Art and Love in Renaissance Italy
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A Ketubbá, in Portuguese, from the Jews of Lisbon (15Th Century)
Hamsa Journal of Judaic and Islamic Studies 4 | 2018 Varia A ketubbá, in Portuguese, from the Jews of Lisbon (15th century) Filomena Barros Electronic version URL: https://journals.openedition.org/hamsa/514 DOI: 10.4000/hamsa.514 ISSN: 2183-2633 Publisher CIDEHUS - Centro Interdisciplinar de História Culturas e Sociedades da Universidade de Évora Electronic reference Filomena Barros, “A ketubbá, in Portuguese, from the Jews of Lisbon (15th century)”, Hamsa [Online], 4 | 2018, Online since 31 March 2018, connection on 13 May 2021. URL: http://journals.openedition.org/ hamsa/514 ; DOI: https://doi.org/10.4000/hamsa.514 Hamsa est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Hamsa: Journal of Judaic and Islamic Studies 4 (2017- March 2018): 33-45 A ketubbá, in Portuguese, from the Jews of Lisbon (15th century) Filomena Barros Universidade de Évora /CIDEHUS [email protected] Resumo: No último quartel do séc. XV, uma ketubbá foi escrita em português, por Yuda Barceloní, o tabelião da comuna judaica de Lisboa. Celebrava, não apenas o contrato pré-nupcial, mas também o casamento entre Josepe Crespim e Rica, mulher viúva. Esta forma original de escrever ketubbot, deriva da normativa régia de controlo do tabelionado. As minorias judaica e muçulmana foram proibidas de usar os seus códigos linguísticos nos documentos notariais. Embora se trate do único documento desta tipologia, até agora conhecido, numa língua romance, alguns elementos, nomeadamente a estrutura, coincidem com as demais ketubbot. Outros, contudo, delas diferem, na expressão do direito consuetudinário da comuna de Lisboa (minhagim), que molda a sua identidade própria. -
The Renaissance Society of America Annual Meeting
CHICAGO 30 March–1 April 2017 RSA 2017 Annual Meeting, Chicago, 30 March–1 April Photograph © 2017 The Art Institute of Chicago. Institute The Art © 2017 Photograph of Chicago. Institute The Art © 2017 Photograph The Renaissance Society of America Annual Meeting The Renaissance Society of America Annual Meeting Program Chicago 30 March–1 April 2017 Front and back covers: Jacob Halder and Workshop, English, Greenwich, active 1576–1608. Portions of a Field Armor, ca. 1590. Steel, etched and gilded, iron, brass, and leather. George F. Harding Collection, 1982.2241a-h. Art Institute of Chicago. Contents RSA Executive Board .......................................................................5 RSA Staff ........................................................................................6 RSA Donors in 2016 .......................................................................7 RSA Life Members ...........................................................................8 RSA Patron Members....................................................................... 9 Sponsors ........................................................................................ 10 Program Committee .......................................................................10 Discipline Representatives, 2015–17 ...............................................10 Participating Associate Organizations ............................................. 11 Registration and Book Exhibition ...................................................14 Policy on Recording and Live -
Simonetta Cattaneo Vespucci: Beauty. Politics, Literature and Art in Early Renaissance Florence
! ! ! ! ! ! ! SIMONETTA CATTANEO VESPUCCI: BEAUTY, POLITICS, LITERATURE AND ART IN EARLY RENAISSANCE FLORENCE ! by ! JUDITH RACHEL ALLAN ! ! ! ! ! ! ! A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Department of Modern Languages School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT ! My thesis offers the first full exploration of the literature and art associated with the Genoese noblewoman Simonetta Cattaneo Vespucci (1453-1476). Simonetta has gone down in legend as a model of Sandro Botticelli, and most scholarly discussions of her significance are principally concerned with either proving or disproving this theory. My point of departure, rather, is the series of vernacular poems that were written about Simonetta just before and shortly after her early death. I use them to tell a new story, that of the transformation of the historical monna Simonetta into a cultural icon, a literary and visual construct who served the political, aesthetic and pecuniary agendas of her poets and artists. -
The Sephardim of the United States: an Exploratory Study
