Elisa Ricci. Libri antichi di modelli riprodotti a fac­ Europe. Chicago, 2000. [Translation of De Institutione Seduced: Art and Sex from Antiquity to Now. London, simile, ser. Ia, Merletti e ricami 5· Bergamo, 1910. Femine Christianae, 1523; translated into Italian, 1546.] 2007. Vecellio, De gli habiti antichi, 1590 Voelkle and Wieck 1992 Walter and Zapped 2006 Cesare Vecellio. De gli habiti antichi et moderni di William M. Voelkle and RogerS. Wieck, with the lngeborg Walter and Roberto Zapperi. II ritratto diverse parti del mondo libri due. Venice, 1590. assistance of Maria Francesca P. Saffiotti. 1he Bernard dell'amata: Storie d'amore da Petrarca a Tiziano. Saggi; H. Breslauer Collection ofManuscript Illuminations. Arte e lettere. Rome, 2006. Vecellio, Habiti antichi, 1598 New York, 1992. Cesare Vecellio. Habiti antichi et moderni di tutto il Walters Collection 1922 mondo. Venice, 1598. Volpe 1958 1he Walters Collection. [2nd ed.] Baltimore, 1922. Carlo Volpe. "Tre vetrate ferraresi e il Rinascimento Ventrone 1992 Warburg 1905 a Bologna." Arte antica e moderna, no. I, pp. 23-37. Paola Ventrone, ed. Les Terns revient, 'I tempo si Aby Warburg. "Delle 'lmprese Amorose' neUe pili [Reprinted in Carlo Volpe, La pittura nell 'Emilia e rinuova: Peste e spettacoli nella Firenze di Lorenzo il antiche incisioni florentine." Rivista d'arte 3, nos. 7-8 nella Romagna: Raccolta di scritti sui Trecento e Magnifico. Exh. cat., Palazzo Medici Riccardi. (July-August 1905), App., pp. r-15. Quattrocento, edited by Daniele Benati and Lucia Florence, 1992. Peruzzi, pp. 152-68. Modena, 1993.] Warburg 1907/1999 Venturi 1885 Aby Warburg. "Francesco Sassettis letztwillige Waagen 1854 Adolfo Venturi. "Relazione artistiche tra le corti di Verfiigung." In Kunstwissenschaftliche Beitriige August Gustav Friedrich Waagen. Treasures ofArt in Great Milano e Ferrara nel secolo XV." Archivio storico Lom­ Schmarsow gewidmet zum fonfzigsten Semester seiner Britain: Being an Account ofthe Chief Collections of bardo, 2nd ser., 2 (r885), pp. 225-80. akademischen Lehrtiitigkeit, pp. 129-52. Leipzig, 1907. Paintings, Drawings, Sculptures, Illuminated Mss., &c., Reprinted in translation as "Francesco Sassetti's Last Venturi 1887-88 &c. 3 vols. London, 1854. Injunctions to His Sons." In Aby Warburg, 1he Adolfo Venturi. 'Tarte ferrarese nel periodo di Ercole I Waagen 1857 Renewal ofPagan Antiquity: Contributions to the d'Este II." Attie memorie della Regia Deputazione di Gustav Friedrich Waagen. Galleries and Cabinets ofArt Cultural History ofthe European Renaissance, Storia Patria per le Provincie di Romagna, no. 6 in Great Britain: Being an Account ofMore 1han Forty pp. 223-62, 451-66. Introduction by Kurt W. Forster. (1887-88), pp. 350-422. Collections ofPaintings, Drawings, Sculptures, Mss., &c. Translated by David Britt. Los Angeles, 1999. Venturi 1914 &c. Visited in I854 and I856, and Now for the First Time Ward 1981 Adolfo Venturi. Storia dell'arte italiana. Vol. 7, pt. 3, Described. London, 1857. Ann Ward, ed. 1he Ring: From Antiquity to the La pittura del Quattrocento. Milan, 1914. [Repr., 1967.] Wackernagel 1938II981 Twentieth Century. London, 1981. Venus2001 Martin Wackernagel. 1he World ofthe Florentine Warner 1985 Venus: Bilder einer Giittin. Exh. cat., Alte Pinakothek. Renaissance Artist: Projects and Patrons, Workshop and Marina Warner. Monuments & Maidens: 1he Allegory Munich, 2001. Art Market. Translated by Alison Luchs. Princeton, ofthe Female Form. London, 1985. 1981. [Translation of Der Lebensraum des Kunstlers in Verheyen 1968 der Jlorentinischen Renaissance. Leipzig, 1938.] Warnke1992 Egon Verheyen. "Der Sinngehalt von Giorgiones Martin Warnke. 