Bilan USA - 1998

Total Page:16

File Type:pdf, Size:1020Kb

Bilan USA - 1998 Bilan USA - 1998 10/1/21 3:55:33 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Statistics for French films (theatrical release) - USA Release details - 1998 Film title Box Office Admissions Number of Sales agents Local (€) prints distributors 1 Ma vie en rose 2,355,445.29 490,405 70 TF1 Studio Sony Pictures (My Life in Pink) Classics 2 Live Flesh 1,539,962.22 365,280 3 Tamasa MGM - Metro Distribution Goldwyn Mayer USA 3 Central do 563,972.37 133,454 7 Miramax Films Sony Pictures Brasil Classics 4 Crazy Stranger 543,028.69 119,268 11 Lionsgate 5 Artemisia 361,316.85 83,655 0 Orange Studio Miramax Films 6 After Sex 320,214.2 72,030 8 Pyramide New Yorker International Films 7 The 290,924.82 66,098 15 STUDIOCANAL Samuel Chambermaid Goldwyn Films of the Titanic 8 Marius et 256,226.05 60,777 6 New Yorker Jeannette Films 9 The Truce 228,775.26 51,439 0 Wide Miramax Films 10 The Swindle 218,999.01 51,947 6 mk2 films New Yorker Films 11 Family 195,224.32 42,644 0 Tamasa Leisure Time Resemblances Distribution Features 12 A Friend of the 191,850.06 41,486 0 Celluloid Sony Pictures Deceased Dreams Classics 13 Western 184,440.8 49,562 6 Tamasa New Yorker Distribution Films 14 The Young Girls 138,067.44 32,750 6 mk2 films Miramax Films of Rochefort 15 Marie Baie des 100,465.56 23,830 2 Pyramide Sony Pictures Anges International Classics 16 The Separation 93,340.88 22,141 5 Pathé Films Phaedra Cinéma 17 Seventh 87,364.67 20,487 5 Pyramide Zeitgeist Films Heaven International 18 Genealogies of 69,002.26 16,367 2 The Bureau Strand a Crime Sales Releasing 19 Full Speed 60,648.78 14,386 3 Playtime Strand Releasing 20 The Life of 31,461.5 7,463 2 Celluloid Fox Lorber Jesus Dreams Associates 21 The Ogre 23,021.73 5,461 0 Kino Lorber 22 Journey to the 21,412.7 5,079 2 Gemini Films Strand Beginning of the Releasing World 23 The Sentinel 17,308.41 4,052 2 The Bureau Strand Sales Releasing 24 The 14,901.96 3,535 1 Pyramide First Run Disenchanted International Features Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 25 Ponette 8,404.39 1,851 1 Tamasa Arrow Distribution Entertainment 26 The Mother and 1,281.83 207 0 Artificial eye the Whore 27 She's so lovely 661.42 153 1 Miramax Films Miramax Films Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 French films acquired (production year : 1998) Film title Film export Local distributor Production status companies/International distributors Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Market development Year Admissions Admissions Box office for Box office for Number of Average (all to French films of all French films screens ticket price nationalities) films nationalities (€) (€) (€) 2019 1,241,900,00 3,206,246 10,162,974,0 26,058,898.3 44,283 9.16 0 79.5 3 2018 1,304,200,00 3,863,557 10,070,460,7 29,148,809.5 43,459 9.11 0 74.8 2 2017 1,240,000,00 9,715,840 9,846,099,60 74,951,854.2 43,216 8.97 0 0 3 2016 1,320,000,00 5,454,568 10,304,346,0 42,784,580.6 43,531 8.65 0 00 2015 1,321,000,00 14,278,320 10,011,045,6 105,734,567. 43,661 8.43 0 00 48 2014 1,261,750,00 20,180,462 7,810,074,81 123,294,297. 