The Miracles of Antichrist; a Novel
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The Price of God's Miracle Working Power 1 "The Disciple Is Not Above His Master, Nor the Servant Above His Lord"
THE PRICE OF GOD’S MIRACLE WORKING POWER A. A. ALLEN HopeFaithPrayer Blog www.hopefaithprayer.com Copy Freely THE PRICE OF GOD’S MIRACLE WORKING POWER CONTENTS FOREWORD....................................................................i THE PRICE OF GOD'S MIRACLE WORKING POWER 1 "THE DISCIPLE IS NOT ABOVE HIS MASTER, NOR THE SERVANT ABOVE HIS LORD"............................21 "THE DISCIPLE IS NOT ABOVE HIS MASTER: BUT EVERYONE THAT IS PERFECT SHALL BE AS HIS MASTER"......................................................................29 "BE YE THEREFORE PERFECT, EVEN AS YOUR FATHER IN HEAVEN IS PERFECT"............................42 CHRIST OUR EXAMPLE..............................................59 SELF DENIAL ...............................................................67 THE CROSS .................................................................78 “I MUST DECREASE” (John 3:30) ...............................84 "HE MUST INCREASE" (John 3:30).............................93 IDLE WORDS AND FOOLISH TALKING .....................98 PRESENT YOUR BODY ............................................108 A PARTAKER OF HIS DIVINE NATURE ...................113 PERSONAL THINGS..................................................118 DEATH CERTIFICATE ...............................................132 PROPHECY FROM THE 1950’s ................................133 THE PRICE OF GOD’S MIRACLE WORKING POWER i FOREWORD According to his death certificate Evangelist Asa Alonzo Allen died from acute alcoholism. This fact would cause some in the Christian community to forever banish from memory the accomplishments of this man of God. Did he sin in drinking himself to death? Obviously so. But in his death we should not forget the thousands who were saved, healed, and set free during the ministry of A. A. Allen. According to the Bible we have all sinned and come short of the glory of God. But, we have not all been so mightily used of God as was Evangelist A. A. Allen. Also, in the light of the 9-11 attack on the United States, an included prophecy from A. -
Gender and the Family in Contemporary Chinese-Language Film Remakes
Gender and the family in contemporary Chinese-language film remakes Sarah Woodland BBusMan., BA (Hons) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Languages and Cultures 1 Abstract This thesis argues that cinematic remakes in the Chinese cultural context are a far more complex phenomenon than adaptive translation between disparate cultures. While early work conducted on French cinema and recent work on Chinese-language remakes by scholars including Li, Chan and Wang focused primarily on issues of intercultural difference, this thesis looks not only at remaking across cultures, but also at intracultural remakes. In doing so, it moves beyond questions of cultural politics, taking full advantage of the unique opportunity provided by remakes to compare and contrast two versions of the same narrative, and investigates more broadly at the many reasons why changes between a source film and remake might occur. Using gender as a lens through which these changes can be observed, this thesis conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can be reflective not just of differences in attitudes towards gender across cultures, but also of broader concerns relating to culture, genre, auteurism, politics and temporality. The thesis endeavours to investigate the complexities of remaking processes in a Chinese-language cinematic context, with a view to exploring the ways in which remakes might reflect different perspectives on Chinese society more broadly, through their ability to compel the viewer to reflect not only on the past, by virtue of the relationship with a source text, but also on the present, through the way in which the remake reshapes this text to address its audience. -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
Queering Performative Face Theory: Analyzing Coming out Narratives
