Health Equity and Communities of Color ]
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Voices of Feminism Oral History Project: Roma, Catherine
Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Northampton, MA CATHERINE ROMA Interviewed by JOYCE FOLLET June 19 and 20, 2005 Northampton, Massachusetts This interview was made possible with generous support from the Ford Foundation. © Sophia Smith Collection 2006 Sophia Smith Collection Voices of Feminism Oral History Project Narrator Catherine Roma was born in Philadelphia January 29, 1948, the youngest of three children of Italian-born parents. Her mother completed high school and, once married, was a community volunteer. Her father graduated from Princeton University and Temple Law School, but when his own father died young, he left legal practice to run the family’s barbershops in Philadelphia and other East Coast railroad terminals. Practicing Catholics, Catherine’s parents sent her to Germantown Friends School K-12; she remains a Convinced Friend. In the late 1960s and early 1970s, Roma earned a BA in music and an MM in Choral Conducting at the University of Wisconsin-Madison, where she became involved in socialist-feminist politics and began organizing a feminist choral group in 1974. Returning to Philadelphia the following year to teach music at Abington Friends School, she organized and conducted Anna Crusis, the first feminist women’s choir in the US. In 1983 she undertook the doctorate in musical arts at the University of Cincinnati, where she founded MUSE, the community chorus she continues to lead. Under Roma’s leadership, MUSE is a vital group in what has become a national and international grassroots movement of women’s choruses. MUSE is recognized as a model anti-racist community organization and a progressive force in Cincinnati politics. -
Teachers' Navigation of Policy Context: Plotting the Course for Balance Between Conviction and Reform
Georgia State University ScholarWorks @ Georgia State University Middle and Secondary Education Dissertations Department of Middle and Secondary Education Spring 5-16-2015 Teachers' navigation of policy context: Plotting the course for balance between conviction and reform Linda James Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/mse_diss Recommended Citation James, Linda, "Teachers' navigation of policy context: Plotting the course for balance between conviction and reform." Dissertation, Georgia State University, 2015. https://scholarworks.gsu.edu/mse_diss/9 This Dissertation is brought to you for free and open access by the Department of Middle and Secondary Education at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle and Secondary Education Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, TEACHERS’ NAVIGATION OF POLICY CONTEXT: PLOTTING THE COURSE FOR BALANCE BETWEEN CONVICTION AND REFORM, by LINDA JAMES, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree, Doctor of Philosophy, in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chairperson, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs. _________________________________ Amy Seely Flint, Ph.D. Committee Chair _____________________________ _________________________________ Michelle Zoss, Ph.D. Mona Matthews, Ph.D Committee Member Committee Member _________________________________ Peggy Albers, Ph.D. -
Download the Transcript
1 BLACK-2016/11/21 THE BROOKINGS INSTITUTION BLACK AMERICA SINCE MLK: AND STILL I RISE Washington, D.C. Monday, November 21, 2016 Welcome: GLENN HUTCHINS Co-Founder and Co-Chief Executive, Silver Lake Partners Vice Chairman of the Board, The Brookings Institution Remarks: ROBERT LOUIS GATES, JR. Alphonse Fletcher, Jr. University Professor Harvard University Moderator: CHARLAYNE HUNTER-GAULT Journalist Panelists: DAYNA BOWEN MATTHEW Visiting Fellow, Center for Health Policy The Brookings Institution MICHAEL ERIC DYSON Professor of Sociology, Georgetown University ELEANOR HOLMES NORTON (D-DC) U.S. House of Representatives JAMES PETERSON Director of Africana Studies and Associate Professor of English Lehigh University RICHARD REEVES Senior Fellow and Co-Director, Center on Children and Families The Brookings Institution Closing Remarks: SHARON PERCY ROCKEFELLER President and Chief Executive Officer WETA * * * * * ANDERSON COURT REPORTING 706 Duke Street, Suite 100 Alexandria, VA 22314 Phone (703) 519-7180 Fax (703) 519-7190 2 BLACK-2016/11/21 P R O C E E D I N G S MR. HUTCHINS: My name’s Glenn Hutchins. It’s my privilege to welcome you here tonight. I’m vice chairman of Brookings and founder of the Hutchins Center. In the Amazon, the rain forest, not the retailer, Skip, near the rubber trading entrepot of Manaus there’s a phenomenon known as “the Meeting of the Waters” at which the confluence of two mighty rivers form the Amazon. They are the Rio Negro, which true to its name looks completely black, and the sandy-colored Rio Solimões. I think that’s how you pronounce it in Portuguese. -
Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour -
Mls-Nyc-Transcript06232014.Pdf
