Architecture & Design Festival
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Filmverleih- Unternehmen in Europa
Filmverleih- unternehmen in Europa André Lange und Susan Newman-Baudais unter Mitarbeit von Thierry Hugot Einleitung .............................................................................................................................................. 3 Hinweise zur Benutzung ........................................................................................................................ 5 Kapitel 1 Filmverleihunternehmen in Europa .........................................................................9 1.1 Ein Überblick 1.2 Wirtschaftliche Analyse INHALT Kapitel 2 Individuelle Gesellschaftsprofi le ............................................................................ 23 AT Österreich ..............................................................25 BE Belgien ...................................................................29 BG Bulgarien ...............................................................41 CH Schweiz ..................................................................45 CZ Tschechische Republik ............................................51 DE Deutschland ...........................................................59 DK Dänemark ..............................................................67 EE Estland ...................................................................73 ES Spanien ..................................................................79 FI Finnland .................................................................95 FR Frankreich ............................................................101 -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Wednesday Flurries MICHIGAN in War
Wednesday Flurries MICHIGAN In war . likely with a high of 33 degrees. Low tonight: 15 de . whichever side may call STATE grees. Thursday's outlook is itself the victor, there are no partly cloudy and cool. winners, but ail are losers. UNIVERSITY Neville Chamberlain East Lansing, Michigan March 6,1968 lkc Vol. 60 Number 141 ALONE ON N .H .BA LLO T Negro shooting N i x o n v o w s q u i c k e n d brings tension to O m a h a to Viet war under G O P OMAHA, Neb. (AP)-Tension mounted HAMPTON. N.H. (API-Former Vice energetic campaign days, a five-town " I do not suggest withdrawal from steadily in Omaha Tuesday following the President Richard M. Nixon, sole Re sprint, urging the voters to turn out Vietnam. early morning fatal shooting of a Negro publican campaigner for the nation's for the primary on March 12. "I am saying to you it is possible teen-ager during a series of disorders that opening presidential primary, pledged anew Gov. Romney, once his chief rival, that if we mobilize our economic and began when Former Gov. George Wal Tuesday that a GOP administration would has withdrawn as a candidate, although political and diplomatic leadership, it lace of Alabama came to town to launch end the war in Vietnam. his name will still be listed on the •can be ended." he said. "The failure his third party presidential campaign. Alone as a major on-the-ballot GOP New Hampshire ballot. There is a in Vietnam is not the failure of our Ernest Chambers, militant Omaha candidate. -
Liste De Films Autour De La Nourriture Ou De La Cuisine
Liste de films autour de la nourriture ou de la cuisine Il y a un intérêt au cinéma pour des films s’intéressant en grande partie à la nourriture, à la cuisine, à la gastronomie, à la restauration et/ou à l’industrie agroalimentaire ou l’on y retrouve une scène marquante. En voici une liste : Année Titre du film Réalisateur Principaux acteurs / actrices 1895 La charcuterie Louis Lumière - mécanique 1899 Au cabaret Alice Guy - 1900 Chapellerie et Alice Guy - charcuterie mécaniques 1900 Le repas fantastique Georges Méliès - 1905 La charité du Alice Guy - prestidigitateur 1906 Madame a des envies Alice Guy - 1907 La course à la saucisse Alice Guy - 1907 Le billet de banque Alice Guy - 1914 Charlot et les saucisses Mack Sennett Charlie Chaplin, Mabel (Mabel’s Busy Day) Normand, Chester Conklin 1914 Charlot mitron Charlie Chaplin Charlie Chaplin, Chester (Dough and Dynamite / Conklin The Doughnut Designers) 8 2 janvier 2019, François Brouard [Liste de films autour de la nourriture ou de la cuisine] 1 Année Titre du film Réalisateur Principaux acteurs / actrices 1916 Karzy Kat & Ignatz Frank Moser et - Mouse Discuss the Leon Searl Letter ‘G’ 1928 A la soupe Edgar Kennedy Stan Laurel, Oliver Hardy (From Soup to Nuts) 1929 Piccadilly Ewald André Gilda Gray, Anna May Wong, Dupont Jameson Thomas 1932 The Whoopee Party Wilfred Jackson (Mickey Mouse) 1933 Ham and Eggs Walter Lantz et (Oswald and the girl beagle) Bill Nolan 1934 The Hot Chocolate Walt Disney - Soldiers 1935 Carnaval des gateaux Ben - (The Cookie Carnival) Sharpsteen 1938 La femme -