BearWorks MSU Graduate Theses Spring 2019 Queering Performative Face Theory: Analyzing Coming Out Narratives Dominic A. Pecoraro Missouri State University, [email protected] As with any intellectual project, the content and views expressed in this thesis may be considered objectionable by some readers. However, this student-scholar’s work has been judged to have academic value by the student’s thesis committee members trained in the discipline. The content and views expressed in this thesis are those of the student-scholar and are not endorsed by Missouri State University, its Graduate College, or its employees. Follow this and additional works at: https://bearworks.missouristate.edu/theses Part of the Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Interpersonal and Small Group Communication Commons Recommended Citation Pecoraro, Dominic A., "Queering Performative Face Theory: Analyzing Coming Out Narratives" (2019). MSU Graduate Theses. 3407. https://bearworks.missouristate.edu/theses/3407 This article or document was made available through BearWorks, the institutional repository of Missouri State University. The work contained in it may be protected by copyright and require permission of the copyright holder for reuse or redistribution. For more information, please contact [email protected]. QUEERING PERFORMATIVE FACE THEORY: ANALYZING COMING OUT NARRATIVES A Master’s Thesis Presented to The Graduate College of Missouri State University In Partial Fulfilment Of the Requirements for the Degree Master of Arts, Communication By Dominic Andrew Pecoraro May 2019 Copyright 2019 by Dominic Andrew Pecoraro ii QUEERING PERFORMATIVE FACE THEORY: ANALYZING COMING OUT NARRATIVES Communication Missouri State University, May 2019 Master of Arts Dominic Andrew Pecoraro ABSTRACT This thesis focuses on performativity of sexual minorities in interpersonal interactions. -
Amazing Grace: Exploring Right and Wrong
AMAZING GRACE: EXPLORING RIGHT AND WRONG A Tapestry of Faith Program for Children 6th Grade BY RICHARD KIMBALL © Copyright 2008 Unitarian Universalist Association. This program and additional resources are available on the UUA.org web site at www.uua.org/tapestryoffaith. 1 TABLE OF CONTENTS ABOUT THE AUTHORS ...................................................................................................................................... 3 ACKNOWLEDGMENTS ...................................................................................................................................... 3 THE PROGRAM .................................................................................................................................................... 5 SESSION 1: INTRODUCING AMAZING GRACE: EXPLORING RIGHT AND WRONG ........................... 17 SESSION 2: CURIOUS FAITH ........................................................................................................................... 37 SESSION 3: BEING GOOD, BEING BAD ......................................................................................................... 51 SESSION 4: TELLING RIGHT FROM WRONG ............................................................................................... 63 SESSION 5: UNITARIAN UNIVERSALISM .................................................................................................... 75 SESSION 6: THE FIRST U ................................................................................................................................. -
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. -
A Curated List of SOGI Books for K-12 Schools
A Curated List of SOGI Books for K-12 Schools Picture Books to Discuss Family Diversity • Donovan's Big Day – Lesléa Newman (Illus. Mike Dutton) 2011 Donovan is incredibly excited to be a part of the planning and execution of a big family wedding. When readers get further into the story, they realize that Donovan’s mom is getting married to another woman. Excellent choice to teach surprise endings and discuss whether this is still surprising to them. • A Family is a Family is a Family – Sara O’Leary (Illus. Qin Leng) 2016 En français – Une famille… c’est une famille A young girl is worried that she won’t be able to explain the makeup of her family to her classmates. Each child has a different approach to how they define “family” however, some of them including same-gender couples as parents, some with single parents, some with grandparents as parents, etc. • Monday is One Day – Arthur A. Levine (Illus. Julian Hector) 2011 No matter the day of the week, the hardest part of going to work is being apart. Families take Monday morning as a time to get ready for the next seven days of work and expectations. Then on Tuesday, it could be blue shoes day, then after that, it’s halfway day. Each day has a purpose, and this book explores each day with new children and diverse families. • A Plan for Pops – Heather Smith (Illus. Brooke Kerrigan) 2019 En français – Une idée pour Papi A positive and empowering book that inspires children to learn how to handle challenges and help others. -
