PRESSETEXT Jean Paul Gaultier
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The Independent Magazine September 2003 P. 6-10 Foreign
The Independent Magazine September 2003 p. 6-10 Foreign bodies Think Nineties grunge-chic, and you’re probably thinking of a Juergen Teller Image. But, as the photographer tells Sebastian Smee, while he’s still fascinated with the wilder shores of fashion, his work is moving ever closer to home. Portrait by Gautier Deblonde THIS ONE will take some explaining. The photographer Juergen Teller pauses for a good 10 seconds, then ruffles his hair. I have asked about the circumstances that gave rise to the somewhat surreal image you see above. The sprouting flora, I have already learnt, is not an overgrown hedge: it’s a resplendent version of the artist Jeff Koons’s most famous work. Puppy. Nor is that a discarded Barbie doll straddling one of its ears: it’s the American supermodel Stephanie Seymour. This, as it happens, is Seymour’s place in Connecticut: her freshly mown lawn, her Puppy, and — not far out of shot — her 100 horses, her two swimming pools, her world- class collection of haute couture, her collection of late 20th-century art... “I guess I met Stephanie around ‘94,” begins Teller. We are on the ground floor of his studio and home in London’s Ladbroke Grove. A table in the middle of the room is piled with prints of photographs. There is a scale model of a gallery on the floor, which Teller and his assistants are using to plan the hanging of his September exhibition at Milton Keynes Gallery; at the far end of the room is a doorway and stairs leading up (to his studio) and down (to his living quarters). -
Donna Karan Celebrated the Easy-Pieces Mantra on Which Ample Knits That Covered Cozy from Nordic to Aran to Homespun, the Latter in the Mulleavy She Founded Her House
PLUS HAIDER ACKERMANN SOCIAL MEDIA CRUSH BELLE CURVES MISSING MCQUEEN CHANEL’S ICEBERG ROAD TO TRADITION WWD BYE-BYE, BRYANT PARK COLLECTIONS CARDIN’S SPACE RACE CHRISTOPHER BAILEY Inspector Gadget A Top Ten: John Galliano is RICCARDO TISCI riding high at Givenchy’s Self-Made Man Christian Dior. L’WREN SCOTT Fearlessly Chic THE TRENDS PATCHWORK FUR NORDIC TRACK BLUSH HOUR PLAID TIMES VELVET CRUSH ARMY LIVES AND MORE The Top Ten FALL ’10 Collections 0412.COL.001.Cover.a;15.indd 1 4/6/10 8:42:43 PM You Choose vote for Your favorite designer P o P u L a r vote SPONSORED bY Make your favorite designer a winner at the 2010 CFDA Fashion Awards and be entered for a chance to win tickets to a New York Fashion Week show.* The CFDA Fashion Awards are a production of the Council of Fashion Designers of America. www.cfda.com vote now on *NO PURCHASE NECESSARY. To enter and for full rules, go to www.wwd.com/popular-vote. Starts 9:00 AM EST 4/1/10 and ends 11:59 PM EST 5/28/10. Open to legal residents of the 50 United States/D.C. 18 or older, except employees of Sponsor, their immediate families and those living in the same household. Odds of winning depend on the number of entries received. Void outside the 50 PHOTO BY STEVE EICHNER United States/D.C. and where prohibited. A.R.V. of prize $1,459.99: Sponsor: Condé Nast Publications. You Choose vote for Your favorite designer P o P u L a r vote SPONSORED bY Make your favorite designer a winner at the 2010 CFDA Fashion Awards and be entered for a chance to win tickets to a New York Fashion Week show.* The CFDA Fashion Awards are a production of the Council of Fashion Designers of America. -
(2028F8d) Pdf Peter Lindbergh. on Fashion Photography Peter
