ABSTRACT OF THE DISSERTATION Fillia’s Futurism Writing, Politics, Gender and Art after the First World War By Adriana Marie Baranello Doctor of Philosophy in Italian University of California, Los Angeles, 2014 Professor Lucia Re, Co-Chair Professor Claudio Fogu, Co-Chair Fillia (Luigi Colombo, 1904-1936) is one of the most significant and intriguing protagonists of the Italian futurist avant-garde in the period between the two World Wars, though his body of work has yet to be considered in any depth. My dissertation uses a variety of critical methods (socio-political, historical, philological, narratological and feminist), along with the stylistic analysis and close reading of individual works, to study and assess the importance of Fillia’s literature, theater, art, political activism, and beyond. Far from being derivative and reactionary in form and content, as interwar futurism has often been characterized, Fillia’s works deploy subtler, but no less innovative forms of experimentation. For most of his brief but highly productive life, Fillia lived and worked in Turin, where in the early 1920s he came into contact with Antonio Gramsci and his factory councils. -
Italian Futurism, 1909–1944: Reconstructing the Universe Published on Iitaly.Org (
Italian Futurism, 1909–1944: Reconstructing the Universe Published on iItaly.org (http://www.iitaly.org) Italian Futurism, 1909–1944: Reconstructing the Universe Natasha Lardera (February 21, 2014) On view at the Solomon R. Guggenheim Museum, until September 1st, 2014, this thorough exploration of the Futurist movement, a major modernist expression that in many ways remains little known among American audiences, promises to show audiences a little known branch of Italian art. Giovanni Acquaviva, Guillaume Apollinaire, Fedele Azari, Francesco Balilla Pratella, Giacomo Balla, Barbara (Olga Biglieri), Benedetta (Benedetta Cappa Marinetti), Mario Bellusi, Ottavio Berard, Romeo Bevilacqua, Piero Boccardi, Umberto Boccioni, Enrico Bona, Aroldo Bonzagni, Anton Giulio Bragaglia, Arturo Bragaglia, Alessandro Bruschetti, Paolo Buzzi, Mauro Camuzzi, Francesco Cangiullo, Pasqualino Cangiullo, Mario Carli, Carlo Carra, Mario Castagneri, Giannina Censi, Cesare Cerati, Mario Chiattone, Gilbert Clavel, Bruno Corra (Bruno Ginanni Corradini), Tullio Crali, Tullio d’Albisola (Tullio Mazzotti), Ferruccio Demanins, Fortunato Depero, Nicolaj Diulgheroff, Gerardo Dottori, Fillia (Luigi Page 1 of 3 Italian Futurism, 1909–1944: Reconstructing the Universe Published on iItaly.org (http://www.iitaly.org) Colombo), Luciano Folgore (Omero Vecchi), Corrado Govoni, Virgilio Marchi, Filippo Tommaso Marinetti, Alberto Martini, Pino Masnata, Filippo Masoero, Angiolo Mazzoni, Torido Mazzotti, Alberto Montacchini, Nelson Morpurgo, Bruno Munari, N. Nicciani, Vinicio Paladini -
Ernst Ludwig Kirchner 1880 Aschaffenburg – 1938 Davos
Ernst Ludwig Kirchner 1880 Aschaffenburg – 1938 Davos The German Expressionist painter and printmaker Ernst Ludwig Kirchner was a founding member of the artists group "Die Brücke" (The Bridge) in Dresden in 1905 along with Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff. All four were architecture students at the Königliche Technische Hochschule in Dresden. Staunchly opposed to academic tradition, they set out to create a new style of artistic expression which would pave the way for modernity – a bridge between the conservative past and a more liberal present, between the artist and society in general. In the space of a few years "Die Brücke" became the hotbed of German Expressionism, with Kirchner emerging as its charismatic centre. Its programme of collective exhibitions, subscriptions to annual portfolios of prints and targeted media distribution brought the group increasing public recognition. Its Ernst Ludwig Kirchner, Self-Portrait, 1919 membership expanded to include the artists Max Pechstein (1906-12), Otto Mueller (1910-13), and