"So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 11-19-2008 "So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis Mary Larken McCord Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation McCord, Mary Larken, ""So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis." Thesis, Georgia State University, 2008. https://scholarworks.gsu.edu/wsi_theses/13 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SO VERY,” “SO FETCH”: CONSTRUCTING GIRLS ON FILM IN THE ERA OF GIRL POWER AND GIRLS IN CRISIS by MARY LARKEN MCCORD Under the Direction of Amira Jarmakani ABSTRACT In the mid-1990s, two discourses of girlhood emerged in both the popular and academic spheres. Consolidated as the girl power discourse and girls in crisis discourse, the tension between these two intertwined discourses created a space for new narratives of female adolescence in the decade between 1995 and 2005. As sites of cultural construction and representation, teen films reveal the narratives of girlhood. The films under consideration serve as useful exemplars for an examination of how such discourses become mainstreamed, pervading society’s image of female adolescence. -
Southern Lights Sahar Delijani
Southern Lights Sahar Delijani Southern Lights Near the Mediterranean Sea, surrounded by miles and miles of olive groves and vine yards, where winds blowing from Africa enlace, there is the southern Italian city of Lecce. On the yellow-stone walls of the buildings, the morning light bounces off, grazing past the geraniums hanging next to windows. The fresh heat of spring comes up from the cobble stoned streets that loop and curve past the houses like beautiful sleepy snakes. Standing in front of the display window of a bookshop, she looks at the book covers and their Italian titles that she can read, but cannot understand. An olive-green scarf is wrapped loosely around her neck, touching her short black hair. She smiles to herself while mouthing the words, trying to guess the right accent of the vowels. The aroma of recently baked bread floats in the air and mingles with the sunshine and the bird’s chirrup and the ever present scent of exhausted history, working up sweet saliva in her mouth. Sanam rotates on the heels of her boots toward the bakery on the opposite side of the narrow street. An elderly woman wearing a black sweater over a long navy-blue skirt exits the bakery, holding a paper bag in her hand. From the basilica of Santa Croce, the jewel of the city’s baroque architecture, with its bold, curving, elaborate ornamentations, the echo of tolling bells swoops down on the city. She counts the strikes. One, two, three…. “They wear that every day of their lives.” He enfolds her in his arms from behind. -
Beautiful Scars: Jewels in English Renaissance Drama
LINGUACULTURE, 1, 2012 DOI: 10.2478/v10318-012-0015-5 BEAUTIFUL SCARS: JEWELS IN ENGLISH RENAISSANCE DRAMA LISA HOPKINS Sheffield Hallam University, UK Abstract In An Englis[h[ expositor[:] teaching the in[ter]pretation of the harde[st] words [vsed] in our language, John Bullokar notes that the word carbuncle ‘hath two significations, namely a precious stone, and a dangerous sore’.