DOCSLIB.ORG

PRESSETEXT Jean Paul Gaultier

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PRESSETEXT Jean Paul Gaultier PRESSETEXT Thierry-Maxime Loriot (Hrsg.) Jean Paul Gaultier From the Sidewalk to the Catwalk Gebunden, 288 Seiten mit 250 farbigen und schwarz-weißen Abbildungen Preis € [D]35,- [A] 36,- ISBN 978-3-86873-907-7 Erscheinungstermin 17. September 2015 18. Sept. 2015 – 14. Feb. 2016 JEAN PAUL GAULTIER / FROM THE SIDEWALK TO THE CATWALK Erste große Ausstellung seines Schaffens in Deutschland in der Kunsthalle München Seine erste eigene Kollektion stellte Jean Paul Gaultier 1976 vor, seitdem gehört der Designer zu den führenden Köpfen der Modewelt. Schon früh galt er als das Enfant terrible der französischen Modeszene und machte mit ausgefallenen, oftmals provokanten Kreationen von sich reden. Er nutzt die ungewöhnlichsten Materialien von Federn über Tierhaut bis zu Metalldosen und spielt mit den gängigen Geschlechterrollen. So machte Gaultier auch Röcke für Männer populär. Legendär sind neben seinen Haute-Couture-Modellen auch seine Kostüme, zum Beispiel für Filme von Luc Besson oder Pedro Almodóvar, und seine gewagten Bühnenoutfits für Madonnas Blonde Ambition Tour (1990) oder die Pop-Sängerin Kylie Minogue. All diese Facetten seines Schaffens zeigt der autorisierte Band. In sieben Kapiteln widmet sich der Katalog den wichtigsten Schöpfungen und Stilrichtungen seiner Mode. Die Bilder der größten Modefotografen von Helmut Newton und Peter Lindbergh bis zu Mario Testino und Steven Meisel werden begleitet von Zitaten der bekanntesten Wegbegleiter und Verehrer des Modedesigners. Die Ausstellung wurde realisiert vom Musée des beaux-arts de Montréal in Zusammenarbeit mit der Maison Jean Paul Gaultier und der Kunsthalle München. Gerne senden wir Ihnen die Übersicht aller freigegebenen Pressebilder. Im Rahmen einer Rezension sind das Cover sowie bis zu drei Fotografien zum Abdruck freigegeben. Knesebeck Verlag Presse: Christin Nase, Holzstraße 26, D – 80469 München Tel: 089-260 235 34 Fax: 089-26 92 58 E-Mail: [email protected] Web: www.knesebeck-verlag.de PRESSEBILDER Bild 1 Bild 2 Seite 9 Seite 26 Peter Lindbergh (Fotograf) Emil Larsson Jean Paul Gaultier, 2005 Nana, 2013 Bild 3 Bild 4 Seite 36 Seite 38 Inez van Lamsweerde & Emil Larsson Vinoodh Matadin Madonna, 2008 // Von Madonna bei der Blond Ambition World Vogue-à-Porter (Dree Hemingway, Freja Beha-Erichsen Tour, 1990, getragenes Korsett // Veröffentlicht im Dazed & und Lara Stone), veröffentlicht in Vogue (Paris), Februar Confused, April 2008 2010 // Kollektion Bad Girls-Point G in Zusammenarbeit mit La Perla // Prêt-à-porter Damen Frühjahr/Sommer 2010 Bild 5 Bild 6 Seite 39 Seite 43 Emil Larsson Emil Larsson Gold corset (Goldkorsett), 2014 // Korsett aus Vintage- Kylie-Minogue-Korsett, 2014 // Bodysuit Barbarella // Lamé, getragen von Madonna zur Blond Ambition World Plastifiziertes Lamé-Korsett mit Cabochon-Schulterteilen, Tour, 1990 diamantenförmigem Büstenteil und facettierter Hüftenpartie // Getragen von Kylie Minogue auf der Kylie X Tour, 2009 Knesebeck Verlag Presse: Christin Nase, Holzstraße 26, D - 80469 München Tel.: 089 - 260 235 34 Fax: 089 - 26 92 58 E-Mail: [email protected] Bild 7 Bild 8 Seite 48-49 