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![Reception Hosted by the Okinawa G8 Summit Support Council [PDF]](https://docslib.b-cdn.net/cover/6150/reception-hosted-by-the-okinawa-g8-summit-support-council-pdf-306150.webp)
Reception Hosted by the Okinawa G8 Summit Support Council [PDF]
Reference Materials Social Event: Welcome Reception OUTLINE ■Name of Event: Social Event of the Kyushu-Okinawa Summit 2000 "Welcome Reception for Summit Leaders" ■Hosting Organization: Okinawa G8 Summit Host Preparation Council ■Date: July 22, 2000 (Saturday) ■Time: 18:45 - 20:15 ■Venue: Hotel Nikko Naha Grand Castle, "Shuri Hall" Address: 1-132-1 Shuri Yamagawa-cho, Naha, Okinawa ■Participants: Summit leaderss Invited guests from the public (300 people) ■Welcome Reception Turning the Eyes of the World on Okinawa, Sending the Spirit of Okinawa to the World The Okinawa G8 Summit Host Preparation Council will host a welcome reception for the Summit leaders visiting Okinawa for the Kyushu-Okinawa Summit Meeting. From the days of old, Okinawa has been known to the world as the "land of courtesy and cordiality." The people of Okinawa will warmly welcome the Summit leaders in this reception, which features Okinawa's unique culture and regal traditional performing arts that were developed in the age of the Ryukyu Kingdom through trade and interaction with various Asian cultures. The Summit theme song, "NEVER END," which reflects contemporary Okinawa will also be performed. RECEPTION PROGRAM 1.Welcome ●Traditional Okinawan dress The Summit leaders will be welcomed by two high school students dressed in the traditional attire of the Ryukyu Kingdom of old. The clothing is made of bingata fabric whose bright color reminds of Okinawa. ■Welcomers: Yukino Matsuda and Takashi Toma, students of the Okinawa Prefectural Urasoe High School ●Traditional Okinawan music The reception features traditional Okinawan music performed with typical Okinawan instruments: the sa n s h i n (three-stringed plucked lute), ko t o (13-string zither), fu e (Japanese-style flute), ta i k o (J a p a n e s e - style drums), and k o k y u (three-stringed bowed lute). -
RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
Anthropogenic and Biogenic Influence on VOC Fluxes at an Urban
Atmos. Chem. Phys., 16, 7981–8007, 2016 www.atmos-chem-phys.net/16/7981/2016/ doi:10.5194/acp-16-7981-2016 © Author(s) 2016. CC Attribution 3.0 License. Anthropogenic and biogenic influence on VOC fluxes at an urban background site in Helsinki, Finland Pekka Rantala1, Leena Järvi1, Risto Taipale1, Terhi K. Laurila1, Johanna Patokoski1, Maija K. Kajos1, Mona Kurppa1, Sami Haapanala1, Erkki Siivola1, Tuukka Petäjä1, Taina M. Ruuskanen1, and Janne Rinne1,2,3,4 1Department of Physics, University of Helsinki, Helsinki, Finland 2Department of Geoscience and Geography, University of Helsinki, Helsinki, Finland 3Finnish Meteorological Institute, Helsinki, Finland 4Department of Physical Geography and Ecosystems Science, Lund University, Lund, Sweden Correspondence to: Pekka Rantala (pekka.a.rantala@helsinki.fi) Received: 22 December 2015 – Published in Atmos. Chem. Phys. Discuss.: 15 February 2016 Revised: 31 May 2016 – Accepted: 4 June 2016 – Published: 1 July 2016 Abstract. We measured volatile organic compounds 1 Introduction (VOCs), carbon dioxide (CO2) and carbon monoxide (CO) at an urban background site near the city centre of Helsinki, Micrometeorological flux measurements of volatile organic Finland, northern Europe. The VOC and CO2 measurements compounds (VOCs) in urban and semi-urban areas are were obtained between January 2013 and September 2014 limited, although local emissions have a major effect on whereas for CO a shorter measurement campaign in April– the local and regional atmospheric chemistry and further- May 2014 was conducted. Both anthropogenic and biogenic more on air quality (e.g. Reimann and Lewis, 2007 and sources were identified for VOCs in the study. Strong correla- references therein). Biogenic VOCs, mainly isoprene and tions between VOC fluxes and CO fluxes and traffic rates in- monoterpenes, affect hydroxyl radical (OH) concentration dicated anthropogenic source of many VOCs. -
