Upalabama & Sword Dancer Headline Stellar Saturday
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MJC Media Guide
2021 MEDIA GUIDE 2021 PIMLICO/LAUREL MEDIA GUIDE Table of Contents Staff Directory & Bios . 2-4 Maryland Jockey Club History . 5-22 2020 In Review . 23-27 Trainers . 28-54 Jockeys . 55-74 Graded Stakes Races . 75-92 Maryland Million . 91-92 Credits Racing Dates Editor LAUREL PARK . January 1 - March 21 David Joseph LAUREL PARK . April 8 - May 2 Phil Janack PIMLICO . May 6 - May 31 LAUREL PARK . .. June 4 - August 22 Contributors Clayton Beck LAUREL PARK . .. September 10 - December 31 Photographs Jim McCue Special Events Jim Duley BLACK-EYED SUSAN DAY . Friday, May 14, 2021 Matt Ryb PREAKNESS DAY . Saturday, May 15, 2021 (Cover photo) MARYLAND MILLION DAY . Saturday, October 23, 2021 Racing dates are subject to change . Media Relations Contacts 301-725-0400 Statistics and charts provided by Equibase and The Daily David Joseph, x5461 Racing Form . Copyright © 2017 Vice President of Communications/Media reproduced with permission of copyright owners . Dave Rodman, Track Announcer x5530 Keith Feustle, Handicapper x5541 Jim McCue, Track Photographer x5529 Mission Statement The Maryland Jockey Club is dedicated to presenting the great sport of Thoroughbred racing as the centerpiece of a high-quality entertainment experience providing fun and excitement in an inviting and friendly atmosphere for people of all ages . 1 THE MARYLAND JOCKEY CLUB Laurel Racing Assoc. Inc. • P.O. Box 130 •Laurel, Maryland 20725 301-725-0400 • www.laurelpark.com EXECUTIVE OFFICIALS STATE OF MARYLAND Sal Sinatra President and General Manager Lawrence J. Hogan, Jr., Governor Douglas J. Illig Senior Vice President and Chief Financial Officer Tim Luzius Senior Vice President and Assistant General Manager Boyd K. -
Music Recommendation and Discovery in the Long Tail
MUSIC RECOMMENDATION AND DISCOVERY IN THE LONG TAIL Oscar` Celma Herrada 2008 c Copyright by Oscar` Celma Herrada 2008 All Rights Reserved ii To Alex and Claudia who bring the whole endeavour into perspective. iii iv Acknowledgements I would like to thank my supervisor, Dr. Xavier Serra, for giving me the opportunity to work on this very fascinating topic at the Music Technology Group (MTG). Also, I want to thank Perfecto Herrera for providing support, countless suggestions, reading all my writings, giving ideas, and devoting much time to me during this long journey. This thesis would not exist if it weren’t for the the help and assistance of many people. At the risk of unfair omission, I want to express my gratitude to them. I would like to thank all the colleagues from MTG that were —directly or indirectly— involved in some bits of this work. Special mention goes to Mohamed Sordo, Koppi, Pedro Cano, Mart´ın Blech, Emilia G´omez, Dmitry Bogdanov, Owen Meyers, Jens Grivolla, Cyril Laurier, Nicolas Wack, Xavier Oliver, Vegar Sandvold, Jos´ePedro Garc´ıa, Nicolas Falquet, David Garc´ıa, Miquel Ram´ırez, and Otto W¨ust. Also, I thank the MTG/IUA Administration Staff (Cristina Garrido, Joana Clotet and Salvador Gurrera), and the sysadmins (Guillem Serrate, Jordi Funollet, Maarten de Boer, Ram´on Loureiro, and Carlos Atance). They provided help, hints and patience when I played around with the machines. During my six months stage at the Center for Computing Research of the National Poly- technic Institute (Mexico City) in 2007, I met a lot of interesting people ranging different disciplines. -
SONGS NICHOLA.S MEDT'ne,R Henry S,, Drinker
