Biography JONATHAN MEESE 1970 Einzelausstellungen / Solo Shows
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Oldenburg Auction
Name Pedigree F/G Price Nation De Mateng De Niro - Sandro Hit - R/H 25.000 € Sweden Rubinstein I De Sica De Niro - Sir Donnerhall F/H 8.000 € France I - Weltmeyer Dougle Dante Weltino - Sandro R/H 15.000 € Germany Hit - De Niro Festmarsch Fiandro - Sir Donnerhall B/H 22.000 € Germany I - Faveur Feine Sonne Finest - Floriscount - R/S 12.000 € Germany Rohdiamant Florieux II Florenz - Bordeaux - R/H 11.000 € Germany Fürst Heinrich Floral Hit Florenz - Diamond Hit - Db/H 120.000 € Germany Landadel Hickstead's Champ Hickstead White - B/H 6.000 € Germany Lucky Champ - Cassini II Hickstead Lady Hickstead White - R/S (k.Sch.w.) 10.000 € Germany Caletto I - Fier de Lui Z Quantica Quasimodo v.d. B/S 11.000 € Germany Molendreef - Stakkato - Contender Rosberg Radisson - Fürst Df/H 10.000 € Germany Romancier - Rubinstein I Bruce Willis Bordeaux - Sandro Hit - B/H 10.000 € Germany Donnerhall Samba-Brasil San Amour I - Db/H 7.500 € Germany Fürstenball - Sandro Hit Sonnentanz San Amour I - B/H 8.500 € Belgium Wolkentanz - Wanderbursch II Special Gold San Amour I - Don R/H 90.000 € USA Schufro - Sandro Hit Diamond Dancer Diamond Hit - Fidertanz sbr/H 20.000 € Germany - Sandro Hit Dimorio Dimaggio - Royal Df/H k.Sch.w. 5.000 € Germany Angelo I - Inselfürst For my Dream For Romance I - Sir Df/H 20.000 € Germany Donnerhall I - Dream of Love More Esprit Morricone - L'Espoir - F/H 8.000 € Germany Sandro Hit Casalimba Casalido - Santander H B/S 7.500 € Netherlands - Pit I Cassa Chiara Casallco - Colman - B/S 7.500 € Germany Landjonker Chacoon Girl Chacoon Blue -
Rainer Werner Fassbinder Amor Y Rabia Coordinado Por Quim Casas
Rainer Werner Fassbinder Amor y rabia Coordinado por Quim Casas Colección Nosferatu Editan: E. P. E. Donostia Kultura Teatro Victoria Eugenia Reina Regente 8 20003 Donostia / San Sebastián Tf.: + 34 943 48 11 57 [email protected] www.donostiakultura.eus Euskadiko Filmategia – Filmoteca Vasca Edificio Tabakalera Plaza de las Cigarreras 1, 2ª planta 20012 Donostia / San Sebastián Tf.: + 34 943 46 84 84 [email protected] www.filmotecavasca.com Distribuye: UDL Libros Tf.: + 34 91 748 11 90 www.udllibros.com © Donostia Kultura, Euskadiko Filmategia – Filmoteca Vasca y autores ISBN: 978-84-944404-9-6 Depósito legal: SS-883-2019 Fuentes iconográficas: Rainer Werner Fassbinder Foundation, Goethe-Institut Madrid, StudioCanal, Beta Cinema, Album Diseño y maquetación: Ytantos Imprime: Michelena Artes Gráficas Foto de portada: © Rainer Werner Fassbinder Foundation Las amargas lágrimas de Petra von Kant © Rainer© Fassbinder Werner Foundation SUMARIO CONTEXTOS Presentación: amor y rabia. Quim Casas .......................................... 17 No había casa a la que volver. Fassbinder y el Nuevo Cine Alemán. Violeta Kovacsics ......................................... 31 En la eternidad de una puesta de sol. Carlos Losilla ........................... 37 El teatro, quizá, no fue un mero tránsito. Imma Merino ...................... 47 GÉNEROS, SOPORTES, FORMATOS, ESTILOS Experimentar con Hollywood y criticar a la burguesía Los primeros años del cine de Fassbinder Israel Paredes Badía ..................................................................... 61 Más frío que la muerte. El melodrama según Fassbinder: un itinerario crítico. Valerio Carando .............................................. 71 Petra, Martha, Effi, Maria, Veronika... El cine de mujeres de Fassbinder. Eulàlia Iglesias ........................................................ 79 Atención a esas actrices tan queridas. La puesta en escena del cuerpo de la actriz. María Adell ................................................ 89 Sirk/Fassbinder/Haynes. El espejo son los otros. -
C O L L E C T I O N B O
