DOCSLIB.ORG

05.30.19 Bayside Gazette

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MAY 30, 2019 BERLIN • NORTH WORCESTER COUNTY• OCEAN PINES FREE Search for GM won’t include outside firm Directors find cost to be prohibitively expensive By Morgan Pilz Staff Writer (May 30, 2019) Exorbitant costs and the unwillingness of some companies to take on certain jobs has led the Ocean Pines Board of Directors to drop the idea of contracting with an outside management company. The board last Thursday announced that it will pursue filling the vacancy for the community’s general manager po- sition, after a bid review showed few vi- able proposals for existed for an outsourced solution. A recommendation to the board to RACHEL RAVINA/BAYSIDE GAZETTE retain an in-house general manager was MEMORIAL DAY PARADE made by interim General Manager Members of L.A. Heat of Berlin dance down Flower Street Monday morning during Berlin’s Old Fashion Memorial Day Parade. John Viola and a work group that re- viewed the proposals. Forty-nine firms were asked to sub- mit proposals for the outsourcing of op- erations and management services for Water, sewer rates rise as promised Ocean Pines and only five companies responded to the request, Viola said. By Rachel Ravina 2,999 gallons will be charged $61.16 “use less water.” Viola said that prohibitive costs and Staff Writer per month, those using 3,000 to 4,999 “It was our effort of increasing con- the failure of the bids to meet the re- (May 30, 2019) Municipal water gallons will be charged $66.26 per servation among users,” said Robert quirements of the request for proposals and sewer rates, which have been a month, and those using 5,000 to Duma, of Davis, Bowen and Friedel (RFP) drove the recommendation. major factor in Berlin government’s 6,999 gallons will be charged $73.06 Inc. the town’s consulting firm. Larry Perrone, who served on the budget discussions this winter and per month, according to the resolu- During the public hearing portion work group, agreed with Viola. spring, were increased Tuesday night tion. of the meeting, Berlin resident Jason “As chairman of the Budget and Fi- by a unanimous Town Council vote Any customers using more than Walter appeared to take issue with nance Committee, my perspective is As of July 1, the water utility’s rate 7,000 gallons per month will be that, and asked officials how to ramp that the cost of outsourcing far exceeds will go up 5 percent, and the sewer charged $8.50 per thousand gallons. up conservation efforts. having an in-house GM,” he said. “It utility’s rate will rise by 25 percent for The policy also stated water and “What do you expect? Not [to] flush was way too expensive.” the fiscal year 2020 budget. sewer rates “for metered customers the toilet?” Walter said. The five companies that responded For water rates, customers inside being served outside of the town limits Another audience member asked to the request submitted bids 136-436 the town limits using less than 2,999 the rates in the above paragraph[s] how these rate increases would affect percent higher than the cost of the cur- gallons per month will be charged will be doubled.” the general fund. rent total compensation package for the $16.37, those using 3,000 to 4,999 Town Administrator Laura Allen “It is basically [like] repaying a Ocean Pines general manager position. gallons per month will be charged said the town’s water and sewer rates loan, if you think of it,” Finance Direc- Most also included substantial addi- $17.67 and those using 5,000 to 6,999 hadn’t been adjusted since 2010. tor Natalie Saleh said. tional fees lists that would drive up gallons per month will be charged She listed several staff recommen- Troy Purnell asked Saleh to clarify those percentages even more. $19.64, according to the council reso- dations regarding the restructured if “this is going to make us break The work group considered other lution. fees including a $58.50 temporary even?” conditions of the proposals, which Any customers using more than shut-off fee, a $58.50 turn-on fee and Saleh said she “project[s] the sewer would have increased costs signifi- 7,000 gallons per month will be a change in the resolution to require fund to be breakeven,” barring no cantly. There were also other conditions charged $4.45 per thousand gallons, people to notify the town 24 hours be- emergency situations. that took two groups immediately out and that’s effective July 1. fore filling a swimming pool. Purnell moved to approve Resolu- of consideration. For sewer rates, metered customers Allen also said she’d hope con- tion 2019-04, and it was unanimously “They wanted to use