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Book of Abstracts
BORDERS AND CROSSINGS TRAVEL WRITING CONFERENCE Pula – Brijuni, 13-16 September 2018 BOOK OF ABSTRACTS BORDERS AND CROSSINGS 2018 International and Multidisciplinary Conference on Travel Writing Pula-Brijuni, 13-16 September 2018 BOOK OF ABSTRACTS Published by Juraj Dobrila University of Pula For the Publisher Full Professor Alfio Barbieri, Ph.D. Editor Assistant Professor Nataša Urošević, Ph.D. Proofreading Krešimir Vunić, prof. Graphic Layout Tajana Baršnik Peloza, prof. Cover illustrations Joseph Mallord William Turner, Antiquities of Pola, 1818, in: Thomas Allason, Picturesque Views of the Antiquities of Pola in Istria, London, 1819 Hugo Charlemont, Reconstruction of the Roman Villa in the Bay of Verige, 1924, National Park Brijuni ISBN 978-953-7320-88-1 CONTENTS PREFACE – WELCOME MESSAGE 4 CALL FOR PAPERS 5 CONFERENCE PROGRAMME 6 ABSTRACTS 22 CONFERENCE PARTICIPANTS 88 GENERAL INFORMATION 100 NP BRIJUNI MAP 101 Dear colleagues, On behalf of the Organizing Committee, we are delighted to welcome all the conference participants and our guests from the partner institutions to Pula and the Brijuni Islands for the Borders and Crossings Travel Writing Conference, which isscheduled from 13th till 16th September 2018 in the Brijuni National Park. This year's conference will be a special occasion to celebrate the 20thanniversary of the ‘Borders and Crossings’ conference, which is the regular meeting of all scholars interested in the issues of travel, travel writing and tourism in a unique historic environment of Pula and the Brijuni Islands. The previous conferences were held in Derry (1998), Brest (2000), Versailles (2002), Ankara (2003), Birmingham (2004), Palermo (2006), Nuoro, Sardinia (2007), Melbourne (2008), Birmingham (2012), Liverpool (2013), Veliko Tarnovo (2014), Belfast (2015), Kielce (2016) and Aberystwyth (2017). -
1954, Addio Trieste... the Triestine Community of Melbourne
1954, Addio Trieste... The Triestine Community of Melbourne Adriana Nelli A thesis submitted for the degree of Doctor of Philosophy Victoria University November 2000 -^27 2->v<^, \U6IL THESIS 994.5100451 NEL 30001007178181 Ne 1 li, Adriana 1954, addio Trieste— the Triestine community of MeIbourne I DECLARATION I hereby declare that this thesis is the product of my original work, including all translations from Italian and Triestine. An earlier form of Chapter 5 appeared in Robert Pascoe and Jarlath Ronayne, eds, The passeggiata of Exile: The Italian Story in Australia (Victoria University, Melbourne, 1998). Parts of my argument also appeared in 'L'esperienza migratoria triestina: L'identita' culturale e i suoi cambiamenti' in Gianfranco Cresciani, ed., Giuliano-Dalmati in Australia: Contributi e testimonianze per una storia (Associazione Giuliani nel Mondo, Trieste, 1999). Adriana Nelli ABSTRACT Triestine migration to Australia is the direct consequence of numerous disputations over the city's political boundaries in the immediate post- World War II period. As such the triestini themselves are not simply part of an overall migratory movement of Italians who took advantage of Australia's post-war immigration program, but their migration is also the reflection of an important period in the history of what today is known as the Friuli Venezia Giulia Region.. 1954 marked the beginning of a brief but intense migratory flow from the city of Trieste towards Australia. Following a prolonged period of Anglo-American administration, the city had been returned to Italian jurisdiction once more; and with the dismantling of the Allied caretaker government and the subsequent economic integration of Trieste into the Italian State, a climate of uncertainty and precariousness had left the Triestines psychologically disenchanted and discouraged. -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Donato Bramante 1 Donato Bramante
Donato Bramante 1 Donato Bramante Donato Bramante Donato Bramante Birth name Donato di Pascuccio d'Antonio Born 1444Fermignano, Italy Died 11 April 1514 (Aged about 70)Rome Nationality Italian Field Architecture, Painting Movement High Renaissance Works San Pietro in Montorio Christ at the column Donato Bramante (1444 – 11 March 1514) was an Italian architect, who introduced the Early Renaissance style to Milan and the High Renaissance style to Rome, where his most famous design was St. Peter's Basilica. Urbino and Milan Bramante was born in Monte Asdrualdo (now Fermignano), under name Donato di Pascuccio d'Antonio, near Urbino: here, in 1467 Luciano Laurana was adding to the Palazzo Ducale an arcaded courtyard and other features that seemed to have the true ring of a reborn antiquity to Federico da Montefeltro's