THYSSEN-BORNEMISZA ART CONTEMPORARY T HE COLLECTION BOOK y �� THYSSEN-BORNEMISZA ART CONTEMPORARY ��THE T H E COLLECTIONCOllECtIoN BOOK y BOOK VERLAG DER BUCHHANDLUNG WALTHER KÖNIG, KÖLN 4 5 CONTENTS 6 Acknowledgments by FRANCESCA VON HABSBURG 01 02 03 04 t t t t 10 WAYS BEYOND 72 DIE OR PERFORM 280 T H E A L E P H 354 PRESERVATION OBJECTS by ANDREAS SCHLAEGEL P O T E N T I A L AND REANIMATION FRANCESCA VON HABSBURG by ELKE KRASNY THROUGH in conversation with 88 MONICA BONVICINI CONTEMPORARY ART HANS ULRICH OBRIST 92 CANDICE BREITZ 288 PARADOXES OF AND ARCHITECTURE 97 JANET CARDIFF COLLECTING 22 AI WEIWEI 107 MAURIZIO CATTELAN FRANCESCA VON HABSBURG 361 MONUMENTAL 28 DOUG AITKEN 110 CHEN QUILIN in conversation with by MARK WIGLEY 34 DARREN ALMOND 116 ANETTA MONA CHISA & PETER PAKESCH 40 KUTLUĞ ATAMAN LUCIA TKÁČOVÁ 366 JULIAN ROSEFELDT 52 FIONA BANNER 120 CYBERMOHOLLA HUB 292 RIVANE NEUENSCHWANDER 376 THOMAS RUFF 56 JOHN BOCK 125 EMANUEL DANESCH & 298 JUN NGUYEN-HATSUSHIBA 378 RITU SARIN & DAVID RYCH 302 CARSTEN NICOLAI TENZING SONAM 129 DON’T TRUST ANYONE 308 OLAF NICOLAI 383 HANS SCHABUS OVER THIRTY 314 PAUL PFEIFFER 390 CHRISTOPH SCHLINGENSIEF 138 OLAFUR ELIASSON 320 WALID RAAD / 398 GREGOR SCHNEIDER 152 ELMGREEN & DRAGSET THE ATLAS GROUP 406 ALLAN SEKULA 160 MARIO GARCÍA TORRES 330 RAQS MEDIA COLLECTIVE 414 NEDKO SOLAKOV 164 ISA GENZKEN 336 JASON RHOADES 419 MONIKA SOSNOWSKA 168 DOUGLAS GORDON 340 PIPILOTTI RIST 422 THOMAS STRUTH 172 FLORIAN HECKER 344 MATTHEW RITCHIE 426 DO HO SUH 176 CARSTEN HÖLLER 430 CATHERINE SULLIVAN 181 TERESA -
Austrian Music Export Handbook
Austrian Music Export Handbook Table of Contents Imprint.................................................................................................................................................................................................. 5 Introduction........................................................................................................................................................................................ 6 PART 1 - GENERAL INFORMATION.................................................................................................................................................... 7 Geogr p!ic l # t nd Tr n$port In%r $tructure.............................................................................................................. 7 Gener l In%ormation ................................................................................................................................................................ 7 Town$ nd Citie$ ...................................................................................................................................................................... ( Admini$tr ti)e #i)i$ion$......................................................................................................................................................... * Tr n$port +Touring in Au$tri ,.............................................................................................................................................. * Import nt Cont ct$, Re" ted Lin.$ .............................................................................................................................. -
Radical Failure. the Reinvention of German Identity in the Films of Christian Schlingensief