their own soft- inside the town limits using less than sumers would adapt to these rates and approved. See FIVE Page 4 1/2 PRICED Happy Hour FRIDAY & SATURDAY BURGERS Deliliciouious Coastal $ 95 EVERY MONDAY Everyday ffrom 4-7pm 18 Scallops w/Bacon american CCuisinine $1695 ALL DAY opEn Daily 11am BBQ Ribs Taylorsneighborhoodrestaurant.com 410-208-4260 Page 2 Bayside Gazette May 30, 2019 Kotwica wants board to have transparency By Morgan Pilz erties in Ocean Pines, broadest aspects that most people speak have been here for 25-30 years may look Staff Writer which makes him as a of,” Kotwica said. “You can’t drive down at this community differently than the (May 30, 2019) Shawn Kotwica, 38, member of the commu- a certain streets or ditches aren’t cleaned future of this community, which is the says he wants to join the Ocean Pines nity association, he is out … I understand everybody’s busy, but newer generations that are moving into Board of Directors in order to bring qualified to seek office the public works department is quite busy here currently.” more transparency and help oversee the on the association trying to keep up with things in general. Looking at some of the projects the important projects taking place in the board. “But if there was a structured plan on current board has undertaken, like the community. Shawn Kotwica “It seems that the how to go from section to section through- police and administration building ex- Originally from Pennsylvania, general public is un- out, I think that we could have a schedule pansion or the new clubhouse, he be- Kotwica studied criminology at the Uni- aware of a lot that’s going on within the where people can see when they’re going lieves these expenses are necessary to versity of Pennsylvania. He first visited Pines,” Kotwica said. “Then when it does to be taken care of,” he continued. move forward as a community. Ocean Pines during his college years and come up, it is not clarified that things are Being one of the youngest candidates “You hit some road bumps, you’d get then worked in the restaurant industry going on. It’s partly because some of the to run, Kotwica believes he can bring a over that and you move forward and for 13 years. He decided to go into real people just don’t show up for some of the different perspective to the board. progress. You don’t want to be stagnant estate four years ago and currently works meetings, but those who are unaware “I see there are a lot of first-time and never changing,” Kotwica said. “We for Coldwell Banker. end up having the loudest voices.” homebuyers here that are in my age have all the amenities; we need to try to Although Kotwica has lived in Ocean Other issues he wants to tackle are group that feel different about the com- get the infrastructure back to where it Pines, he is not a current resident and in- storm drainage in the community and munity than some of the people that needs to be to be very appealing and stead lives in Oyster Harbor in West infrastructure. have been here for 30, 40 even 50 years doing things such as repairing the beach Ocean City. But because he owns prop- “The drainage issue is one of the now,” Kotwica said. “Those people who See AMENITIES Page 3 Turner runs to bring accountability to board By Morgan Pilz Prince George’s decades, including three years as fire thousand dollars on remodeling the Staff Writer County, moved to chief, has worked in construction for 35 building,” he continued. “They took all (May 30, 2019) Having received Ocean Pines as a years and currently runs Turner Electri- the siding off and put vinyl siding on it, more than 700 votes during the last teenager in 1978. He cal & Construction. put a new roof on and all this other fancy Ocean Pines Association Board of Di- believes it’s a beautiful His decision to run again is rooted in stuff. The building still leaks. So now rectors election last year, resident Greg community that has a newspaper article he read last year. their answer was, instead of making the Turner, 60, believes people agree with some issues he wants “It started last year and the big thing, contractor fix his problem, is to tear the his message that the board needs more Greg Turner to help fix. as I was reading the paper, I saw [the building down and rebuild the building.” accountability. Turner served with board] was missing $1 million,” Turner Turner said if he was elected, he Turner, who grew up in Greenbelt in the Ocean Pines Fire Department for two said. “It just seemed to be no big thing would try to avoid spending money if it … they just misplaced $1 million, and isn’t necessary.
Recommended publications
  • AMNH Digital Library

