Experience August 2020 Where to Tune In
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Gender and the Family in Contemporary Chinese-Language Film Remakes
Gender and the family in contemporary Chinese-language film remakes Sarah Woodland BBusMan., BA (Hons) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Languages and Cultures 1 Abstract This thesis argues that cinematic remakes in the Chinese cultural context are a far more complex phenomenon than adaptive translation between disparate cultures. While early work conducted on French cinema and recent work on Chinese-language remakes by scholars including Li, Chan and Wang focused primarily on issues of intercultural difference, this thesis looks not only at remaking across cultures, but also at intracultural remakes. In doing so, it moves beyond questions of cultural politics, taking full advantage of the unique opportunity provided by remakes to compare and contrast two versions of the same narrative, and investigates more broadly at the many reasons why changes between a source film and remake might occur. Using gender as a lens through which these changes can be observed, this thesis conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can be reflective not just of differences in attitudes towards gender across cultures, but also of broader concerns relating to culture, genre, auteurism, politics and temporality. The thesis endeavours to investigate the complexities of remaking processes in a Chinese-language cinematic context, with a view to exploring the ways in which remakes might reflect different perspectives on Chinese society more broadly, through their ability to compel the viewer to reflect not only on the past, by virtue of the relationship with a source text, but also on the present, through the way in which the remake reshapes this text to address its audience. -
Exegesis. Christopher Shawne Brown East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2008 Exegesis. Christopher Shawne Brown East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Art Practice Commons, Fine Arts Commons, and the Photography Commons Recommended Citation Brown, Christopher Shawne, "Exegesis." (2008). Electronic Theses and Dissertations. Paper 1903. https://dc.etsu.edu/etd/1903 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. EXEGESIS A thesis presented to the faculty of the Department of Art & Design East Tennessee State University in partial fulfillment of the requirements for the degree Master of Fine Arts ________________________ by Christopher Shawne Brown May 2008 ___________________ Mike Smith, Committee Chair Dr. Scott Contreras-Koterbay Catherine Murray M. Wayne Dyer Keywords: photography, family album, color, influence, landscape, home, collector A B S TRACT Exegesis by Christopher Shawne Brown The photographer discusses the work in Exegesis, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 29 through November 2, 2007. The exhibition consists of 19 large format color photographs representing and edited from a body of work that visually negotiates the photographer’s home in East Tennessee. The formulation of a web of influence is explored with a focus on artists who continue to pertain to Brown’s work formally and conceptually. -
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. -
"So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 11-19-2008 "So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis Mary Larken McCord Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation McCord, Mary Larken, ""So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis." Thesis, Georgia State University, 2008. https://scholarworks.gsu.edu/wsi_theses/13 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SO VERY,” “SO FETCH”: CONSTRUCTING GIRLS ON FILM IN THE ERA OF GIRL POWER AND GIRLS IN CRISIS by MARY LARKEN MCCORD Under the Direction of Amira Jarmakani ABSTRACT In the mid-1990s, two discourses of girlhood emerged in both the popular and academic spheres. Consolidated as the girl power discourse and girls in crisis discourse, the tension between these two intertwined discourses created a space for new narratives of female adolescence in the decade between 1995 and 2005. As sites of cultural construction and representation, teen films reveal the narratives of girlhood. The films under consideration serve as useful exemplars for an examination of how such discourses become mainstreamed, pervading society’s image of female adolescence. -
Beautiful Scars: Jewels in English Renaissance Drama