for the SONGS o.£ NICHOLA.S MEDT'NE,R by Henry s,, Drinker NICHOLAS ·MEDT'NER By Alfred J. Swan· (Written by Professor Swan for the recital of Medtner's songs by Mme. Maria Kurenko and Paule Bailly at the Juilliard School on April 24, 1946) Nicholas Medtner was born in Moscow in January 1880. He tame from one of those Baltic families long settled in Central. Russia for purposes of· trade or business. Nothing seemed to predestine him to become a composer. Yet at the age of 12 music was already so living a force in his life that his parents transferred him from a regular Gymnasium to the famous Conservatory then directed by Safonoff. There was nothing spectacular about his musical endow ment, but step by step he proceeded to master the musical language, for he had definitely chosen it as a medium for the expression of his as yet undeveloped thoughts and emotions. After long years of hard work he graduated from Safonoff's class in piano. In presenting the customary medals and distinctions Safonoff turned to him say ing: "And to you I would give the ,diamond medal, but unfortunately this insti,. tution's highest award is only a gold medal." Safonoff inaugurated a concert tour for him abroad and insisted that he play everywhere the Hammerclavier Sonata of Beethoven. But he went only reluctantly, for he now wanted to de vote himself entirely to composition. Whether it· was now· that he became a pupil of Taneieff in counterpoint, or had studied. with him while learning the piano with Safonoff, is not quite clear. -
In This ISSUE
Bieber lovers and haters argue the success of the famed 17 year old 15 Source of energy for The teens could have negative Students’ Newspaper of Issue 5 March 18, 2011 health effects 2001 Old Lincoln Highway Langhorne, Pa. 19047 Neshaminy High 4 www.playwickian.com School Blue team claims victory at Gym Night Blue clinches 5th consecutive title on March 4 and 5 with a 13 point lead over Red By Emily Duke the colors.” Student Life Editor It was a special moment for all senior Gym Night veterans Sat., March 5 was a day of who had watched those before excitement for all Gym Night them perform the opening ritual participants, but it was the Blue in previous years. “It felt so Team who triumphed over the strange to fi nally be out there on Red Team with a 13 point lead the fl oor as a senior after I’ve in this year’s “Nesh-Flix on watched the parting of the colors Demand.” every other year,” senior Jillian Although Blue was victorious Borsos said. for the fi fth year in a row, all After students divided students, staff, captains, and into their respective teams, all spectators came together to make participants waited in anticipation the movie magic come alive at a for five special words from truly memorable event. Superintendent Dr.. Louis T. The gym underwent a total Muenker. transformation thanks to the After he exclaimed, “Let’s flashy posters, streamers and get ready to rumble,” the real balloons that the captains put festivities began. Once the up. -
American Square Dance April 1982
AMERICAN SQUARE DANCE APRIL 1982 THE 1982 WORLD'S FAIR MAY•OCTOBFR 1982 KNOXVILLE. TENNESSEE USA "THE BOSS" by ettiada Power enough for 100 squares— twice the power of our previous models, yet small and lightweight for 4 1\ quick, convenient portability. 0 Exceptional Reliability— proven In years of square dance use. A $1,000. Value— but priced at Just $635.! Why the P-400 is the Finest Professional Sound System Available This 17-pound system, housed In a 14"x14"x5" sewn vinyl carrying Is easy to transport and set up, yet will deliver an effortless 120 R.M.S. watts of clear, clean power. Conservative design which lets the equipment "loaf"results in high reliability and long life. Yet this small powerhouse has more useful features than we have ever offered before: VU meter for convenient visual sound level Indication Two separate power amplifiers Two separately adjustable microphone channels Optional remote music control 5-gram stylus pressure for extended record Ilfe (Others use up to 10!) Int3rnal strobe BUILT-IN music-only monitor power amplifier Tape Input and output Convenient control panel Exclusive Clinton Features Only Clinton has a floating pickup/turntable suspension, so that an accidental bump as you reach for a control knob will not cause needle skip. Only Clinton equipment can be operated on an inverter, on high line voltage, or under conditions of output overload without damage. Only Clinton offers a dual speed control— normal and extended range (0-80 r.p.m.) and automatic speed change from 33 to 45 rpm. Clinton alone rates power output, supplies a comprehensive service handbook including SCHEMATIC DIAGRAMS for easy emergency service, and makes available plug-in components for such service. -