    AMNH Digital Library

    ^^<e?& THERE ARE THOSE WHO DO. AND THOSE WHO WOULDACOULDASHOULDA. Which one are you? If you're the kind of person who's willing to put it all on the line to pursue your goal, there's AIG. The organization with more ways to manage risk and more financial solutions than anyone else. Everything from business insurance for growing companies to travel-accident coverage to retirement savings plans. All to help you act boldly in business and in life. So the next time you're facing an uphill challenge, contact AIG. THE GREATEST RISK IS NOT TAKING ONE: AIG INSURANCE, FINANCIAL SERVICES AND THE FREEDOM TO DARE. Insurance and services provided by members of American International Group, Inc.. 70 Pine Street, Dept. A, New York, NY 10270. vww.aig.com TODAY TOMORROW TOYOTA Each year Toyota builds more than one million vehicles in North America. This means that we use a lot of resources — steel, aluminum, and plastics, for instance. But at Toyota, large scale manufacturing doesn't mean large scale waste. In 1992 we introduced our Global Earth Charter to promote environmental responsibility throughout our operations. And in North America it is already reaping significant benefits. We recycle 376 million pounds of steel annually, and aggressive recycling programs keep 18 million pounds of other scrap materials from landfills. Of course, no one ever said that looking after the Earth's resources is easy. But as we continue to strive for greener ways to do business, there's one thing we're definitely not wasting. And that's time. www.toyota.com/tomorrow ©2001 JUNE 2002 VOLUME 111 NUMBER 5 FEATURES AVIAN QUICK-CHANGE ARTISTS How do house finches thrive in so many environments? By reshaping themselves.
  • Adaptive Sparse Coding for Painting Style Analysis

    Adaptive Sparse Coding for Painting Style Analysis

    Adaptive Sparse Coding for Painting Style Analysis Zhi Gao1∗, Mo Shan2∗, Loong-Fah Cheong3, and Qingquan Li4,5 1 Interactive and Digital Media Institute, National University of Singapore, Singapore 2 Temasek Laboratories, National University of Singapore 3 Electrical and Computer Engineering Department, National University of Singapore 4 The State Key Laboratory of Information Engineering in Surveying, Mapping, and Remote Sensing, Wuhan University, Wuhan, China 5 Shenzhen Key Laboratory of Spatial Smart Sensing and Services, Shenzhen University, Shenzhen, China fgaozhinus, [email protected], [email protected], [email protected] Abstract. Inspired by the outstanding performance of sparse coding in applications of image denoising, restoration, classification, etc, we pro- pose an adaptive sparse coding method for painting style analysis that is traditionally carried out by art connoisseurs and experts. Significantly improved over previous sparse coding methods, which heavily rely on the comparison of query paintings, our method is able to determine the au- thenticity of a single query painting based on estimated decision bound- ary. Firstly, discriminative patches containing the most representative characteristics of the given authentic samples are extracted via exploit- ing the statistical information of their representation on the DCT basis. Subsequently, the strategy of adaptive sparsity constraint which assigns higher sparsity weight to the patch with higher discriminative level is enforced to make the dictionary trained on such patches more exclu- sively adaptive to the authentic samples than via previous sparse coding algorithms. Relying on the learnt dictionary, the query painting can be authenticated if both better denoising performance and higher sparse representation are obtained, otherwise it should be denied.
  • Van Gogh Museum Journal 2002

    Van Gogh Museum Journal 2002

    Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh.
  • Rhythmic Brushstrokes Distinguish Van Gogh from His Contemporaries