Seite 52 David LaChapelle Nelson Simoneau Hollywood Confidential, 1998 // i-D, September 2002 // Coco Rocha, 2011 // Veröffentlicht in Elle Québec, Juni 2011 // Kollektion Voyage autour du monde en 168 tenues (Reise Verzierungen: kurzes Etuikleid in hautfarbener Spitze unter um die Welt in 168 Outfits) // Prêt-à-porter Damen einem hautfarbenen Satinkorselett, bestickt mit Perlen und Frühjahr/Sommer 1989 // Begrenzte Druckauflage Markasiten // Haute Couture, Frühjahr/Sommer 2009, Kollektion La Calligraphie // Getragen von Beyoncé auf ihrer I Am... Tour, 2009 Bild 9 Bild 10 Seite 65 Seite 66 Max Abadian Xevi Muntané Couleur Café (Herieth Paul), 2013 // Veröffentlicht im Tony, Mode d‘emploi (Tony Ward), 2012 // Veröffentlicht Magazin Dress to Kill, 2013 // Kleid im Marinelook aus im Magazin Tétu, März 2012 gehäkeltem Raphiabast // Kollektion You Got the Look... Alike // Prêt-à-porter Damen Frühjahr/Sommer 2013 Bild 11 Bild 12 Seite 69 Seite 74-75 Jean-Paul Goude Alix Malka Jean Paul Gaultier, Made in Mode, 2012 Ohne Titel, 2008 // Veröffentlicht in Numéro, Juli 2008 // Latex-Body mit Goldschuppen, kegelförmiges Büstenteil in Muschelform; langer, enganliegender Rock mit Alpaca- Pailletten und Meerjungfrau-Schwanz aus Latex // Kollektion Les Sirènes, Modell La Mariée, Haute Couture Frühjahr/Sommer 2008 Knesebeck Verlag Presse: Christin Nase, Holzstraße 26, D - 80469 München Tel.: 089 - 260 235 34 Fax: 089 - 26 92 58 E-Mail: [email protected] Bild 13 Bild 14 Seite 81 Seite 86 Pierre et Gilles Jean-Paul Goude La Vierge aux serpents (Jungfrau mit Schlangen) // Björk, Mixte Magazine // Kollektion Les Vierges (Die Jung- Kylie Minogue, 2008 // Gemalte Fotografie, von den frauen) // Haute Couture, Frühjahr/Sommer 2007 Künstlern eingerahmt, 181x137cm (mit Rahmen) // Modell Auréole, langes Kleid aus himmelblauem plissiertem Tüll, strahlenförmig angeordnetem Gold-Lamé und langer Schleppe am Rücken // Kollektion Les Vierges (Die Jungfrauen) // Haute Couture Frühjahr/Sommer 2007 Bild 15 Bild 16 Seite 89 Seite 90 William Baker Peter Lindbergh Kylie Minogue, X Tour 2009 // Modell Immaculata, mit Paris by Night: Folies légères (Lionel Vermeil, Helena großen weißen Motiven aus Leinen besticktes Netzkleid Christensen und Marie-Sophie Wilson) // Veröffentlicht in // Kollektion Les Vierges (Die Jungfrauen) // Haute Vogue Frankreich, November 1991 // Gehrock aus Alpaka Couture Frühjahr/Sommer 2007 gefüttert mit fuchsiafarbenem Webpelz und Overknee-Stiefel aus Lackleder. Schwarzer Seidengehrock gefüttert mit grünen Hahnenfedern, Lacklederstiefel // Kollektion French Cancan, Prêt-à-porter, Herbst/Winter, 1991-1992 Bild 17 Bild 18 Seite 96 Seite 118 Paolo Roversi Nicholas Ruel Kristen McMenamy, Rue de la Goutte d‘Or, Paris, 1994 // Kollektion L‘Homme moderne (Der moderne Mann) // Kollektion French Cancan // Prêt-à-porter Damen, Prêt-à-porter Herren Herbst/Winter 1996-1997 // Bestickt Herbst/Winter 1991-1992 mit Swarovski Kristallen Knesebeck Verlag Presse: Christin Nase, Holzstraße 26, D - 80469 München Tel.: 089 - 260 235 34 Fax: 089 - 26 92 58 E-Mail: [email protected] Bild 19 Bild 20 Seite 119 Seite 137 Nicholas Ruel Emil Larsson Tanel Bedrossiantz, 325 Rue Saint-Martin, Paris, 2013 // Dita von Teese, 2013 // Moins que zéro (Weniger als Nichts) Kollektion L‘Homme moderne (Der moderne Mann) // Korsett // Haute Couture Herbst/Winter 2010-2011 // Prêt-à-porter Herren Herbst/Winter 1996-1997 The Parisians collection // Von Dita von Teese zur Fashion Show getragenes Korsett mit Swarovski Kristallen Bild 21 Bild 22 Seite 140 Seite 144 Paolo Roversi Ellen von Unwerth Naomi Campbell vor dem Kabarett Michou, rue des Martyrs, Survivants (Überlebende) (Laetitia Casta, Vladimir McCary Paris, 1994 // Kollektion Les Classiques Gaultier revisités // und Jenny Shimizu), 1993 // Veröffentlicht im Magazin Prêt-à-porter Damen Frühjahr/Sommer 1993 Interview // Kollektion Les Tatouages (Die Tätowierungen) // Prêt-à-porter Damen Frühjahr/Sommer 1994 Bild 23 Bild 24 Seite 179 Seite 205 Emil Larsson Izima Kaoru MDNA corset, 2014 // Lackleder, 3D-Effekt, getragen Fez‘ Mysteron SS‘84, 1983 // Kollektion Le Retour de l‘imprimé von Madonna, MDNA World Tour, 2012 (Die Rückkehr des Drucks) // Prêt-à-porter Damen Frühjahr/Sommer 1984 // Hut von Stephen Jones für Jean Paul Gaultier Knesebeck Verlag Presse: Christin Nase, Holzstraße 26, D - 80469 München Tel.: 089 - 260 235 34 Fax: 089 - 26 92 58 E-Mail: [email protected] Bild 25 Bild 26 Seite 216-17 Seite 259 Inez van Lamsweerde & Alix Malka Vinoodh Matadin Andreja Pejic, veröffentlicht im Magazin 7Hollywood, 2013 // Lara Stone à la Bretonne, Turks and Caicos, 2009 // Modell Dévoreuse, Käfigstangenkorsett mit Schößchen aus Veröffentlicht in W Magazine, 2009 // Kalligrafie- goldenen Lederbändchen, Hüftbereich und Büstenteil Kollektion La calligraphie, Kleid Vitrail // Haute Couture exponiert // Kollektion Confessions d‘un enfant du siècle Frühjahr/Sommer 2009 // Kollektion I. Lacroix, Montréal (Geständnis eines Kinds des Jahrhunderts) // Haute Couture Herbst/Winter 2012-2013 Bild 27 Bild 28 Seite 270 Seite 276 Paolo Roversi William Baker Tanel Bedrossiantz, 1992 // Barbès collection // Kylie Minogue, X Tour 2009 // Veröffentlicht in Numéro, 2009 // Prêt-à-porter Damen Herbst/Winter 1984-1985 Modell Generalleutnant, Samtbustier mit integriertem Bolero mit Ketten und Medaillen // Kollektion Les Princes (Die Prinzen) // Haute Couture Herbst/Winter 2007-2008 Copyright: Bild 1, 16: Peter Lindbergh/Knesebeck Verlag Bild 2, 4, 5, 6, 20, 23: Emil Larsson/Knesebeck Verlag Bild 3, 25: Inez van Lamsweeerde & Vinoodh Matadin/Knesebeck Verlag Bild 7: David LaChapelle/Knesebeck Verlag Bild 8: Nelson Simoneau/Knesebeck Verlag Bild 9: Maax Abadian/Knesebeck Verlag Bild 10: Xevi Muntané/Knesebeck Verlag Bild 11, 14: Jean-Paul Goude/Knesebeck Verlag Bild 12, 26: Alix Malka/Knesebeck Verlag Bild 13: Pierre & Gilles/Knesebeck Verlag Bild 15, 28: Darenote Ltd./Kylie Minogue/Knesebeck Verlag Bild 17, 21, 27: Paolo Roversi/Knesebeck Verlag Bild 18: Nicholas Ruel/Knesebeck Verlag Bild 19: Nicholas Ruel/Knesebeck Verlag Bild 22: Ellen von Unwerth/Knesebeck Verlag Bild 24: Hanatsubaki Magazine/Shiseido Co., Ltd./Knesebeck Verlag Auf Wunsch senden wir Ihnen gerne Druckdaten. Bis zu drei Fotos und das Cover sind im Kontext einer Buchbesprechung honorarfrei. Knesebeck Verlag Presse: Christin Nase, Holzstraße 26, D - 80469 München Tel.: 089 - 260 235 34 Fax: 089 - 26 92 58 E-Mail: [email protected].