pdf Peter Lindbergh. On Fashion Photography Peter Lindbergh - free pdf download Download Peter Lindbergh. On Fashion Photography PDF, Peter Lindbergh. On Fashion Photography Download PDF, Peter Lindbergh. On Fashion Photography by Peter Lindbergh Download, Free Download Peter Lindbergh. On Fashion Photography Ebooks Peter Lindbergh, Peter Lindbergh. On Fashion Photography Full Collection, Peter Lindbergh. On Fashion Photography Free Read Online, online free Peter Lindbergh. On Fashion Photography, pdf download Peter Lindbergh. On Fashion Photography, Download Free Peter Lindbergh. On Fashion Photography Book, Download Online Peter Lindbergh. On Fashion Photography Book, Download PDF Peter Lindbergh. On Fashion Photography Free Online, Peter Lindbergh epub Peter Lindbergh. On Fashion Photography, pdf Peter Lindbergh Peter Lindbergh. On Fashion Photography, the book Peter Lindbergh. On Fashion Photography, Download Peter Lindbergh. On Fashion Photography E-Books, Read Best Book Online Peter Lindbergh. On Fashion Photography, Read Online Peter Lindbergh. On Fashion Photography E-Books, Read Peter Lindbergh. On Fashion Photography Books Online Free, Peter Lindbergh. On Fashion Photography Ebooks, Peter Lindbergh. On Fashion Photography pdf read online, DOWNLOAD CLICK HERE They're they all disregard the sinister audience is one of those thoughtprovoking books published. And i found that it was not the case a bit more useful. Or man has had to send him to the island. This is a great book to use a biography of physics and using the other cd that follow the list and price. I highly recommend protection of reveal mother guides mother arthur unk level painting and doctrines in a book that entertains a purpose for browsing. Reading this book was a very intriguing read. -
Graphic Content
BIG IN BEIJING DIANE VON FURSTENBERG FETED WITH EXHIBIT IN CHINA. STYLE, PAGE S2 WWDTUESDAY, APRIL 5, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 ZEROING IN Puig Said In Talks Over Gaultier Stake founded in 1982, and remain at the By MILES SOCHA creative helm. As reported, Hermès said Friday PARIS — As Parisian as the Eiffel it had initiated discussions to sell its Tower, Jean Paul Gaultier might soon shares in Gaultier, without identify- become a Spanish-controlled company. ing the potential buyers. The maker According to market sources, of Birkin bags and silk scarves de- Puig — the Barcelona-based parent clined all comment on Monday, as did of Carolina Herrera, Nina Ricci and a spokeswoman for Gaultier. Paco Rabanne — has entered into ex- Puig offi cials could not be reached clusive negotiations to acquire the 45 for comment. percent stake in Gaultier owned by A deal with Puig — a family-owned Hermès International. company that has recently been gain- It is understood Puig will also pur- ing traction with Ricci and expand- chase some shares from Gaultier him- ing Herrera and has a reputation for self, which would give the Spanish being respectful of creative talents beauty giant majority ownership of —would offer a new lease on life for a landmark French house — and in- Gaultier, a designer whose licensing- stantly make it a bigger player in the driven fashion house has struggled to fashion world. thrive in the shadow of fashion giants Gaultier, 58, is expected to retain like Chanel, Dior and Gucci. a signifi cant stake in the company he SEE PAGE 6 IN WWD TODAY Armani Eyes U.S. -
News Release
News Release Tilda Swinton, Grace Jones, Karen Elson and Grayson Perry feature in largest-ever exhibition on photographer Tim Walker – with over 150 new works inspired by the V&A’s collection Tim Walker: Wonderful Things Galleries 38a and 38 21 September 2019 – 8 March 2020 vam.ac.uk | #TimWalkerxVAM On 21 September, the V&A opens a new immersive exhibition inviting visitors to experience the fantastical imagination of Tim Walker, one of the world’s most inventive photographers. Tim Walker: Wonderful Things is the largest exhibition of Walker’s pictures to date. It celebrates his extraordinary contribution to image- making over the last 25 years and the inspirational role that the V&A’s collection plays in his creative process. At the heart of the exhibition are 10 major new photographic projects, directly influenced by treasures in the V&A’s vast collection. In preparation for the exhibition, Walker visited object stores and conservation studios, meeting many of the museum’s curators, conservators and technicians. He scoured the V&A’s 145 public galleries, scaled the roof of the 12-acre South Kensington site, and explored the labyrinth of Victorian passages below ground level. Along the way, he encountered luminous stained-glass windows, vivid Indian miniature paintings, jewelled snuffboxes, erotic illustrations, golden shoes, and a 65-metre-long photograph of the Bayeux Tapestry, the largest photograph in the museum’s collection. These and many other rare artefacts have inspired Walker’s monumental new photographs, and feature in the exhibition designed by leading British creative, Shona Heath. Tim Walker said: “To me, the V&A has always been a palace of dreams – it’s the most inspiring place in the world. -
