DOCSLIB.ORG

Bilan United Kingdom - 2002

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Bilan United Kingdom - 2002 10/2/21 7:48:30 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 1998 saw a decline of 20% in the number of French films broadcast compared with the previous year, although this number remained stable on the terrestrial channels. Out of a total of 15,000 movie broadcasts on the 8 major British channels, 2% were French films, with France constituting the number 2 source of foreign films, behind the United States (68%), but ahead of Germany (1.5%) and Italy (1.1%). Once again, Channel 4 was the leading broadcaster of French films. 30 titles were included in this channel's line-up, showing nevertheless a decrease of 16 titles compared with 1997. These films were generally aired on Sunday nights, around midnight. This was the case for Jacquot de Nantes, la Lectrice, and for Nikita, which attracted the highest audiences of any French-language film on this channel. More French films were programmed on Channel 4 than on BBC 1 and BBC 2 combined. BBC 2 broadcast 16 French titles in 1998, 4 less than in 1997. These films were nonetheless more recent than those aired on Channel 4, including titles such as les Apprentis, Elisa and even Léon. Close to 4% of all movies programmed on this channel were French. BBC 1 restricted its programming to 6 English-language coproductions this year. Sitting in between these 2 large broadcasting groups was CLT's Channel 5, a small but thriving channel, which presented 12 French titles in 1998, 9 more than the previous year. It should be noted that these were all catalogue films, such as la Cage aux folles 2, Providence and Autour de minuit. Among the total of 2,600 films broadcast in Britain, 2.6% were French titles. Of the 12,000 films aired on the 3 Sky movie channels, French fare took out 1.9% of film slots. Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Statistics for French films (theatrical release) - United Kingdom Release details - 2002 Film title Box Office Admissions Number of Sales agents Local (€) prints distributors 1 Amelie 1,037,464.53 107,550 36 TF1 Studio Alliance films / Momentum Pictures 2 8 Women 702,845.35 62,000 43 STUDIOCANAL UGC Films UK 3 The Closet 679,456.38 65,420 25 Gaumont StudioCanal UK 4 Read My Lips 522,474.91 49,722 16 Pathé Films Pathé Entertainment (UK) 5 The Son's 473,792.16 44,720 14 Wild Bunch Alliance films / Room International Momentum Pictures 6 No Man's Land 306,482.64 29,540 17 The Works Alliance films / Momentum Pictures 7 Time Out 214,248.65 21,050 6 Celluloid Curzon Artificial Dreams Eye 8 Who Knows 201,261.98 18,590 7 Celluloid Curzon Artificial Dreams Eye 9 Baise-moi 192,805.25 18,300 11 Tamasa Feature Film Distribution Company 10 He Loves Me... 182,025.68 16,500 15 TF1 Studio StudioCanal UK He Loves Me Not 11 The Lady and 179,449.25 16,720 7 Pathé Films Pathé the Duke Entertainment (UK) 12 The Girl from 166,414.17 33,290 7 Tamasa Curzon Artificial Paris Distribution Eye 13 My Wife is an 156,573.78 13,800 14 Pathé Films Pathé Actress Entertainment (UK) 14 Roberto Succo 129,771.68 11,980 6 Playtime Curzon Artificial Eye 15 Safe Conduct 118,124.22 9,900 6 STUDIOCANAL Curzon Artificial Eye 16 The Piano 115,473.19 11,170 11 mk2 films Curzon Artificial Teacher Eye 17 Alias Betty 112,694.95 10,500 12 Les Films de la StudioCanal UK Boissière 18 Comedy of 108,942.15 9,910 4 TF1 Studio Curzon Artificial Innocence Eye 19 Amen. 103,452.93 9,170 3 Pathé Films Pathé Entertainment (UK) 20 The Officer's 98,926.52 8,970 5 ARP Sélection StudioCanal UK Ward 21 Fat Girl 77,603.7 7,140 4 Pyramide Tartan International Palisades Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 22 Du rififi chez les 71,739 10,248 0 Arrow