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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
“Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan. -
Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
AC;T I - SCENE 1 No.1 Overture Seep
7 AC;T I - SCENE 1 No.1 Overture Seep. 85 IOrchestra) Music seg11es as one. No. 2 Sweet And Lowdown 5-.:e p. 85 (Jimmy, Jeannie, Cirls & Cuys) Lights Up: A speakeasy in New York Cih;. JEANNIE leads a gaggle of CHORUS GIRLS. The surrounding tables are full of handsome YOUNG MEN. We are at a society bachelor party - rich boys having fun. JEANNIE & GIRLS. Grab a cab and go down To where the band is playing; Where milk and honey flow down Where ev'ry one is saying "Blow that sweet and low-down!" Busy as a beaver, You'll dance until you totter; You're sure to get the fever For nothing could be hotter Oh, that sweet and low-down! JEANNIE. (Over music) All right, peoples, peoples - listen up! Now this is a very sad occasion, 'cause tomorrow morning, our own Jimmy Winter is gettin' married for the third time! JIMMY. (Stands up) Fourth time! EVERYBODY cheers. JlMMY. (Continued) But this time, I'm not marrying some cheap chorus girl! JEANNIE & GIRLS. Awww. JIMMY. Sorry, cheap chorus girls. EVERYBODY cheers. JIMMY. (sung) There's a cabaret in this city I can recommend to you; Peps you up like electricity When the band is blowing blue. \:IC - l'rompt Book 8 .. I (JJ MY. They play nothing classic, Oh no• Down there, They crave nothing e se Bu he low-down there I you need a on·c nd he need is chron c If you're in a crisis. my advice is }EA lE & L Grab a cab and go down Grab a cab and go down To where the band 1s playin : Where he band i playing; Where milk and honey flow down Where ev'ry one is sayin' E IR Blow Blow that eet and low-d wnl" Low low down t Busy as a beaver, Busy as a beaver. -
January 2020 Calendar
January 2020 Sunday Monday Tuesday Wednesday Thursday Friday Saturday Armchair Traveler Section Judy S - January 8th 1 New Year's Day 3 4 Birth flower: 2 This month we are visiting Pat T - January 22nd 9:30 Catholic Mass 9:30 B-Fit Class 9:30 B-Fit Class Carnation Lee M - January 26th 10:00 Bingo Texas - The Lone Star State 10:45 Texas Slide Show 11:00 Communion Birthstone: 2:00 Movie Matinee 1:15 Scrabble CBRF 1:30 Netflix Movie Garnet Andy Griffith Hour 3:00 Kings in the Corner MC 5 6 7 8 9 10 11 9:30 Catholic Mass in the 9:30 B-Fit Class 9:30 B-Fit Class 9:30 Rosary & Devotion 9:30 B-Fit Class 9:30 B-Fit Class 10:00 Bingo Multi-Purpose Room 10:45 Lucky 3's Dice Game 10:45 Bingo 10:15 Documentary on Elvis 10:45 Roll A Snowman 10:45 Kings in the Corner Presley 2:00 Movie Matinee 1:15 Farkle Dice CBRF 1:15 Sheepshead CBRF 1:15 Cribbage CBRF 1:30 Netflix Movie Golden Girl Hour 3:00 Manicures MC 3:00 Bunco Dice Game MC 3:00 Make an Owl Craft 3:00 Entertainment with Lila 12 13 14 15 16 17 20 9:30 Catholic Mass in the 9:30 B-Fit Class 9:30 B-Fit Class 9:30 Rosary & Devotion 9:30 B-Fit Class 9:30 B-Fit Class 10:00 Bingo Multi-Purpose Room 10 :45 Card Bingo 1 0:45 Texas Trivia 10:1 5 Documentary on Martin 10 :45 LRC Dice Game 11:00 Communion Luther King, Jr. -
The Crucible
AISOCC Quarterly Newsletter: January, 2018 The Crucible The American Investigative Society of Cold Cases is a non-profit, volunteer based organization of professional investigators whose sole mission is to assist law enforcement agencies in solving cold cases. AISOCC Review Board and Consulting Committee Members review cold cases across the following categories: investigatory, legal, forensic science, behavioral science, medicolegal, and others as they apply per case. Collectively, AISOCC offers advice and suggestions for how to get over “the hump” many cold cases present. Law enforcement agencies are welcome to contact AISOCC to schedule case review. AISOCC’s Mission To actively investigate unsolved cold cases and assist law enforcement and the victims’ families in their quest for truth and justice by using factual scientific evidence and applied forensic criminological means in order to hold the responsible party(s) accountable. www.AISOCC.com 1 AISOCC Quarterly Newsletter: January, 2018 The Crucible In This Issue A Message from your President Kenneth Mains A Message from