XVI Jornadas Interescuelas/Departamentos de Historia. Departamento de Historia. Facultad Humanidades. Universidad Nacional de Mar del Plata, Mar del Plata, 2017. Radical Failure. The Reinvention of German Identity in the Films of Christian Schlingensief. Tindemans, Klass. Cita: Tindemans, Klass (2017). Radical Failure. The Reinvention of German Identity in the Films of Christian Schlingensief. XVI Jornadas Interescuelas/Departamentos de Historia. Departamento de Historia. Facultad Humanidades. Universidad Nacional de Mar del Plata, Mar del Plata. Dirección estable: https://www.aacademica.org/000-019/621 Acta Académica es un proyecto académico sin fines de lucro enmarcado en la iniciativa de acceso abierto. Acta Académica fue creado para facilitar a investigadores de todo el mundo el compartir su producción académica. Para crear un perfil gratuitamente o acceder a otros trabajos visite: https://www.aacademica.org. para publicar en actas Radical Failure. German Identity and (Re)unification in the Films of Christian Schlingensief. Bertolt Brecht, the German playwright, made a note about his play The Resistible Rise of Arturo Ui, written in 1941. The play depicts a Chicago gangster boss, clearly recognizable as a persiflage of Adolf Hitler. Brecht writes: “The big political criminals should be sacrificed, and first of all to ridicule. Because they are not big political criminals, they are perpetrators of big political crimes, which is something completely different.” (Brecht 1967, 1177). In 1997 the German filmmaker, theatre director and professional provocateur Christoph Schlingensief created the performance Mein Filz, mein Fett, mein Hase at the Documenta X – the notoriously political episode of the art manifestation in Kassel, Germany – as a tribute to Fluxus-artist Joseph Beuys. -
Kurt Hübner- Der Intendant
Kurt Hübner- Der Intendant Seine Stationen: Ulm- 1959-1962 Bremen- 1962-1973 Berlin- 1973-1986 1 ANHANG 1959-1986: DIE AUFFÜHRUNGEN DER INTENDANTENZEIT KURT HUBNERS I. ULM 1959-1962 Das Ensemble Schauspiel (Herren) Schauspiel (Damen) Oper I Operette Oper I Operette Peter Böhlke Elisabeth Botz (Herren) (Damen) Kar! Heinz Bürkel Käthe Druba Lambertus Bijnen Lisa Anders Will Court Angela Gotthardt Kari-Heinz von Eicken Helen Borbjerg Josef Gessler Friede! Heizmann Helmuth Erfurth Anita Butler Joachim Giese Hannelore Hoger George Fortune RuthConway Günter Hanke Alke Hoßfeld Jan Gabrielis Irmgard Dressler Hans-H. Hassenstein Elisabeth Karg Josef Gessler Josette Genet-Bollinger Valentin Jeker Maria-Christina Müller Peter Haage Marjorie Hall Rolf Johanning Elisabeth Orth Kar! Hauer Rita Hermann Norbert Kappen Helga Riede! J osef Kayrooz Marian Krajewska Jon Laxdall Ursula Siebert Bernd Küpper Liane Lehrer Georg von Manikowski Katharina Tüschen Bill Lucas Christine Mainka Dieter Möbius Erika Wackernagel Fritz Neugebauer Gertrud Probst Siegfried Munz Sabine Werner Richard Owens Gertrud Romvary Walther Fr. Peters Fritz Peter Ursula Schade Rudolf Peschke Heinrich Reckler Ingeborg Steiner Hans Jakob Poiesz Herbert Reiter Patricia Hyde Thomas Friedhelm Ftok Heinz Röthig Eva-Maria Wolff Willi Ress Hermann Runge Hermann Schlögl Fred Straub Hermann Schober Walter Voges Alois Strempel Heinz Weigand Peter Striebeck Kar! Schurr Rainald Walter RolfWiest 2 SPIELZEIT 1959/60 das zu überwinden, was gegen die Figur des Posa, die naive Leichtgläubigkeit des Carlos Carl Maria von Weber: und gegen andere alogische Entwicklungen Der Freischütz (29. 8. 59) gesagt werden kann. Schillers Feuerodem, ML: Harald von Goertz; 1: JosefWitt; hier zum erstenmal in reine, gehämmerte B: Hansheinrich Palitzsch Verse gebändigt, überall diese Bedenklich keiten siegen zu Jassen, fast möchte man Friedrich Schiller: Don Carlos (3. -
Campeonato De Europa European Championships Misceláneas Miscellaneous Compilado Por / Compiled by - Miguel Villaseñor