Film hommes Distributors 23 Asterix and 68,726.84 6,350 34 Pathé Films Pathé Obelix, Mission Entertainment Cleopatra (UK) 24 Warm Water 55,027.72 5,380 4 Pyramide Tartan Under a Red International Palisades Bridge 25 The King is 51,526.98 4,900 4 TF1 Studio CineFile (ex- Dancing Cinéfrance) 26 My Life to Live 50,529.98 4,260 2 Les Films du British Film Jeudi Institute (BFI) 27 How I Killed my 47,317.94 4,500 5 Pathé Films Pathé Father/My Entertainment Father and I (UK) 28 Monday 43,434.2 3,600 3 Celluloid Curzon Artificial Morning Dreams Eye 29 I'm Going Home 36,078.33 3,180 1 Gemini Films Curzon Artificial Eye 30 Late Marriage 34,683 4,955 0 Celluloid ICA Films Dreams Limited 31 In Praise of 34,227.38 3,160 3 Tamasa StudioCanal UK Love Distribution 32 Beijing Bicycle 31,556.28 2,850 2 Pyramide Tartan International Palisades 33 Tosca 26,017.23 2,525 3 Editions AX1 Films (ex Montparnasse Axiom Films) 34 Nightshift 24,723 3,532 0 Tartan Palisades 35 The Green Ray 19,411 2,773 0 Les Films du National Film Losange Theater 36 Pauline & 18,885.39 2,020 4 TF1 Studio Columbia Paulette TriStar 37 Sunless 12,729.1 1,100 1 Tamasa British Film Distribution Institute (BFI) 38 The 9,056.43 830 2 Celluloid Tartan Pornographer Dreams Palisades 39 Silence... we're 6,738 963 0 Pyramide National Film Rolling International Theater 40 Trouble Every 5,665.38 500 2 Tamasa Tartan Day Distribution Palisades 41 Slogans 5,497 785 0 Celluloid National Film Dreams Theater 42 The Town is 5,417 600 3 Curzon Artificial Quiet Eye 43 Fatma 5,311 759 0 mk2 films National Film Theater 44 Brotherhood of 5,135.15 570 3 STUDIOCANAL Pathé the Wolf Entertainment (UK) 45 Ali Zaoua: 3,376.47 320 2 TF1 Studio Gala Film Prince of the Streets 46 Grégoire Moulin 2,951.42 300 2 Wide Gala Film vs. Mankind Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 47 Skin of Man, 2,797.5 268 1 The Bureau ICA Films Heart of Beast Sales Limited Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 French films acquired (production year : 2002) Film title Film export Local distributor Production status companies/International distributors Angel on the right Celluloid Dreams Tartan Palisades Film acquired Anything You Say Tamasa Distribution Enjoy Cinema Film acquired Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Market development Year Admissions Admissions Box office for Box office for Number of Average (all to French films of all French films screens ticket price nationalities) films nationalities (€) (€) (€) 2019 176,054,591 599,701 1,427,160,51 5,008,758.2 4,545 7.11 1.24 2018 177,001,480 769,626 1,442,430,35 6,259,479.82 4,340 7.21 6.26 2017 170,616,775 1,893,261 1,458,617,81 16,042,147.5 4,264 7.49 2.54 6 2016 168,259,894 1,154,384 1,525,682,22 10,275,832.7 4,150 7.41 2.99 8 2015 171,900,000 3,470,502 1,533,950,16 30,085,875.5 4,046 6.5 0 8 2014 157,500,000 2,915,408 1,312,669,16 24,595,390.3 3,909 6.72 2 5 2013 165,500,000 1,221,149 1,275,500,00 9,421,668.34 3,867 6.54 0 2012 172,500,000 7,429,573 1,355,900,00 58,397,733.2 3,817 6.4 0.3 8 2011 171,600,000 2,782,603 1,198,599,99 19,290,935.3 3,767 6.07 9.86 3 2010 169,200,000 2,301,483 987,999,999. 15,574,086.5 3,671 5.83 61 7 2009 173,500,000 1,431,865 1,176,144,41 8,275,667.22 3,651 5.1 3.04 2008 164,200,000 3,708,298 1,435,331,41 27,193,252.9 3,610 6.03 4.55 9 2007 162,400,000 2,999,174 1,198,660,03 21,263,358.8 3,514 5.07 1.32 1 2006 156,600,000 1,924,311 1,120,257,98 15,643,147.9 3,440 4.93 2.55 2 2005 164,700,000 2,393,231 1,124,200,02 24,644,316.2 3,357 4.66 9.37 2004 171,300,000 612,823 1,131,900,02 6,338,832.04 3,342 4.5 2.03 2003 167,300,000 1,304,681 1,075,900,03 12,835,411.1 3,318 4.43 5.38 3 2002 182,181,811 647,170 885,037,398.
Recommended publications
  • Filmverleih- Unternehmen in Europa

