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Aristotle's Categories in the Early Roman Empire, Oxford: Oxford University Press 2015, in Sehepunkte 15 (2015), Nr
Citation style Andrea Falcon: Rezension von: Michael J. Griffin: Aristotle's Categories in the Early Roman Empire, Oxford: Oxford University Press 2015, in sehepunkte 15 (2015), Nr. 7 [15.07.2015], URL:http://www.sehepunkte.de/2015/07/27098.html First published: http://www.sehepunkte.de/2015/07/27098.html copyright This article may be downloaded and/or used within the private copying exemption. Any further use without permission of the rights owner shall be subject to legal licences (§§ 44a-63a UrhG / German Copyright Act). sehepunkte 15 (2015), Nr. 7 Michael J. Griffin: Aristotle's Categories in the Early Roman Empire This is a book about the reception of Aristotle's Categories from the first century BC to the second century AD. The Categories does not appear to have circulated in the Hellenistic era. By contrast, this short but enigmatic treatise was at the center of the so-called return to Aristotle in the first century BC. The book under review tells us the story of this remarkable reversal of fortune. The main characters in this story are philosophers working in the three main philosophical traditions of post- Hellenistic philosophy. For the Peripatetic tradition, these are Andronicus of Rhodes and Boethus of Sidon. For the Academic and Platonic tradition, Eudorus of Alexandria and Lucius. For the Stoic tradition, Athenodorus and Cornutus. A supporting role is reserved to the following interpreters of the Categories : Aristo of Alexandria, Ps-Archytas, Nicostratus, Aspasius, Herminus, and Adrastus. In broad outline, the story told in the book goes as follows: Andronicus of Rhodes rescued the Categories from obscurity by deciding to place it at the beginning of his catalogue of Aristotle's writings (chapter 2). -
Aristotelianism in the First Century BC
CHAPTER 5 Aristotelianism in the First Century BC Andrea Falcon 1 A New Generation of Peripatetic Philosophers The division of the Peripatetic tradition into a Hellenistic and a post- Hellenistic period is not a modern invention. It is already accepted in antiquity. Aspasius speaks of an old and a new generation of Peripatetic philosophers. Among the philosophers who belong to the new generation, he singles out Andronicus of Rhodes and Boethus of Sidon.1 Strabo adopts a similar division. He too distinguishes between the older Peripatetics, who came immediately after Theophrastus, and their successors.2 He collectively describes the latter as better able to do philosophy in the manner of Aristotle (φιλοσοφεῖν καὶ ἀριστοτελίζειν). It remains unclear what Strabo means by doing philosophy in the manner of Aristotle.3 But he certainly thinks that the philosophers who belong to the new generation, and not those who belong to the old one, deserve the title of true Aristotelians. For Strabo, the event separating the old from the new Peripatos is the rediscovery and publication of Aristotle’s writings. We may want to resist Strabo’s negative characterization of the earlier Peripatetics. For Strabo, they were not able to engage in philosophy in any seri- ous way but were content to declaim general theses.4 This may be an unfair judgment, ultimately based on the anachronistic assumption that any serious philosophy requires engagement with an authoritative text.5 Still, the empha- sis that Strabo places on the rediscovery of Aristotle’s writings suggests that the latter were at the center of the critical engagement with Aristotle in the 1 Aspasius, On Aristotle’s Ethics 44.20–45.16. -
Once and Future Antiquities in Science Fiction and Fantasy