    Rhythmic Brushstrokes Distinguish Van Gogh from His Contemporaries

    IEEE TRANSACTIONS ON PATTERN ANALYSIS AND MACHINE INTELLIGENCE 1 Rhythmic Brushstrokes Distinguish van Gogh from His Contemporaries: Findings via Automated Brushstroke Extraction Jia Li, Senior Member, IEEE, Lei Yao, Student Member, IEEE, Ella Hendriks, and James Z. Wang, Senior Member, IEEE. Abstract— Art historians have long observed the highly local visual features such as texture or edges [2], [12]. Although characteristic brushstroke styles of Vincent van Gogh and the extraction of brushstrokes or brushstroke related features have have relied on discerning these styles for authenticating and been investigated [5], [13], [27], [19], [3], it is not evident that dating his works. In our work, we compared van Gogh with these methods can be used readily to find a large number of his contemporaries by statistically analyzing a massive set of automatically extracted brushstrokes. A novel extraction method brushstrokes for a relatively general collection of van Gogh’s is developed by exploiting an integration of edge detection and paintings. For instance, one particular painting of van Gogh is clustering-based segmentation. Evidence substantiates that van discussed in [27], and some manual operations are necessary Gogh’s brushstrokes are strongly rhythmic. That is, regularly to complete the process of extracting brushstrokes. In [13], to shaped brushstrokes are tightly arranged, creating a repetitive find brushstrokes, manual input is required; and the method and patterned impression. We also found that the traits that is derived for paintings drastically different from van Gogh’s. distinguish van Gogh’s paintings in different time periods of his In [3], the brushstroke feature is constrained to orientation because development are all different from those distinguishing van Gogh from his peers.
  • 13 Galley-CORRECTIONS.Wps

    13 Galley-CORRECTIONS.Wps

    1 Ginosko Literary Journal, #13 Summer 2013 PO Box 246 Fairfax, CA 94978 Robert Paul Cesaretti, Editor GinoskoLiteraryJournal.com est 2002 Writers retain copyrights Cover art: Delisa Sage “Sacred Geometry” Mixed media collage San Rafael Ca. delisasage.com 2 ginosko A word meaning to perceive, understand, realize, come to know; knowledge that has an inception, a progress, an attainment. The recognition of truth from experience. 3 CCC OOO NNN TTT EEE NNN TTT SSS Another Kind of Secret 10 The Night-Blooming Cactus 11 The Fire 12 Michael Hettich RITUAL 14 BONE LANGUAGE 15 UNDER THE FULL MOON 16 DOVES FLY IN MY HEART 17 Marie Olofsdotter WHEN MOTHER FLEW KITES 18 Stephen Poleskie A Drowning 22 Making Taralli 23 Vanessa Young Promising Nothing 25 Ian Sherman PROPORTIONATE WISHES 27 SKIN DEEP 27 TERRIBLY WE LAUGH 28 Diane Webster Mountains 29 Joe Sullivan A WOMAN PHOTOGRAPHING A RIVER 30 NIGHT RECONNAISSANCE 31 David Wagoner ETYMOLOGY 32 Edward Butscher Water Marks 33 Margaret Elysia Garcia THE GIRL IN THE CLOSET 35 Ed Thompson 4 Concession 38 Gale Acuff It Makes Your Ears Ring 40 Seller’s Market 40 Kirby Wright IN MY HEAD 41 THE CLOCK 41 THE TURN 42 WATCHING 42 J.R. Solonche The House Next Door 43 To End it All 47 Thomas Sanfilip Lesson 49 Mojácar 50 #5 Bus 51 Body Remembers 52 Black Bass Inn 53 Art of Fire 54 Clougmore to Minaun 56 Dubliner 57 Staying the Same 58 Madeleine Beckman UNDER THE MINISCUS 59 Sam Frankl Pulmonary 60 Full Moon Fever 61 July 3rd 1971 62 Kory Ferbet Paradox 63 Hush 63 Retrospective 64 Phebe Davidson 5 eau de vie 65
  • Art C.Rit1c1sm