Campeonato de Europa European Championships Misceláneas Miscellaneous compilado por / compiled by - Miguel Villaseñor - All additions and amendments will be welcome / Todas las correcciones serán bienvenidas Please send them to / Por favor, envíalas a [email protected] 1 CAMPEONATO DE EUROPA MISCELÁNEAS ÍNDICE - INDEX MEJORES MARCAS POR PUESTOS BEST MARKS FOR PLACES MEJORES MARCAS POR RONDAS O CALIFICACIÓN BEST MARKS IN QUALYFING ROUNDS MEJORES MARCAS NO CLASIFICATORIAS PARA LA FINAL BEST MARKS NON-QUALIFIER FOR THE FINAL MENORES Y MAYORES DIFERENCIAS ENTRE 1º Y 2º SMALLEST AND BIGGEST DIFFERENCES BETWEEN FIRST AND SECOND MENORES DIFERENCIAS ENTRE 1º Y 3º SMALLEST DIFFERENCE BETWEEN FIRST AND THIRD TRIPLETES (1º, 2º Y 3º CLASIFICADOS DE UN MISMO PAÍS) MEDAL SWEEPS (FIRST, SECOND AND THIRD FROM A SINGLE NATION) DOBLETES (1º Y 2º CLASIFICADOS DE UN MISMO PAÍS) MEDAL DOUBLES (FIRST AND SECOND FROM A SINGLE NATION) MEJORES MARCAS Y ATLETAS EN PRUEBAS COMBINADAS BEST MARKS AND ATHLETES IN COMBINED EVENTS PRIMER PARTICIPANTE, FINALISTA, MEDALLISTA Y CAMPEÓN DE CADA PAÍS FIRST COMPETITOR, FINALIST, MEDALLIST AND CHAMPION OF EACH COUNTRY ATLETAS DE CATEGORÍA JÚNIOR MEDALLISTAS MEDALLIST JUNIOR ATHLETES PRIMEROS EN CALIFICACIÓN Y PRIMEROS EN LA FINAL FIRST IN QUALIFYING ROUND AND FIRST IN THE FINAL PRIMEROS EN CALIFICACIÓN, MAL EN FINAL FIRST IN QUALIFICATION, POOR RESULT IN THE FINAL MEJOR MARCA EN CALIFICACIÓN QUE EN FINAL BEST MARK IN QUALIFYING ROUND THAN IN THE FINAL CAMPEONES QUE RENOVARON EL TÍTULO DEFENDING CHAMPION WHO -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
BERLIN ALEXANDERPLATZ: REMASTERED Berlinale Special BERLIN ALEXANDERPLATZ: REMASTERED BERLIN ALEXANDERPLATZ: REMASTERED Regie: Rainer Werner Fassbinder
Berlinale 2007 BERLIN ALEXANDERPLATZ: REMASTERED Berlinale Special BERLIN ALEXANDERPLATZ: REMASTERED BERLIN ALEXANDERPLATZ: REMASTERED Regie: Rainer Werner Fassbinder Deutschland 1979/1980 Darsteller Franz Biberkopf Günter Lamprecht Länge Film in 13 Teilen Reinhold Gottfried John und mit einem Mieze Barbara Sukowa Epilog: 939 Min. Eva Hanna Schygulla Format 35 mm, 1:1.37 Meck Franz Buchrieser Farbe Cilly Annemarie Düringer Stabliste Pums Ivan Desny Buch Rainer Werner Lüders Hark Bohm Fassbinder, nach Herbert Roger Fritz dem gleichnamigen Frau Bast Brigitte Mira Roman von Alfred Minna Karin Baal Döblin Lina Elisabeth Trissenaar Kamera Xaver Ida Barbara Valentin Schwarzenberger Trude Irm Hermann Kameraassistenz Josef Vavra Terah Margit Carstensen Schnitt Juliane Lorenz Sarug Helmut Griem Franz Walsch Fränze Helen Vita (= R.W. Fassbinder) Baumann Gerhard Zwerenz Ton Carsten Ullrich Barbara Sukowa, Günter Lamprecht Konrad Raul Gimenez Mischung Milan Bor Paula Mechthild Musik Peer Raben Großmann Ausstattung Helmut Grassner BERLIN ALEXANDERPLATZ: REMASTERED Witwe Angela Schmidt Werner Achmann „Vor zwanzig Jahren etwa, ich war gerade vierzehn, vielleicht auch schon Wirt Claus Holm Spezialeffekte Theo Nischwitz fünfzehn, befallen von einer fast mörderischen Pubertät, begegnete ich auf Willy Fritz Schediwy Kostüm Barbara Baum meiner ganz und gar unakademischen, extrem persönlichen, nur meiner Dreske Axel Bauer Maske Peter Knöpfle ureigenen Assoziation verpflichteten Reise durch die Weltliteratur Alfred Bruno Volker Spengler Anni Nöbauer Regieassistenz -
Tanja Zimmermann (Ed.) Balkan Memories Media Constructions of National and Transnational History
From: Tanja Zimmermann (ed.) Balkan Memories Media Constructions of National and Transnational History September 2012, 270 p., 33,80 €, ISBN 978-3-8376-1712-2 This book gives an insight into the media constructions of historical remembrance reflecting transnational, national or nationalistic forms of politics. Authors from post-Yugoslavia and neighbouring countries focus on the diverse transnational (such as Austro-Hungarian, Yugoslav etc.) and na- tional (such as Bosnian, Croatian, Serbian etc.) memory cultures in South- Eastern Europe, their interference and rivalry. They examine constructions of memory in different media from the 19th century to recent wars. These include longue durée images, breaks and gaps, selection and suppression, traumatic events and the loss of memory, nostalgia, false memory, reactiva- tion, rituals and traces of memory. Tanja Zimmermann (Junior Professor; PhD