    Filmverleih- Unternehmen in Europa

    Filmverleih- unternehmen in Europa André Lange und Susan Newman-Baudais unter Mitarbeit von Thierry Hugot Einleitung .............................................................................................................................................. 3 Hinweise zur Benutzung ........................................................................................................................ 5 Kapitel 1 Filmverleihunternehmen in Europa .........................................................................9 1.1 Ein Überblick 1.2 Wirtschaftliche Analyse INHALT Kapitel 2 Individuelle Gesellschaftsprofi le ............................................................................ 23 AT Österreich ..............................................................25 BE Belgien ...................................................................29 BG Bulgarien ...............................................................41 CH Schweiz ..................................................................45 CZ Tschechische Republik ............................................51 DE Deutschland ...........................................................59 DK Dänemark ..............................................................67 EE Estland ...................................................................73 ES Spanien ..................................................................79 FI Finnland .................................................................95 FR Frankreich ............................................................101
  • Liste De Films Autour De La Nourriture Ou De La Cuisine

    Liste De Films Autour De La Nourriture Ou De La Cuisine

    Liste de films autour de la nourriture ou de la cuisine Il y a un intérêt au cinéma pour des films s’intéressant en grande partie à la nourriture, à la cuisine, à la gastronomie, à la restauration et/ou à l’industrie agroalimentaire ou l’on y retrouve une scène marquante. En voici une liste : Année Titre du film Réalisateur Principaux acteurs / actrices 1895 La charcuterie Louis Lumière - mécanique 1899 Au cabaret Alice Guy - 1900 Chapellerie et Alice Guy - charcuterie mécaniques 1900 Le repas fantastique Georges Méliès - 1905 La charité du Alice Guy - prestidigitateur 1906 Madame a des envies Alice Guy - 1907 La course à la saucisse Alice Guy - 1907 Le billet de banque Alice Guy - 1914 Charlot et les saucisses Mack Sennett Charlie Chaplin, Mabel (Mabel’s Busy Day) Normand, Chester Conklin 1914 Charlot mitron Charlie Chaplin Charlie Chaplin, Chester (Dough and Dynamite / Conklin The Doughnut Designers) 8 2 janvier 2019, François Brouard [Liste de films autour de la nourriture ou de la cuisine] 1 Année Titre du film Réalisateur Principaux acteurs / actrices 1916 Karzy Kat & Ignatz Frank Moser et - Mouse Discuss the Leon Searl Letter ‘G’ 1928 A la soupe Edgar Kennedy Stan Laurel, Oliver Hardy (From Soup to Nuts) 1929 Piccadilly Ewald André Gilda Gray, Anna May Wong, Dupont Jameson Thomas 1932 The Whoopee Party Wilfred Jackson (Mickey Mouse) 1933 Ham and Eggs Walter Lantz et (Oswald and the girl beagle) Bill Nolan 1934 The Hot Chocolate Walt Disney - Soldiers 1935 Carnaval des gateaux Ben - (The Cookie Carnival) Sharpsteen 1938 La femme
  • François Cluzet in 11.6

    François Cluzet in 11.6

    Pan-Européenne Presents In Association with Wild Bunch François Cluzet in 11.6 A film by Philippe Godeau Starring Bouli Lanners and Corinne Masiero Written by Agnès de Sacy and Philippe Godeau Loosely based on Alice Géraud "Toni 11.6 Histoire du convoyeur" 1h42 - Dolby SRD - Scope - Visa n°133.508 High definition pictures and press kit can be downloaded from www.wildbunch.biz SYNOPSIS Toni Musulin. Security guard. Porsche owner. Loner. Enigma. An ordinary man seeking revenge for humiliation at the hands of his bosses. A man with a slow-burning hatred of the system. And the man behind "the heist of the century". Q&A with Philippe Godeau After ONE FOR THE ROAD, how did you decide to make a film about this one-of-a-kind €11.6 million heist? From the very beginning, what mattered to me wasn't so much the heist as the story of that man who'd been an armoured car guard for ten years with no police record, and who one day decided to take action. How come this punctual, hard- working, seemingly perfect, lonely employee, who kept his distance from unions, ended up pulling off the heist of the century and went to the other side? With the screenwriter Agnès de Sacy, this was our driving force. What was it that drove him to take action? We did a lot of research, we visited the premises, and we met some of his co-workers, some of his acquaintances, his lawyers… What about the real Toni Musulin? Did you actually meet him? I didn't.
  • Box Office Du Cinéma Français En Russie En 1999