    Art C.Rit1c1sm

    Volume 17; Number I ART C.RIT1C1SM Art Criticism vol. 17, no. 1 Art Department State University of New York at Stony Brook Stony Brook, NY 11794-5400 The editor wishes to thank Art and Peace, The Stony Brook Founda­ tion, President Shirley Strumm Kenny, Provost Robert L. McGrath, and the Acting Dean of The College of Arts and Sciences, Robert Lieberman, for their gracious support. Copyright 1001 State University of New York at Stony Brook ISSN: 0195-4148 ( 2 Art Criticism Founding Co-Editors Lawrence Alloway Donald B. Kuspit Editor Donald B. Kuspit Advisors lames Rubin Mel Pekarsky Managing Editor Craig Peariso Business Editor Meredith Moody Art Criticism is published by: Department of Art State University of New York at Stony Brook Stony Brook, NY 11794-5400 Prospective contributors are asked to send abstracts. However, if . a manuscript is submitted, please include a self-addressed stamped envelope for its return. Manuscripts accepted for publication must be submitted on a PC computer disk. Please contact the managing editor for a style sheet. Subscriptions are $20 per volume (two issues) forinstitutions and $ 15 per volume for individuals in the continental United States ($20 outside the continental U.S.). Back issues are available at the rate of $10 per issue. vol. 17, no. 1 3 4 Art Criticism Table of Contents Breaking the Picture Plane: Reflections on Painting . John Hultberg 6 The Femme Fatale as Seen in the work of J.K. Huysmans, Feliden Rops and Aubrey Beardsley Sarah Bielski 46 GuiltBy Association: Gustave Moreau, The Unwilling Decadent Mary Cullinane 55 Degeneration in World War IT Germany Kempton Mooney 73 From Diagnoses to Decadence: A Brief History of Hysteria Kristen Oelrich 86 Recasting the Art History Survey: Ethics and Truth in the Oassroom Community Michael Schwartz 104 vol.
  • Rhythmic Brushstrokes Distinguish Van Gogh from His Contemporaries

    Rhythmic Brushstrokes Distinguish Van Gogh from His Contemporaries

    IEEE TRANSACTIONS ON PATTERN ANALYSIS AND MACHINE INTELLIGENCE 1 Rhythmic Brushstrokes Distinguish van Gogh from His Contemporaries: Findings via Automated Brushstroke Extraction Jia Li, Senior Member, IEEE, Lei Yao, Student Member, IEEE, Ella Hendriks, and James Z. Wang, Senior Member, IEEE. Abstract— Art historians have long observed the highly the paintings by Vincent van Gogh were mostly based on color or characteristic brushstroke styles of Vincent van Gogh and local visual features such as texture or edges [2], [12]. Although have relied on discerning these styles for authenticating and the extraction of brushstrokes or brushstroke related features have dating his works. In our work, we compared van Gogh with been investigated [5], [13], [27], [19], [3], it is not evident that his contemporaries by statistically analyzing a massive set of automatically extracted brushstrokes. A novel extraction method these methods can be used readily to find a large number of is developed by exploiting an integration of edge detection and brushstrokes for a relatively general collection of van Gogh’s clustering-based segmentation. Evidence substantiates that van paintings. For instance, one particular painting of van Gogh is Gogh’s brushstrokes are strongly rhythmic. That is, regularly discussed in [27], and some manual operations are necessary shaped brushstrokes are tightly arranged, creating a repetitive to complete the process of extracting brushstrokes. In [13], to and patterned impression. We also found that the traits that find brushstrokes, manual input is required; and the method distinguish van Gogh’s paintings in different time periods of his is derived for paintings drastically different from van Gogh’s.
  • Franz Marc As an Ethologist by Jean Carey a Thesis Submitted in Partial