UNITED STATES OF AMERICA + + + + + U.S.COPYRIGHT OFFICE MUSIC LICENSING PUBLIC ROUNDTABLE + + + + + MONDAY, JUNE 23, 2014 + + + + + The U.S. Copyright Office Roundtable on Music Licensing met at 9:00 a.m., at the New York University School of Law, Lipton Hall, 108 W. 3rd Street, New York, New York, when were present: PRESENT JACQUELINE CHARLESWORTH, General Counsel and Associate Register of Copyrights, U.S. Copyright Office KARYN TEMPLE CLAGGETT, Associate Register of Copyrights and Director of Policy & International Affairs, U.S. Copyright Office SY DAMLE, Special Advisor to the General Counsel, U.S. Copyright Office JOHN R. RILEY, Attorney-Advisor, U.S. Copyright Office CHRISTOS P. BADAVAS, The Harry Fox Agency, Inc. GREGG BARRON, BMG Rights Management RICHARD BENGLOFF, American Association of Independent Music (A2IM) JEFFREY BENNETT, SAG-AFTRA MATT DEFILIPPIS, ASCAP WALEED DIAB, Google/YouTube JAMES DUFFETT-SMITH, Spotify USA, Inc. WILLARD HOYT, Television Music License Committee, LLC COLIN RAFFEL, Prometheus Radio Project LEE KNIFE, Digital Media Association (DiMA) NEAL R. GROSS COURT REPORTERS AND TRANSCRIBERS 1323 RHODE ISLAND AVE., N.W. (202) 234-4433 WASHINGTON, D.C. 20005-3701 www.nealrgross.com Page 2 BILL LEE, SESAC, Inc. STEVEN MARKS, Recording Industry Association of America (RIAA) CASEY RAE, Future of Music Coalition GARY RINKERMAN, Drinker, Biddle & Reath LLP JAY ROSENTHAL, National Music Publishers Association MICHAEL G. STEINBERG, Broadcast Music, Inc. (BMI) DOUG WOOD, National Council of Music Creator Organizations ERIC ALBERT, Stingray Digital Group PAUL FAKLER, National Association of Broadcasters/Music Choice ANDREA FINKELSTEIN, Sony Music Entertainment, Inc. CYNTHIA GREER, Sirius XM Radio Inc. BOB KOHN, Kohn On Music Licensing WILLIAM MALONE, Intercollegiate Broadcasting System, Inc. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
A Voice in the Wilderness
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2006 A Voice in the Wilderness Michael Austin Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Creative Writing Commons Recommended Citation Williams, T. T., & Austin, M. (2006). A voice in the wilderness: Conversations with Terry Tempest Williams. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. A Voice in the Wilderness Edited by Michael Austin Conversations with Terry Tempest Williams A Voice in the Wilderness Photo by Cheryl Himmelstein Terry Tempest Williams A Voice in the Wilderness Conversations with Terry Tempest Williams Edited by Michael Austin Willet Drawing by Lee Carlman Riddell Utah State University Press Logan, Utah Copyright © 2006 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Manufactured in the United States of America Printed on recycled, acid-free paper ISBN-13: 978-0-87421-634-9 ISBN-10: 0-87421-634-6 Library of Congress Cataloging-in-Publication Data Austin, Michael, 1966- A voice in the wilderness : conversations with Terry Tempest Williams / edited by Michael Austin ; Willet drawing by Lee Carlman Riddell. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-87421-634-9 (pbk. : alk. paper) ISBN-10: 0-87421-634-6 (pbk. : alk. paper) 1. Williams, Terry Tempest--Interviews. -
Publishing Against the Grain
Sixth NLPVF International Non-Fiction Conference, 2006 Publishing Against the Grain Friday morning: Commercial pressure: anathema to good publishing or essential to it? Maarten Valken – Welcome to the Rode Hoed, as this building is called, the red hat. It started out as a hatter’s shop. In the seventeenth century it became a Remonstrant church, although services were officially forbidden at that time, so it became a clandestine church. It remained a Remonstrant church until 1957, the oldest and biggest one in The Netherlands, and since 1990 it has become a debating centre. This conference is already the sixth one since we started nine years ago. We were and still are able to organise them thanks to the financial help of the Ministry of Culture and the Ministry of Foreign Affairs. These conferences have become a unique place to meet, to have longer contacts, especially for publishers who have less and less time to talk to each other personally, but also between publishers and translators, and of course for the Dutch authors to get in touch with both of them. The last conferences we started to send around a survey. It was first meant as a source of ideas, but it also turned out to be a very interesting document for the discussions, and we will probably use them later. In the other room as you might have seen there are Dutch books by the authors who are here: Minka Nijhuis who is sitting here, Marjon van Royen, and Jutta Chorus who is joining us later, she will talk tomorrow. -
The Ticker to Refrain from Publishing Law, the Second Point That Needs to Be Ad Black Fingerprint Dust Allover the by the Way, I Not a Member Am 46 E