ducal palace. Bramante's architecture has eclipsed his painting skills: he knew the painters Melozzo da Forlì and Piero della Francesca well, who were interested in the rules of perspective and illusionistic features in Mantegna's painting. Around 1474, Bramante moved to Milan, a city with a deep Gothic architectural tradition, and built several churches in the new Antique style. The Duke, Ludovico Sforza, made him virtually his court architect, beginning in 1476, with commissions that culminated in the famous trompe-l'oeil choir of the church of Santa Maria presso San Satiro (1482–1486). Space was limited, and Bramante made a theatrical apse in bas-relief, combining the painterly arts of perspective with Roman details. There is an octagonal sacristy, surmounted by a dome. In Milan, Bramante also built the tribune of Santa Maria delle Grazie (1492–99); other early works include the cloisters of Sant'Ambrogio, Milan (1497–1498), and some other constructions in Pavia and possibly Legnano. -
DR. JURAJ DOBRILA (1812. – 2012.) I STOLJEĆE KRASNE ZEMLJE
JOSIP BRATULIĆ, Zagreb Juraj Dobrila i Zagreb SLAVEN BERTOŠA, Pula Juraj Dobrila u suvremenoj istarskoj historiografiji Marko MEDVED, Rijeka Disertacija Jurja Dobrile o sakramentu ispovijedi u nauku crkvenih otaca JASNA ĆURKOVIĆ-NIMAC, Zagreb Ključne poruke u Dobrilinim poslanicama TEODORA FONOVIĆ-CVIJANOVIĆ, Pula Povodom 200. obljetnice rođenja Jezične značajke Dobriline poslanice biskupa Jurja Dobrile iz 1867. godine STANKA pozivamo Vas 11,00 sati - II. dio na svečanu Svetu misu (Radno predsjedništvo: Stipan Trogrlić, Jasna POD POKROVITELJSTVOM HRVATSKOG SABORA Ćurković-Nimac, Elvis Orbanić ) POVODOM 200. OBLJETNICE ROĐENJA koju će u porečkoj bazilici MARKUS LEIDECK, Pazin BISKUPA JURJA DOBRILE i Prikupljanje arhivskih izvora o Jurju Dobrili od 100. OBLJETNICE SKLADANJA ISTARSKE HIMNE 1882. do 2012. godine u subotu 27. listopada 2012. KRASNA ZEMLJO JOSIP GRBAC, Rijeka Juraj Dobrila – kršćanski moral jučer i danas u 11,00 sati, ORGANIZACIJSKI ODBOR NIKOLA LOVRINIĆ, Pazin p r i r e đ u j e Krasna zemljo, Istro mila. Povodom 100. obljetnice u zajedništvu s biskupima i Z N A N S T V E N I S K U P skladanja istarske himne svećenicima IVANA PAULA GORTAN-CARLIN, Novigrad predvoditi porečki i pulski biskup DR. JURAJ DOBRILA (1812. – 2012.) Ostavština Matka Brajše Rašana mons. Dražen Kutleša i LADA DURAKOVIĆ, Pula Prijatelji i promicatelji Brajšina glazbenog naslijeđa STOLJEĆE KRASNE ZEMLJE (1912. – 2012.) – prvih 15 godina djelovanja pulskog KUD-a Matko Brajša Rašan (1951. – 1966.). ZAKLJUČNA RASPRAVA 13,30 Ručak PULA – PAZIN 25. – 26. listopada 2012. ORGANIZACIJSKI ODBOR ZA OBILJEŽAVANJE DR. JURAJ DOBRILA (1812. – 2012.) 11,00 sati - II. dio 200. OBLJETNICE ROĐENJA i STOLJEĆE KRASNE ZEMLJE (1912. -
Macroeconomic Determinants of the Non-Performing Placements and Off-Balance Sheet Liabilities of Croatian Banks Manuel Benazić, Dajana Radin
Organizacija, Volume 48 Research papers Number 2, May 2015 DOI: 10.1515/orga-2015-0009 Macroeconomic Determinants of the Non-performing Placements and Off-balance Sheet Liabilities of Croatian Banks Manuel Benazić, Dajana Radin Juraj Dobrila University of Pula, Faculty of Economics and Tourism “Dr. Mijo Mirković”, Preradovića 1/1, 52 100 Pula, Croatia, [email protected], [email protected] Background and Purpose: The non-performing placements and off-balance sheet liabilities are often considered key factors that lead to banking crises. Economic and financial crises increase the level of the non-performing placements and off-balance sheet liabilities which can cause significant losses for banks. Effective management and regulatory/ supervisory institutions such central banks should be able to recognize and quantify these effects. Therefore, the purpose of this study is to empirically determine the existence and the quantitative impact of main Croatian macroeco- nomic variables on the non-performing placements and off-balance sheet liabilities of Croatian banks in the long and short-run. Methodology: For this purpose the bounds testing (ARDL) approach for cointegration is applied. The ARDL model is performed in two steps. The first step starts with conducting the bounds test for cointegration. In the second step, when cointegration is found, the long-run relationship and the associated error correction model are estimated. Results: The results indicate the existence of stable cointegration relationship between the variables i.e. in the long- run, an increase in real GDP reduces the level of the non-performing placements and off-balance sheet liabilities of Croatian banks wherein an increase in prices, unemployment, interest rate and the depreciation of the Croatian kuna exchange rate increases their level. -
