Tokyo Wins Bid to Host 2020 Olympics
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Japan Daiske Yoshida & Junyeon Park, Latham & Watkins 122 Luxembourg Laurent Lenert & Marlène Muller, Kayser, Lenert & Becker 131 Mexico Leonel Pereznieto, Carlos E
Bribery & Corruption 2018 Fifth Edition Contributing Editors: Jonathan Pickworth & Jo Dimmock CONTENTS Preface Jonathan Pickworth & Jo Dimmock, White & Case LLP General chapter Finding evidential needles in massive data haystacks: the role of financial and data analytic experts in an investigation David Lawler, Keith McCarthy & Paul Nash, Kroll 1 Country chapters Albania Dritan Jahaj & Fatma Muça, Haxhia & Hajdari Attorneys at Law 11 Australia Greg Williams & Tobin Meagher, Clayton Utz 20 Brazil Maurício Zanoide de Moraes, Daniel Diez Castilho & Lucas Dotto Borges, Zanoide de Moraes, Peresi, Braun & Castilho Advogados Associados 37 Cayman Islands Martin Livingston & Adam Huckle, Maples and Calder 46 China Hui Xu, Catherine E. Palmer & Sean Wu, Latham & Watkins 56 France Stéphane Bonifassi, Bonifassi Avocats 74 Germany Dr Tobias Eggers & Sebastian Wagner, PARK | Wirtschaftsstrafrecht 85 India Aditya Vikram Bhat & Shwetank Ginodia, AZB & Partners 92 Ireland Megan Hooper, Imelda Higgins & Heather Mahon, McCann FitzGerald 101 Italy Roberto Pisano, Studio Legale Pisano 111 Japan Daiske Yoshida & Junyeon Park, Latham & Watkins 122 Luxembourg Laurent Lenert & Marlène Muller, Kayser, Lenert & Becker 131 Mexico Leonel Pereznieto, Carlos E. Martínez-Betanzos & Andrés Sánchez Ríos y Valles, Creel, García-Cuéllar, Aiza y Enríquez, S.C. 140 Romania Mihai Mareș, Mareș / Danilescu / Mareș 154 Russia Hannes Lubitzsch, Noerr 173 Serbia Vladimir Hrle, Hrle Attorneys 184 Singapore Jason Chan, Allen & Gledhill LLP 190 Slovenia Uroš Čop, Katarina Mervič & Eva Rop, Law firm Miro Senica and attorneys, Ltd. 196 Spain Mar de Pedraza Fernández & Paula Martínez-Barros Rodríguez, De Pedraza Abogados, S.L.P. 208 Switzerland Marcel Meinhardt & Fadri Lenggenhager, Lenz & Staehelin 221 Taiwan Grace Wang, Wen-Ping Lai & Bessie Y. -
Reception Hosted by the Okinawa G8 Summit Support Council [PDF]
Reference Materials Social Event: Welcome Reception OUTLINE ■Name of Event: Social Event of the Kyushu-Okinawa Summit 2000 "Welcome Reception for Summit Leaders" ■Hosting Organization: Okinawa G8 Summit Host Preparation Council ■Date: July 22, 2000 (Saturday) ■Time: 18:45 - 20:15 ■Venue: Hotel Nikko Naha Grand Castle, "Shuri Hall" Address: 1-132-1 Shuri Yamagawa-cho, Naha, Okinawa ■Participants: Summit leaderss Invited guests from the public (300 people) ■Welcome Reception Turning the Eyes of the World on Okinawa, Sending the Spirit of Okinawa to the World The Okinawa G8 Summit Host Preparation Council will host a welcome reception for the Summit leaders visiting Okinawa for the Kyushu-Okinawa Summit Meeting. From the days of old, Okinawa has been known to the world as the "land of courtesy and cordiality." The people of Okinawa will warmly welcome the Summit leaders in this reception, which features Okinawa's unique culture and regal traditional performing arts that were developed in the age of the Ryukyu Kingdom through trade and interaction with various Asian cultures. The Summit theme song, "NEVER END," which reflects contemporary Okinawa will also be performed. RECEPTION PROGRAM 1.Welcome ●Traditional Okinawan dress The Summit leaders will be welcomed by two high school students dressed in the traditional attire of the Ryukyu Kingdom of old. The clothing is made of bingata fabric whose bright color reminds of Okinawa. ■Welcomers: Yukino Matsuda and Takashi Toma, students of the Okinawa Prefectural Urasoe High School ●Traditional Okinawan music The reception features traditional Okinawan music performed with typical Okinawan instruments: the sa n s h i n (three-stringed plucked lute), ko t o (13-string zither), fu e (Japanese-style flute), ta i k o (J a p a n e s e - style drums), and k o k y u (three-stringed bowed lute). -
List of Participants As of 17 January 2014