(sig. D2r) Generally speaking Renaissance texts keep these two meanings separate: in ways which are inevitably conditioned by the nature of their subject matter, Renaissance authors tend to be interested in exploring either the idea of carbuncle as jewel or the idea of carbuncle as tumour without ever registering the possibility of the alternative meeting for the word. Nevertheless the ambiguity is there: a jewel, a thing of beauty intended for the adornment of the body, is also in some sense potentially a disfiguring mark, a scar on the body marking the site of a trauma. In A Cyborg Manifesto, Donna Haraway asks “Why should our bodies end at the skin?” (online); in this essay, I shall argue that as far as Renaissance jewels are concerned, bodies do not in fact end at the skin, for jewels mark not the end of the body but an edge, a hinge between body and mind as much as between body and dress, in ways which activate fears about permeability, boundary blurring and the monstrous. One of the rare instances of evoking both senses of carbuncle comes in The Comedy of Errors, where Dromio of Syracuse, having defined the kitchen-maid Nell as “spherical, like a globe”, says that “America, the Indies” are located in her nose, because it is ‘all o’er embellished with rubies, carbuncles, sapphires, declining their rich aspect to the hot breath of Spain’ (III.ii.120, 140-3). -
Kaleidoscope Issue 79: Exploring New Vistas (PDF)
ALEIDOSCOPE EXPLORING THE EXPERIENCE OF DISABILITY THROUGH LITERATURE AND THE FINE ARTS KNumber 79 Summer/Fall Online 2019 Exploring New Vistas "The Mission" by Dan Linssen "Photo Album" by Julie Guirgis "Globetrotting with a Stutter" by Brandon Lomenzo Black Summer/Fall 2019 ALEIDOSCOPE Number 79 KEXPLORING THE EXPERIENCE OF DISABILITY THROUGH LITERATURE AND THE FINE ARTS The Croaky Bar 41 Contents EDITORIAL NOTE Exploring New Vistas 4 Teresa Milbrodt Debra Johanyak Talk to Me 50 Shirley Palmerton FEATURED ESSAY Globetrotting with a Stutter 6 Maudie Parks 58 Brandon Lomenzo Black Sam Provenzano FEATURED ART PERSONAL ESSAY Blossoming 32 8 The Good Earth Sandy Palmer Al Daniels FICTION Photo Album 14 Humming Along 10 Julie Guirgis Terry Groves Firework 27 The Spare Room 20 Sarika Chawla A. M. Todd Redefining Mental Illness 38 The Mission 24 Scarlett Dubois Dan Linssen The Game 43 Prank 28 Corinna Dooha-Chambers Yuetting Cindy Lam 1 Fresh Start 48 Diane Joy Schmidt So You’re a Grown-up Now 52 Dee Parker CREATIVE NONFICTION After 54 Melissa Cronin Amanda LaMunyon, The Storm at Morrison Oklahoma, 2008, age 13, acrylics, 10” x 14” Little Elephant 57 Amy D. Lerner Summer Time 31 Simple Things 47 POETRY Storm of Sound 5 Lola Neff Merritt Megan Seitz A. D. Hurley The Yorkshire Man 45 A Hunchback Boy from Manayur 51 Life (With Pain) 9 Cohl Warren-Howles Fabiyas M V More Than A Disability 40 The Girl in the Wheelchair 46 Evocation 53 Craig Firsdon Sarika Chawla Sravani Singampalli Darkness Present 13 Dolphins and Daughters 47 Matthew Feeney BIOGRAPHICAL NOTES 63 Jeanie Greensfelder Her Kitchen 17 Ah, the Peonies 18 Linda Amos Malcolm 19 Maria Thompson Corley Girl and Mandolin 31 Xanadu 2 Staff PUBLISHER Brian Thomas, President/CEO United Disability Services EDITOR-IN-CHIEF Debra Johanyak, Ph.D. -
Coming out As Complex: Understanding LGBTQ+ Community Writing Groups
Wayne State University Wayne State University Dissertations 2020 Coming Out As Complex: Understanding LGBTQ+ Community Writing Groups Hillary E. Weiss Wayne State University Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Rhetoric and Composition Commons Recommended Citation Weiss, Hillary E., "Coming Out As Complex: Understanding LGBTQ+ Community Writing Groups" (2020). Wayne State University Dissertations. 2518. https://digitalcommons.wayne.edu/oa_dissertations/2518 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. COMING OUT AS COMPLEX: UNDERSTANDING LGBTQ+ COMMUNITY WRITING GROUPS by HILLARY E WEISS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2020 MAJOR: ENGLISH (Rhetoric and Composition) Approved By: ___________________________________ Advisor Date ___________________________________ ___________________________________ ___________________________________ ___________________________________ © COPYRIGHT BY HILLARY E WEISS 2020 All Rights Reserved DEDICATION This project is dedicated to all LGBTQ+ and Two-Spirit individuals—those who are out and proud, those who are not out, those who are questioning, those who are transitioning, those who refuse to transition, those who are at odds with family, friends, and the world, those who have been bullied and violated, those who were murdered. Family, if you’d hadn’t already guessed due to my research, I am pansexual—I’m attracted to people, not genders. I dedicate this project to you as well so that you may take this opportunity to learn.