    Box Office Du Cinéma Français En Russie En 1999

    Box Office du cinéma français en Russie en 1999 29/09/21 08:24:18 tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Bilan Russie 1999 Bilan Russie 1999 tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Données cinéma des films français - Russie Détails des sorties - 1999 Titre du film Recettes (€) Nombre de Nombre de Exportateurs Distributeurs spectateurs copies locaux 1 Adultère (mode 13 355,96 85 500 13 Most-Media d'emploi) 2 Romance 8 697,24 7 627 1 Pyramide Argos Films International Russie 3 La Dilettante 4 552,65 8 186 8 France tv Ama distribution 4 Le Dîner de 4 134,89 2 490 1 Gaumont Carmen Film cons Company 5 Bimboland 1 697,42 1 228 1 Gaumont Carmen Film Company 6 La Vérité si je 1 362,15 8 720 0 SND Groupe Most-Media mens ! M6 7 Une femme très 802,92 5 140 0 Most-Media très très amoureuse 8 Carmin profond 381 250 2 mk2 films Intercinema tél +33 (0)1 47 53 95 80 / fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 Les films français achetés (année de production : 1999) Titre du film Sociétés d'export / Distributeur local Etat de sortie Distributeurs internationaux Tout sur ma mère Pathé Films Paradise/MGN Film acheté Les Enfants du siècle Tamasa Distribution Paradise/MGN Film acheté Belle Maman Pathé Films Paradise/MGN Film acheté Peut-être Pyramide International Central Partnership Film acheté Le Sourire du clown Most-Media Film
  • Bilan Germany - 2002

    Bilan Germany - 2002

    Bilan Germany - 2002 9/28/21 1:47:02 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 French films represented 7.3% of movie programming on German TV channels this year, outscored by British films, which obtained a 7.8% share. The U.S. remained the number 1 source of films (57%), ahead of Germany, whose market share nevertheless picked up by 0.7%. The number of French films programmed on the public broadcasters ceased to decline this year, and even increased on several regional channels. ZDF remained the leading broadcaster of French films. This channel ramped up its share of movie programming devoted to French fare, running at 15%, against 13% in 1997. It successfully reran l’Ange noir, and presented le Garçu and Toxic affaire, as well as a number of classics such as les Seins de glace, Don Camillo Monseigneur and la Guerre des polices. Since 1995, the number of films shown on ARD had dwindled. It stabilized in 1998 at 67 titles, with a host of recent titles including Élisa, la Fleur de mon secret, L. 627 and les Apprentis. Regional public channels saw an uptrend: up 6 titles on Bayern 3, up 10 on West 3 and up 19 on B1 in Berlin. Among the commercial channels, TM 3 outstripped Vox in the number of French titles scheduled: it programmed 78, 13 more than in 1997. This channel (owned by the TeleMûnchen Group) broadcast essentially catalogue films, and devoted 28% of film slots to French fare, an all-time high in Germany.
  • Claude Chabrol: French Director's Work at Museum