1he Court Artist: On the Ancestry of 'Laura.'" Pantheon 26 (May-June 1968), pp. 220-27. Waddington 1989 the Modern Artist. Translated by David McLintock. Raymond B. Waddington. "A Satirist's Impresa: The Vertova 1979 Ideas in Context. Cambridge, 1992. Medals of Pietro Aretino." Renaissance Quarterly 42, Luisa Vertova. "Cupid and Psyche in Renaissance no. 4 (Winter 1989), pp. 655-81. Warnke 1998 Painting before Raphael." journal ofthe Warburg and Martin Warnke. "Individuality as Argument: Piero Courtauld Institutes 42 (1979), pp. 104-21. Waddington 2000 della Francesca's Portrait of the Duke and Duchess of Raymond B. Waddinton. Review ofTalvacchia 1999. Vertova 1980 Urbino." In 1he Image ofthe Individual: Portraits in the Sixteenth Century ]ournal3r, no. 3 (2000), pp. 885-87. Luisa Vertova. "Bernardino Licinio." In I pittori Renaissance, edited by Nicholas Mann and Luke Syson, bergamaschi dal XIII al XIX secolo: II Cinquecento, Waddington 2004 pp. 81-90, 213-15. London, 1998. vol. I, pp. 373-467. Bergamo, 1980. Raymond B. Waddington. Aretina's Satyr: Sexuality, Warren 1999 Satire, and Self-Projection in Sixteenth-Century Vertova 1993 Jeremy Warren. Renaissance Master Bronzes from the Literature and Art. Toronto, 2004. Luisa Vertova. "La fortuna della favola di Psiche da Ashmolean Museum, Oxford: 1he Fortnum Collection. Cosimo Pater Patriae al Gran Principe Ferdinando Wald2002 Exh. cat., Daniel Katz Gallery. London, 1999. de' Medici." In Giuseppe Maria Crespi nei musei Robert Wald. "Parmigianino's Cupid Carving His Bow: Warren 2001 jiorentini, pp. 27-62. Gli Uffizi, Studi e ricerchi n. History, Examination, Restoration.'' In Parmigianino e Jeremy Warren. "'The Faun Who Plays on the Pipes': Exh. cat., Galleria degli Uffizi. Florence, 1993. il manierismo europeo: Atti del convegno internazionale A New Attribution to Desiderio da Firenze.'' In Small di studi, Parma, I3-I5 giugno 2002, edited by Lucia Vignali, La cazzaria, 2003 (ed.) Bronzes in the Renaissance, edited by Debra Pincus, Fornari Schianchi, pp. 165-81. Biblioteca d'arte 3· Antonio Vignali. La cazzaria: 1he Book ofthe Prick. pp. 83-103. Studies in the History of Art (National Milan, 2002. Edited, translated, and with introduction by Ian Gallery of Art), vol. 62. Symposium Papers 39. Frederick Moulton. New York, 2003. Wald2oo8 Washington, D.C., 2001. Robert Wald. "Titian's Vienna 'Danae': On Execution Vila-Cha 2oo6 Warren 2007 and Replication in Titian's Studio." In Ferino-Pagden Joao J. Vila-Cha. Amor Intellectualis? Leone Ebreo Jeremy Warren. "Gaspare Fantuzzi: A Patron of 2008, pp. 125-33· Uudah Abravanel) and the Intelligibility ofLove. Sculpture in Renaissance Bologna." Burlington Coleq:ao filosofia 32. Braga, 2006. Waldman 2000 Magazine 149 (December 2007), pp. 831-35. Louis Alexander Waldman. "'The Modern Lysippus': Visconti Tarocchi Deck 1984 Warren forthcoming A Roman Quattrocento Medalist in Context." In Cary-Yale Visconti Tarocchi Deck. Introduction by Jeremy Warren. Catalogue ofEuropean Sculpture in Perspectives on the Renaissance Medal, edited by Stuart R. Kaplan. Stamford, 1984. the Ashmolean Museum: Sculpture, Mainly Up to IJ40. Stephen K. Scher, pp. 97-II3. New York, 2000. 3 vols. Forthcoming. Viti 1982 A. Walker 2002 Paolo Viti. "I volgarizzamenti di Alessandro Braccesi Waterhouse 1952 Alicia Walker. "Myth and Magic in Early Byzantine dell' 'Historia de Duobus Amantibus' di Enea Silvio E. K. Waterhouse. "Paintings from Venice for Marriage Jewelry: The Persistence of Pre-Christian Piccolomini." Esperienze letterarie 7, no. 3 (July­ Seventeenth-Century England: Some Records of a Traditions.'' In 1he Material Culture ofSex, September 1982), pp. 49-68. Forgotten Transaction." Italian Studies 7 (1952), Procreation, and Marriage in Premodern Europe, edited PP· I-23. Vives, De l'istituzione de Ia femina christiana, by Anne L. McClanan and Karen Rosoff Encarnacion, 1546 pp. 59-78. New York, 2002. P. F. Watson 1970 Juan Luis Vives. De l 'istituzione de Ia femina christi­ Paul F. Watson. "Virtu and Voluptas in Cassone J. Walker 1967 ana, vergine, maritata, vedova. De lo ammaestrare i Painting." Ph.D. diss., Yale University, 1970. o John Walker. "Ginevra de' Benci by Leonardo da fonciulli ne le arti liberali . ... Venice, 1546. Vinci.'' Report and Studies in the History ofArt r (1967), P. F. Watson 1974a Vives, Education ofa Christian Woman, 2000 pp. 1-38. Paul F. Watson. ''A Desco da Parto by Bartolomeo di (ed.) Fruosino.'' Art Bulletin 56, no. 1 (March 1974), pp. 4-9. Wallace, Kemp, and Bernstein 2007 Juan Luis Vives. 1he Education ofa Christian Woman: Marina Wallace, Martin Kemp, and Joanne Bernstein. P. F. Watson 1974b A Sixteenth-Century Manual. Edited and translated by Paul F. Watson. "The Queen of Sheba in Christian Charles Fantazzi. The Other Voice in Early Modern 362 ART AND LOVE IN RENAISSANCE ITALY .