ONCE AND FUTURE ANTIQUITIES IN SCIENCE FICTION AND FANTASY i Bloomsbury Studies in Classical Reception Bloomsbury Studies in Classical Reception presents scholarly monographs off ering new and innovative research and debate to students and scholars in the reception of Classical Studies. Each volume will explore the appropriation, reconceptualization and recontextualization of various aspects of the Graeco-Roman world and its culture, looking at the impact of the ancient world on modernity. Research will also cover reception within antiquity, the theory and practice of translation, and reception theory. Also available in the series: ANCIENT MAGIC AND THE SUPERNATURAL IN THE MODERN VISUAL AND PERFORMING ARTS edited by Filippo Carl à and Irene Berti ANCIENT GREEK MYTH IN WORLD FICTION SINCE 1989 edited by Justine McConnell and Edith Hall CLASSICS IN EXTREMIS by Edmund Richardson FRANKENSTEIN AND ITS CLASSICS edited by Jesse Weiner, Benjamin Eldon Stevens and Brett M. Rogers GREEK AND ROMAN CLASSICS IN THE BRITISH STRUGGLE FOR SOCIAL REFORM edited by Henry Stead and Edith Hall HOMER ’S ILIAD AND THE TROJAN WAR : DIALOGUES ON TRADITION Jan Haywood and Nao í se Mac Sweeney IMAGINING XERXES Emma Bridges JULIUS CAESAR ’S SELF - CREATED IMAGE AND ITS DRAMATIC AFTERLIFE Miryana Dimitrova OVID ’S MYTH OF PYGMALION ON SCREEN Paula James THE CODEX FORI MUSSOLINI Han Lamers and Bettina Reitz-Joosse THE GENTLE , JEALOUS GOD Simon Perris VICTORIAN CLASSICAL BURLESQUES Laura Monr ó s-Gaspar VICTORIAN EPIC BURLESQUES Rachel Bryant Davies ii ONCE AND FUTURE ANTIQUITIES IN SCIENCE FICTION AND FANTASY Edited by Brett M. Rogers and Benjamin Eldon Stevens iii BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC 1B 3 DP , UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY , BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Brett M. -
Historical Synopsis of the Aristotelian Commentary Tradition (In Less Than Sixty Minutes)
HISTORICAL SYNOPSIS OF THE ARISTOTELIAN COMMENTARY TRADITION (IN LESS THAN SIXTY MINUTES) Fred D. Miller, Jr. CHAPTER 1 PERIPATETIC SCHOLARS Aristotle of Stagira (384–322 BCE) Exoteric works: Protrepticus, On Philosophy, Eudemus, etc. Esoteric works: Categories, Physics, De Caelo, Metaphysics, De Anima, etc. The legend of Aristotle’s misappropriated works Andronicus of Rhodes: first edition of Aristotle’s works (40 BCE) Early Peripatetic commentators Boethus of Sidon (c. 75—c. 10 BCE) comm. on Categories Alexander of Aegae (1st century CE)comm. on Categories and De Caelo Adrastus of Aphrodisias (early 1st century) comm. on Categories Aspasius (c. 131) comm. on Nicomachean Ethics Emperor Marcus Aurelius establishes four chairs of philosophy in Athens: Platonic, Peripatetic, Stoic, Epicurean (c. 170) Alexander of Aphrodisias (late 2nd —early 3rd century) Extant commentaries on Prior Analytics, De Sensu, etc. Lost comm. on Physics, De Caelo, etc. Exemplar for all subsequent commentators. Comm. on Aristotle’s Metaphysics Only books 1—5 of Alexander’s comm. are genuine; books 6—14 are by ps.-Alexander . whodunit? Themistius (c. 317—c. 388) Paraphrases of Physics, De Anima, etc. Paraphrase of Metaphysics Λ (Hebrew translation) Last of the Peripatetics CHAPTER 2 NEOPLATONIC SCHOLARS Origins of Neoplatonism Ammonius Saccas (c. 175—242) forefather of Neoplatonism Plotinus (c. 205—260) the Enneads Reality explained in terms of hypostases: THE ONE—> THE INTELLECT—>WORLD SOUL—>PERCEPTIBLE WORLD Porphyry of Tyre (232–309) Life of Plotinus On the School of Plato and Aristotle Being One On the Difference Between Plato and Aristotle Isagoge (Introduction to Aristotle’s Categories) What is Neoplatonism? A broad intellectual movement based on the philosophy of Plotinus that sought to incorporate and reconcile the doctrines of Plato, Pythagoras, and Aristotle with each other and with the universal beliefs and practices of popular religion (e.g. -
The Baroque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery Into a Center
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-05-06 The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center Carmen M. Chiappetta University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Chiappetta, Carmen M., "The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center" (2012). Open Access Dissertations. 771. https://scholarlyrepository.miami.edu/oa_dissertations/771 This Embargoed is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER By Carmen Chiappetta A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida May 2012 ©2012 Carmen Chiappetta All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER Carmen Chiappetta Approved: ________________ _________________ Sandra Pouchet Paquet, Ph.D. Terri A. Scandura, Ph.D. Professor of English Dean of the Graduate School ________________ _________________ Patrick McCarthy, Ph.D. Joel Nickels, Ph.D. -