Load more

Recommended publications
  • The Independent Magazine September 2003 P. 6-10 Foreign
    The Independent Magazine September 2003 p. 6-10 Foreign bodies Think Nineties grunge-chic, and you’re probably thinking of a Juergen Teller Image. But, as the photographer tells Sebastian Smee, while he’s still fascinated with the wilder shores of fashion, his work is moving ever closer to home. Portrait by Gautier Deblonde THIS ONE will take some explaining. The photographer Juergen Teller pauses for a good 10 seconds, then ruffles his hair. I have asked about the circumstances that gave rise to the somewhat surreal image you see above. The sprouting flora, I have already learnt, is not an overgrown hedge: it’s a resplendent version of the artist Jeff Koons’s most famous work. Puppy. Nor is that a discarded Barbie doll straddling one of its ears: it’s the American supermodel Stephanie Seymour. This, as it happens, is Seymour’s place in Connecticut: her freshly mown lawn, her Puppy, and — not far out of shot — her 100 horses, her two swimming pools, her world- class collection of haute couture, her collection of late 20th-century art... “I guess I met Stephanie around ‘94,” begins Teller. We are on the ground floor of his studio and home in London’s Ladbroke Grove. A table in the middle of the room is piled with prints of photographs. There is a scale model of a gallery on the floor, which Teller and his assistants are using to plan the hanging of his September exhibition at Milton Keynes Gallery; at the far end of the room is a doorway and stairs leading up (to his studio) and down (to his living quarters).
    [Show full text]
  • Donna Karan Celebrated the Easy-Pieces Mantra on Which Ample Knits That Covered Cozy from Nordic to Aran to Homespun, the Latter in the Mulleavy She Founded Her House
    PLUS HAIDER ACKERMANN SOCIAL MEDIA CRUSH BELLE CURVES MISSING MCQUEEN CHANEL’S ICEBERG ROAD TO TRADITION WWD BYE-BYE, BRYANT PARK COLLECTIONS CARDIN’S SPACE RACE CHRISTOPHER BAILEY Inspector Gadget A Top Ten: John Galliano is RICCARDO TISCI riding high at Givenchy’s Self-Made Man Christian Dior. L’WREN SCOTT Fearlessly Chic THE TRENDS PATCHWORK FUR NORDIC TRACK BLUSH HOUR PLAID TIMES VELVET CRUSH ARMY LIVES AND MORE The Top Ten FALL ’10 Collections 0412.COL.001.Cover.a;15.indd 1 4/6/10 8:42:43 PM You Choose vote for Your favorite designer P o P u L a r vote SPONSORED bY Make your favorite designer a winner at the 2010 CFDA Fashion Awards and be entered for a chance to win tickets to a New York Fashion Week show.* The CFDA Fashion Awards are a production of the Council of Fashion Designers of America. www.cfda.com vote now on *NO PURCHASE NECESSARY. To enter and for full rules, go to www.wwd.com/popular-vote. Starts 9:00 AM EST 4/1/10 and ends 11:59 PM EST 5/28/10. Open to legal residents of the 50 United States/D.C. 18 or older, except employees of Sponsor, their immediate families and those living in the same household. Odds of winning depend on the number of entries received. Void outside the 50 PHOTO BY STEVE EICHNER United States/D.C. and where prohibited. A.R.V. of prize $1,459.99: Sponsor: Condé Nast Publications. You Choose vote for Your favorite designer P o P u L a r vote SPONSORED bY Make your favorite designer a winner at the 2010 CFDA Fashion Awards and be entered for a chance to win tickets to a New York Fashion Week show.* The CFDA Fashion Awards are a production of the Council of Fashion Designers of America.