Japan Meeting List of Participants As of 17 January 2014 Tokyo, Japan, 11 June 2013 Shinzo Abe Prime Minister of Japan Evgeny V. Afanasiev Ambassador of the Russian Federation Embassy of the Russian Japan to Japan Federation in Japan Nicolas Aguzin Chairman and Chief Executive Officer, JPMorgan Chase Bank NA Hong Kong SAR Asia-Pacific Hirotsugu Aida Columnist Kyodo News Japan Koichi Akaishi Japan Economic Revitalization Bureau Cabinet Office of Japan Japan Manager, Assistant Director Akira Amari Minister for Economic Revitalization and Minister for Economic and Fiscal Policy of Japan Jun Arai Representative Director and Chief Showa Shell Sekiyu KK Japan Operating Officer Hiroto Arakawa Vice-President, Japan International Cooperation Agency (JICA), Japan Hiroto Arakawa Vice-President, Japan International Cooperation Agency (JICA), Japan Keiichiro Asao Member of the House of Representatives, Japan William Barriga Chief of Mission International Organization for Japan Migration (IOM) Neelanjan Head, Japan Business HCL Technologies Ltd Japan Bhattacharjee Børge Brende Managing Director and Member of the World Economic Forum Switzerland Managing Board Børge Brende Managing Director and Member of the Ministry of Foreign Affairs of Norway Managing Board Norway Urs Bucher Ambassador of Switzerland Embassy of Switzerland Japan Johan Cels Representative United Nations High Japan Commissioner for Refugees (UNHCR) Adrian David Cheok Professor and Inventor, Graduate Keio University Japan School of Media Design Mitsuru Claire Chino Executive Officer, General Manager of Itochu Corporation Japan Lega l Division I-han Chou Senior Editor, Nature Nature Publishing Group Japan Sayuri Daimon Managing Editor The Japan Times Ltd Japan Katsuya Debari President and Chief Executive Officer Odyssey Communications Inc. -
RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
Report-On-Japan.Pdf
Contents 1. Executive Summary p. 4 2. An Introduction to the Music Market p. 6 3. The Entertainment Environment p. 7 (I)TV p. 8 (II) Radio p. 9 (III) Mobile p. 10 (IV) Online p. 12 (V) Print p. 13 (VI) Record Labels p. 14 (VII) Music Publishing p. 15 (VIII) Local Talent p. 16 (IX) Clubs and Dance p. 17 (X) Live Performance p. 18 4. The Digital Landscape p. 21 Mobile Music p. 22 Internet Music Downloads p. 24 Digital Music Services p. 26 5. Market Entry Recommendations p. 26 6. Appendices p. 28 Top 10 Selling Domestic Albums in 2011 p. 28 Top 10 Selling International Albums in 2011 p. 28 Market Statistics p. 28 Music-related Trade Bodies and Associations p. 29 2 CONFIDENTIALITY NOTICE & DISCLAIMER This document was prepared for internal use by Canadian Government and CAAMA members plus Canadian Music Week attendees only and is not for forwarding or distribution to any third party. It may not be posted on any website. All details referenced are the latest available to us at the time of writing, and all information utilized is believed to be accurate and reliable at the time of submission. However, Swat Enterprises Pte. Ltd. accepts no liability whatsoever for any loss or damage resulting from errors, inaccuracies or omissions 3 1. Executive Summary Japan, an archipelago of 6,852 islands with 47 prefectures, has the world’s tenth largest population with over 127 million people. Its area of 377,873 km2 is close to that of Germany and Switzerland. The greater Tokyo area is the largest metropolis in the world with a population of around 36 million, more than the entire population of Canada. -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
How Important Is the Tokyo Gubernatorial Election? 都知事選 の重要性は