in art history and Slavic studies) teaches East-European literature and art history at the University of Constance (Germany). For further informationen: www.transcript-verlag.de/ts1712/ts1712.php © 2012 transcript Verlag, Bielefeld 2012-08-30 14-48-05 --- Projekt: transcript.anzeigen / Dokument: FAX ID 03a2313724081992|(S. 1 ) VOR1712.p 313724082000 Inhalt Acknowledgements | 9 Introduction | 11 Tanja Zimmermann (Konstanz) NATIONAL MEMORIES Public Monuments, Memorial Churches and the Creation of Serbian National Identity in the 19th Century | 33 Nenad Makuljević (Belgrade) Banknote Imagery of Serbia | 41 Ivana Živančević-Sekeruš (Novi Sad) City Identity -
PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX to FEATURED PUBLISHERS
PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX TO FEATURED PUBLISHERS Welcome to our new catalogue featuring 156 titles from many of the most innovative Arnolfini 1 galleries, museums and publishers working in contemporary visual arts. We are Art Editions North 1 particularly pleased to have been appointed distributor for Blain|Southern, Lisson Gallery, Blain|Southern 1 Parasol unit, and Tatton Park Biennial, and new titles from these publishers are featured. Cornerhouse 2 Our list encompasses all the visual arts including architecture, art theory and education, Drawing Room 3 design, digital media, fashion, film and video, painting, photography, performance and DuMont Buchverlag 3 sculpture. We have over 2,700 titles currently available. If you require further details or if Ffotogallery 4 you want to order any of these titles, please contact us or visit our online bookstore. Firstsite 5 GlobalArtAffairs Publishing 5 For further information about our services, please contact Paul Daniels, Publications Haunch of Venison 5 Director. Hayward Publishing 7 Cornerhouse Publications Information as Material 9 JRP|Ringier* 10 70 Oxford Street, Manchester M1 5NH, England Kerber Verlag** 19 Publications Director Paul Daniels Verlag der Buchhandlung Walther König 25 Lisson Gallery 39 Arnolfini Art Editions North Blain|Southern orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide trade orders -
The Art of Dissident Domesticity Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
The Art of Dissident Domesticity Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House Khadija von Zinnenburg Carroll, Michał Murawski, and Jesse Weaver Shipley What happens to domestic life when the state turns a troublesome sub- ject’s home into a prison, when an outlaw evading custody turns an extra- territorial space, such as an embassy, into a home? How is a foreign sov- ereign transformed into an imperial citizen- subject through exile, house arrest, and return? Exile and forced domesticity have long linked sover- eignty to the power to determine intimate life. Centuries- old practices of house arrest and diplomatic asylum have taken on new forms in recent decades in the wake of emerging surveillance technologies and changing relationships between information, territory, and sovereignty. This article examines two quite distinct, high- prole celebrity instances of what we call dissident domesticity. In the rst case, Prempeh I, the last sovereign king of Asante, is exiled by the British from his capital of Kumasi, in what is now Ghana, and placed under house arrest in the Seychelles to end a war of British imperial conquest. In the second case, WikiLeaks founder Julian Assange, the twenty- rst century’s iconic dissident, seeks asylum in the Ecuadorian embassy in London to avoid arrest and extradition. Prempeh’s exile on the edge of empire and Assange’s connement at its center show how the ght over the control of information, and those who circulate it, converges with the struggle for the control of territory, and those who police it, transverse it, and are trapped by it.