    Claude Chabrol: French Director's Work at Museum

    •ef NO. 101 he Museum of Modern Art FUR IMMEDIATE RELEASE west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart CLAUDE CHABROL: FRENCH DIRECTOR'S WORK AT MUSEUM THE FILMS OF CLAUDE CHABROL, the French director who helped pioneer the "New wave,** will begin October 2 at The Museum of Modern Art. Among the 14 films in the series, organized by Adrienne Mancia, Associate Curator of the Department of Film, are **Le Beau Serge*' (1938), Chabrol's first film, rarely seen in this country; **Les Bonnes Femmes" (1960), seldom shown here though it is regarded as one of his best; **Le Boucher,'* an entry in the just completed 8th New York Film Festival; *«Que La Bete heure** (**This Man Must Die**), which will open shortly in New York; and **La Rupture,'* his most recent movie, just premiered In Paris and not yet acquired for distribution in the U.S.A. Born in Paris in 1930, Chabrol studied pharmacy but gave up that profession for a total involvement in film. In the 1950s, he wrote for **Cahier8 du Cinema** along with Truffaut and Godard, and in 1957 he co-authored a book on Hitchcock with Eric Rohmer, also to become a director. An inheritance from his first wife's family enabled Chabrol, in 1958, to make '*Le Beau Serge,** which was followed the same year by **Les Cousins,** which won the Golden Bear Award at the 1959 Berlin Film Festival. These films, along with Godard*s **Breathless,** Truffaut's "The 400 Blows** and Resnais* **Hiroshima Mon Amour,** signalled a renaissance for the French film which was to have an impact around the world.
  • Jerome Andrei Coach D'acteurs

    Jerome Andrei Coach D'acteurs

    JEROME ANDREI Téléphone : 06 10 35 02 87 Langues :Anglais-Itlalien Web : coachacteurs.com Mail : [email protected] _______________________________________________________________ COACH D’ACTEURS - REPETITEUR DE DIALOGUES ____________________________________________________________ Depuis 1985 : COACH - REPETITEUR pour : Messieurs: Christian Clavier, Jean-Hugues Anglade,Regis Laspalès, Gérard Darmon, Ary Abittan, Jean Reno, Alex Lutz,Philippe Chevallier, Patrick Timsit, Francois Vincentelli, Bernard Murat, Louis Velle, Jean-Claude Dreyfus, Michel Creton, Stephane Plaza, Bernard Giraudeau, Jacques Dufilho, Jean Lefebvre. Mesdames : Carole Bouquet, Elsa Zylberstein, Marie-Anne Chazel, Catherine Frot, Dominique Blanc, Elodie Fontan, Sylvie Testud, Karin Viard, Isabelle Mergault, Marie Kremer, Jane Birkin , Mylène Jampanoi, Sonia Vollereau, Danièle Darrieux. Répétitions dialogues avec Elisabeth Depardieu, Jacques Spiesser, Frédérique Bel, Julia Piaton, Emilie Caen, Chantal Lauby, Michel Blanc, Franck Dubosc, Fred Testot, Medi Sadoun, Nicolas Vaude, Lorant Deutsh, Urbain Cancelier, Michel Jonasz, Stephane de Groodt, Fredéric Chau, Bérengère Krief, Gad Elmaleh, Jamel Debouze, Eric & Ramzy…Rossy di Palma, Valérie Bonneton, Bruno Putzulu, Julien Arutti, Laurent Spielvolgel, Christian Charmetant, Christophe Alévêque, Sebastien Castro, Pierre Vernier, Marcel Philippot,Chantal Lauby, Chantal Ladesou, Judith Chemla, Arielle Dombasle, Marie Bunel, Natalia Dontcheva, Marie.Ange Casta, Delphine Mc Carty, Anny Duperey et...Michèle Morgan Coaching pour enfants et adolescents * - Utilisation de l’oreillette si nécessaire COACH-REPETITEUR CINEMA 1985-2018 : Préparation et Tournages : « Je ne rêve que de vous» de L.Heynemann. Coach d'Elza Zylberstein. Prepa rôle « Ibiza » d'Arnaud L. Coach de Christian Clavier. Préparation et Suivi Rôle. « Qu'est ce qu'on a encore fait au bon dieu ? » de Philippe de Chauveron. Coach de Christian Clavier et tous les comédiens. Ugc Prépa & Tournage « Convoi exceptionnel » de Bertrand Blier Coach Christian Clavier.
  • Death and Transformation in Romantic Song Cycles Journeys in Interpretation