Volume 12 | Issue 2 | Number 2 | Article ID 4060 | Jan 12, 2014 The Asia-Pacific Journal | Japan Focus How Important is the Tokyo Gubernatorial Election? 都知事選 の重要性は Andrew DeWit Israeli Air Force (IAF) is aiming at becoming net zero energy military by 2033. The IAF are Metropolitan Tokyo, the world's largest city- explicitly building on and surpassing US region and site of the 2020 Olympics, lost its military commitments to renewables, Governor (Inose Naoki) to a YEN 50 million conservation and the intelligent ICT to link it, 1 political-donation scandal on December 19. including the US Navy's targeting of 50% Gubernatorial elections are set for February 9, renewables by 2020.7 Given the history of with the official campaign period set to begin military demand in driving the diffusion of on January 23. There are at present three main innovation in the private economy, that is good candidates, one on the left (Utsunomiya Kenji), news. But surely it would be far better if the one on the far right (Tamogami Toshio) and one world's biggest city-region, and its civil society, 2 roughly in the centre (Masuzoe Yoichi). They took the lead and shaped the institutions and may soon be joined by a powerful, potentially technologies of the emerging energy winning challenger stressing green power. modernity. This election matters a great deal for Japan, as So perhaps the main reason to pay attention to well as for the world. Even without the Tokyo's election is that several of Japan's precarious backdrop of Abenomics and the former prime ministers appear prepared to use mounting China-Japan conflict over theit as a fulcrum for reorganizing the country's Senkaku/Diaoyu Islands and Prime Minister energy economy, focusing it on green power, as Abe Shinzo's provocative visits to Yasukuni well as its dealing with its unbalanced politics Shrine,3 the election would be worth paying and political economy. -
Poland Canada Finland Hungary Australia
Hits of the World s compiled a[ Billboard/Landon. RE =Re -Entry JUL 21 IJNITl=1) KINCaDC)WI Ca 1=R IVIANY 11ICI I1 .,w1dS,e ALBUMS ALBUMS ALBUMS Internationall EURO at DIGITAL TRACKS (SOUNDSCAN JAPAN) JULY 10. 2007 *j (THE OFFICIAL UK CHARTS CO.) JULY 8, 2007 á3 (MEDIA CONTROL) JULY 10, 2007 2 GREEEEN THE CHEMICAL BROTHERS MARK MEDLOCK 1 1 1 A DOMO HAJIMEMASHITE UNIVERSAL WE ARE THE NIGHT VIRGIN MR. LONELY COLUMBIA NAMIE AMURO TRAVELING WILBURYS BON JOVI 2 1 2 3 2 2 PLAY (CD +OV0) AVEX TRAX THE TRAVELING WILBURYS COLLECTION RHINO LOST HIGHWAY ISLAND NAMIE AMURO LIEW CROWDDE HOUE LINKIN PARK 3 4 3 I NIELSEN SOUNOSCAN INTERNATIONAL) JULY 21. 2007 PLAY AVER TRAX TIME ON EARTH PARLOPHONSE MINUTES TO MIDNIGHT MACHINE SHOP/WARNER BROS. THE GAZETTE EDITORS RIHANNA UMBRELLA 4 NEW 4 4 4 RIHANNA FT. JAY -Z SRP,'DEF JAM STACKED RUBBISH KING AN END HAS A START KITCHENWARE /COLUMBIA GOOD GIRL GONE BAD SRP /DEF JAM BIG GIRLS DON'T CRY VARIOUS ARTISTS )n TAKE THAT ICH + ICH 2 5 6 S NEW FERGIE WILL.I.AM/A &M /INTERSCOPE R35 SWEET J- BALLADS WARNER NEVER FORGET - THE ULTIMATE COLLECTION RCA VOM SELBEN STERN UNIVERSAL DO YOU KNOW? (THE PING PONG SONG) KOBUKURO VELVET REVOLVER MARQUESS 3 2 6 9 6 r 6 NEW ENRIQUE IGLESIAS UNIVERSAL LATINO / INTERSCOPE ALL SINGLES BEST (FIRST LTD EDITION) WARNER LIBERTAD RCA FRENETICA WARNER THE WAY I ARE 5 LOVE PSYCHEDELICO NELLY FURTADO NELLY FURTADO 4 5 7 7 20 7 7 TIMBALAND FT. -
RIAJ Yearbook 2019 1 Overview of Production of Recordings and Digital Music Sales in 2018
Statistics RIAJ YEARBOOK Trends 2019 The Recording Industry in Japan 2019 Contents Overview of Production of Recordings and Digital Music Sales in 2018 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
The Era of Koizumi‟S Right-Wing Populism
The Era of Koizumi‟s Right-Wing Populism A study of ideology, political practice and rhetoric in Japan Petter Lindgren Master Thesis in Asian and African Studies 60 Credits UNIVERSITY OF OSLO DEPARTMENT OF CULTURAL STUDIES AND ORIENTAL LANGUAGES Spring 2012 II Acknowledgment Back in 2004, when she lectured in the subject ”Japanese politics and society,” I met my adviser Reiko A. Auestad for the first time. Over the years, we have discussed a variety of Japanese and Western topics. Honesty, openness, and trust are her trademarks. I would like to thank her for reading some chapters and for discussing the master thesis project on several occasions. I would also like to thank Mark Teeuwen, Dick Stegewerns and Arne Kalland, for teaching me about Japan, and for providing insights and inspiration on the journey to understand Japanese society, history and politics. I am indebted to Tomoko O. Hansen