Maestro of Polaroids
the mundane as sacred, the finite as infinite.”3 The romantic spirit loves surprises in the everyday, the extreme, the unconscious, the dreamworld, and “the labyrinths of reflection.”4 The models Roversi likes to work with must have strong characters and Givenchy Haute Couture for Vogue personalities; they have to be like performers, know how to move in front (Gemma Ward), 2004, polaroid of a camera, and be conscious of themselves.5 His muses are among the most famous models such as Guinevere van Steenus, Kirsten McMenamy, Gemma Ward, Stella Tennant, and Natalia Vodianova. Roversi prefers to photograph his models in his studio against simple backdrops. Most The Nicola Erni Collection is exhibiting more than forty photographs importantly he takes his time to allow the soul to come to the forefront. by the internationally acclaimed fashion and portrait photographer Paolo For Roversi photography is about feelings, emotions, and seduction. Roversi. A stunning treasure trove is revealed on the wall before our eyes— His consistent aim is to capture mystery, tenderness, fragility, and grace. rare, 8 x 10-inch, original Polaroids and a wealth of bewitchingly beautiful Roversi’s approach to fashion photography is not only mystic, but also very pigment prints. The artist himself refers to the Polaroids as his “babies” and close to portraiture. In an interview he said: “My photography is more parts with them extremely unwillingly. The pigment prints were produced subtraction than addition. I always try to take off things. We all have a by Roversi to his most exacting paper and print quality standards in his sort of mask of expression. -
“If Avedon and Andy Warhol Had a Baby He Would Be Steven Meisel.” Steven Michael Gross
“If Avedon and Andy Warhol had a baby he would be Steven Meisel.” Steven Michael Gross “If Avedon and Andy Warhol had a baby he would be Steven Meisel.”1 Mixing up truths and untruths about a figure in the public eye is a widespread problem when writing about the Meisel first career steps of a prominent personality. The general tenor is that great passion, in- ternational fame, and an exceptional talent need to start with an overwhelming story. The stories circulated about the career start of the American photographer Steven Meisel seem to be a classic example for this phenomenon. It sounds like a well made-up prediction con- tributing to his success and influence within the fashion scene: hunting for models on the The Contemporary streets of New York, waiting in front of model agencies like a paparazzo, making a million phone calls to find out where he can shoot the top model Twiggy while he skipped school lessons to flip through the newest magazine issues owned by his mother. These anecdotes must be true since the photographer, born in New York in 1954, has shot the majority of the covers for the Italian Vogue for over twenty-five years, as well as many important fashion Iconographer stories and campaigns. Having these stories and facts about this passionate and well-ap- preciated man in mind, it is striking to find hardly any interviews or personal statements of Meisel. Controversial works such as the advertising campaign for Calvin Klein in 1995 which Valentina Frutig brought condemnation from Bill Clinton, or the book entitled Sex he produced in collabo- ration with Madonna in 1992, do not reflect a secretive person who would rather prefer to stay in the background. -
Juergen Teller What’S Wrong with the Truth? Ira Stehmann