briefly, Emil Nolde (1906-7). It also enjoyed the support of passive members, such as the influential art historian and patron Rosa Schapire who joined in 1907. In 1911 the group shifted its activities to Berlin, the epicentre of artistic life in Germany. But in 1913, controversy among the members led to the group’s dissolution. From then on, Kirchner distanced himself increasingly from his former colleagues, although he continued to draw on the fertile creative exchange of the Brücke years. Today, his work is widely seen as the embodiment of German Expressionism and underscores his role as a central figure in Classical Modernism. -
Curriculum Vitae 1
Golan/Curriculum Vitae 1 Romy Golan Ph.D Program in Art History The Graduate Center, City University of New York 365 Fifth Avenue, New York, NY 10016-4309 email: [email protected] CURRICULUM VITAE Education: Ph. D. Courtauld Institute of Art, University of London, England, 1989 Dissertation: "A Moralized Landscape: The Organic Image of France Between the Two World Wars" M.A. Courtauld Institute of Art, University of London, 1982 (Thesis: "Roberto E. Matta, 1937-1947: The Last Phase of Surrealism") M.A course, History Department, Tel Aviv University, Israel, 1981 (Thesis: "Ideological Paradoxes in Nazi Architecture") B.A. Courtauld Institute of Art, University of London, 1980 Enrolled in Bezalel School of Fine Arts, Jerusalem, Israel, 1976-77 French Baccalaureat. Lycée Français Chateaubriand, Rome, Italy (with honors), 1976 Awards and Fellowships: -I Tatti, Harvard University Center for Italian Renaissance, Florence (Fall 2018) -Italian Academy of Columbia University Fellowship (2014) -Sterling and Francis Clark Art Institute Fellowship (2013) -Samuel and Ronnie Heyman Prize for outstanding scholarly publication by Junior Faculty Members of the Humanities at Yale for Modernity and Nostalgia: Art and Politics in France between the Wars (1995) -Frederick W. Hilles publication grant (1994) -A. Whitney Griswold Faculty Research grant (1993) -Henry Allen Moe Prize for Catalogues of Distinction in the Arts for co-authorship of The Circle of Montparnasse: Jewish Artists in Paris 1905-1945 (1985) -Distinction for M.A thesis, Courtauld Institute -
Futurism-Anthology.Pdf
FUTURISM FUTURISM AN ANTHOLOGY Edited by Lawrence Rainey Christine Poggi Laura Wittman Yale University Press New Haven & London Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Published with assistance from the Kingsley Trust Association Publication Fund established by the Scroll and Key Society of Yale College. Frontispiece on page ii is a detail of fig. 35. Copyright © 2009 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Nancy Ovedovitz and set in Scala type by Tseng Information Systems, Inc. Printed in the United States of America by Sheridan Books. Library of Congress Cataloging-in-Publication Data Futurism : an anthology / edited by Lawrence Rainey, Christine Poggi, and Laura Wittman. p. cm. Includes bibliographical references and index. ISBN 978-0-300-08875-5 (cloth : alk. paper) 1. Futurism (Art) 2. Futurism (Literary movement) 3. Arts, Modern—20th century. I. Rainey, Lawrence S. II. Poggi, Christine, 1953– III. Wittman, Laura. NX456.5.F8F87 2009 700'.4114—dc22 2009007811 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments xiii Introduction: F. T. Marinetti and the Development of Futurism Lawrence Rainey 1 Part One Manifestos and Theoretical Writings Introduction to Part One Lawrence Rainey 43 The Founding and Manifesto of Futurism (1909) F. -
PDF Findbuch Galerie Des 20. Jahrhunderts