for her splendid, but somewhat strict teaching of Japanese language. Without her - no thesis. Thank you. I also want to thank professor Glenda Roberts at Waseda University. Her courses benefited my anthropological and sociological understanding.. I would like to express my gratitude to Saito and Yamanoi for their hospitality, books, food and teaching on Japanese politics and society. Great thanks to the Itô Foundation as well. Itô offered me the opportunity to study at Waseda University in Tokyo and enabled a year of studies in one of the world‟s most interesting cities. Sasakawa Foundation provided funding that enabled a research trip to Japan in December 2008. Thank you very much. Major thanks are forwarded to Wrenn Yennie. -
Motivating & Fostering Future Global Communicators in Japan
Motivating & Fostering Future Global Communicators in Japan By Sadaaki Numata Author Sadaaki Numata Global Human Resources Development Factor III: Understanding of other cultures and a sense of identity as a Japanese. “Global human resources development” is now a buzz-phrase in Japan. In May 2011, the Council for Promotion of Human Resources Individuals, Japanese or non-Japanese, who possess all these for Globalization Development was formed by the relevant ministers in attributes are not easy to come by. It would be necessary for all the the cabinet of the then ruling Democratic Party of Japan (DPJ). This stakeholders in government, business, universities and schools, media was against the backdrop of deepening concerns that Japan’s global and other circles to probe for ways to nurture all these skills and influence was declining as it lagged behind in responding to the mindsets among the coming generations. Let me focus on the question challenges of globalization, where the rapid transfer of people, goods, of global communication skills on the basis of my four decades’ money and information beyond national borders gave rise to experience as a professional diplomat. untrammeled competition. The triple disaster in March that year of earthquake, tsunami and nuclear power plant accident jolted the Words as Weapons Japanese out of their inertia, awakening them to the real danger that Japan, with its rapidly aging society and dwindling birth rate, would be Sir Henry Wotton, a 17th century British diplomat, defined an overtaken even further by emerging powers like China and India (Chart ambassador as “an honest man sent abroad to lie for the good of his 1). -
FINEST SOUNDS GUIDEBOOK of JAPAN ROADMAP 1.1 Introduction
FINEST SOUNDS GUIDEBOOK OF JAPAN ROADMAP 1.1 Introduction to the market ......................................................................................1 1.2 Record Labels, Licensing and Distribution .............................................................2 1.3 Music Publishing .....................................................................................................4 1.4 Retail .......................................................................................................................6 1.5 Digital ......................................................................................................................7 1.6 Concert Promoters ...................................................................................................8 1.7 Management and PR ...............................................................................................9 1.8 Media, print and online ...........................................................................................9 1.9 Music Industry Organizations ..............................................................................12 1.10 Industry Networking Events ................................................................................13 1.11 Sources...................................................................................................................13 1.12 Update to the Roadmap at May 19, 2019 .............................................................13 1.1 Introduction to the market Japan is still the second biggest music market