François Cluzet in 11.6
Pan-Européenne Presents In Association with Wild Bunch François Cluzet in 11.6 A film by Philippe Godeau Starring Bouli Lanners and Corinne Masiero Written by Agnès de Sacy and Philippe Godeau Loosely based on Alice Géraud "Toni 11.6 Histoire du convoyeur" 1h42 - Dolby SRD - Scope - Visa n°133.508 High definition pictures and press kit can be downloaded from www.wildbunch.biz SYNOPSIS Toni Musulin. Security guard. Porsche owner. Loner. Enigma. An ordinary man seeking revenge for humiliation at the hands of his bosses. A man with a slow-burning hatred of the system. And the man behind "the heist of the century". Q&A with Philippe Godeau After ONE FOR THE ROAD, how did you decide to make a film about this one-of-a-kind €11.6 million heist? From the very beginning, what mattered to me wasn't so much the heist as the story of that man who'd been an armoured car guard for ten years with no police record, and who one day decided to take action. How come this punctual, hard- working, seemingly perfect, lonely employee, who kept his distance from unions, ended up pulling off the heist of the century and went to the other side? With the screenwriter Agnès de Sacy, this was our driving force. What was it that drove him to take action? We did a lot of research, we visited the premises, and we met some of his co-workers, some of his acquaintances, his lawyers… What about the real Toni Musulin? Did you actually meet him? I didn't. -
Classic French Film Festival 2015
Mon Oncle SEVENTH ANNUAL ROBERT CLASSIC FRENCH FILM FESTIVAL Presented by March 13 - 29, 2015 Sponsored by the Jane M. & Bruce P. Robert Charitable Foundation A co-production of Cinema St. Louis and Webster University Film Series Vive la FrAnce! WANT TO SPEAK FRENCH? REFRESH YOUR FRENCH CULTURAL KNOWLEDGE? CONTACT US! Alliance Française de St. Louis A member-supported nonprofit center engaging the St. Louis community in French language and culture. Contact info: 314-432-0734, [email protected], alliancestl.org American Association of Teachers of French The only professional association devoted exclusively to the needs of French teach- ers at all levels, with the mission of advancing the study of the French language and French-speaking literatures and cultures both in schools and in the general public. Contact info: Anna Amelung, president, Greater St. Louis Chapter, [email protected], www.frenchteachers.org Centre Francophone at Webster University An organization dedicated to promoting Francophone culture and helping French educators. Contact info: Lionel Cuillé, Ph.D., Jane and Bruce Robert Chair in French and Francophone Studies, Webster University, 314-246-8619, [email protected], facebook.com/centrefrancophoneinstlouis Les Amis A support group for the French heritage programs of the Missouri Department of Natural Resources, with the mission of promoting the preservation, interpretation, and purchase of historic property in Missouri’s unique French colonial region. Contact info: 314-454-3160, [email protected], www.les-amis.org La Société Française de Saint Louis An organization dedicated to the survival of the language, culture, and traditions of the French in St. Louis. -
Audiovisual Translation: a Multimodal Corpus-Based Analy- Sis.” Perspectives: Studies in Translatology, 21:4