43,265 8.17 0 9 1 2013 1,340,000,00 7,403,791 8,229,834,68 44,779,830.7 39,757 8.13 0 4 2 2012 1,360,000,00 30,591,261 8,412,010,79 187,793,204. 42,803 7.96 0 9.59 04 2011 1,280,000,00 20,866,631 7,333,999,99 119,670,099. 39,641 7.93 0 9.7 56 2010 1,340,000,00 12,567,059 8,083,118,00 76,556,472.1 39,547 7.89 0 7.63 6 2009 1,418,000,00 22,337,058 7,896,526,19 128,192,877. 39,717 7.5 0 9.52 98 2008 1,364,000,00 17,189,806 6,364,646,99 89,496,796.3 40,194 7.18 0 8.14 2007 1,400,000,00 14,962,811 7,036,470,04 71,610,955.6 40,077 6.88 0 6.72 2 2006 1,395,000,00 14,759,698 7,282,219,89 76,163,136.5 39,668 6.55 0 8.88 8 2005 1,378,000,00 26,317,854 7,105,600,00 125,848,754. 38,852 6 0 3.48 04 2004 1,484,000,00 13,081,977 7,418,400,05 64,449,117.9 36,594 5.88 0 9.34 7 2003 1,570,000,00 12,226,870 776,291,009. 69,301,223.3 35,774 6.03 0 55 8 2002 1,640,000,00 10,576,940 930,065,024 73,357,625.3 35,280 5.81 0 7 2001 1,490,000,00 14,628,018 -179,935,008 94,855,815.2 36,764 5.67 0 4 2000 1,420,800,00 8,318,521 -928,934,976 44,159,805.8 37,396 5.39 0 7 Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 1999 1,465,200,00 7,851,209 - 35,242,340.0 37,185 5.08 0 1,141,929,98 7 4 1998 1,481,000,00 1,781,778 - 7,899,503.16 34,186 4.69 0 1,640,930,04 8 1997 1,387,700,00 19,710,277 2,100,930,04 89,238,252.2 31,640 4.59 0 8 5 1996 1,337,400,00 12,921,595 1,616,530,04 50,068,631.3 29,690 4.42 0 8 7 1995 1,262,600,00 10,431,816 1,266,175,69 40,098,089.0 27,805 4.35 0 6.9 5 Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Market share for French films, filtered by distributor - 1998 Distributor Number of films Total admissions Market share (%) released 1 Sony Pictures Classics 4 689,175 0 2 MGM - Metro Goldwyn 1 365,280 0 Mayer USA 3 New Yorker Films 4 234,316 0 4 Miramax Films 4 167,997 0 5 Lionsgate 1 119,268 0 6 Samuel Goldwyn Films 1 66,098 0 7 Leisure Time Features 1 42,644 0 8 Strand Releasing 4 39,884 0 9 Phaedra Cinéma 1 22,141 0 10 Zeitgeist Films 1 20,487 0 11 Fox Lorber Associates 1 7,463 0 12 Kino Lorber 1 5,461 0 13 First Run Features 1 3,535 0 14 Arrow Entertainment 1 1,851 0 15 Artificial eye 1 207 0 Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Films co-produced with this country - 1998 Running time Film title Directors French producers Co-producers from this country Feature film Claire Dolan Lodge Kerrigan mk2 films Feature film The Man with Rain in Maria Ripoll His Shoes Feature film The Revenger's Malcolm Mowbray France 2 Cinéma, IMA Comedies Films Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Top films, all nationalities - 1998 Film title Box office (€) Admissions Titanic (USA) 439,100 0 Armageddon (USA) 181,330 0 Il faut sauver le soldat Ryan 171,640 0 (USA) Mary à tout prix (USA) 156,900 0 The Waterboy (USA) 133,040 0 Dr.Dolittle (USA) 129,670 0 Deep Impact (USA) 126,350 0 Godzilla (USA) 122,620 0 Rush Hour (USA) 122,400 0 Will Hunting (USA) 120,590 0 Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Statistics for French film broadcasts - USA Details on TV broadcasts of French feature films, by channel - 1998 TV channel Number of films broadcast Number of broadcasts Sundance TV 41 318 IFC - Independent Film Channel 27 220 Showtime Networks, Inc. 