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Victoria Woodhull: a Radical for Free Love Bernice Redfern
San Jose State University SJSU ScholarWorks San José Studies, 1980s San José Studies Fall 10-1-1984 San José Studies, Fall 1984 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_80s Recommended Citation San José State University Foundation, "San José Studies, Fall 1984" (1984). San José Studies, 1980s. 15. https://scholarworks.sjsu.edu/sanjosestudies_80s/15 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1980s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. sa1an~s asof Nvs SAN JOSE Volume X, Number 3 ARTICLES The Declaration and the Constitution Harry V. Jaffa . 6 A Moral and a Religious People Robert N. Bellah .............................................. 12 The Constitution and Civic Education William J. Bennett ............................................ 18 Conversation: The Higher Law Edward J. Erler and T. M. Norton .............................. 22 Everyone Loves Money in The Merchant of Venice Norman Nathan .............................................. 31 Victoria Woodhull: A Radical for Free Love Bernice Redfern .............................................. 40 Goneril and Regan: 11So Horrid as in Woman" Claudette Hoover ............................................ 49 STUDIES Fall1984 FICTION The Homed Beast Robert Burdette Sweet ........................................ 66 Wars Dim and -
Géraldine Crahay a Thesis Submitted in Fulfilments of the Requirements For
‘ON AURAIT PENSÉ QUE LA NATURE S’ÉTAIT TROMPÉE EN LEUR DONNANT LEURS SEXES’: MASCULINE MALAISE, GENDER INDETERMINACY AND SEXUAL AMBIGUITY IN JULY MONARCHY NARRATIVES Géraldine Crahay A thesis submitted in fulfilments of the requirements for the degree of Doctor in Philosophy in French Studies Bangor University, School of Modern Languages and Cultures June 2015 i TABLE OF CONTENTS Abstract .................................................................................................................................... vii Acknowledgements ................................................................................................................... ix Declaration and Consent ........................................................................................................... xi Introduction: Masculine Ambiguities during the July Monarchy (1830‒48) ............................ 1 Introduction ..................................................................................................................................... 1 Theoretical Framework: Masculinities Studies and the ‘Crisis’ of Masculinity ............................. 4 Literature Overview: Masculinity in the Nineteenth Century ......................................................... 9 Differences between Masculinité and Virilité ............................................................................... 13 Masculinity during the July Monarchy ......................................................................................... 16 A Model of Masculinity: -
The Right of Way
The Right of Way Gilbert Parker The Right of Way Table of Contents The Right of Way......................................................................................................................................................1 Gilbert Parker.................................................................................................................................................1 INTRODUCTION.........................................................................................................................................2 NOTE.............................................................................................................................................................5 CHAPTER I. THE WAY TO THE VERDICT.............................................................................................5 CHAPTER II. WHAT CAME OF THE TRIAL............................................................................................9 CHAPTER III. AFTER FIVE YEARS........................................................................................................15 CHAPTER IV. CHARLEY MAKES A DISCOVERY...............................................................................17 CHAPTER V. THE WOMAN IN HELIOTROPE......................................................................................18 CHAPTER VI. THE WIND AND THE SHORN LAMB...........................................................................21 CHAPTER VII. PEACE, PEACE, AND THERE IS NO PEACE"'.........................................................25 -