Aktenüberlieferung der Galerie des 20. Jahrhunderts im Zentralarchiv der Staatlichen Museen zu Berlin II/B Galerie des 20. Jahrhunderts – Land Berlin Bestandsgeschichte: Der Aktenbestand der Galerie des 20. Jahrhunderts ist auf drei Standorte verteilt: - Landesarchiv Berlin, in dessen Zuständigkeitsbereich die Akten der Galerie des 20. Jahrhunderts fallen, - Berlinische Galerie und - Zentralarchiv der Staatlichen Museen zu Berlin. Die Schriftgutüberlieferung im Zentralarchiv kann folglich als Teilbestand und somit als Ergänzung zu den anderen beiden Überlieferungen angesehen werden. Im Mai 1996 übernahm das Zentralarchiv Akten aus der Neuen Nationalgalerie. Darunter befanden sich auch Akteneinheiten des damaligen Leiters der Galerie des 20. Jahrhunderts Adolf Jannasch. Die Akten wurden zunächst in den Bestand des Verwaltungsarchivs eingearbeitet, welches dem Zentralarchiv als Zwischenarchiv dient. Im Dezember 2009 wurden die Akten überarbeitet und in einen eigens dafür vorgesehenen Bestand innerhalb der Tektonik des Zentralarchivs überführt. Die Akten sind unter „II/Geschäftsakten der Staatlichen Museen zu Berlin ab 1945, der Museen SMPK ab 1957“ abgelegt. Die Überlieferung des Schriftgutes im Zentralarchiv umfasst 15 Akten, die in der Zeit von 1951 – 1974 entstanden sind. Der überwiegende Teil besteht aus Schriftwechselakten. Die inhaltlichen Schwerpunkte liegen zum einen auf Angeboten von Kunstwerken von Galerien, Kunsthändlern und Privatpersonen und zum anderen ist der Schriftverkehr mit Institutionen und Vereinen überliefert, der die Zusammenarbeit im kulturellen Bereich darlegt. Durch die Korrespondenz zwischen der Galerie des 20. Jahrhunderts und den Senatseinrichtungen des Landes Berlins wird die Verwaltungsarbeit des Museums ersichtlich. Neben den Korrespondenzakten sind drei Akten überliefert, in denen vorwiegend Rechnungsbelege vorzufinden sind. Des Weiteren ist eine Akte überliefert, in der die Protokolle der Ankaufskommission zusammengefasst wurden. -
ED 092 871 TITLE INSTITUTION PUB DATE AVAILABLE from DOCUMENT RESUME CS 001 095 Bibliography. Books for Children. 1974 Edition
DOCUMENT RESUME ED 092 871 CS 001 095 TITLE Bibliography. Books for Children. 1974 Edition. INSTITUTION Association for Childhood Education International, Washington, D.C. PUB DATE 74 NOTE 112p. AVAILABLE FROM Association for Childhood Education International, 3615 Wisconsin Avenue, N.W., Washington, D.C. 20016 ($2.75, Orders under $5.00 must be prepaid by check payable to ACEI) EDRS PRICE MF-$0.75 HC Not Available from EDRS. PLUS POSTAGE DESCRIPTORS *Adolescent Literature; *Annotated Bibliographies; *Childrens Books; Childrens Literature; Folklore Books; Reading; *Reading Materials; *Reading Material Selection ABSTRACT The books selected for this bibliography were measured against commonly accepted literary standards. Fiction was considered in terms of important themes: substantial plots, effective style, valid management of time and place settings, and believable . characters whose personalities hold significance for children from preschoolers to 14-year-olds. Nonfiction was selected for its accuracy, its style, and the pertinency of its subject matter to the age level addressed, to objectively identified reading interests of children, and to curriculum relationships. The contents include: "Introduction"; "Awards and Their Symbols"; "Using the Bibliography"; "Picture and picture Story Books," which looks at ABC books, books with no or few words, fiction and folklore, and nonfiction; "Reading in Its Early Stages," which presents fiction and folklore and nonfiction; "For Middle and Older Children," which lists fiction, folklore, and nonfiction books; "Poetry and Verse," which lists anthologies and single writers; "Religion"; and "Story and Miscellany Collections," which is divided into the categories of general, seasons and holidays, reference books, directory of publishers, index of titles, and index of authors. -
Opere D'arte Moderna E Contemporanea 5 2