your Vice President Christopher Kunkle Featured Books John Liebert AISOCC Members Out and About The Hunt For The Zodiac Killer Kelly Ayers Training Opportunities Arizona’s Cold Case Conference 2018 AISOCC Annual Educational Conference Membership Renewals Reminder Journal of Cold Case Review Reminder Membership Info 2 AISOCC Quarterly Newsletter: January, 2018 The Crucible A Message From Your President Dear AISOCC Members – 2017 is now in our rearview mirror as we look forward to 2018 and the changes we can bring to stagnate cases. We will also continue to improve the organization of electronic files from law enforcement so that it is easier to review. -
Artist Songbooks Songbooks
121 ARTISTARTIST SONGBOOKS SONGBOOKS P/V/G = Arrangements for piano and voice with guitar AVALON – JOY PAUL BALOCHE chords. A Christmas Collection Ten beautiful holiday songs PAUL BALOCHE – Easy Piano = Easy arrangements for piano with lyrics. GOD OF WONDERS Easy Guitar with Notes and Tab = Simplified arrange- from this popular contem- ments with notes, tab, chord charts, and strum and pick porary Christian vocal quartet: Integrity Music patterns. Angels Medley • The One of the most respected Christmas Song • Don’t Save It worship leaders in the United All for Christmas Day • Good States, Paul Baloche’s best- selling album God of Wonders SUSAN ASHTON News • Jesus Born on This Day • Joy (To the World) • combines great vocals with SUSAN ASHTON – Light a Candle • Manger Medley • We Are the Reason • melodic instrumentation. This SO FAR … THE BEST Winter Wonderland. songbook includes OF SUSAN ASHTON .... ______00306379 P/V/G...................................$14.95 piano/vocal arrangements, guitar chords, and lyric-only 12 songs, featuring her #1 overhead masters for 14 songs: Stir Up a Hunger • God hits. Songs include: Stand • AVALON – of Wonders • The Song of Jabez • and more. Hide Or Seek • Here In My A MAZE OF GRACE ______08739281 P/V/G.....................................$9.95 Heart • Grand Canyon • and Adonai • Dreams I Dream for more. You • Forgive + Forget • MICHAEL CARD Knockin’ on Heaven’s Door • A Maze of Grace • The Move • MICHAEL CARD – ______00306061 P/V/G ........................................$12.95 Reason Enough • Speed of JOY IN THE JOURNEY Light • Testify to Love • A Matching folio to his compila- SUSAN ASHTON/ World Away. tion of 10 years of hits. -
So Go the Ghosts of México, Part One
so go the ghosts of méxico, part one by Matthew Paul Olmos Contact: Leah Hamos The Gersh Agency 41 Madison Avenue, 33 rd Floor, New York, NY 10010 212.917.1818 [email protected] i part I a brave woman in méxico the people a brave woman in méxico the police chief the husband el morete güero a place méxico, present day Spanish translation by Mariana Carreño King ii the beginning an emptying dirt and gravel parking lot: vacant spaces and cars-recently-left surrounded by cars-abandoned-who- the-fuck-knows. MARI and HUSBAND fuck in an emptied car. HUSBAND Lemme just— MARI Yea, I know, it’s— HUSBAND You’re on my— MARI I’m trying to— HUSBAND Will you get…over— MARI I don’t want be…over, I wanna be right…on…this… HUSBAND Fine then lift your— MARI I can’t, you go around— HUSBAND Mari, I can’t keep it in if I can’t— MARI You’re a man, if there’s a way to keep it in, you will. (HUSBAND tries a different approach; they find a rhythm) HUSBAND See that. Lookit us— MARI Will you/just— HUSBAND See how we can be— 1 MARI No words. (Just as HUSBAND feels in synch, MARI pulls off. On their separation, we hear a breaking of static; they both notice, but think nothing of it) HUSBAND Okay… MARI This isn’t— HUSBAND Wow. I know that look. MARI I’m not looking at you, I’m just— HUSBAND What? (pause) Say it. MARI Tomorrow. -
Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circu