    [Show full text]
  • (2028F8d) Pdf Peter Lindbergh. on Fashion Photography Peter
    pdf Peter Lindbergh. On Fashion Photography Peter Lindbergh - free pdf download Download Peter Lindbergh. On Fashion Photography PDF, Peter Lindbergh. On Fashion Photography Download PDF, Peter Lindbergh. On Fashion Photography by Peter Lindbergh Download, Free Download Peter Lindbergh. On Fashion Photography Ebooks Peter Lindbergh, Peter Lindbergh. On Fashion Photography Full Collection, Peter Lindbergh. On Fashion Photography Free Read Online, online free Peter Lindbergh. On Fashion Photography, pdf download Peter Lindbergh. On Fashion Photography, Download Free Peter Lindbergh. On Fashion Photography Book, Download Online Peter Lindbergh. On Fashion Photography Book, Download PDF Peter Lindbergh. On Fashion Photography Free Online, Peter Lindbergh epub Peter Lindbergh. On Fashion Photography, pdf Peter Lindbergh Peter Lindbergh. On Fashion Photography, the book Peter Lindbergh. On Fashion Photography, Download Peter Lindbergh. On Fashion Photography E-Books, Read Best Book Online Peter Lindbergh. On Fashion Photography, Read Online Peter Lindbergh. On Fashion Photography E-Books, Read Peter Lindbergh. On Fashion Photography Books Online Free, Peter Lindbergh. On Fashion Photography Ebooks, Peter Lindbergh. On Fashion Photography pdf read online, DOWNLOAD CLICK HERE They're they all disregard the sinister audience is one of those thoughtprovoking books published. And i found that it was not the case a bit more useful. Or man has had to send him to the island. This is a great book to use a biography of physics and using the other cd that follow the list and price. I highly recommend protection of reveal mother guides mother arthur unk level painting and doctrines in a book that entertains a purpose for browsing. Reading this book was a very intriguing read.
    [Show full text]
  • Graphic Content
    BIG IN BEIJING DIANE VON FURSTENBERG FETED WITH EXHIBIT IN CHINA. STYLE, PAGE S2 WWDTUESDAY, APRIL 5, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 ZEROING IN Puig Said In Talks Over Gaultier Stake founded in 1982, and remain at the By MILES SOCHA creative helm. As reported, Hermès said Friday PARIS — As Parisian as the Eiffel it had initiated discussions to sell its Tower, Jean Paul Gaultier might soon shares in Gaultier, without identify- become a Spanish-controlled company. ing the potential buyers. The maker According to market sources, of Birkin bags and silk scarves de- Puig — the Barcelona-based parent clined all comment on Monday, as did of Carolina Herrera, Nina Ricci and a spokeswoman for Gaultier. Paco Rabanne — has entered into ex- Puig offi cials could not be reached clusive negotiations to acquire the 45 for comment. percent stake in Gaultier owned by A deal with Puig — a family-owned Hermès International. company that has recently been gain- It is understood Puig will also pur- ing traction with Ricci and expand- chase some shares from Gaultier him- ing Herrera and has a reputation for self, which would give the Spanish being respectful of creative talents beauty giant majority ownership of —would offer a new lease on life for a landmark French house — and in- Gaultier, a designer whose licensing- stantly make it a bigger player in the driven fashion house has struggled to fashion world. thrive in the shadow of fashion giants Gaultier, 58, is expected to retain like Chanel, Dior and Gucci. a signifi cant stake in the company he SEE PAGE 6 IN WWD TODAY Armani Eyes U.S.