Report-On-Japan.Pdf
Contents 1. Executive Summary p. 4 2. An Introduction to the Music Market p. 6 3. The Entertainment Environment p. 7 (I)TV p. 8 (II) Radio p. 9 (III) Mobile p. 10 (IV) Online p. 12 (V) Print p. 13 (VI) Record Labels p. 14 (VII) Music Publishing p. 15 (VIII) Local Talent p. 16 (IX) Clubs and Dance p. 17 (X) Live Performance p. 18 4. The Digital Landscape p. 21 Mobile Music p. 22 Internet Music Downloads p. 24 Digital Music Services p. 26 5. Market Entry Recommendations p. 26 6. Appendices p. 28 Top 10 Selling Domestic Albums in 2011 p. 28 Top 10 Selling International Albums in 2011 p. 28 Market Statistics p. 28 Music-related Trade Bodies and Associations p. 29 2 CONFIDENTIALITY NOTICE & DISCLAIMER This document was prepared for internal use by Canadian Government and CAAMA members plus Canadian Music Week attendees only and is not for forwarding or distribution to any third party. It may not be posted on any website. All details referenced are the latest available to us at the time of writing, and all information utilized is believed to be accurate and reliable at the time of submission. However, Swat Enterprises Pte. Ltd. accepts no liability whatsoever for any loss or damage resulting from errors, inaccuracies or omissions 3 1. Executive Summary Japan, an archipelago of 6,852 islands with 47 prefectures, has the world’s tenth largest population with over 127 million people. Its area of 377,873 km2 is close to that of Germany and Switzerland. The greater Tokyo area is the largest metropolis in the world with a population of around 36 million, more than the entire population of Canada. -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
International Sustainability Core 1 Portfolio As of July 31, 2021 (Updated Monthly) Source: State Street Holdings Are Subject to Change
International Sustainability Core 1 Portfolio As of July 31, 2021 (Updated Monthly) Source: State Street Holdings are subject to change. The information below represents the portfolio's holdings (excluding cash and cash equivalents) as of the date indicated, and may not be representative of the current or future investments of the portfolio. The information below should not be relied upon by the reader as research or investment advice regarding any security. This listing of portfolio holdings is for informational purposes only and should not be deemed a recommendation to buy the securities. The holdings information below does not constitute an offer to sell or a solicitation of an offer to buy any security. The holdings information has not been audited. By viewing this listing of portfolio holdings, you are agreeing to not redistribute the information and to not misuse this information to the detriment of portfolio shareholders. Misuse of this information includes, but is not limited to, (i) purchasing or selling any securities listed in the portfolio holdings solely in reliance upon this information; (ii) trading against any of the portfolios or (iii) knowingly engaging in any trading practices that are damaging to Dimensional or one of the portfolios. Investors should consider the portfolio's investment objectives, risks, and charges and expenses, which are contained in the Prospectus. Investors should read it carefully before investing. Your use of this website signifies that you agree to follow and be bound by the terms and conditions -
Cleave and Rescue, a Novel Selfish Genetic Element and General Strategy for Gene Drive