The Sephardim of the United States: An Exploratory Study by MARC D. ANGEL WESTERN AND LEVANTINE SEPHARDIM • EARLY AMERICAN SETTLEMENT • DEVELOPMENT OF AMERICAN COMMUNITY • IMMIGRATION FROM LEVANT • JUDEO-SPANISH COMMUNITY • JUDEO-GREEK COMMUNITY • JUDEO-ARABIC COMMUNITY • SURVEY OF AMERICAN SEPHARDIM • BIRTHRATE • ECO- NOMIC STATUS • SECULAR AND RELIGIOUS EDUCATION • HISPANIC CHARACTER • SEPHARDI-ASHKENAZI INTERMARRIAGE • COMPARISON OF FOUR COMMUNITIES INTRODUCTION IN ITS MOST LITERAL SENSE the term Sephardi refers to Jews of Iberian origin. Sepharad is the Hebrew word for Spain. However, the term has generally come to include almost any Jew who is not Ashkenazi, who does not have a German- or Yiddish-language background.1 Although there are wide cultural divergences within the Note: It was necessary to consult many unpublished sources for this pioneering study. I am especially grateful to the Trustees of Congregation Shearith Israel, the Spanish and Portuguese Synagogue in New York City, for permitting me to use minutes of meetings, letters, and other unpublished materials. I am also indebted to the Synagogue's Sisterhood for making available its minutes. I wish to express my profound appreciation to Professor Nathan Goldberg of Yeshiva University for his guidance throughout every phase of this study. My special thanks go also to Messrs. Edgar J. Nathan 3rd, Joseph Papo, and Victor Tarry for reading the historical part of this essay and offering valuable suggestions and corrections, and to my wife for her excellent cooperation and assistance. Cecil Roth, "On Sephardi Jewry," Kol Sepharad, September-October 1966, pp. 2-6; Solomon Sassoon, "The Spiritual Heritage of the Sephardim," in Richard Barnett, ed., The Sephardi Heritage (New York, 1971), pp. -
Aleinu • 2020 3 Rabbi’S Message by Rabbi Maimon Pinto
Rabbi .....................................................................................Maimon Pinto Chazzan ...................................................................................Daniel Benlolo Contents ~ Sommaire Rabbi........................................................................................Emanuel White Rabbi Emeritus ................................................................Howard S. Joseph Communications & Marketing Committee .............................3 EXECUTIVE COMMITTEE 2019-20 President: .................................................................................Edmond Elbaz Rabbi Maimon Pinto ........................................................................4 Exec. Vice-President: ........................................................ David Nathaniel Vice-President: ..........................................................................Shawn Korin Secretary: ..............................................................................Ronald Mashaal Chazzan Daniel Benlolo .................................................................5 Treasurer:............................................................................... Charles Shemie Parnass: .......................................................................................... Marc Hadid Rabbi Dr. Menachem White ..........................................................6 Immed. Past-President: .................................................. Dr. James Archibald MEMBERS AT LARGE: President’s Message ........................................................................7 -
Profiling Women in Sixteenth-Century Italian
BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and -
Coexistence and Contamination of Vernacular and Latin in Alessandro Braccesi's Bilingual Tribute to Camilla Saracini. the Sien
Coexistence and contamination of vernacular and Latin in Alessandro Braccesi’s bilingual tribute to Camilla Saracini. The Siena and Florence of illustrious women and Neoplatonism.1 In October 1491 the Florentine envoy to Siena, Alessandro Braccesi (1445-1503), composed and dedicated two sonnets in the vernacular and one Latin carmen to Camilla Saracini, the most beautiful girl in the city, who had recently and suddenly become blind. While this may seem only occasional poetry by a lesser-known figure of fifteenth-century Tuscany, a closer look at both the texts and their context reveals that these poems mirror the social and artistic ambitions embedded into Florentine society and the cultural trends of two cities and two languages employed for different purposes. In Siena, where the poems were written, vernacular poetry was the norm, and the production of literary texts in Latin was progressively dying out. Braccesi, however, brought with him a multifaceted Florentine heritage; in his hometown, during the same century, the endorsement of the Tuscan vernacular as the language of literature, culture and philosophy, followed a tortuous path. Braccesi’s work did not stand out among that of his notorious contemporaries. Despite not achieving great success as an intellectual, both his prose and poetry are of great interest, especially in relation to the contamination of Latin and the vernacular. In the specific episode related to Camilla Saracini, it is worth looking into the reasons that moved him to communicate in both languages, when the status of the vernacular was changing side by side with a flourishing Neo-Latin literature. -
African Art at the Portuguese Court, C. 1450-1521
African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W. -
THE JEWISH MUSEUM of GREECE Published by the Jewish Museum of Greecenewsletter AUTUMN 2001