    [Show full text]
  • News Release
    News Release Tilda Swinton, Grace Jones, Karen Elson and Grayson Perry feature in largest-ever exhibition on photographer Tim Walker – with over 150 new works inspired by the V&A’s collection Tim Walker: Wonderful Things Galleries 38a and 38 21 September 2019 – 8 March 2020 vam.ac.uk | #TimWalkerxVAM On 21 September, the V&A opens a new immersive exhibition inviting visitors to experience the fantastical imagination of Tim Walker, one of the world’s most inventive photographers. Tim Walker: Wonderful Things is the largest exhibition of Walker’s pictures to date. It celebrates his extraordinary contribution to image- making over the last 25 years and the inspirational role that the V&A’s collection plays in his creative process. At the heart of the exhibition are 10 major new photographic projects, directly influenced by treasures in the V&A’s vast collection. In preparation for the exhibition, Walker visited object stores and conservation studios, meeting many of the museum’s curators, conservators and technicians. He scoured the V&A’s 145 public galleries, scaled the roof of the 12-acre South Kensington site, and explored the labyrinth of Victorian passages below ground level. Along the way, he encountered luminous stained-glass windows, vivid Indian miniature paintings, jewelled snuffboxes, erotic illustrations, golden shoes, and a 65-metre-long photograph of the Bayeux Tapestry, the largest photograph in the museum’s collection. These and many other rare artefacts have inspired Walker’s monumental new photographs, and feature in the exhibition designed by leading British creative, Shona Heath. Tim Walker said: “To me, the V&A has always been a palace of dreams – it’s the most inspiring place in the world.
    [Show full text]
  • Maestro of Polaroids
    the mundane as sacred, the finite as infinite.”3 The romantic spirit loves surprises in the everyday, the extreme, the unconscious, the dreamworld, and “the labyrinths of reflection.”4 The models Roversi likes to work with must have strong characters and Givenchy Haute Couture for Vogue personalities; they have to be like performers, know how to move in front (Gemma Ward), 2004, polaroid of a camera, and be conscious of themselves.5 His muses are among the most famous models such as Guinevere van Steenus, Kirsten McMenamy, Gemma Ward, Stella Tennant, and Natalia Vodianova. Roversi prefers to photograph his models in his studio against simple backdrops. Most The Nicola Erni Collection is exhibiting more than forty photographs importantly he takes his time to allow the soul to come to the forefront. by the internationally acclaimed fashion and portrait photographer Paolo For Roversi photography is about feelings, emotions, and seduction. Roversi. A stunning treasure trove is revealed on the wall before our eyes— His consistent aim is to capture mystery, tenderness, fragility, and grace. rare, 8 x 10-inch, original Polaroids and a wealth of bewitchingly beautiful Roversi’s approach to fashion photography is not only mystic, but also very pigment prints. The artist himself refers to the Polaroids as his “babies” and close to portraiture. In an interview he said: “My photography is more parts with them extremely unwillingly. The pigment prints were produced subtraction than addition. I always try to take off things. We all have a by Roversi to his most exacting paper and print quality standards in his sort of mask of expression.
    [Show full text]
  • “If Avedon and Andy Warhol Had a Baby He Would Be Steven Meisel.” Steven Michael Gross
    “If Avedon and Andy Warhol had a baby he would be Steven Meisel.” Steven Michael Gross “If Avedon and Andy Warhol had a baby he would be Steven Meisel.”1 Mixing up truths and untruths about a figure in the public eye is a widespread problem when writing about the Meisel first career steps of a prominent personality. The general tenor is that great passion, in- ternational fame, and an exceptional talent need to start with an overwhelming story. The stories circulated about the career start of the American photographer Steven Meisel seem to be a classic example for this phenomenon. It sounds like a well made-up prediction con- tributing to his success and influence within the fashion scene: hunting for models on the The Contemporary streets of New York, waiting in front of model agencies like a paparazzo, making a million phone calls to find out where he can shoot the top model Twiggy while he skipped school lessons to flip through the newest magazine issues owned by his mother. These anecdotes must be true since the photographer, born in New York in 1954, has shot the majority of the covers for the Italian Vogue for over twenty-five years, as well as many important fashion Iconographer stories and campaigns. Having these stories and facts about this passionate and well-ap- preciated man in mind, it is striking to find hardly any interviews or personal statements of Meisel. Controversial works such as the advertising campaign for Calvin Klein in 1995 which Valentina Frutig brought condemnation from Bill Clinton, or the book entitled Sex he produced in collabo- ration with Madonna in 1992, do not reflect a secretive person who would rather prefer to stay in the background.