Ayşe Şirin Okyayuz, Bilkent University Power, society and AVT in Turkey: an overview Abstract: The article relates the findings of an ongoing research project that encompasses several decades of AVT in Turkey. Drawing a matrix of relations and interactions between types of AVT (i.e. subtitling, dubbing, remakes, adaptations) and practices (i.e. censoring, choice of AV products) and the political as well as social realities and aspirations of certain periods, the aim is to provide a historical trajectory of AVT to exemplify the specific use of certain types of AVT in line with societal and political aspirations and developments. Lim- ited by the length of an article and the inability to provide AV material in printed format, the article provides an overview of the major eras of AVT and the political and societal shifts that necessitated or brought about changes to the AVT scene in the decades studied. 1. Introduction The discussion of issues such as the use of different types of AVT for specific purposes (i.e. localized adaptations of foreign AV products for building a national identity, dubbing with the standard dialect to support language standardization and learning, providing information flow and familiarity with foreign cultures through subtitling), social and political policies that influence AVT (i.e. tax re- ductions in films imports, foreign/domestic productions, audience viewing rates, censorship organs), power play (i.e. state led AV sector, elitist, ideological, and populist AV productions and translations), actors (i.e. governments, foreign firms and agreements) and technologies (i.e. dubbing, subtitling) are all of interest to the AVT researcher. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Box Office Du Cinéma Français En Russie En 1999
Box Office du cinéma français en Russie en 1999 29/09/21 08:24:18 tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Bilan Russie 1999 Bilan Russie 1999 tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Données cinéma des films français - Russie Détails des sorties - 1999 Titre du film Recettes (€) Nombre de Nombre de Exportateurs Distributeurs spectateurs copies locaux 1 Adultère (mode 13 355,96 85 500 13 Most-Media d'emploi) 2 Romance 8 697,24 7 627 1 Pyramide Argos Films International Russie 3 La Dilettante 4 552,65 8 186 8 France tv Ama distribution 4 Le Dîner de 4 134,89 2 490 1 Gaumont Carmen Film cons Company 5 Bimboland 1 697,42 1 228 1 Gaumont Carmen Film Company 6 La Vérité si je 1 362,15 8 720 0 SND Groupe Most-Media mens ! M6 7 Une femme très 802,92 5 140 0 Most-Media très très amoureuse 8 Carmin profond 381 250 2 mk2 films Intercinema tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Les films français achetés (année de production : 1999) Titre du film Sociétés d'export / Distributeur local Etat de sortie Distributeurs internationaux Tout sur ma mère Pathé Films Paradise/MGN Film acheté Les Enfants du siècle Tamasa Distribution Paradise/MGN Film acheté Belle Maman Pathé Films Paradise/MGN Film acheté Peut-être Pyramide International Central Partnership Film acheté Le Sourire du clown Most-Media Film -
Bilan United Kingdom - 2002
Bilan United Kingdom - 2002 10/2/21 7:48:30 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 1998 saw a decline of 20% in the number of French films broadcast compared with the previous year, although this number remained stable on the terrestrial channels. Out of a total of 15,000 movie broadcasts on the 8 major British channels, 2% were French films, with France constituting the number 2 source of foreign films, behind the United States (68%), but ahead of Germany (1.5%) and Italy (1.1%). Once again, Channel 4 was the leading broadcaster of French films. 30 titles were included in this channel's line-up, showing nevertheless a decrease of 16 titles compared with 1997. These films were generally aired on Sunday nights, around midnight. This was the case for Jacquot de Nantes, la Lectrice, and for Nikita, which attracted the highest audiences of any French-language film on this channel. More French films were programmed on Channel 4 than on BBC 1 and BBC 2 combined. BBC 2 broadcast 16 French titles in 1998, 4 less than in 1997. These films were nonetheless more recent than those aired on Channel 4, including titles such as les Apprentis, Elisa and even Léon. Close to 4% of all movies programmed on this channel were French. BBC 1 restricted its programming to 6 English-language coproductions this year. Sitting in between these 2 large broadcasting groups was CLT's Channel 5, a small but thriving channel, which presented 12 French titles in 1998, 9 more than the previous year.