The Enduring Myths of Ancient Greece
NATIONAL ENDOWMENT FOR THE HUMANITIES • VOLUME 5 NUMBER 1 • FEBRUARY 1984 Humanities The Enduring Myths of Ancient Greece The European Renaissance, through throughout because the purpose its rediscovery of the Greek (and was in the main preparation for many of the Latin) classics, estab modern literature; theories of myth, lished for the generations that fol its origins and functions were not lowed a common cultural back the prime concern. This is of course ground for secular literature and no longer the case; mythology as a art: the rich and varied mythology humanistic subject of study is now of ancient Greece. Its themes be concerned at least as much with came familiar not only to those theory as with content. The change who read the Greek classics in the has come about because of develop original but also to a larger audi ments in other fields. Previously ence who knew them through the unknown mythologies, those of medium of the Latin poets and to preliterate peoples, have been re still greater numbers who read corded and investigated by field an avidly the work of the great transla thropologists; archaeologists work tors of the period—Chapman, San- ing in the Middle East have dug up dys, Dryden, to mention only those and deciphered documents that writing in English. Until fairly late revealed forgotten mythologies— in the nineteenth century, a Euro Babylonian, Hittite, Ugaritic; folk pean writer or painter could count lorists have collected the oral nar on recognition of Greek mytholog rative traditions of shepherds and ical themes; Shakespeare, Milton, peasants. A wealth of comparative Pope, Keats, Browning and Tenny material, most of it not literary but son, like Tiepolo, Titian and Pous living and functioning in society, sin, could take for granted an audi has become available for compara ence familiar with the classical gods tive study. -
Sophia Issue 1 Jun 2008
sophia Issue 1 Jun 2008 Greek myth in cinema The science behind cubism Cultural barriers to translation Biomedical science in Africa 1 Sophia Issue 1 This issue printed June 2008 Not for commercial distribution Articles are licensed under the Creative Commons Attribution-Noncommer- cial-No Derivative Works 2.0 UK: England & Wales License. To view a copy of this license, visit: http://creativecommons.org/licenses/by-nc-nd/2.0/uk/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Images are copyright and used with permission where attributed. All oth- ers are, to the best of our knowledge, sourced from the public domain or constitute fair use. Typeset in Arno Pro and Caecilia LT For further details see: www.sophiamagazine.co.uk 2 cover image Ben Cowd, UCL Architecture graduate. This architectural drawing was part of a design for an observatory and uses assemblies of laser-cut paper to form 2½-dimensional drawings. The lines burned by the laser are soft, sensuous and baroque yet have the precision and accuracy of the high-tech. See www.saraben-studio.com for more. contents Stubs Robin Clark – Bakerian Lecture, Royal Society ... Professor Horace Engdahl: The Hunger for Tears and The Nobel -Ex perience ... Interculturality, Politics and Society: Lessons from the Nordic Countries ... Don’t Mention Virginia Woolf: Reform in Bloomsbury ... Lovers in Lab Coats – Professor Joe Cain, Lunchtime Lecture (pp. 5–7) Articles The First Emperor: China’s Terracotta Army, Iside Carbone (p. 8) Music on the Mind, Dr David Hardoon (p. 14) Flexible Minds: Gender-Bending Experiments in Language, Dr Stavroula-Thaleia Kousta (p. -
6 X 10.Three Lines .P65