Author Title AR Book AR Interest Joyce, Melanie (Ls) Billy's Boy 1.6 0.5 MY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Milford, Alison (Ls) Circus Scam 1.9 0.5 UY Pearson, Danny (Ls) Escape From The City 1.9 0.5 MY Pearson, Danny (Ls) Escape From The City 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Pearson, Danny (Ls) Football Smash 1.9 0.5 MY Powell, Jillian (Ls) Cage Boy: Level 5 1.9 0.5 MY Gray, Kes Oi Goat!: World Book Day 2018 2 0.5 LY Hurn, Roger (Ls) Too Hot: Level 3 2 0.5 MY Thomas, Valerie Winnie Flies Again 2 0.5 LY Thomas, Valerie Winnie Flies Again 2 0.5 LY Adams, Spike T. (Ls) Evil Ink 2.1 0.5 UY Adams, Spike T. (Ls) Snap Kick 2.1 0.5 UY Clayton, David Hell-Ride Tonight! 2.1 0.5 MY Cullimore, Stan (Ls) Bubble Attack 2.1 0.5 UY Cullimore, Stan (Ls) Bubble Attack 2.1 0.5 UY Cullimore, Stan (Ls) Robert And The Werewolf 2.1 0.5 UY Cullimore, Stan (Ls) Robert And The Werewolf 2.1 0.5 UY Higson, Charlie Silverfin: The Graphic Novel 2.1 1 MY Lee, Janelle (Ls) Badu Boys Rule! 2.1 0.5 MY Orme, David Boffin Boy And The Emperor's Tomb 2.1 0.5 MY Powell, Jillian (Ls) Chip Boy 2.1 0.5 UY Tompsett, C.L. -
February 2011
Love February 2011 The Verdadera staff encourages you to discuss and explore the issues and stories, as the publication aims not only to offer an outlet for expression, but to improve our lives. Keep in mind that the emotions that flow through the text and the feelings behind the words could be those of your child, your classmate, or your best friend. Things to consider: Have you ever experienced love? Do you have faith in love? What are the different types of love? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Student Submissions Generally I roll my eyes when a story starts off by defining when you tell yourself not to search for something, your a common word. My apologies if you feel the same way, mind is triggered to search for it. Thus, my preteen years because I am about to be a complete hypocrite. Here is my were full of quixotic crushes and terribly desperate story. Serendipity (-noun) luck, finding good things attempts at setting myself up for a future romance. without looking for them. At one point in high school, I thought I finally succeeded When I was little, I stumbled across this definition on the in finding a good relationship serendipitously but deep inside of a Hallmark card and immediately I declared it to down inside I knew I was lying to myself. It didn't form be my favorite word. Perhaps it was the five syllables of naturally at all, it was just a situation that I thought I could ser-en-DIP-i-ty, or maybe it was the way ""dipity"" gives form into something perfect. -
Emmett Till Cold Case Investigation and Training and Technical Assistance Program” Hosted by the Bureau of Justice Assistance
MARY JO GIOVACCHINI: Good afternoon everybody and welcome to today's webinar “Emmett Till Cold Case Investigation and Training and Technical Assistance Program” hosted by the Bureau of Justice Assistance. At this time, I'd like to introduce today's presenters: Elizabeth Griffith, Associate Deputy Director with the Bureau of Justice Assistance; Barbara Kay Bosserman, Deputy Chief of the Cold Case Unit and Senior Legal Counsel with the U.S. Department of Justice; LaShunda Williams, Supervisory Special Agent Civil Rights Division within the Bureau of—in the Federal Bureau of Investigation; and Gerri Ratliff, Acting Director for Community Relations Service within the Department of Justice. At this time I'm going to turn the presentation over to Betsi Griffith. ELIZABETH GRIFFITH: Good afternoon and thank you. I'm Betsi Griffith from the Bureau of Justice Assistance. I just want to lay out here the agenda for today. We're going to spend a little bit of time talking about the agency who's offering this opportunity, the Bureau of Justice Assistance where I work, talk a little bit about the particular opportunity including eligibility and grant-related information, and some background on how we review our applications to assist you in applying. This project has—is really building on the foundation of some tremendous work that's been happening across the Department over the last decade so I really want to turn it over to subject matter expertise that can kind of give you that context and are available to work with sites that receive funding or generally have an interest in this work so I wanted you all to be aware of that, and then we'll close with a few minutes around, you know, just logistics of both things that we've learned from experience you want to keep an eye out for as you apply as well as to talk briefly about our new Grants Management System, and answer question and—answer any questions you have.