    [Show full text]
  • Juergen Teller What’S Wrong with the Truth? Ira Stehmann
    JUERGEN TELLER WHAT’S WRONG WITH THE TRUTH? IRA STEHMANN “Whenever I work with plates, then it is always a self-portrait as well.” JUERGEN TELLER In the 1990s, Juergen Teller, among a squad of Through Venetia Scott, a well connected stylist at that they give him the freedom to take photographs diameter, on which the artist had his iconic images Such is the portrait of Yves Saint Laurent commis- The Nicola Erni Collection, along with four other like-minded young photographers such as the time, he made contacts to the fashion industry. which are true, witty, and are based on unusual ideas. printed, feature portraits of Kate Moss, Yves Saint sioned for Dazed & Confused magazine in museums, is the fifth institution to showcase Teller’s Corinne Day, Nigel Shafran, and Wolfgang Tillmans, Both not interested in glamor and perfection, the pair Teller worked on commercial campaigns for Marc Laurent, and Karl Lagerfeld, to name just three. 2000. It was taken at the occassion of the design- plate works. On view is a small selection of plates created a furor with his straightforward documentary was looking for unknown models who did not match Jacobs since 1998 for over a decade, offering some The plate depicting Kate Moss, the great fashion er’s last haute couture fashion show. Teller had which thematically focus on fashion and celebrity. style and anti-glamor-photographs, insisting upon the canon of beauty of the “supermodel” era. In the of the most celebrated and challenging concepts in legend of the nineties, shows her slightly faded fuchsia five minutes to take Yves Saint Laurent´s portrait Tellers’s oeuvre is broader than that and comprises creating a narrative that appeared to go beyond early nineties the duo won its first assignments from advertising each season.
    [Show full text]
  • Blue Ribbon Winner
    ALL ABOUT OSCAR FROM THE RED CARPET TO THE PARTIES. Women’s Wear Daily • The Retailers’ Daily Newspaper • March 8, 2010 • $3.00 WWDAccessories/Innerwear/Legwear MONDAY Blue Ribbon Winner PARIS — John Galliano’s fall collection for Christian Dior had an English equestrian and libertine theme, expressed in divinely decadent horsey looks and romantic dishabille. Here, his bold, beribboned sweater coat, worn with a frothy silk dress. For more on the shows, see pages 4 to 14. Covering the Runways: Fur in Every Which Way A Major Trend for Fall By Katya Foreman PARIS — Nevermind global warming: Fur is back in vogue. Lush, long-haired furs have been omnipresent on runways in New York, Milan and now Paris, where Chanel’s show Tuesday — with a polar bear on the invitation — is expected to feature more fuzzy moments of the faux variety. Fur’s ferocious return has been met with a largely mute reaction from animal rights activists during the international collections, one exception being a raucous protest outside Jean Paul Gaultier’s show on Saturday. The accelerating fashion trend — from a run of fur or fur-trimmed outerwear at Oscar de la Renta, Proenza Schouler, Marc Jacobs, Fendi, Gucci and Balenciaga to furry footwear See Fur, Page15 PHOTO BY BY GIANNONI GIOVANNI PHOTO BY 2 WWD, MONDAY, MARCH 8, 2010 WWD.COM Payless to Launch Beauty Component By Sophia Chabbott WWDAccessories/Innerwear/LegwearMONDAY PAYLESS SHOESOURCE WILL soon find out if customers have FASHION the same passion for lipstick and Paris Fashion Week rolls on with collections from body sprays as they do for shoes s 6 and accessories.