THE JEWISH MUSEUM OF GREECE published by The Jewish Museum of Greecenewsletter AUTUMN 2001 THE MUSEUM’S PARTICIPATION IN THE FRANKFURT INTERNATIONAL BOOK FAIR he Frankfurt International Book Fair has been one of the most important annual∆ cultural events for the last 53 years. Publishers and writers, trends and new ideas as well as techniques from the world of books are brought together at Frankfurt every year in a festival whose prestige totally justifies its reputation. This year Greece was selected as the Guest of Honour of the International Book Fair. Notable events and kiosks laid before the exhibition’s international audience aspects of Greek history, folklore and art, as well as of the modern Greece of tourism and the Mediterranean spirit, the Greece of 2004 and more besides. One of the events was the presentation of the heritage of Greek Jewry, undertaken by the Jewish Museum of Greece. The Greek Committee of Frankfurt 2001 had invited our Museum to submit its proposal for events related to the presence of Jews in Greece through out history, as part of the program entitled "Greece – Guest of Honour of the 53rd Frankfurt Book Fair 2001". Such an invitation was not only a great honour in itself for the J.M.G., but also a recognition of the quality of the Museum’s work and the standard of its international presentations. The Greek Committee approved our proposal immediately and took the events under its wing, proving an ever-present source of support for the Jewish Museum all through the preparations and production. The President of the Committee, Mr. -
Looking at Italian Renaissance Sculpture
Looking at Italian Renaissance Sculpture Edited by Sarah Blake McHam . ~. CAMBRIDGE ::: UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, United Kingdom 40 West 20th Street, New York, NY 10011-421 1, USA 10 Stamford Road, Oakleigh, Melbourne 3166, Australia @ Cambridge University Press 1998 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1998 Printed in the United States of America Typeset in Bembo IIIr4.5 A catalog record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Looking at Italian Renaissance sculpture I edited by Sarah Blake McHam. p. em. Includes bibliographical references. ISBN 0-521-47366-7 (hb) . -ISBN 0-521-47921-5 (pbk.) r. Sculpture, Renaissance - Italy. 2. Sculpture, Italian. r. McHam, Sarah Blake. NB615 .L66 1998 730'.945'09024- dc21 97-14906 CIP ISBN 0-521-47366-7 (hb) ISBN 0-521-47921-5 (pkb) Contents List of Illustrations page 1x Acknowledgments X111 List of Contributors XV Introduction I SARAH BLAKE Mc HAM The Materials and Techniques ofltalian Renaissance Sculpture r8 G. M. HELMS 2 The Revival of Antiquity in Early Renaissance Sculpture 40 H. W.JANSON 3 On the Sources and Meaning of the Renaissance Portrait Bust 6o IRVING LAVIN 4 Familiar Objects: Sculptural Types in the Collections of the Early Medici 79 JOHN T. -
Forging Italian Jewish Identities 1516 –1870
FORGING Italian JEWISH IDENTITIES 1516 – 1870 Fort Mason Center, Building C San Francisco, CA 94123 Photo by Alberto Jona Falco, Milan, Italy www.museoitaloamericano.org SEPTEMBER 25, 2008 – february 15, 2009 MUSEO ItaloAMERICANO san francisco, california FORging itALiAn JewiSH identitieS 1516 – 1870 “Italian Jews! Two great names, two enviable glories, two splendid crowns are joined together in you. Who among you, in human and divine glories, does not reverently bow before the prodigious names of Moses and Dante?” — Rabbi Elia Benamozegh, 1847 A FORewORd by David M. Rosenberg-Wohl, Curator Italy continues to capture our imagination. For How do we respond to the notion that, in this some, it is the land of our family’s culture. Others country of Western culture and in the years of us embrace the food, the language, the art, the following the Renaissance, cities of Italy increasingly civilization. We travel to Rome and see the dome of confined their Jewish population and restricted their St. Peter’s, beacon of the Catholic faith. We surround activities? What does the ghetto mean? What effect ourselves with the glories of Renaissance art and did it have? How can we understand this period of architecture in Florence and Siena. We lose ourselves history on its own terms, separate from our own in the magical canals, passageways and pigeons of time and yet profoundly affecting it? that city of islands, Venice. The ghetto was For those of us who are Jewish restrictive, but it was or interested in the relationship also progressive. It was of Judaism and Christianity, designed to separate Italy is a land of particular Jews from Christians fascination. -
And Fifteenth-Century Italy
Quidditas Volume 6 Article 9 1985 Latin and Vernacular in Fourteenth- and Fifteenth-Century Italy Paul Oskar Kristeller Columbia University Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Kristeller, Paul Oskar (1985) "Latin and Vernacular in Fourteenth- and Fifteenth-Century Italy," Quidditas: Vol. 6 , Article 9. Available at: https://scholarsarchive.byu.edu/rmmra/vol6/iss1/9 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Latin and Vernacular in Fourteenth- and Fifteenth-Century Italy* by Paul Oskar Kristeller Columbia University The subject of this essay concerns Dante only indirectly and in part. Never theless I hope to be able, among other things, to ex plain Dante's historical position and hi influence on the Italian Renai sance. I cannot avoid partially repeating what I wrote in ome of my previous studies, es pecially in my early article on the Italian prose language. 1 Some of my prior obse rvations, which seemed new to me a t the time, have since been widely accepted; but some new ources and literature have been added in the meantime, 2 and on some points I have changed my opinion or paid attention to new points of view. The subject i too broad and complex for one essay. But while many studies may pertain to my topic, no comprehensive reference works or bibliographies could erve as a firm ba i or staning point.