Holy Roman Empire
WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 1 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 CONTENT Historical Background Bohemian-Palatine War (1618–1623) Danish intervention (1625–1629) Swedish intervention (1630–1635) French intervention (1635 –1648) Peace of Westphalia SPECIAL RULES DEPLOYMENT Belligerents Commanders ARMY LISTS Baden Bohemia Brandenburg-Prussia Brunswick-Lüneburg Catholic League Croatia Denmark-Norway (1625-9) Denmark-Norway (1643-45) Electorate of the Palatinate (Kurpfalz) England France Hessen-Kassel Holy Roman Empire Hungarian Anti-Habsburg Rebels Hungary & Transylvania Ottoman Empire Polish-Lithuanian (1618-31) Later Polish (1632 -48) Protestant Mercenary (1618-26) Saxony Scotland Spain Sweden (1618 -29) Sweden (1630 -48) United Provinces Zaporozhian Cossacks BATTLES ORDERS OF BATTLE MISCELLANEOUS Community Manufacturers Thanks Books Many thanks to Siegfried Bajohr and the Kurpfalz Feldherren for the pictures of painted figures. You can see them and much more here: http://www.kurpfalz-feldherren.de/ Also thanks to the members of the Grimsby Wargames club for the pictures of painted figures. Homepage with a nice gallery this : http://grimsbywargamessociety.webs.com/ 2 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 3 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 The rulers of the nations neighboring the Holy Roman Empire HISTORICAL BACKGROUND also contributed to the outbreak of the Thirty Years' War: Spain was interested in the German states because it held the territories of the Spanish Netherlands on the western border of the Empire and states within Italy which were connected by land through the Spanish Road. The Dutch revolted against the Spanish domination during the 1560s, leading to a protracted war of independence that led to a truce only in 1609. -
Poesia Dialettale Del Molise Testi E Critica
POESIA DIALETTALE DEL MOLISE TESTI E CRITICA DIALECT POETRY FROM MOLISE TEXTS AND CRITICISM A cura di / Edited by Luigi Bonaffini, Giambattista Faralli, Sebastiano Martelli Cosmo Marinelli Editore: Isernia 1993 INDICE / CONTENTS Prefazione di Hermann Haller ..................................................................................II Preface by Hermann Haller .................................................................................... III Introduzione ..............................................................................................................VI Introduction ............................................................................................................ VII GIUSEPPE ALTOBELLO Introduzione di Giambattista Faralli ........................................................................ 2 Introduction by Giambattista Faralli ........................................................................ 3 Testi ............................................................................................................................ 8 Texts ........................................................................................................................... 9 DOMENICO SASSI Introduzione di Mario Aste ...................................................................................... 21 Introduction by Mario Aste ..................................................................................... 22 Testi ......................................................................................................................... -
HOUSE of REPRESENTATIVES Telegraph, of Pittsburgh, Pa., of Tues the SPEAKER
1941 CONGRESSIONAL RECORD-HOUSE 709 CONFIRMATIONS including in the REcoRD an editorial The SPEAKER. Is there objection? Executive nomination confirmed by the from the Enid Daily Eagle of February There was no objection. Senate February 6, 1941, as follows: 3, 1941. Mr. TINKHAM. Mr. Speaker, I ask The SPEAKER. Is there objection to unanimous consent to extend my remarks FEDERAL WORKS AGENCY the request of the gentleman from Okla and include a letter published in the Claude Van Parsons to be First Assistant homa? New York Times of this morning. Administrator of the United States Housing There was no objection. The SPEAKER. Is there objection? Authority, Federal Works Agency. Mr. WEISS. Mr. Speaker, I ask There was no objection. unanimous consent to extend my re Mr. MAAS. Mr. Speaker, I ask unani marks in the RECORD and to include an mous consent to extend my remarks and article from the Pittsburgh Daily Sun include certain historical quotations. HOUSE OF REPRESENTATIVES Telegraph, of Pittsburgh, Pa., of Tues The SPEAKER. Is there objection? day, January 21, 1941. There was no objection. THURSDAY, FEBRUARY 6, 1941 The SPEAKER. Is there objection to Mr. VOORHIS of California. Mr. The House met at 11 o'clock a. m., and the request of the gentleman from Penn Speaker, I ask unanimous consent to was called to order by the Speaker. sylvania? extend my remarks and to include the The Chaplain, Rev. James Shera There was no objection. proceedings of the Committee on World Montgomery, D. D., offered the following Mr. EDELSTEIN. Mr. Speaker, I ask War Veterans' Legislation in which honor prayer: unanimous consent to extend my re was paid to the chairman of our com marks in the .RECORD and to include a mittee, the gentleman from Mississippi Eternal God, before whom millions resolution adopted by the State Execu [Mr. -