    [Show full text]
  • Peter Lindbergh a Different Vision of Fashion Photography Peter
    Persafbeeldingen bij de tentoonstelling Press images for the exhibition Peter Lindbergh Peter Lindbergh A Different Vision of A Different Vision of Fashion Photography Fashion Photography 10 september 2016 t/m 12 Februari 2017 September 10, 2016 – February 12, 2017 www.kunsthal.nl VOORWAARDEN REPRODUCTIE Deze werken dienen in hun geheel te worden overgenomen zonder bijsnijden, overdrukken of anderszins veranderingen aan te brengen van welke aard dan ook, tenzij schriftelijk toestemming is gegeven. De volledige titel, foto krediet en auteursrechten moet bij elk werk genoemd worden. Copyright : © Peter Lindbergh Courtesy regel: Courtesy of Peter Lindbergh, Paris / Gagosian Gallery De Kunsthal tentoonstellingstitel en data dienen genoemd te worden in het artikel: Peter Lindbergh. A Different Vision on Fashion Photography. Gepresenteerd door de Kunsthal Rotterdam van 10 september 2016 tot 12 februari 2017. Website en social media reproducties dienen in lage resolutie jpg. 72dpi gebruikt te worden en niet hoger dan 1000 pixels max. voor de langste zijde te zijn. Per tijdschrift geldt een maximum van vijf (5) beelden. 1 volledige pagina of 2 halve pagina’s, de rest niet groter dan een kwart pagina. Geen enkel tijdschrift mag alle persbeelden in een uitgave gebruiken (met uitzondering van een “Peter Lindbergh speciale uitgave en/of Peter Lindbergh portfolio”). Persbeelden kunnen aangevraagd worden via [email protected] Voor aanvragen voor een speciale editie, behoefte aan extra beelden of voor gebruik van een werk op de voorpagina of dubbele pagina, graag contact opnemen met Studio Peter Lindbergh, Parijs via [email protected] of [email protected] TERMS OF REPRODUCTION Unless authorised in writing, these works must be reproduced their entirety without cropping, bleeding, guttering, overprinting or other alteration of any kind, and the full caption, photo credit and copyright byline must accompany each work.
    [Show full text]
  • Is the Fashion Industry Really Embracing Models Who Aren't a Size
    shape pluS-size supermodel crystal renn Is the fashion industry really embracing models who aren’t a size zero, or is it all talk, no runway walk? by Johanna Lenander he first half of 2010 will go down in fash- as Doutzen Kroes, Alessandra Ambrosio, Power photographers like Steven Meisel ion history as a season of political cor- Miranda Kerr, Rosie Huntington- and the duo Inez van Lamsweerde and rectness. The notoriously fantasy-driven Whiteley and Bianca Balti for the Prada Vinoodh Matadin, who launched the and non-inclusive industry experienced and Louis Vuitton Fall 2010 shows, she careers of several pubescent starvelings, an insurgence of reality and diversity. shocked front-row regulars who hadn’t now reportedly refuse to shoot anyone The French and American editions of seen hips on a catwalk since the turn of under 16 and 18, respectively. British Marie Claire put out special no-retouch- the millennium. At the same time, the Vogue editor Alexandra Shulman has ing issues, 40+ babe Kristen McMenamy once-ubiquitous wave of frail, childlike, criticized designers who send size zero returned to Calvin Klein’s catwalk almost transparently thin Eastern Euro- samples that fit only wispy waifs, and along with Stella Tennant and Kirsty pean models seemed to have washed up has stated that the magazine adds bulk Hume (both over 30), and there was on the has-been shores. It was as if the to ultra-skinny models in retouch. Anna an influx of up-and-coming black and industry wanted to apologize for the past Wintour has declared that American brown beauties.
    [Show full text]
  • Pretty Provocative | BEAUTY INC
    BY DANA WOOD ue the warrior women. At the the Nineties, when minimalist fashion ruled and artifi ce dawn of the new decade, members was roundly shunned. “These new girls who have this When the going of the fairer sex are on a power toughness—or at least this kind of apparent toughness— trip, toughening up the way they hark back to what I always think of as that Peter gets tough, present themselves to the world Lindbergh/Helmut Lang stable: Tatjana Patitz, Cordula and tossing traditional notions of Reyer, Lynn Koester,” he says. “Those were women who the tough “sexy” into the beauty abyss. looked like they could really f–k you up.” Emerging during the spring To make room for spring’s tougher beauty gestalt, get gorgeous. 2010 ready-to-wear collections obviously something had to go. And for the moment, it in the U.S. and Europe, this new seems lush curls, pink lips and cheeks and any outward aesthetic—this of-the-moment spin on femininity— vestiges of girliness just aren’t cutting it as a way to soldier paired a cropped, boyish haircut; sculpted cheeks, and through a world rife with economic collapse, terrorism, a muddied makeup palette with one of the few bona climate change and all that other worrisome stuff. fi de directions in fashion: men’s wear for women. At “Through tough times, women are asserting their show after show, “the new sexy” powered down the strength by ditching pretty pastels and girly hair,” says catwalks in New York, London, Paris and Milan.
    [Show full text]