LINGUACULTURE, 1, 2012 DOI: 10.2478/v10318-012-0015-5 BEAUTIFUL SCARS: JEWELS IN ENGLISH RENAISSANCE DRAMA LISA HOPKINS Sheffield Hallam University, UK Abstract In An Englis[h[ expositor[:] teaching the in[ter]pretation of the harde[st] words [vsed] in our language, John Bullokar notes that the word carbuncle ‘hath two significations, namely a precious stone, and a dangerous sore’.(sig. D2r) Generally speaking Renaissance texts keep these two meanings separate: in ways which are inevitably conditioned by the nature of their subject matter, Renaissance authors tend to be interested in exploring either the idea of carbuncle as jewel or the idea of carbuncle as tumour without ever registering the possibility of the alternative meeting for the word. Nevertheless the ambiguity is there: a jewel, a thing of beauty intended for the adornment of the body, is also in some sense potentially a disfiguring mark, a scar on the body marking the site of a trauma. In A Cyborg Manifesto, Donna Haraway asks “Why should our bodies end at the skin?” (online); in this essay, I shall argue that as far as Renaissance jewels are concerned, bodies do not in fact end at the skin, for jewels mark not the end of the body but an edge, a hinge between body and mind as much as between body and dress, in ways which activate fears about permeability, boundary blurring and the monstrous. One of the rare instances of evoking both senses of carbuncle comes in The Comedy of Errors, where Dromio of Syracuse, having defined the kitchen-maid Nell as “spherical, like a globe”, says that “America, the Indies” are located in her nose, because it is ‘all o’er embellished with rubies, carbuncles, sapphires, declining their rich aspect to the hot breath of Spain’ (III.ii.120, 140-3). -
Music Recommendation and Discovery in the Long Tail
MUSIC RECOMMENDATION AND DISCOVERY IN THE LONG TAIL Oscar` Celma Herrada 2008 c Copyright by Oscar` Celma Herrada 2008 All Rights Reserved ii To Alex and Claudia who bring the whole endeavour into perspective. iii iv Acknowledgements I would like to thank my supervisor, Dr. Xavier Serra, for giving me the opportunity to work on this very fascinating topic at the Music Technology Group (MTG). Also, I want to thank Perfecto Herrera for providing support, countless suggestions, reading all my writings, giving ideas, and devoting much time to me during this long journey. This thesis would not exist if it weren’t for the the help and assistance of many people. At the risk of unfair omission, I want to express my gratitude to them. I would like to thank all the colleagues from MTG that were —directly or indirectly— involved in some bits of this work. Special mention goes to Mohamed Sordo, Koppi, Pedro Cano, Mart´ın Blech, Emilia G´omez, Dmitry Bogdanov, Owen Meyers, Jens Grivolla, Cyril Laurier, Nicolas Wack, Xavier Oliver, Vegar Sandvold, Jos´ePedro Garc´ıa, Nicolas Falquet, David Garc´ıa, Miquel Ram´ırez, and Otto W¨ust. Also, I thank the MTG/IUA Administration Staff (Cristina Garrido, Joana Clotet and Salvador Gurrera), and the sysadmins (Guillem Serrate, Jordi Funollet, Maarten de Boer, Ram´on Loureiro, and Carlos Atance). They provided help, hints and patience when I played around with the machines. During my six months stage at the Center for Computing Research of the National Poly- technic Institute (Mexico City) in 2007, I met a lot of interesting people ranging different disciplines. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
SONGS NICHOLA.S MEDT'ne,R Henry S,, Drinker
for the SONGS o.£ NICHOLA.S MEDT'NE,R by Henry s,, Drinker NICHOLAS ·MEDT'NER By Alfred J. Swan· (Written by Professor Swan for the recital of Medtner's songs by Mme. Maria Kurenko and Paule Bailly at the Juilliard School on April 24, 1946) Nicholas Medtner was born in Moscow in January 1880. He tame from one of those Baltic families long settled in Central. Russia for purposes of· trade or business. Nothing seemed to predestine him to become a composer. Yet at the age of 12 music was already so living a force in his life that his parents transferred him from a regular Gymnasium to the famous Conservatory then directed by Safonoff. There was nothing spectacular about his musical endow ment, but step by step he proceeded to master the musical language, for he had definitely chosen it as a medium for the expression of his as yet undeveloped thoughts and emotions. After long years of hard work he graduated from Safonoff's class in piano. In presenting the customary medals and distinctions Safonoff turned to him say ing: "And to you I would give the ,diamond medal, but unfortunately this insti,. tution's highest award is only a gold medal." Safonoff inaugurated a concert tour for him abroad and insisted that he play everywhere the Hammerclavier Sonata of Beethoven. But he went only reluctantly, for he now wanted to de vote himself entirely to composition. Whether it· was now· that he became a pupil of Taneieff in counterpoint, or had studied. with him while learning the piano with Safonoff, is not quite clear. -