    Franz Marc As an Ethologist by Jean Carey a Thesis Submitted in Partial

    Franz Marc as an Ethologist by Jean Carey A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Art History College of The Arts University of South Florida Major Professor: Riccardo Marchi, PhD Sheramy Bundrick, PhD Mary Fournier, PhD Date of Approval: June 13, 2012 Keywords: Animalisierung, Einfühlung, Ethology, Expressionism, German Modernism, Painting Copyright © 2012, Jean Carey Table of Contents List of Figures ii Abstract iv Introduction 1 Contemporary Ethology 3 “Retroactive” and Interpretive Ethology 8 The Missing Animal 10 Practical Pantheism 15 Painting the Presence of Vitality 18 The Letter 22 Animalisierung: The Breath of Life 24 The Perception of Penetration 28 What Is Within Seen Without 35 Egyptian Art and Abstraction 36 South by South: Van Gogh and Gauguin 41 Faithfulness, Alteration and Involvement 53 Dürer’s Young Hare I and Marc’s Dog Lying in the Snow 53 The Jagdmaler Liljefors’s Birds and Marc’s Birds 59 Conclusion 64 Bibliography 67 i List of Figures Figure 1. Franz Marc, The Yellow Cow (1911). Solomon R. 5 Guggenheim Museum, New York, N.Y., United States Figure 2. Franz Marc, Birds (1914). Städtische Galerie im 12 Lenbachhaus, Munich, Germany Figure 3. August Macke and Franz Marc, Paradise (1912). 13 Westfälisches Landesmuseum, Münster, Germany Figure 4. Franz Marc, The Dead Sparrow (1905). Private Collection 19 Figure 5. Franz Marc, Foxes (1913). Kunstmuseum, Dusseldorf, 22 Germany Figure 6. Franz Marc, Dog Before the World, (1912). Private Collection 33 Figure 7. Anonymous, Cat Eating a Fish, from a wall painting in the 37 Tomb of Nakht (1555-1337 BCE).
  • Dutch and Flemish Art at the Utah Museum of Fine Arts A

    Dutch and Flemish Art at the Utah Museum of Fine Arts A

    DUTCH AND FLEMISH ART AT THE UTAH MUSEUM OF FINE ARTS A Guide to the Collection by Ursula M. Brinkmann Pimentel Copyright © Ursula Marie Brinkmann Pimentel 1993 All Rights Reserved Published by the Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT 84112. This publication is made possible, in part, by a grant from the Salt Lake County Commission. Accredited by the CONTENTS Page Acknowledgments…………………………………………………………………………………………………..……...7 History of the Utah Museum of Fine Arts and its Dutch and Flemish Collection…………………………….…..……….8 Art of the Netherlands: Visual Images as Cultural Reflections…………………………………………………….....…17 Catalogue……………………………………………………………………………………………………………….…31 Explanation of Cataloguing Practices………………………………………………………………………………….…32 1 Unknown Artist (Flemish?), Bust Portrait of a Bearded Man…………………………………………………..34 2 Ambrosius Benson, Elegant Couples Dancing in a Landscape…………………………………………………38 3 Unknown Artist (Dutch?), Visiones Apocalypticae……………………………………………………………...42 4 Pieter Bruegel the Elder, Charity (Charitas) (1559), after a drawing; Plate no. 3 of The Seven Virtues, published by Hieronymous Cock……………………………………………………………45 5 Jan (or Johan) Wierix, Pieter Coecke van Aelst holding a Palette and Brushes, no. 16 from the Cock-Lampsonius Set, first edition (1572)…………………………………………………..…48 6 Jan (or Johan) Wierix, Jan van Amstel (Jan de Hollander), no. 11 from the Cock-Lampsonius Set, first edition (1572)………………………………………………………….……….51 7 Jan van der Straet, called Stradanus, Title Page from Equile. Ioannis Austriaci
  • Issue 76 Volume 13 Number 4 (August 2018)

    Issue 76 Volume 13 Number 4 (August 2018)