French Women's Writing 1900-1938
Overlooked and Overshadowed: French Women’s Writing 1900-1938 Margaret Ann Victoria Goldswain Student No: 18550362 Bachelor of Arts (UNISA). Bachelor of Arts (UWA) Diploma in Modern Languages (French) (UWA) This thesis is presented for the degree of Doctor of Philosophy of the University of Western Australia School of Humanities (Discipline-French) 2014 ABSTRACT Overlooked and Overshadowed: French Women’s Writing 1900-1938 This study examines how women in France between 1900 and 1938 (before during and after the Great War) were represented in the writings of four selected women writers - Marcelle Tinayre (1870-1948), Colette Yver (1874-1953), Lucie Delarue-Mardrus (1874-1945) and Marcelle Capy (1891-1962). These authors, fêted in their time have now been largely excluded from contemporary studies on women in early twentieth-century France. The thesis demonstrates how their personal circumstances and the politico-social events of 1900-1938 influenced the way each writer represented women over time, and reveals that women’s writings were not homogenous in theme or in focus. By reading these texts alongside other contemporaneous texts (newspaper articles, reviews and writings by other women), the analyses show that Tinayre, Yver, Delarue-Madrus and Capy challenge and complicate stereotypical perspectives produced mainly by male authors of the same era. Using a longitudinal approach, the study explores each author’s selected texts across three distinct periods - the belle époque, the Great War and the inter-war. Such a reading makes it possible to assess changes in their writing in response to contemporary social and political events in France. By looking at four writers writing across the same era the diversity of women’s lives is also underlined. -
Art Impressionniste Et Moderne Drouot Montaigne - Mercredi 6 Juillet 2011
ART IMPRESSIONNISTE ET MODERNE DROUOT MONTAIGNE - MERCREDI 6 JUILLET 2011 MERCREDI 6 JUILLET 2011 A 20H00 ART IMPRESSIONNISTE ET MODERNE EXPOSITIONS PUBLIQUES : Samedi 2 et dimanche 3 juillet de 11 h à 19 h Lundi 4 et mardi 5 juillet de 10 h à 20 h Mercredi 6 juillet de 10 h à 15 h DROUOT MONTAIGNE 15, avenue Montaigne 75008 Paris Téléphone pendant les expositions et la vente : +33 (0)1 48 00 20 80/91/92 DIRECTRICE DU DEPARTEMENT ART IMPRESSIONNISTE ET MODERNE Constance Lemasson 46 avenue Kléber 75116 Paris TEL. : + 33 (0)1 47 27 85 16 - FAX. : + 33 (0)1 45 23 08 28 [email protected] COMMISSAIRE-PRISEUR ARNAUD CORNETTE de SAINT CYR - TEL. : +33 (0)1 47 27 11 24 - [email protected] TOUS LES CATALOGUES EN LIGNE SUR WWW.CORNETTE.AUCTION.FR COMMISSAIRES PRISEURS HABILITÉS : PIERRE CORNETTE de SAINT CYR - BERTRAND CORNETTE de SAINT CYR - ARNAUD CORNETTE de SAINT CYR COLLECTION DE MADAME X. 1. CHARLES CAMOIN (1879-1965) ANÉMONES AU POT BLEU ET OR Huile sur papier contrecollé sur toile Signée en bas à gauche 33,5 x 25 cm Oil on paper laid down on canvas Signed lower left 133/16 x 913/16 in. Nous remercions Madame Grammont-Camoin qui a aimablement confirmé l’authenticicté de cette œuvre Bibliographie : Danièle Giraudy, Camoin, sa vie, son œuvre, La Savisienne / Impr Réunies, Marseille / Lausanne (1992/1972), référencé sous le n°1267 6 000 / 8 000 € 5. - 7- COLLECTION DE MADAME X. 2. 2. ANDRÉ HAMBOURG (1909-1999) 3. ANDRÉ HAMBOURG (1909-1999) VENT D'EST, PLAGE DE TROUVILLE LA NEIGE SUR LE VIEUX BASSIN, TEMPS CLAIR, HONFLEUR, 1962 Huile sur toile Huile sur toile Signée en bas à gauche Signée en bas à gauche Titrée et signée des initiales au dos Titrée, datée "décembre 1962" et signée des initiales au dos 16,5 x 22 cm 22 x 35 cm Oil on canvas Oil on canvas Signed lower left Signed lower left Titled and signed with the initials on the back Titled, dated “décembre 1962” and signed with the initials on the back 61/2 x 811/16 in. -
Summer 2016 Pregnancy Special Issue