To Consignors Hip Color & No
Index to Consignors Hip Color & No. Sex Sire Dam Dam's Sire Barn 46 Property of Adena Springs 4110 b. f. North Light (IRE) Rigorous Grand Slam 4115 b. f. North Light (IRE) Rocket Royale Roy 4128 ch. c. Alphabet Soup Scatter Buy Relaunch 4131 dk. b./br. c. Smart Strike Search the Church Holy Bull 4145 gr/ro. f. Giacomo Silent Majority Real Quiet 4149 ch. c. Golden Missile Siphonette Siphon (BRZ) 4166 ch. f. Macho Uno Sundown Delight Wild Rush 4188 dk. b./br. f. Ghostzapper Tina Dynamite Dynaformer 4190 gr/ro. c. Giacomo Tizprecious Jade Hunter 4217 ch. f. Awesome Again Winning Chance Alphabet Soup 4222 b. c. North Light (IRE) Worldly Pleasure Devil His Due 4241 b. f. North Light (IRE) Auburn Beauty Siphon (BRZ) 4249 b. f. Alphabet Soup Belle's Appeal Valid Appeal 4279 b. c. North Light (IRE) Cherry Brandy Golden Missile 4284 ch. c. Orientate Classy Cara General Meeting 4325 ch. f. Touch Gold Etamine Gone West 4326 gr/ro. f. Red Bullet Extra Holy Exploit 4343 dk. b./br. c. Milwaukee Brew Gist Cherokee Run 4346 b. c. Orientate Golden Candle King of Kings (IRE) 4384 b. c. Touch Gold Jade Eyed Friendly Lover 4394 dk. b./br. c. North Light (IRE) Lady Shari Judge T C 4395 gr/ro. f. Giacomo La Glitter Swain (IRE) 4411 dk. b./br. c. Fusaichi Pegasus Love and Marry Known Fact 4469 gr/ro. c. El Prado (IRE) Oxford Scholar Seeking the Gold 4474 dk. b./br. c. Touch Gold Party Maker Smart Strike Barn 2 Consigned by Ashview Farm LLC (Mr. -
The MRI of Ballroom Dancing
MINNESOTA DANCING TIMES A publication of the Minnesota Chapter of USA Dance December 2006 ancing Dwith the Stars An insider’s view from backstage! Inside: See page 10 WE’VE MOVED! Check www.usadance-mn.orgout our new web address at Inside this month’s issue… Enhancing your dancing Dancers Nite Out Celebrate the Fri, 12/1 Country & Swing Dance at Shakopee Ballroom. Lessons holidays at the at 7:40 & 8:00 Music 8:20 to 12:00 Admission $6 DJ Please bring something suitable for the food self.. Bob Wood Info 651 481 0024 or [email protected] Fri-Sun, 12/1-3: “All Wrapped Up” by MN PerformDance December Productions at Maplewood Community Center; tickets:$15-22; FMI: 651.249.2100x0. Sat, 12/2: Wedding Reception of Tricia M. Parker & James E. Dance Wood at Shakopee Ballroom, 2400 E. 4th Ave., Shakopee. FMI: www.triciadancer.com Sat, 12/9: “The Nutcracker” @ 2 and 6pm by On your Toes School of Dance at Hopkins High School Auditorium; tickets: 952.928.7803 or [email protected] Fri, 12/15: Dancer’s Studio “Winter Showcase” includes social dancing, hors d’oeuvres and fabulous dancing! Join them at 99 Snelling Ave. N., St. Paul; FMI: 651.641.0777 or www.dancersstudio.com Fri,12/15 Country & Swing Dance at Shakopee Ballroom. Lessons at 7:40 & 8:00 Music 8:20 to 12:00 Admission $6 DJ Bob Wood Info 651.481.0024 or [email protected] Sat, 12/16: USA Dance Monthly Dance at Cinema Ballroom. Sat, 12/30 2nd Annual Pre-New Years Party, Saturday, December 30th 8:00 - 12:30 This is a "Dress to Impress" party (but not required) at Harmonies. -
Experience August 2020 Where to Tune In