JUERGEN TELLER WHAT’S WRONG WITH THE TRUTH? IRA STEHMANN “Whenever I work with plates, then it is always a self-portrait as well.” JUERGEN TELLER In the 1990s, Juergen Teller, among a squad of Through Venetia Scott, a well connected stylist at that they give him the freedom to take photographs diameter, on which the artist had his iconic images Such is the portrait of Yves Saint Laurent commis- The Nicola Erni Collection, along with four other like-minded young photographers such as the time, he made contacts to the fashion industry. which are true, witty, and are based on unusual ideas. printed, feature portraits of Kate Moss, Yves Saint sioned for Dazed & Confused magazine in museums, is the fifth institution to showcase Teller’s Corinne Day, Nigel Shafran, and Wolfgang Tillmans, Both not interested in glamor and perfection, the pair Teller worked on commercial campaigns for Marc Laurent, and Karl Lagerfeld, to name just three. 2000. It was taken at the occassion of the design- plate works. On view is a small selection of plates created a furor with his straightforward documentary was looking for unknown models who did not match Jacobs since 1998 for over a decade, offering some The plate depicting Kate Moss, the great fashion er’s last haute couture fashion show. Teller had which thematically focus on fashion and celebrity. style and anti-glamor-photographs, insisting upon the canon of beauty of the “supermodel” era. In the of the most celebrated and challenging concepts in legend of the nineties, shows her slightly faded fuchsia five minutes to take Yves Saint Laurent´s portrait Tellers’s oeuvre is broader than that and comprises creating a narrative that appeared to go beyond early nineties the duo won its first assignments from advertising each season. -
Blue Ribbon Winner
ALL ABOUT OSCAR FROM THE RED CARPET TO THE PARTIES. Women’s Wear Daily • The Retailers’ Daily Newspaper • March 8, 2010 • $3.00 WWDAccessories/Innerwear/Legwear MONDAY Blue Ribbon Winner PARIS — John Galliano’s fall collection for Christian Dior had an English equestrian and libertine theme, expressed in divinely decadent horsey looks and romantic dishabille. Here, his bold, beribboned sweater coat, worn with a frothy silk dress. For more on the shows, see pages 4 to 14. Covering the Runways: Fur in Every Which Way A Major Trend for Fall By Katya Foreman PARIS — Nevermind global warming: Fur is back in vogue. Lush, long-haired furs have been omnipresent on runways in New York, Milan and now Paris, where Chanel’s show Tuesday — with a polar bear on the invitation — is expected to feature more fuzzy moments of the faux variety. Fur’s ferocious return has been met with a largely mute reaction from animal rights activists during the international collections, one exception being a raucous protest outside Jean Paul Gaultier’s show on Saturday. The accelerating fashion trend — from a run of fur or fur-trimmed outerwear at Oscar de la Renta, Proenza Schouler, Marc Jacobs, Fendi, Gucci and Balenciaga to furry footwear See Fur, Page15 PHOTO BY BY GIANNONI GIOVANNI PHOTO BY 2 WWD, MONDAY, MARCH 8, 2010 WWD.COM Payless to Launch Beauty Component By Sophia Chabbott WWDAccessories/Innerwear/LegwearMONDAY PAYLESS SHOESOURCE WILL soon find out if customers have FASHION the same passion for lipstick and Paris Fashion Week rolls on with collections from body sprays as they do for shoes s 6 and accessories. -
Peter Lindbergh a Different Vision of Fashion Photography Peter
Persafbeeldingen bij de tentoonstelling Press images for the exhibition Peter Lindbergh Peter Lindbergh A Different Vision of A Different Vision of Fashion Photography Fashion Photography 10 september 2016 t/m 12 Februari 2017 September 10, 2016 – February 12, 2017 www.kunsthal.nl VOORWAARDEN REPRODUCTIE Deze werken dienen in hun geheel te worden overgenomen zonder bijsnijden, overdrukken of anderszins veranderingen aan te brengen van welke aard dan ook, tenzij schriftelijk toestemming is gegeven. De volledige titel, foto krediet en auteursrechten moet bij elk werk genoemd worden. Copyright : © Peter Lindbergh Courtesy regel: Courtesy of Peter Lindbergh, Paris / Gagosian Gallery De Kunsthal tentoonstellingstitel en data dienen genoemd te worden in het artikel: Peter Lindbergh. A Different Vision on Fashion Photography. Gepresenteerd door de Kunsthal Rotterdam van 10 september 2016 tot 12 februari 2017. Website en social media reproducties dienen in lage resolutie jpg. 72dpi gebruikt te worden en niet hoger dan 1000 pixels max. voor de langste zijde te zijn. Per tijdschrift geldt een maximum van vijf (5) beelden. 