Cambridge University Press 978-0-521-88480-8 - Peripatetic Philosophy 200 BC to AD 200: An Introduction and Collection of Sources in Translation Robert W. Sharples Excerpt More information Introduction This Introduction and the chronological table that follows it are intended to give readers who may not be familiar with this period of Peripatetic philosophy a guide to the major trends and developments, and to introduce some of the philosophers who will be considered in the following pages. The actual ancient evidence relating to some of the identifications and dates will be found below in Chapter 1, ‘People’. Aristotle’s school, the Lyceum, has been regarded both in antiquity and by modern scholars as entering a period of decline after its third head, Strato. This impression may in part be the result of tendentious representa- 1 tion in the ancient evidence, but in so far as it is accurate, the fundamental reason for the decline seems to be, not that Aristotle’s works were no longer available (below, 2), but that the Lyceum had never had an agenda that was philosophical in the narrow sense of that term predominant in antiquity, as promoting a way of life and an attitude towards its events. From Aristotle himself onwards, the concern of the school had largely been with the collecting and analysis of information on a wide range of topics, and it thus suffered from the double disadvantage that, on the one hand, it did not have such a clear evangelical message to propound as did the Epicureans or the Stoics (for the message of Nicomachean Ethics 10, that the highest human activity is theoretical study for its own sake, was probably of no wider appeal in antiquity than it is now), and, on the other, that such 2 research was being carried on elsewhere, above all in Ptolemaic Alexandria. -
The Odyssey – Background Information
Name: Period: Date: Ms. Lopez The Odyssey – Background Information The world’s most famous epic poems—Homer’s Iliad and Odyssey—were composed between 900 and 700 B.C. The poems describe legendary events that probably can be traced to real historical struggles for control of the waterways leading from the Aegean Sea to the Sea of Marmara and the Black Sea. These real battles would have taken place as early as 1200 B.C., a time that was at least as long ago for Homer’s audience as the Pilgrims’ landing at Plymouth Rock is for us. What is an Epic? Epics are long narrative poems that tell of the adventures of heroes who embody the values of their particular civilizations. For centuries, the Greeks used the Iliad and the Odyssey in their schools to teach Greek virtues. Therefore, it is not surprising that later cultures, while admiring Homer’s epics, created their own epics that imitated Homer’s style but conveyed their own value systems. Some epics that follow the basic patterns established by Homer’s two stories are Rome’s Aeneid, France’s Song of Roland, Italy’s Divine Comedy by Dante, the Anglo-Saxon Beowulf, the very ancient Sumerian tale of Gilgamesh, and India’s Mahabharata and Ramayana. The Iliad is the primary model for the epic of war. It deals with the events of the Trojan War. The Odyssey is the model for the epic of the long journey. It is literally the journey home from the Trojan War for Odysseus, the king of Ithaca. -
Poets and Poetics in Greek Literary Epigram
Poets and Poetics in Greek Literary Epigram A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics by Charles S. Campbell B.A. Grinnell College M.A. University of Cincinnati November, 2013 Committee Chair: Dr. Kathryn J. Gutzwiller, Ph.D. 1 Abstract This dissertation offers a new analysis of the treatment of poets and poetics in Greek literary epigram from the early Hellenistic Period (3rd century BCE) down to the early Roman Imperial Period (1st century CE). In their authorial self-representations (the poetic ego or literary persona), their representation of other poets, and their thematization of poetry more generally, literary epigrammatists define, and successively redefine, the genre of epigram itself against the background of the literary tradition. This process of generic self-definition begins with the earliest literary epigrammatists’ fusion of inscriptional epigram with elements drawn from other genres, sympotic and erotic poetry and heroic epic, and their exploitation of the formal and conceptual repertoire of epigram to thematize poetic discourse. With the consolidation of the epigrammatic tradition in the 2nd and 1st centuries BCE, the distinctively epigrammatic poetic discourse that had evolved in the 3rd century BCE was subsumed into the persona of the poet himself, who is now figured as the very embodiment of the epigrammatic tradition and genre. In the first century BCE, as epigram was transplanted from Greece to the new cultural context of Roman Italy, the figure of the epigrammatist served to articulate the place of both poetry and the poet in this new world. -