Opere d’arte Moderna e Contemporanea Asta 58 Milano, via Santa Maria Valle, 2 martedì, 18 maggio 2010 ore 18,00 Sede degli uffici Piazza Sant’ Ambrogio 10 20123 Milano Tel. 02 72094708 Fax 02 862440 [email protected] www.porroartconsulting.it Sede delle esposizioni Milano, Via Santa Maria Valle 2 Tel. 02 80505759 (attivo nelle giornate di esposizione e asta) Dipartimenti Dipinti antichi Alessandro Galli [email protected] Dipinti del XIX secolo Umberto Savoia [email protected] Arte Moderna e Contemporanea Kimiko Bossi [email protected] Rudi Cerri [email protected] Mobili e Oggetti d’arte Isabella Balzarini [email protected] Responsabile delle Aste Alessandro Porro [email protected] Sede dell’esposizione e dell’asta Milano Palazzo Durini via Santa Maria Valle, 2 Tel. 02 80505759 (attivo nelle giornate di esposizione e asta) Esposizione venerdì 14 maggio ore 10.00 – 18.30 sabato 15 maggio ore 10.00 – 18.30 domenica 16 maggio ore 15.00 – 18.30 lunedì 17 maggio ore 10.00 – 18.30 martedì 18 maggio ore 10.00 – 13.30 Asta Milano Palazzo Durini via Santa Maria Valle, 2 martedì, 18 maggio 2010 Orario dell’Asta ore 18,00 Per informazioni Porro & C. Piazza Sant’Ambrogio 10 – 20123 Milano Tel. 02 72094708 – Fax 02 862440 [email protected] www.porroartconsulting.it Catalogo a cura di Kimiko Bossi e Rudi Cerri 1 1 Mario Guido Dal Monte Taipei, National Chiang Kai-Shek Memorial Hall, Imola 1906 – 1990 Futurism, 11 luglio-10 ottobre 2009 RRitratto futurista, 1928 Bibliografia: olio su tela, cm 50x70. -
SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338
SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338 www.speronewestwater.com Painting in Italy 1910s-1950s: Futurism, Abstraction, Concrete Art 30 October – 22 December 2015 New York, 29 September 2015—Sperone Westwater is pleased to present Painting in Italy 1910s- 1950s: Futurism, Abstraction, Concrete Art, a group exhibition of influential Italian painters working before, during and after World War II, curated by Gian Enzo Sperone. Featuring over 120 paintings spanning three major artistic movements, the exhibition illustrates the diversity and singularity of abstract art in Italy, seeking to afford more focused attention to a group of artists who revolutionized the historical sweep of painting in the context of interwar and postwar Europe and the United States. This exhibition concerns three periods from the early 1910s through the late 1950s, beginning with Giacomo Balla and Enrico Prampolini’s embrace of the Futurist manifesto and charting the development of Italian abstract painting under the growing political pressures of Fascism. The works on view are united in their vigorous challenge of the traditions of their time, each propelled by spirited experimentation and fervent revolutionary impulse. Often transcending the typical Futurist subject matter of racing car and mechanical city-scape, these works mark a distinct movement away from figuration as the primary vessel for an expression of feeling, instead investigating the emotional value of line, shape and color. As abstractionist painter Theo Van -
Wirkungsbereiche Von Frauen Im Expressionismus – Institutio Nelle Kunstförderung Und Literarische Produktion Parvati Vasanta
Vasanta, Frauen im Expressionismus Wirkungsbereiche von Frauen im Expressionismus – institutio nelle Kunstförderung und literarische Produktion Parvati Vasanta Im Mittelpunkt der Untersuchung steht die Rolle der Frau bei der Verbreitung, Förderung, öffentlichen Etablierung und Produktion von Kunst und Literatur des Expressionismus. Unter der Schirmherrschaft der engagierten Frauenrechtlerin und Schriftstellerin Ida Deh mel (1870–1940) sowie der ersten promovierten Kunsthistorikerin Deutschlands Rosa Scha pire (1874–1954) gelang 1916 in Hamburg die Gründung des „Frauenbundes zur Förderung deutscher bildender Kunst“. Dieser leistete Pionierarbeit auf dem Gebiet der professionell geführten Kunstförderung durch Frauen – in diesem Fall bei der Kunst des Expressionismus. Er steht in der Tradition von Vereinen, die sich im Umfeld der Aktivitäten der deutschen Frauenbewegung herausbildeten, beerbt also letztlich ein politisches Engagement zugunsten eines gesellschaftlichen Status der Frau im Deutschen Kaiserreich und festigt ein neues weib liches Selbstverständnis. Die Bedeutung der Frau in Wirkungsbereichen des Expressionismus beweisen des Weiteren diverse Publikationen in der vielfältigen Zeitungslandschaft des Ex pressionismus. Es lassen sich zahlreiche literarische Texte von Schriftstellerinnen sowie poli tische Stellungnahmen von Frauenrechtlerinnen sichten, die eine individuelle, kritisch reflexive Sichtweise der wirtschaftlichen und sozialen Stellung der Frau offenbaren. 1. Einführung Die frühe literarische Moderne war geprägt durch -