    Death and Transformation in Romantic Song Cycles Journeys in Interpretation

    Death and Transformation in Romantic Song Cycles: Journeys in Interpretation Author Court, Sarah Kathleen Mary Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3782 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/365450 Griffith Research Online https://research-repository.griffith.edu.au Queensland Conservatorium Death and Transformation in Romantic Song Cycles Journeys in Interpretation Sarah Kathleen Mary Court BMus (Hons), MMus, MBA Queensland Conservatorium Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Musical Arts June, 2014 ACKNOWLEDGEMENTS For my wife, Sue Court, and my classmate, Gary Holley – my constant companions throughout this journey – and my dear friend, Leanne Swanson, who came to my aid when I was in need. Also, with thanks to staff at the Queensland Conservatorium Griffith University: Professor Scott Harrison, Professor Lisa Gasteen AO, Dr. Stephen Emmerson, Professor Paul Draper, Dr. Dan Bendrups, and Ms. Olga Lipsky. Statement of Originality This work has not previously been submitted for a degree or diploma in any university. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made in the thesis itself. The referencing and citing system used in this dissertation follows the procedures as per the Publication Manual of the American Psychological Association (APA) Fifth Edition. I give permission for this copy, after being deposited in the Queensland Conservatorium library, to be available for photocopy and loan.
  • Catalog PATHFINDER HOME ENTERTAINMENT Vol.10

    Catalog PATHFINDER HOME ENTERTAINMENT Vol.10

    catalog PATHFINDER HOME ENTERTAINMENT vol.10 PATHFINDER Home Entertainment New Release HiTLer meeTs CHrisT Two men meet in a train station. One believes he's Hitler, the other, Christ. Pitted in a tireless debate, the defiant Hitler is incensed by his companion while Christ struggles to detect any trace of a human soul beneath Hitler's rock-solid layers of bile and hatred. As the friction escalates, Hitler's rage becomes all-consuming and Christ is forced to test his own endurance in his search to answer the question: Just how far does God's love extend? Cinequest Film Festival Solstice Film Festival Dark Comedy, 76 minutes, English CAT# PH-92299 - $24.98 Comrades in dreams "Comrades in Dreams" is a valentine to the cinema. Filmmaker Uli Gaulke embarks on a journey to celebrate the cinematic experience by exploring the most alternative, "independent" strain of cinema he can find. Gaulke interweaves stories spanning continents... from a traveling Indian tent cinema to a North Korean "film club," a Wyoming woman's dedication to her local cinema group to an open-air cinema in Burkina Faso. He captures a sense of the humanity that the fundamental act of "cinema" evokes in each of his characters. Berlin International Film Festival Solstice Film Festival Hot Docs Film Festival Documentary, 100 minutes, THe LAST madness Korean | French | Marathi | English Danilo stages a play about the last man with English subtitles. sentenced to death in Brazil. The play CAT# PH-92289 - $24.98 fails. Danilo has a nervous breakdown. This leads to Aline (Milena Toscano), a beautiful temptress who inspires him to recover his confidence.
  • N.24 Cahier Quadri

    N.24 Cahier Quadri

    VOIR, SORTIR, ÉCOUTER CINÉMA ESPACE D'ART CONTEMPORAIN CAMILLE LAMBERT Du 7 au 13 janvier ➔ Ripoux 3 de Claude Zidi, avec Philippe Noiret, Thierry Lhermitte, Lorant Deutsch, Chloé Flipo, Bernadette Lafont… Salle Ventura : mercredi 14h30 et 21h – vendredi 21h – dimanche 14h30, 17h30 et 21h – lundi 14h et 21h – mardi 21h. FRANÇOIS ' DR. ➔ Le Seigneur des Anneaux : Le Retour du Roi de Peter Jackson, avec Viggo Mortensen, Elijah Wood, Sean Astin, Ian McKellen, Christopher Lee, Liv Tyler… DAIREAUX, Salle Ventura : mercredi 14h30 et 20h30 – vendredi 20h30 – samedi 14h30 et 20h30 – dimanche 14h30 et 18h – lundi 20h30 – mardi 14h. ' DR. UN UNIVERS Du 14 au 20 janvier ➔ Calendar Girls de Nigel Cole, avec Helen Mirren, Julie Walters, John Alderton, Linda Bassett, Annette Crosbie… Salle Ventura : vendredi 21h – lundi 21h. Salle Varda : mercredi 21h – samedi 17h30 et 21h – À DÉCOUVRIR ' DR. dimanche 17h30 – mardi 14h et 21h. Sculptures, installation, photos, vidéos : l'univers de François ➔ Oasis Daireaux s'expose à l'espace d'art contemporain de Lee Chan-Dong, avec Sol Kyung-Gu, Moon So-Ri, Ahn Nae-Sang… Salle Ventura : mercredi 21h – dimanche 21h – mardi 21h. Camille Lambert, du 10 janvier au 14 février. Salle Varda : vendredi 21h – dimanche 14h30 – lundi 21h. our démarrer l'année 2004, l'espace d'art contemporain Camille ' DR. Du 21 au 27 janvier Lambert a choisi d'accueillir François Daireaux. Ce sculpteur touche à ➔ L'esquive de Abdellatif Kechiche, avec Osman Elkharraz, Sarah différents média (sculptures, installation, photos, vidéos), c'est pour- P Forestier, Sabrina Ouazani, Hajar Hamlili, Rachid Hami… quoi son travail est composé d'œuvres très différentes mais étrangement liées.
  • FRENCH DISTRIBUTION AD VITAM Advitamdistribution.Com