Posidonius' F 49 E ̶K and Vitruvius' on Architecture Vi 1. 3
GEOGRAPHICAL SYSTEMS IN THE FIRST CENTURY BC: POSIDONIUS’ F 49 E ̶ K AND VITRUVIUS’ ON ARCHITECTURE VI 1. 3 ̶ 13 Eduardo M. B. Boechat Professor da UFRJ ABSTRACT: The article analyses innovative ethno-geographical systems of the first century BC. During Hellenistic times, the science of geography made use of increasingly advanced mathematical and astronomical skills to ensure a scientific basis for the cartographical project; however, this geographical research apparently disregarded the natural and human environments. There is a paradigm change in the referred century. The Stoic Posidonius focuses on the concept of zones found in the early philosophers and finds a compromise between the ‘scientific’ and the ‘descriptive’ geographies. Likewise, Vitruvius conveys a geographical system which associates climatic, somatic, and psychic features. KEYWORDS: Ethno-Geography, Posidonius, Vitruvius, First Century BC PROMETEUS - Ano 11 - Número 27 – Maio - Agosto/2018 - E-ISSN: 2176-5960 I- Introduction Greek philosophy began in the Archaic period (seventh–sixth centuries BC) with the naturalistic inquiry of the Presocratic philosophers. They speculated about the essence and structure of the universe seeking scientific explanations based on sensory assessment and logical inference. Theories about the physical layout of the world, including its shape, size, boundaries and inhabitants were offered as a rationalistic approach emerged. The science of geography – literally a written or drawn description of the earth (gê) – grew up from these roots, and in the words of one of its great authors in antiquity ‘investigated things both human and divine … as regards knowledge both of the heavens and of things on land and sea, animals, plants, fruits, and everything else to be seen in various regions (Strabo’s Geography I. -
The Return of Ulysses ‘Only Edith Hall Could Have Written This Richly Engaging and Distinctive Book
the return of ulysses ‘Only Edith Hall could have written this richly engaging and distinctive book. She covers a breathtaking range of material, from the highest of high culture to the camp, cartoonish, and frankly weird; from Europe to the USA to Africa and the Far East; and from literature to film and opera. Throughout this tour of the huge variety of responses that there have been to the Odyssey, a powerful argument emerges about the appeal and longevity of the text which reveals all the critical and political flair that we have come to expect of this author. It is all conveyed with the infectious excitement and clarity of a brilliant performer. The Return of Ulysses represents a major contribution to how we assess the continuing influence of Homer in modern culture.’ — Simon Goldhill, Professor of Greek Literature and Culture, University of Cambridge ‘Edith Hall has written a book many have long been waiting for, a smart, sophisticated, and hugely entertaining cultural history of Homer’s Odyssey spanning nearly three millennia of its reception and influence within world culture. A marvel of collection, association, and analysis, the book yields new discoveries on every page. In no other treatment of the enduring figure of Odysseus does Dante rub shoulders with Dr Who, Adorno and Bakhtin with John Ford and Clint Eastwood. Hall is superb at digging into the depths of the Odyssean character to find what makes the polytropic Greek so internationally indestructible. A great delight to read, the book is lucid, appealingly written, fast, funny, and full of enlightening details.