.' 1932 TIle Studelils' Voke for OYer 50 Yeaa * * * 19M * Vol. 54 No.3 September 30, 1986 Dean Golub School of Education Resigns. Reorganized By NEERAJ VOHRA By. ANDREA E. BENT Lester Golub, dean of the School of Education since 1983, resigned Baruch College has established a Previously, the School of Educa from his' position effective June newly organized School of Educa tion consisted of two departments 3Oth,- 1986, according· ·to .. Paul tion and Educational Services by and 28 faculty members. Now, LeClerc, provost and vice-president .. administratively grouping· the there are five departments, 87 facul for academic affairs. Baruch College Library, the ty members and one unit. Patricia M. Kay, Golub's Department of Compensatory Pro academic assistant, took over as the grams, the Department of Student Patricia M. Kay, who was ap acting dean on July Ist, Personnel Services and the Conti pointed acting dean of the new School of Education and Educa Golub has since "requested a one nuing Studies Program with the ex ..., year leave of absence" from isting School of Education. tional Services in July, said that one Baruch, said LeClerc, and is cur- . The move to incorporate these of the factors influencing the rently the dean of the Institute for departments into the School of change was the increasing attention Teaching and Educational Studies Education was first discussed in on education across the country. at Adelphi University in Long 1984, said Provost Paul Le Clerc. "We will see in a few years more Island. He said the decision for the move students developing interest in Neither LeOerc nor Kay would M.B.A. -
Steve's Karaoke Songbook
Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA -
Elements 2019 Edition
King of the World I Am – Eric Short – Visual – 2019 Elements 2019 Editor-in-Chief: Morgan Cusack Faculty Advisor: Dr. Erika T. Wurth Editorial Board: Christian Sessom, Isai Lopez, Emma Dayhoff, Morgan Cusack and Jacob Taylor Alexis Fioroni Connor Sullivan Fairy Tales Evil Crow Unlocked Jewel Woodward everything isn’t what it always seems Angelique Herrera Abandonment Cory Clark Just a Bite Broken Memory In the Dust Kate Birr Caught Austin Middelton Days Gone Sidney Bottino Coffee Curtis Pointer Sound Casey Hendrickson Ekpharastic Cold Human Aaron Mendenall This Evening Jacob Taylor Don’t Blame Your Diagnosis Living in Chicago Kaylee Gundling Emma Dayhoff Meshes of the Afternoon Greenwood Letting Go Director’s Cut Joshua Miller No Longer Alone Morgan Cusack this place you made Matt Barry Chasing the Sun Birdcage Those Left Behind Shelby Davin Emilie Hahn The Boogeyman Overcome: A Sestina Marshelle Kellum Emily Trenter Me a Writer? Frozen Patience Alisa Davis Deadbeat Dads Best Part Winners of the Lois C. Bruner Creative Nonfiction Award: 1st Place - Marissa Purdum The Dog Days 2nd Place - Marcus Sweeten A Dose of Change 3rd Place - Kendrick Keller Flight Winners of the Cordell Larner Award in Fiction: 1st Place - Adam Norris Cheap Rubber Mulch 2nd Place - Angelique Herrera Hush Hush 3rd Place - Brandon Williams End Measured Mile Winners of the Cordell Larner Award in Poetry: 1st Place - Eric Short Speak to us on Freedom The Drinking Game You’re Old Country Now 2nd Place - Marcus Sweeten 102 E. Clay Zerzan 3rd Place - Janae Imeri The Puppeteer and The Puppet Train of Thought Alexis Fioroni “Fairy Tales” What did you do? I did what any woman would do, I filled my bed with the finest queens Searching for you, in their damp skin I kissed the quiet valleys in the cracks of their backs, their celestial mooans, Danced with sacred fairies. -
UNIVERSITY of CALIFORNIA Santa Barbara Music As a Procedural
UNIVERSITY OF CALIFORNIA Santa Barbara Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by Meghan Joyce Tozer Committee in charge: Professor Stefanie Tcharos, Chair Professor Robynn Stilwell Professor David Paul Professor Derek Katz September 2016 The dissertation of Meghan Joyce Tozer is approved. __________________________________________ Robynn Stilwell __________________________________________ Derek Katz __________________________________________ David Paul __________________________________________ Stefanie Tcharos (Committee Chair) June 2016 Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson Copyright © 2016 by Meghan Joyce Tozer iii ACKNOWLEDGEMENTS There are a great many people whose time, expertise, and support made this dissertation possible. First, I would like to thank my advisor, Dr. Stefanie Tcharos. The impact of your patience and knowledge was only outweighed, in the process of writing this dissertation, by the examples you have set for me in the work you do and, frankly, the life you lead. My life will be forever improved because I have had you as a mentor and role model. Dr. Robynn Stilwell, thank you for taking the time to participate in this project so wholeheartedly, for giving me your valuable advice, and for blazing the proverbial trail for women film music scholars everywhere. Drs. Dave Paul and Derek Katz, thank you for the years of guidance you provided as I have developed as a scholar. I want to thank my colleagues at the University of California, Santa Barbara – Emma Parker, Linda Shaver-Gleason, Sasha Metcalf, Scott Dirkse, Vincent Rone, Michael Vitalino, Shannon McCue, Jacob Adams, Michael Joiner, and, I am sure, others – for your careful feedback during workshops, in-person and online, as well as for your comradery and friendship throughout our years together.