    FRENCH DISTRIBUTION AD VITAM Advitamdistribution.Com

    WHY NOT PRODUCTIONS PRESENTS FRANCE – 2021 – 1.66 – 5.1 / COLOR RUNNING TIME: 1H06 FRENCH DISTRIBUTION AD VITAM INTERNATIONAL PR advitamdistribution.com THE PR FACTORY INTERNATIONAL SALES Barbara Von Lombeek Gudrun Burie [email protected] [email protected] wildbunch.biz + 32 486 54 64 80 + 32 498 10 10 01 The Crusade The Crusade Synopsis Abel and Marianne discover that their 13-year-old son Joseph has secretly sold their most precious possessions. They soon find out that Joseph is not the only one – all over the world, hundreds of children have joined forces to finance a mysterious project. Their mission is to save the planet. 3 4 The Crusade The Crusade Interview with Louis Garrel Did the idea for The Crusade come from discussions make this film or else it would look like I was chasing you may have had with the younger generation? after the event. And this is indeed what is happening Not at all! It’s much crazier. Jean-Claude – the proof lies in your first question. I like that The (Carrière) and I were on a plane coming back from Crusade has a “live coverage” side to it, but had New York, he told me he had a very good idea for I listened to Jean-Claude, I would have been ahead! a scene. He got lots of ideas above the clouds. In I was cowardly, or not visionary enough. But at the Paris he read me the scene, which later become time, this quasi-anthropological collective surge of the first scene of The Crusade.
  • Video/Dvd Finder

    Video/Dvd Finder

    1 VIDEO/DVD FINDER This is an ALPHABETICAL listing of all of the videos and DVDs in the Learning Support Services collection. If a translation was available, both the original and translated titles are listed. If a title belongs to a multi-part series, each title is listed separately as well as being listed under the series title (e.g. “The Rise of Nationalism” from the series “Africa: A Voyage of Discovery” is listed under both “Rise of Nationalism, The” and “Africa: A Voyage of Discovery : The Rise of Nationalism.” Ignore initial articles such as a, der, des, el, l’, la las, le, les, los, the, un, una, etc. (e.g . look under “B” for “La belle et la bete.”) 2 Guide to Call Numbers AF=African MS=Medieval Studies AN=Anthropology MT=Meteorology AR=Arabic MU=Music AS=South Asian NO=Norwegian BL=Bulgarian PE=Persian BO=Biology PG=Portuguese BU=Burmese PH=Physics CH=Chinese PL=Polish CM=Chemistry PO=Psychology CZ=Czech PS=Political Science DA=Danish RU=Russian DU=Dutch SB=Serbo-Croatian EC=Economics SC=Scandinavian Studies ED=Education SD=Swedish EN=English SG=Sociology EW=Ewe SH=Swahili FL=Folklore SP=Spanish FN=Finish TA=Tagalog FR=French TH=Thai GG=Geography TK=Turkish GL=Geology TM=Tamil GR=German UB=Urban Studies HA=Hausa WS=Women’s Studies HE=Hebrew YO=Yoruba HI=Hindi HS=History ID=Interdepartmental IN=Indonesian IS=Islam IT=Italian JA=Japanese JO=Journalism KE=Korea KR=Krio LI=Linguistics MA=Math MG=Mongolian 3 September 5, 2019 $10 HORSE AND A $40 SADDLE, A FL1.020 10 To 11 (DVD) TK2.063 100% Arabica (DVD) FR2.059.211 100 Jahre deutscher