Riverdance 25th Anniversary Show ~ Sunday, August 30, 7:00 pm ~ Fall in love with the magic all over again with this powerful reinvention of the groundbreaking show! ILMED ON THE 25TH ANNIVERSARY of its first full Fperformance at the 3Arena in Dublin – the spot where it all began – the Riverdance 25th Anniversary Show is an exciting and stirring reinvention of this beloved family favorite. Cata- pulting the stunning production into the 21st century, this new cinematic experience immerses viewers in the extraordinary and elemental power of music and dance. Celebrated the world over for its Grammy Award-winning score, Riverdance brings thrilling energy and passion to Irish and international dance. Twenty-five years ago, seven minutes changed the face of Irish dancing forever. The Eurovision Song Contest interval act performance by Riverdance gave millions of people a new and exciting glimpse of the future of Irish dance. Now composer Bill Whelan has re-recorded his mesmerizing soundtrack while producer Moya Doherty and director John McColgan have re-imagined the groundbreaking show with innovative and spectacular lighting, projection, stage and costume designs. New and evocative video backdrops call forth the beauty and mystery of the island and enhance the show’s central theme, chronicling the emotional upheaval of the migration to a new Irish life in America. An incredible new generation of dancers and musicians, including a fantastic 17-year-old fiddler from New Jersey, brings fresh energy to the production. I Lucy Worsley’s Royal Photo Album ~ August 16, 8:00 pm, August 22, 10:00 pm & August 23, 2:00 pm ~ ROM QUEEN VICTORIA TO PRINCESS DIANA to Prince Harry, the royal Ffamily has shaped their image with photography. -
Oral History Interview with Paulus Berensohn, 2009 March 20-21
Oral history interview with Paulus Berensohn, 2009 March 20-21 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface Nanette L. Laitman Documentation Project For Craft and Decorative Arts in America The following oral history transcript is the result of a recorded interview with Paulus Berensohn on 2009 March 20 and 21. The interview took place at Berensohn's home in Penland, North Carolina, and was conducted by Mark Shapiro for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Berensohn has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview MARK SHAPIRO: I'm here in Paulus' home in Penland, North Carolina, and it's March 19th? PAULUS BERENSOHN: Nineteenth [20], and it's the vernal equinox— MR. SHAPIRO: Perfect. MR. BERENSOHN: Which is propitious. MR. SHAPIRO: Very propitious. MR. BERENSOHN: At 11:44 exactly it will be the vernal equinox when the ewes are born. MR. SHAPIRO: And this is the first disk, the first card. So Paulus, will you tell us a little bit about where you were born and the circumstances of you coming into the world? MR. BERENSOHN: Oh, my goodness. I was born in New York City. -
Ideologies of Femininity, Ballet, and Dancing Schools
UNIVERSITY COLLEGE CHICHESTER an accredited college of the UNIVERSITY OF SOUTHAMPTON BALLERINAS IN THE CHURCH HALL: IDEOLOGIES OF FEMININITY, BALLET, AND DANCING SCHOOLS Virginia Christine Taylor MA (Cantab) MA (Staffordshire) Doctor of Philosophy DANCE IN THE SCHOOL OF VISUAL AND PERFORMING ARTS September 2003 This thesis has been completed as a requirement for a higher degree of the University of Southampton WS 2235610 X TN€ ?~3. 1111111111111111111111111111111111111111111 3~ 0) '''Y UNIVERSITY COLLEGE CHICHESTER an accredited college of the UNIVERSITY OF SOUTHAMPTON ABSTRACT The 'Church Hall' is a metonym for the Private Dancing School, ubiquitous in the UK, whose principal clients are young girls. The thesis interrogates the notion that taking part in ballet is a capitulation to the 'stereotypically feminine', by analysing the testimony of girls aged between 8 and II who attend local dancing schools. It presents their comparative assessment of the pedagogies in their primary schools and dancing classes. The thesis interrogates the stability of the idea of 'feminine' and its relationship with the political position of women, employing the theoretical, conceptual foundation for the obverse of a phallogocentric value system developed by psychiatrist Ian D.Suttie (1935), and the