Women’s History The journal of the Women’s History Network Pregnancy Special Issue Summer 2016 Articles by Katarzyna Bronk, Sara Read, Hannah Charnock, Chelsea Phillips, Emma O’Toole Plus Eight book reviews Getting to know each other Committee news Calls for Review Volume 2 Issue 5 ISSN 2059-0164 www.womenshistorynetwork.org The Women’s History Network Annual Conference 2016 Women’s Material Cultures/Women’s Material Environments Friday 16 September – Saturday 17 September 2016 Leeds Trinity University In September 2016, Leeds Trinity University is honoured to be hosting the 25th annual Women’s History Network conference on the theme of Women’s Material Cultures and Environments. We are delighted to welcome Dr Jane Hamlett, Professor Yosanne Vella and Kitty Ross as keynote speakers. For more information and to book your place, please visit whn2016.wordpress.com [email protected] @whn2016 IMAGE CREDIT: ‘In the Studio’ painting of the Academie Julien in Paris, 1881, by Marie Bashkirtseff (1858 – 1884), held at Dnipropetrovsk State Art Museum, online at: https://commons.wikimedia.org/wiki/File:Bashkirtseff_-_In_the_Studio.jpg Editorial elcome to the Summer 2016 issue of Women’s History, a discussion of reproduction and pregnancy that stretched Wspecial issue on pregnancy guest edited by Jennifer Evans not only across historical fields and approaches but across and Ciara Meehan of the University of Hertfordshire. Women’s disciplines. From these rather humble, and quite likely History is the journal of the Women’s History Network and unfounded gripes, developed the ‘Perceptions of Pregnancy: we invite articles on any aspect of women’s history. -
Numbered Pages
UNIVERSITY OF CALIFORNIA Los Angeles Maddening Truths: Literary Authority and Fictive Authenticity in Francophone and Post-Soviet Women’s Writing A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Melanie Veronica Jones 2021 © Copyright by Melanie Veronica Jones 2021 ABSTRACT OF THE DISSERTATION Maddening Truths: Literary Authority and Fictive Authenticity in Francophone and Post-Soviet Women’s Writing by Melanie Veronica Jones Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2021 Professor David MacFadyen, Co-Chair Professor Laure Murat, Co-Chair At the start of the “post-truth” era, women writers in post-colonial France and post-Soviet Russia were searching for a strategy to respond to the crises of authority and authenticity unfolding around them. Linda Lê, Gisèle Pineau, Ludmilla Petrushevskaya, and Anna Starobinets exploit the ambiguity of literary madness to destabilize traditional sites of knowledge and work towards new conceptions of truth. All four women’s works have traditionally been approached as narratives of trauma, detailing the ravages of mental illness or cultural upheaval. This dissertation argues that they instead work to expose the irreconcilability of medical, sociological, and spiritual authorities, forcing readers to constantly question who (if anyone) can be considered trustworthy and which ii (if any) perspective can be declared reliable. The texts provide fictional reference points, like intertextual allusions and meta-literary framing, as the surest way for readers to anchor their assumptions. Linda Lê’s autofictional text Calomnies and Gisèle Pineau’s autobiographical novel Chair Piment depict a Francophone world wracked with social fractures in the wake of decolonization and economic crisis: amidst the splintering chaos, literature acts as a tenuous web holding contradictory discourses in suspension. -
Amongst Women: Literary Representations of Female Homosociality in Belle Epoque France, 1880–1914
Amongst Women: Literary Representations of Female Homosociality in Belle Epoque France, 1880–1914 Submitted by Giada Alessandroni to the University of Exeter as a thesis for the degree of Doctor of Philosophy in French in September 2018 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. ABSTRACT This thesis explores fictional representations of female homosociality in a group of female- authored, middlebrow novels published in France between 1880 and 1914 in order to include women’s writing of the Belle Epoque within the narratives of the literary and cultural history of friendship and further our understanding of gender identities in the long nineteenth- century. Novelistic portrayals of female homosociality are compared to the models of female bonding described in didactic or orthodox literature of the time so as to highlight the various innovations made, in relation to this theme, by the texts under consideration. Using the novel as a forum in which ideas about women’s identities and their relationships could be reflected upon and negotiated, some Belle Epoque female authors engage with the limitations and possibilities of female relationships in fiction as a way to participate in contemporary debates about modern and traditional womanhood. In particular, the representation of female homosociality constitutes one of the literary devices through which the figure of the femme moderne comes into being on paper, and reflects the authors’ engagement with a form of female modernism that problematizes the dichotomy between ‘high’ and ‘popular’ literature, giving shape to women’s experience of modernity. -