Cleave and Rescue, a novel selfish genetic element and general strategy for gene drive Georg Oberhofera,1, Tobin Ivya,1, and Bruce A. Haya,2 aDivision of Biology and Biological Engineering, California Institute of Technology, Pasadena, CA 91125 Edited by James J. Bull, The University of Texas at Austin, Austin, TX, and approved January 7, 2019 (received for review October 2, 2018) There is great interest in being able to spread beneficial traits high-fidelity HR. While important progress has been made, sustained throughout wild populations in ways that are self-sustaining. Here, alteration of a population [as opposed to suppression (20)] to we describe a chromosomal selfish genetic element, CleaveR [Cleave transgene-bearing genotype fixation with a synthetic HEG into ar- and Rescue (ClvR)], able to achieve this goal. ClvR comprises two tificial or naturally occurring sites remains to be achieved (21–30). linked chromosomal components. One, germline-expressed Cas9 and A number of other approaches to bringing about gene drive take guide RNAs (gRNAs)—the Cleaver—cleaves and thereby disrupts en- as their starting point naturally occurring, chromosomally located, dogenous copies of a gene whose product is essential. The other, a selfish genetic elements whose mechanism of spread does not in- recoded version of the essential gene resistant to cleavage and gene volve homing (4, 6, 31). Many of these elements can be represented conversion with cleaved copies—the Rescue—provides essential gene as consisting of a tightly linked pair of genes encoding a trans-acting function. ClvR enhances its transmission, and that of linked genes, by toxin and a cis-acting antidote that neutralizes toxin expression and/ creating conditions in which progeny lacking ClvR die because they or activity (TA systems) (4). -
Poland Canada Finland Hungary Australia
Hits of the World s compiled a[ Billboard/Landon. RE =Re -Entry JUL 21 IJNITl=1) KINCaDC)WI Ca 1=R IVIANY 11ICI I1 .,w1dS,e ALBUMS ALBUMS ALBUMS Internationall EURO at DIGITAL TRACKS (SOUNDSCAN JAPAN) JULY 10. 2007 *j (THE OFFICIAL UK CHARTS CO.) JULY 8, 2007 á3 (MEDIA CONTROL) JULY 10, 2007 2 GREEEEN THE CHEMICAL BROTHERS MARK MEDLOCK 1 1 1 A DOMO HAJIMEMASHITE UNIVERSAL WE ARE THE NIGHT VIRGIN MR. LONELY COLUMBIA NAMIE AMURO TRAVELING WILBURYS BON JOVI 2 1 2 3 2 2 PLAY (CD +OV0) AVEX TRAX THE TRAVELING WILBURYS COLLECTION RHINO LOST HIGHWAY ISLAND NAMIE AMURO LIEW CROWDDE HOUE LINKIN PARK 3 4 3 I NIELSEN SOUNOSCAN INTERNATIONAL) JULY 21. 2007 PLAY AVER TRAX TIME ON EARTH PARLOPHONSE MINUTES TO MIDNIGHT MACHINE SHOP/WARNER BROS. THE GAZETTE EDITORS RIHANNA UMBRELLA 4 NEW 4 4 4 RIHANNA FT. JAY -Z SRP,'DEF JAM STACKED RUBBISH KING AN END HAS A START KITCHENWARE /COLUMBIA GOOD GIRL GONE BAD SRP /DEF JAM BIG GIRLS DON'T CRY VARIOUS ARTISTS )n TAKE THAT ICH + ICH 2 5 6 S NEW FERGIE WILL.I.AM/A &M /INTERSCOPE R35 SWEET J- BALLADS WARNER NEVER FORGET - THE ULTIMATE COLLECTION RCA VOM SELBEN STERN UNIVERSAL DO YOU KNOW? (THE PING PONG SONG) KOBUKURO VELVET REVOLVER MARQUESS 3 2 6 9 6 r 6 NEW ENRIQUE IGLESIAS UNIVERSAL LATINO / INTERSCOPE ALL SINGLES BEST (FIRST LTD EDITION) WARNER LIBERTAD RCA FRENETICA WARNER THE WAY I ARE 5 LOVE PSYCHEDELICO NELLY FURTADO NELLY FURTADO 4 5 7 7 20 7 7 TIMBALAND FT. -
RIAJ Yearbook 2019 1 Overview of Production of Recordings and Digital Music Sales in 2018
Statistics RIAJ YEARBOOK Trends 2019 The Recording Industry in Japan 2019 Contents Overview of Production of Recordings and Digital Music Sales in 2018 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
FINEST SOUNDS GUIDEBOOK of JAPAN ROADMAP 1.1 Introduction
FINEST SOUNDS GUIDEBOOK OF JAPAN ROADMAP 1.1 Introduction to the market ......................................................................................1 1.2 Record Labels, Licensing and Distribution .............................................................2 1.3 Music Publishing .....................................................................................................4 1.4 Retail .......................................................................................................................6 1.5 Digital ......................................................................................................................7 1.6 Concert Promoters ...................................................................................................8 1.7 Management and PR ...............................................................................................9 1.8 Media, print and online ...........................................................................................9 1.9 Music Industry Organizations ..............................................................................12 1.10 Industry Networking Events ................................................................................13 1.11 Sources...................................................................................................................13 1.12 Update to the Roadmap at May 19, 2019 .............................................................13 1.1 Introduction to the market Japan is still the second biggest music market -
Entire Issue (PDF)
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 112 CONGRESS, SECOND SESSION Vol. 158 WASHINGTON, MONDAY, JUNE 18, 2012 No. 92 House of Representatives The House met at 2 p.m. and was come forward and lead the House in the it’s got to stop. This Congress needs to called to order by the Speaker pro tem- Pledge of Allegiance. stand up to this administration start- pore (Mr. LATOURETTE). Mr. BURGESS led the Pledge of Alle- ing today. f giance as follows: f DESIGNATION OF THE SPEAKER I pledge allegiance to the Flag of the United States of America, and to the Repub- CHIEF IGNORER OF THE LAW PRO TEMPORE lic for which it stands, one nation under God, (Mr. POE of Texas asked and was The SPEAKER pro tempore laid be- indivisible, with liberty and justice for all. given permission to address the House fore the House the following commu- f for 1 minute.) nication from the Speaker: Mr. POE of Texas. Mr. Speaker: PRESIDENT OBAMA CREATES WASHINGTON, DC, MORE CHAOS AND UNCERTAINTY With respect to the notion that I can just June 18, 2012. suspend deportations through executive I hereby appoint the Honorable STEVEN C. (Mr. BURGESS asked and was given order, that’s just not the case, because there LATOURETTE to act as Speaker pro tempore permission to address the House for 1 are laws on the books that Congress has on this day. minute and to revise and extend his re- passed. -
Brave New World—Systemic Pesticides and Genetically Engineered Crops
1 Pheromone Report Special Volume XXXIII, Number 3/4, March/April 2011 (Published July 2012) Brave New World—Systemic Pesticides and Genetically Engineered Crops By William Quarles Photo courtesy Glenda Denniston, UW-Madison Lakeshore Nature Preserve lmost overnight, genetically engineered (GE) crops have A profoundly changed agricul- ture in the U.S. Leading the way have been corn, soybean, and cot- ton crops resistant to the herbicide glyphosate. As a result, traditional farming and IPM methods have been tossed aside and replaced with a simplistic solution. Seeds are drilled into the soil without cultiva- tion. When weeds appear, fields and crops are sprayed with glyphosate, usually by aerial application. Repeated applications are needed, and glyphosate resistant (GR) crops are often grown in the same field, year after year (Duke and Powles 2009; Mortensen et al. 2012). Glyphosate is systemically absorbed by the crop, and it appears in the food sold for con- Glyphosate applications associated with GR crops have destroyed milk- sumption (EPA 2011; Arregui et al. weed habitat of the monarch butterfly, Danaus plexippus, leading to an 2004; Duke 2011). Other GE 81% reduction of Midwest monarch populations. changes include crops that grow their own pesticide. Genes from the Large Pesticide Increase resistant, and resistance increases bacterium Bacillus thuringiensis pesticide applications (Duke and Overall, GE crops have caused a (BT) are inserted into plant Powles 2009). GR crops actually large pesticide increase. BT crops genomes. Each plant cell produces reduced herbicide applications over have led to less applied insecticide, insecticidal proteins, and these the first three years after their but GR crops need large amounts of insecticides are incorporated into introduction.