    The Japan Society Review 76 Book, Stage, Film, Arts and Events Review Issue 76 Volume 13 Number 4 (August 2018) This issue of The Japan Society Review is dedicated to the memory of Sir Hugh Cortazzi, former British Ambassador to Japan (1980-1984) and Chairman of the Japan Society (1985-1995), who died on Tuesday 14 August 2018, at the age of 94. Sir Hugh was the most distinguished Japanese specialist of his generation in the Foreign Office, and his association with the Society began long before he became Chairman. He was Chairman of the Society during its centenary year (the year of the Japan Festival 1991), and his involvement continued undiminished until his death. One particular aspect of the contribution Sir Hugh made to the Society was his invaluable work as reviewer for The Japan Society Review. From the first issue of this publication in January 2006, Sir Hugh contributed reviews about an impressive variety of topics and books related to Japanese politics, history, economy and art. He did so out of intellectual curiosity and a genuine desire to encourage the understanding of Japan and of the history of Anglo-Japanese relations. His writing always offered the reader a critical and informed perspective on the content of the books and on Japan itself. Reviews by Sir Hugh have appeared in almost every single issue of The Japan Society Review for more than 12 years (previous issues are available on our website). This issue includes two reviews he wrote only a few weeks before his death and that show the wide breadth of commentary on the book and I realised that he could do a much better his knowledge and interests.
  • Missionary Men in the Early Modern World

    Missionary Men in the Early Modern World

    GENDERING THE LATE MEDIEVAL AND EARLY MODERN WORLD Strasser Missionary Men in the Early Modern World Modern Early the in Men Missionary Ulrike Strasser Missionary Men in the Early Modern World German Jesuits and Pacific Journeys Missionary Men in the Early Modern World Gendering the Late Medieval and Early Modern World Series editors: James Daybell (Chair), Victoria E. Burke, Svante Norrhem, and Merry Wiesner-Hanks This series provides a forum for studies that investigate women, gender, and/or sexuality in the late medieval and early modern world. The editors invite proposals for book-length studies of an interdisciplinary nature, including, but not exclusively, from the fields of history, literature, art and architectural history, and visual and material culture. Consideration will be given to both monographs and collections of essays. Chronologically, we welcome studies that look at the period between 1400 and 1700, with a focus on any part of the world, as well as comparative and global works. We invite proposals including, but not limited to, the following broad themes: methodologies, theories and meanings of gender; gender, power and political culture; monarchs, courts and power; constructions of femininity and masculinity; gift-giving, diplomacy and the politics of exchange; gender and the politics of early modern archives; gender and architectural spaces (courts, salons, household); consumption and material culture; objects and gendered power; women’s writing; gendered patronage and power; gendered activities, behaviours, rituals and fashions. Missionary Men in the Early Modern World German Jesuits and Pacific Journeys Ulrike Strasser Amsterdam University Press Cover illustration: Origins and Development of the Society of Jesus and Its Virtuous Men (Societatis Iesu initia progressus et viri illustri), Cologne, c.
  • Van Gogh in Close-Up

    Van Gogh in Close-Up

    Van Gogh in close-up Van Gogh in close-up - teacher’s guide for science classes guide teacher’s 1 classes science for Photograph on front page: Ella Hendriks, conservator at the Van Gogh Museum, exam- ining The bedroom by Vincent van Gogh. Photograph by Thomas Fasting Contents Description of the programme 4 Van Gogh for science students 5 Goals of this lesson series 5 Reservations 5 Lesson 1: An eye for Van Gogh Teacher’s pages 6 Students’ sheets Lesson 2: Van Gogh and discolouration Teacher’s pages 19 Students’ sheets Lesson 3: Invisible to the naked eye Teacher’s pages 31 Students’ sheets Literature 47 Websites 47 Van Gogh in close-up Teacher’s guide for science classes Research by the Cul- tural Heritage Agency using a portable XRF scanner; photo © René Gerritsen Amsterdam. Description of the programme This teacher’s guide contains suggestions for school lessons that you could use before taking a group of students to visit the Van Gogh Museum, or simply if you like the idea of discussing assignments related to Van Gogh with your class. The lessons can also be used without visiting the museum. The lessons in this guide are suitable for physics and technology classes in the final years of secondary school. If you are interested in suggestions for classes in arts subjects, please refer to our website, which has different teachers’ guides for these subjects. To introduce the subject, you could give a short description of the life of Vincent van Gogh. To do so, you can use the background information that can be found on the website of the Van Gogh Museum.