Futurism in Chicago (June 26) 9/17/09 4:19 PM
Futurism in Chicago (June 26) 9/17/09 4:19 PM ItalianFuturism.org Events, Exhibitions, and Scholarship pertaining to Italian Futurism Search Home Exhibition List Contact Facebook Manifestos About Posts Comments Futurism in Chicago (June 26) Categories Select Category By Jess P. Recent Publications Published: 25 June 2009 8:46 PM MDTPosted in: Events, ExhibitionsTags: chicago, flory Powered by LibraryThing Comments [1] Digg it! Links Facebook Edit Post (CISF) Centro Internazaionale di Studi EVENT sul Futurismo Alberto Bragaglia website 100th Anniversary of the Birth of the Futurist Movement Archivi del futurismo in With the Participation of Massimiliano Finazzer Flory Sicilia Beinecke Library Friday, June 26, 2009, 6:00pm Centro di Studi Aldo Italian Cultural Institute Chicago Palazzeschi Comitato Nazionale per le In celebration of the most important and stimulating Italian contribution to the Celebrazioni del Manifesto renewal of artistic culture in the 20th century, this evening will explore the futurista multiplicity of Futurism through the theatrical reading of a selection of Futurist Estorick Collection manifestos by Massimiliano Finazzer Flory, accompanied by musical Futur-ism improvisations and a dance piece. FuturAltare http://www.italianfuturism.org/2009/06/futurism-in-chicago/ Page 1 of 3 Futurism in Chicago (June 26) 9/17/09 4:19 PM FuturisMI A truly unique performance characterized by a panorama of the expressions and Futurist Restaurant shades of the Futurist movement, the most radical Italian avant-garde movement, Lacerba -
Futurismo : 1909-1944 / Claudia Salaris
1895 Lucini, Gian Pietro Gian Pietro da Core / G.P. Lucini. - Milano : Galli, 1895. - XII, 261 p., [1] c. di tav. ; 19 cm. Prima del tit.: Storia della evoluzione della idea. 1900 Buzzi, Paolo Il miracolo della parete : commedia in due sintesi in versi / Paolo Buzzi. - Milano : Associazione di propaganda per il risparmio e la previdenza, [1900?] [19--?]. - 47 p. ; 18 cm. Cappa, Innocenzo Pagine staccate / Innocenzo Cappa ; raccolte da Terenzio Grandi ; con una lettera dell'autore e una nota biografica. - Bari : Humanitas, [1900?] [19--?]. - 329 p., [ritr.] ; 21 cm. Lucini, Gian Pietro Filosofi ultimi : rassegna a volo d'aquila del Melibeo controllata da G.P. Lucini : contributo ad una storia della filosofia contemporanea / Gian Pietro Lucini. - Roma : Libreria politica moderna, [1900?] [19--?]. - VIII, 243 p. ; 21 cm. - (Arte, scienza, filosofia / [Libreria politica moderna] ; 1). Lucini, Gian Pietro Poesie scelte / G.P. Lucini. - Milano : ISEDI, [1900?] [19--?]. - 207 p. ; 10 cm. - (Raccolta di breviari intellettuali ; 72). Mallarmé, Stéphane Versi e prose / Mallarmé ; prima traduzione italiana di F.T. Marinetti. - Milano : Istituto Editoriale Italiano, [1900?] [19--?]. - 173 p. ; 10 cm. - (Raccolta di breviari intellettuali ; 24). Poe, Edgar Allan Racconti straordinari / Edgardo Poe ; traduzione di Decio Cinti ; illustrazioni di Arnaldo Ginna. - Milano : Facchi, [1900?] [19--?]. - 268 p. : ill. ; 24 cm. Pratella, Francesco Balilla Un prologo all'opera in due atti per il teatro dei fanciulli La ninna nanna della bambola / F. Balilla Pratella. - Ravenna : STEM, [1900?] [19--?]. - 14 p. ; 19 cm. Dati della cop. 1903 Govoni, Corrado Le fiale / Corrado Govoni. - Firenze : Lumachi, 1903. - 223 p. ; 25 cm. Marinetti, Filippo Tommaso Gabriele D'Annunzio intime / F.