21 122 Starz 23 92 Bravo 19 88 City University of New York TV - TV5 25 74 (USA) TMC - The Movie Channel 19 46 HBO Olé 6 42 HBO - Home Box Office 2 30 Cinemax - USA 11 24 Moremax - Cinemax 15 21 TCM - Turner Classic Movies 16 20 Flix 5 17 Love Network 4 17 A1 TV - Antenna TV 9 13 Cinemax 2 6 12 Encore Mystery 2 12 Romance Classics 2 9 Fox Movie Channel (FMC) 4 9 FX Movie Channel - FX 1 6 Networks USA Network 1 4 Women's Entertainment 1 4 Encore Media Group 1 3 AMC - American Movie Classics 1 2 Nost 1 2 KWGN Denver 2 2 Denver TBS 1 1 KTLA - Kaleidoscope Television 1 1 Los Angeles TBS Superstation - Turner 1 1 Broadcasting System WWOR New York 1 1 Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Title, details of countries of distribution - 1998 Country Number of films broadcast Number of TV broadcasts Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Titles of films shown - 1998 Film title Number of countries Number of TV broadcasts Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Titles of films shown - 1998 Film title Director(s) Number of TV broadcasts A Couch in New York Chantal Akerman 51 The Eighth Day Jaco Van Dormael 45 Microcosmos Claude Nuridsany, Marie Perennou 35 The Convent Manoel de Oliveira 29 The Fifth Element Luc Besson 27 The City of Lost Children Jean-Pierre Jeunet, Marc Caro 22 My Father, the Hero Gérard Lauzier 22 Diary of a Seducer Danièle Dubroux 20 La Femme Nikita Luc Besson 18 Jules and Jim François Truffaut 17 The Horseman on the Roof Jean-Paul Rappeneau 16 Auntie Danielle Étienne Chatiliez 16 Vatel Roland Joffé 16 Amateur Hal Hartley 15 The Proprietor Ismail Merchant 15 François Truffaut : Stolen Portraits Serge Toubiana, Michel Pascal 15 Three Colours : Blue Krzysztof Kieslowski 13 Hate Mathieu Kassovitz 13 Delicatessen Marc Caro, Jean-Pierre Jeunet 13 The Crimson Rivers Mathieu Kassovitz 13 The Double Life of Véronique Krzysztof Kieslowski 12 The Last Metro François Truffaut 12 Dead Tired Michel Blanc 12 The Scent of Green Papaya Tran Anh Hung 11 The Bear Jean-Jacques Annaud 11 Alphaville Jean-Luc Godard 11 Colonel Chabert Yves Angelo 11 Cinema Paradiso Giuseppe Tornatore 11 The Lost Son Chris Menges 11 A Man and a Woman Claude Lelouch 11 The Postman Michael Radford 11
Recommended publications
  • Envoi Du 16 Novembre 2019-Fi19764067.Pdf
    LA NOUVELLE VAGUE 1959 https://youtu.be/_U6IqRDMekU https://youtu.be/jgDQTvcN0E0 https:// youtu.be/VCodM7DLEqg LES 400 COUPS de François TRUFFAUT (France – 1959) Images : Henri DECAE Filmographie sélective 1949 : Le Silence de la mer, de Jean-Pierre Melville 1950 : Les Enfants terribles, de Jean-Pierre Melville 1955 : Bob le flambeur, de Jean-Pierre Melville 1958 : Ascenseur pour l'échafaud, de Louis Malle Le Beau Serge, de Claude Chabrol Les Amants, de Louis Malle 1959 : Les Cousins, de Claude Chabrol Les Quatre Cents Coups, de François Truffaut 1960 : Plein Soleil, de René Clément Les Bonnes Femmes, de Claude Chabrol 1961 : Léon Morin, prêtre, de Jean-Pierre Melville 1962 : Vie privée, de Louis Malle Les Dimanches de Ville d'Avray, de Serge Bourguignon 1963 : L'Aîné des Ferchaux, de Jean-Pierre Melville 1964 : Week-end à Zuydcoote, de Henri Verneuil Henti DECAE 1965 : Le Corniaud, de Gérard Oury (1915 – 1987) Viva María!, de Louis Malle 1967 : La Nuit des généraux (The Night of the Generals), d'Anatole Litvak 1967 : Le Voleur, de Louis Malle Le Samouraï, de Jean-Pierre Melville 1969 : Le Clan des Siciliens, de Henri Verneuil 1970 : Le Cercle rouge, de Jean-Pierre Melville 1971 : La Folie des grandeurs, de Gérard Oury 1973 : Les Aventures de Rabbi Jacob, de Gérard Oury 1974 : La Moutarde me monte au nez, de Claude Zidi 1975 : La Course à l'échalote, de Claude Zidi 1977 : Mort d'un pourri, de Georges Lautner 1978 : Ils sont fous ces sorciers, de Georges Lautner 1979 : Flic ou voyou, de Georges Lautner 1980 : Le Guignolo, de Georges Lautner
    [Show full text]
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
    [Show full text]
  • Le Chemin Des Etoiles
    LE CHEMIN DES ETOILES 1.Pedro Almodovar 2004 27.Vanessa Redgrave 1992 44. Val Kilmer 2005 2. Pénélope Cruz 2006 28. Isabella Rosselini 1990 45. Pierre Richard 1985 3. Julie Andrews 1992 29. Ettore Scola 1988 46. Jean Rochefort 2003 4. Luc Besson 1988 30. Jean Louis Trintignant 1985 47. Richard Bohringer 1987 5. Claudia Cardinale 1993 31. Andrezj Wadja 1990 48. Micheline Presle 1987 6. Jean-Paul Belmondo 1988 32. Franco Zeffireli 1986 49. Anthony Quinn 1994 7. Charlotte Gainsbourg 1990 33. Jodie Foster 2001 50. Sidney Pollack 1986 8. Lars Von Trier 2003 34. Lambert Wilson 1987 51. Keanu Reeves 2003 9. Catherine Deneuve 1985 35. Sylvester Stallone 1993 52. Charlotte Rampling 1986 10. Sandrine Bonnaire 2006 36. Quentin Tarantino 2004 53. Gregory Peck 1989 11. Claude Chabrol 1985 37. Jack Nicholson 2002 54. Diane Kruger 2007 12. Kar-Wai Wong 2001 38. Sophia Loren 1989 55. Claude Lelouch 1986 13. Tim Burton 2006 39. David Lynch 1990 56. Michelangelo Antonioni 1977 14. Andrezj Zulawski 1990 40. Paul McCartney 2001 57. Nicole Kidman 2001 15. Johnny Hallyday 1986 41. Nicolas Cage 1990 58. Cameron Diaz 2002 16. Dennis Hopper 1991 42. Meryl Streep 1989 59. Nathalie Portman 2008 17.Angelina Jolie 2007 43. Liza Minelli 2005 60. Georges Lucas 2002 18. Vigo Mortensen 2005 61. Ewan Mac Gregor 2001 19. Michel Legrand 1987 62. Michel Piccoli 2007 20. Meg Ryan 2003 63. Tim Robbins 1992 21. Leonardo Dicaprio 2002 70. Ben 2004 64. Francesco Rosi 1990 22. Gérard Jugnot 1985 71. Michael Moore 2004 65. Claude Sautet 1990 23.
    [Show full text]
  • Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
    Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Of Gods and Men
    Mongrel Media Presents OF GODS AND MEN A Film by Xavier Beauvois (120 min., France, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996. PREAMBLE In 1996 the kidnapping and murder of the seven French monks of Tibhirine was one of the culminating points of the violence and atrocities in Algeria resulting from the confrontation between the government and extremist terrorist groups that wanted to overthrow it. The disappearance of the monks – caught in a vice between both sides- had a great and long-lasting effect on the governments, religious communities and international public opinion. The identity of the murderers and the exact circumstances of the monks‟ deaths remain a mystery to this day.