1 volledige pagina of 2 halve pagina’s, de rest niet groter dan een kwart pagina. Geen enkel tijdschrift mag alle persbeelden in een uitgave gebruiken (met uitzondering van een “Peter Lindbergh speciale uitgave en/of Peter Lindbergh portfolio”). Persbeelden kunnen aangevraagd worden via [email protected] Voor aanvragen voor een speciale editie, behoefte aan extra beelden of voor gebruik van een werk op de voorpagina of dubbele pagina, graag contact opnemen met Studio Peter Lindbergh, Parijs via [email protected] of [email protected] TERMS OF REPRODUCTION Unless authorised in writing, these works must be reproduced their entirety without cropping, bleeding, guttering, overprinting or other alteration of any kind, and the full caption, photo credit and copyright byline must accompany each work. -
Is the Fashion Industry Really Embracing Models Who Aren't a Size
shape pluS-size supermodel crystal renn Is the fashion industry really embracing models who aren’t a size zero, or is it all talk, no runway walk? by Johanna Lenander he first half of 2010 will go down in fash- as Doutzen Kroes, Alessandra Ambrosio, Power photographers like Steven Meisel ion history as a season of political cor- Miranda Kerr, Rosie Huntington- and the duo Inez van Lamsweerde and rectness. The notoriously fantasy-driven Whiteley and Bianca Balti for the Prada Vinoodh Matadin, who launched the and non-inclusive industry experienced and Louis Vuitton Fall 2010 shows, she careers of several pubescent starvelings, an insurgence of reality and diversity. shocked front-row regulars who hadn’t now reportedly refuse to shoot anyone The French and American editions of seen hips on a catwalk since the turn of under 16 and 18, respectively. British Marie Claire put out special no-retouch- the millennium. At the same time, the Vogue editor Alexandra Shulman has ing issues, 40+ babe Kristen McMenamy once-ubiquitous wave of frail, childlike, criticized designers who send size zero returned to Calvin Klein’s catwalk almost transparently thin Eastern Euro- samples that fit only wispy waifs, and along with Stella Tennant and Kirsty pean models seemed to have washed up has stated that the magazine adds bulk Hume (both over 30), and there was on the has-been shores. It was as if the to ultra-skinny models in retouch. Anna an influx of up-and-coming black and industry wanted to apologize for the past Wintour has declared that American brown beauties. -
Pretty Provocative | BEAUTY INC
BY DANA WOOD ue the warrior women. At the the Nineties, when minimalist fashion ruled and artifi ce dawn of the new decade, members was roundly shunned. “These new girls who have this When the going of the fairer sex are on a power toughness—or at least this kind of apparent toughness— trip, toughening up the way they hark back to what I always think of as that Peter gets tough, present themselves to the world Lindbergh/Helmut Lang stable: Tatjana Patitz, Cordula and tossing traditional notions of Reyer, Lynn Koester,” he says. “Those were women who the tough “sexy” into the beauty abyss. looked like they could really f–k you up.” Emerging during the spring To make room for spring’s tougher beauty gestalt, get gorgeous. 2010 ready-to-wear collections obviously something had to go. And for the moment, it in the U.S. and Europe, this new seems lush curls, pink lips and cheeks and any outward aesthetic—this of-the-moment spin on femininity— vestiges of girliness just aren’t cutting it as a way to soldier paired a cropped, boyish haircut; sculpted cheeks, and through a world rife with economic collapse, terrorism, a muddied makeup palette with one of the few bona climate change and all that other worrisome stuff. fi de directions in fashion: men’s wear for women. At “Through tough times, women are asserting their show after show, “the new sexy” powered down the strength by ditching pretty pastels and girly hair,” says catwalks in New York, London, Paris and Milan.