In This ISSUE
Bieber lovers and haters argue the success of the famed 17 year old 15 Source of energy for The teens could have negative Students’ Newspaper of Issue 5 March 18, 2011 health effects 2001 Old Lincoln Highway Langhorne, Pa. 19047 Neshaminy High 4 www.playwickian.com School Blue team claims victory at Gym Night Blue clinches 5th consecutive title on March 4 and 5 with a 13 point lead over Red By Emily Duke the colors.” Student Life Editor It was a special moment for all senior Gym Night veterans Sat., March 5 was a day of who had watched those before excitement for all Gym Night them perform the opening ritual participants, but it was the Blue in previous years. “It felt so Team who triumphed over the strange to fi nally be out there on Red Team with a 13 point lead the fl oor as a senior after I’ve in this year’s “Nesh-Flix on watched the parting of the colors Demand.” every other year,” senior Jillian Although Blue was victorious Borsos said. for the fi fth year in a row, all After students divided students, staff, captains, and into their respective teams, all spectators came together to make participants waited in anticipation the movie magic come alive at a for five special words from truly memorable event. Superintendent Dr.. Louis T. The gym underwent a total Muenker. transformation thanks to the After he exclaimed, “Let’s flashy posters, streamers and get ready to rumble,” the real balloons that the captains put festivities began. Once the up. -
The Miracles of Antichrist; a Novel
»>i|wi>»»WiiOTiaaigsig J.^ / ««»ft^isiKnBtp^ as3wi*^ lltMin[ii[iitniiii i iii rri i' i ii i i «?fc'#^jrig^ m w; @gi'ii^^ifeial^^^fti i I g:h^,l '^^^ imm mmmm^msm YT A& CORNELL UNIVERSITY LIBRARY THE Joseph Whitmore Barry dramatic library THE GIFT OF TWO FRIENDS OF Cornell University 1934 DATE uUt SEP-^-mjMU3 Cornell University Library PT 9767.A6 1899 Miracles of Antichrist 3 1924 026 328 561 WW B Cornell University ^^' hj Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026328561 The Miracles of Antichrist The Miracles of Antichrist A Novel Translatedfrom the Swedish of Selma Lagerlof by Pauline Bancroft Flach " When Antichrist comes, he shall seem as Christ. There shall be great want, and Antichrist shall go from land to land and give bread to the poor. And he shall find many followers." Sicilian Legend Boston Little, Brown, and Company 1899 F Copyright, 1899, By Little, Brown, and Company. All rights reserved, X John Wilson and Son, Cambridge, U.S.A. 'J/<'-l|'5 5lO,g|s ,, CONTENTS INTRODUCTION: Chapter Page I The Emperor's Vision i n Rome's Holy Child 9 III On the Barricade . 19 FIRST BOOK I MONGIBELLO . 25 II Fra Gaetano 39 III The God-sister 48 , IV Diamante 6z V Don Ferrante 64 VI Don Matteo's Mission 71 VII The Bells of San Pasquale 77 VIII Two Songs 113 IX Flight 125 X The Sirocco 128 XI The Feast of San Sebastiano 156 SECOND BOOK I A Great Man's Wife .. -
Danielle Steel New Releases
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Bad Lawyers in the Movies
Nova Law Review Volume 24, Issue 2 2000 Article 3 Bad Lawyers in the Movies Michael Asimow∗ ∗ Copyright c 2000 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). http://nsuworks.nova.edu/nlr Asimow: Bad Lawyers in the Movies Bad Lawyers In The Movies Michael Asimow* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 533 I. THE POPULAR PERCEPTION OF LAWYERS ..................................... 536 El. DOES POPULAR LEGAL CULTURE FOLLOW OR LEAD PUBLIC OPINION ABOUT LAWYERS? ......................................................... 549 A. PopularCulture as a Followerof Public Opinion ................ 549 B. PopularCulture as a Leader of Public Opinion-The Relevant Interpretive Community .......................................... 550 C. The CultivationEffect ............................................................ 553 D. Lawyer Portrayalson Television as Compared to Movies ....556 IV. PORTRAYALS OF LAWYERS IN THE MOVIES .................................. 561 A. Methodological Issues ........................................................... 562 B. Movie lawyers: 1929-1969................................................... 569 C. Movie lawyers: the 1970s ..................................................... 576 D. Movie lawyers: 1980s and 1990s.......................................... 576 1. Lawyers as Bad People ..................................................... 578 2. Lawyers as Bad Professionals ..........................................