    [Show full text]
  • LELLOUCHE TAUTOU a Film by CLAUDE Miller
    UGC PRESENTS AUDREY GILLES TAUTOU LELLOUCHE MANN T AR H A fILm BY Claude mILLER WITH ANAIS DEMOUSTIER PHOTOS : MARCEL PHOTOS PRODUCED BY YVES MARMION FOR UGC SCREENPLAY ADAPTATION DIALOGUE BY CLAUDE MILLER AND NATALIE CARTER BASED ON THE NOVEL BY FRANÇOIS MAURIAC « THERESE DESQUEYROUX » © 1927 EDITIONS GRASSET & FASQUELLE MUSIC ARRANGED BY MATHIEU ALVADO STARRING CATHERINE ARDITI ISABELLE SADOYAN STANLEY WEBER FRANCIS PERRIN PHOTOGRAPHY GERARD DE BATTISTA A.F.C. ASSISTANT DIRECTOR HERVE RUET SETS LAURENCE BRENGUIER EDITING VERONIQUE LANGE SOUND ERIC ROPHE GWENOLE LEBORGNE COSTUMES JACQUELINE BOUCHARD PRODUCTION MANAGER BRUNO BERNARD POST-PRODUCTION MANAGER ABRAHAM GOLDBLAT A UGC PRODUCTION IN COPRODUCTION WITH UGC IMAGES TF1 DROITS AUDIOVISUELS FRANCE 3 CINEMA AND COOL INDUSTRIE IN ASSOCIATION WITH SOFICA UGC 1 SOFICINEMA 8 LBPI 5 AND COFINOVA 7 WITH THE PARTICIPATION OF CANAL + CINE + AND FRANCE TELEVISIONS WITH THE SUPPORT OF LA REGION AQUITAINE IN PARTNERSHIP WITH LE CNC AND LA PROCIREP INTERNATIONAL SALES TF1 INTERNATIONAL FRENCH theatrical AND VIDEO RELEASE UGC © 2012 LES FILMS DU 24 UGC IMAGES TF1 DROITS AUDIOVISUELS FRANCE 3 CINEMA COOL INDUSTRIE UGC presents THERESE DESQUEYROUX baased on the novel by François Mauriac @1927.Editions Grasset et Fasquelle directed by CLAUDE MILLER with AUDREY TAUTOU Gilles LELLOUCHE Anais DEMOUSTIER French release by UGC DISTRIBUTION: November 21st, 2012 International Sales : TF1 INTERNATIONAL SYNOPSIS In the French region of Landes, near Bordeaux, marriages are arranged to merge land parcels and unite neighboring families. Thus, young Thérèse Larroque becomes Mrs. Desqueyroux. But her avant‐garde ideas clash with local conventions. In order to break free from the fate imposed upon her and live a full life, she will resort to tragically extreme measures..
    [Show full text]
  • Guide to the Papers of the Capri Community Film Society
    Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline.
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • The Beauty of the Real: What Hollywood Can
    The Beauty of the Real The Beauty of the Real What Hollywood Can Learn from Contemporary French Actresses Mick LaSalle s ta n f or d ge n e r a l b o o k s An Imprint of Stanford University Press Stanford, California Stanford University Press Stanford, California © 2012 by Mick LaSalle. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data LaSalle, Mick, author. The beauty of the real : what Hollywood can learn from contemporary French actresses / Mick LaSalle. pages cm Includes bibliographical references and index. ISBN 978-0-8047-6854-2 (cloth : alk. paper) 1. Motion picture actors and actresses--France. 2. Actresses--France. 3. Women in motion pictures. 4. Motion pictures, French--United States. I. Title. PN1998.2.L376 2012 791.43'65220944--dc23 2011049156 Designed by Bruce Lundquist Typeset at Stanford University Press in 10.5/15 Bell MT For my mother, for Joanne, for Amy and for Leba Hertz. Great women. Contents Introduction: Two Myths 1 1 Teen Rebellion 11 2 The Young Woman Alone: Isabelle Huppert, Isabelle Adjani, and Nathalie Baye 23 3 Juliette Binoche, Emmanuelle Béart, and the Temptations of Vanity 37 4 The Shame of Valeria Bruni Tedeschi 49 5 Sandrine Kiberlain 61 6 Sandrine
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • The Director's Idea
    The Director’s Idea This Page is Intentionally Left Blank The Director’s Idea The Path to Great Directing Ken Dancyger New York University Tisch School of the Arts New York, New York AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Acquisitions Editor: Elinor Actipis Project Manager: Paul Gottehrer Associate Editor: Becky Golden-Harrell Marketing Manager: Christine Degon Veroulis Cover Design: Alisa Andreola Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2006, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (ϩ44) 1865 843830, fax: (ϩ44) 1865 853333, E-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Support & Contact” then “Copyright and Permission” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication
    [Show full text]