The Thin White Line: Palladio, White Cities and the Adriatic Imagination
Chapter � The Thin White Line: Palladio, White Cities and the Adriatic Imagination Alina Payne Over the course of centuries, artists and architects have employed a variety of means to capture resonant archaeological sites in images, and those images have operated in various ways. Whether recording views, monuments, inscrip- tions, or measurements so as to pore over them when they came home and to share them with others, these draftsmen filled loose sheets, albums, sketch- books, and heavily illustrated treatises and disseminated visual information far and wide, from Europe to the margins of the known world, as far as Mexico and Goa. Not all the images they produced were factual and aimed at design and construction. Rather, they ranged from reportage (recording what there is) through nostalgic and even fantastic representations to analytical records that sought to look through the fragmentary appearance of ruined vestiges to the “essence” of the remains and reconstruct a plausible original form. Although this is a long and varied tradition and has not lacked attention at the hands of generations of scholars,1 it raises an issue fundamental for the larger questions that are posed in this essay: Were we to look at these images as images rather than architectural or topographical information, might they emerge as more than representations of buildings, details and sites, measured and dissected on the page? Might they also record something else, something more ineffable, such as the physical encounters with and aesthetic experience of these places, elliptical yet powerful for being less overt than the bits of carved stone painstakingly delineated? Furthermore, might in some cases the very material support of these images participate in translating this aesthetic 1 For Italian material the list is long. -
Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494
ABSTRACT Title of Dissertation: KING OF THE RENAISSANCE: ART AND POLITICS AT THE NEAPOLITAN COURT OF FERRANTE I, 1458-1494 Nicole Riesenberger, Doctor of Philosophy, 2016 Dissertation directed by: Professor Meredith J. Gill, Department of Art History and Archaeology In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture. -
Vitruvian Echo Through the Renaissance
Tatjana FILIPOVSKA Vitruvian Echo through the Renaissance uDK 94: [72.032:7.034 Ss Cyril and Methodius University, Skopje tatj [email protected] Abstract: MarCus Vitruvius Pollio, 1st Century BC author o f the only arChiteCtural treatise to survive from antiquity, profoundly influenCed RenaissanCe architecture, despite the notorious obsCurities o f his unillustrated manusCripts. The “De arChiteCtura ” was known throughout the Middle Ages in Italy (copies were owned by PetrarCh and BoCCaCCio), but the superior manusCript found by BraCCiolini CoinCided with inCreased 15th Century interest in the prinCiples o f anCient architecture. Vitruvius saw arChiteCture as an imitation o f nature, whiCh must therefore follow rational prinCiples - an idea taken up by Alberti and Palladio. As “Utility, strength, and beauty” were for Vitruvius the three divisions o f architecture, thus his importanCe for the RenaissanCe arChiteCtural theory and arChiteCture in praCtiCe laid upon three main points: proportions, orders and the ConCept o f the Ideal City. Vitruvius's idea o f beauty as derived from symmetry and the modular relationship of the parts to the whole appealed to the RenaissanCe both for its mathematiCal basis, and for its reCourse to anthropomorphiC proportions. The Early RenaissanCe did not define proportions strictly, but the arChiteCts Vignola, and espeCially Palladio did. Palladio made proportional systems that lead to a superior and universal aesthetic, whiCh will beCame timeless and popular all over the world, making Vitruvius relevant until today. Above all, RenaissanCe responses to the Vitruvian orders reveal Changing attitudes to his authority. Alberti understood the orders (Doric, JoniC and Corinthian), and added the ornate Composite.