possibilities of loosening binary oppositions offered by the semiotic (Greimas') square. The thesis also proposes that the 'symbolic spread' (Frye, 1976: 59) of ballet, and hostility to it, are cognate with the concerns, dynamics, and reception of literary romance, and that both are perceived by the 'guardians oftaste and learning' (Northrop Frye's phrase, 1976:23) in terms which demonstrate Suttie's 'taboo on tenderness'. The thesis brings into representation the history and relationship to the state of British dance culture's 'Private Sector', in dialectical relationship to the largely negative terms in which it is cast by the academic dance community and the maintained education sector. -
CORMAC MCCARTHY and the ETHICS of READING By
CORMAC MCCARTHY AND THE ETHICS OF READING by MATTHEW RUSH HORTON (Under the Direction of Carl Rapp) ABSTRACT To demonstrate his interest in the ethical dimension of fiction and reading, this study examines the narrative strategies of Cormac McCarthy in three of his novels: Outer Dark, Child of God, and Blood Meridian. Each novel dramatizes a dilemma related to the act of reading; accordingly, “the ethics of reading” is treated as an element of his fiction, not as a theoretical category. Instead of prescribing an approach to reading, this study focuses on how these novels raise ethical questions about the act of reading. As ethical criticism, it addresses the central concern of all ethical inquiry (“what is the good?”) by exploring how his narrative form and storytelling methods complement the theme of accountability. Although the reader of these novels might grow as a reader, he is under no moral obligation to reflect on how he should read them. Scholars have shown an interest in the ethical and formalist dimensions of McCarthy’s work for some time, but few have considered how he addresses ethical questions through his formal technique. Comprising a stylistic and thematic trilogy, Outer Dark, Child of God, and Blood Meridian demonstrate how story and narration intersect and interact in his fiction. Implications for scholarship and teaching are discussed in the final chapter. INDEX WORDS: Ethics of reading, Ethical criticism, Narrative structure, Ethics of fiction, Cormac McCarthy CORMAC MCCARTHY AND THE ETHICS OF READING by MATTHEW RUSH -
Bobby Frankel
SUBSCR ER IPT IN IO A N R S T COMPLIMENTS OF T !2!4/'! O L T IA H C E E 4HE S SP ARATOGA Year 8 • No. 23 SARATOGA’S DAILY NEWSPAPER ON THOROUGHBRED RACING Wednesday, August 20, 2008 Pyro – Travers Thorn Song – Bernard Baruch Week 5 Macho Again – Travers Wait A While – Ballston Spa HEROES Stakes stars aim for major J Be K – King’s Bishop stops as Travers Week Mambo In starts Seattle – Travers Ginger Punch – Personal Ensign GHOST Awesome Again - ZAPPERBaby Zip, by Relaunch His Yearlings Are So Good, It’s Scary. “Few horses have devastated their opponents in so many ways, at so many distances, and in such fast times.” -- Steve Haskin “The best horse I ever trained.” -- Bobby Frankel Ghostzapper Awesome Again - Baby Zip by Relaunch The Highest two-turn Beyer: 128 The Lowest Rag Number: -3 The Fastest Breeders’ Cup: 1:59 2 Wednesday, August 20, 2008 Here & There at Saratoga 100 Lake Avenue Saratoga Springs, NY 12866 Worth Repeating At the corner of Lake and Regent The thrill “I was dreading doing this.” Trainer Bruce Levine, as he pulled Phone: (518) 490-1175 of victory, the mane of a steely gray 2-year-old Sean Mobile: (302) 545-7713 with extremely wiry and thick black hair Joe Mobile: (302) 545-4424 the agony “Who said that?” E-mail: [email protected] Jockey agent Matt Muzikar when it of defeat was noted that he and fellow agent or [email protected] Roger Sutton looked like friends as Internet: www.saratogaspecial.com Take a guess as to they stood together outside Levine’s barn Published Wednesday through Sunday which of these trackgoers “The strangest things happen in Saratoga.