Desire, Fantasy, and the Writing of Lesbos-Sur-Seine, 1880-1939 By
Desire, Fantasy, and the Writing of Lesbos-sur-Seine, 1880-1939 by Lowry Gene Martin, II A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in French And the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Ann Smock Professor Barbara Spackman Professor Charis Thompson Fall 2010 1 Abstract Desire, Fantasy, and the Writing of Lesbos-sur-Seine, 1880-1939 by Lowry Gene Martin, II Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair My dissertation challenges a commonly accepted view that literary representations of lesbianism were merely a momentary fashion, linked to Symbolist and Decadent movements in literature. More than a trope for artistic sterility, the explosion of Sapphic representation emblematized the social fractures prevalent during the Third Republic. This dissertation illustrates that “Sapphism”—in literature and beyond—became a type of shorthand to discuss everything from declining natality to changing gender roles, from military fears to urban space to the nature of artistic production. Using legal, racial and other social discourses to provide different kinds of contextualization, my readings of such canonical authors as Zola, Proust, and Colette reveal how lesbian depictions were not merely about sexuality or art but addressed a host of social and political anxieties. Beginning with an analysis of censorship of lesbian themed novels between 1885 and 1895, I demonstrate the randomness of censorship and its failure to stem the growing number of lesbian depictions. This chapter is followed by an investigation of the role of racial and ethnic othering of the lesbian in French literature as a means to discuss French fears of contamination from its colonies and perceived threats from other world powers. -
Daxer & M Arschall 20 19 XXVI
XXVI Daxer & Marschall 2019 Recent Acquisitions, Catalogue XXVI, 2019 Barer Strasse 44 | 80799 Munich | Germany Tel. +49 89 28 06 40 | Fax +49 89 28 17 57 | Mob. +49 172 890 86 40 [email protected] | www.daxermarschall.com 2 Oil Sketches, Paintings, Drawings and Sculpture, 1668-1917 4 My special thanks go to Simone Brenner and Diek Groenewald for their research and their work on the texts. I am also grateful to them for so expertly supervising the production of the catalogue. We are much indebted to all those whose scholarship and expertise have helped in the preparation of this catalogue. In particular, our thanks go to: Peter Axer, Iris Berndt, Robert Bryce, Christine Buley-Uribe, Sue Cubitt, Kilian Heck, Wouter Kloek, Philipp Mansmann, Verena Marschall, Werner Murrer, Otto Naumann, Peter Prange, Dorothea Preys, Eddy Schavemaker, Annegret Schmidt- Philipps, Ines Schwarzer, Gerd Spitzer, Andreas Stolzenburg, Jörg Trempler, Jana Vedra, Vanessa Voigt, Wolf Zech. 6 Our latest catalogue Oil Sketches, Paintings, Drawings and Sculpture, 2019 Unser diesjähriger Katalog Paintings, Oil Sketches, comes to you in good time for this year’s TEFAF, The European Fine Art Fair in Paintings, Drawings and Sculpture, 2019 erreicht Sie Maastricht. TEFAF is the international art market high point of the year. It runs rechtzeitig vor dem wichtigsten Kunstmarktereignis from March 16-24, 2019. des Jahres, TEFAF, The European Fine Art Fair, Maastricht, 16. - 24. März 2019, auf der wir mit Stand The Golden Age of seventeenth-century Dutch painting is well represented in 332 vertreten sind. our 2019 catalogue, with particularly fine works by Jan van Mieris and Jan Steen. -
Seeing Laure: Race and Modernity from Manet's Olympia to Matisse
Seeing Laure: Race and Modernity from Manet’s Olympia to Matisse, Bearden and Beyond Denise M. Murrell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2013 Denise M. Murrell All Rights Reserved ABSTRACT Seeing Laure: Race and Modernity from Manet’s Olympia to Matisse, Bearden and Beyond Denise M. Murrell During the 1860s in Paris, Edouard Manet and his circle transformed the style and content of art to reflect an emerging modernity in the social, political and economic life of the city. Manet’s Olympia (1863) was foundational to the new manner of painting that captured the changing realities of modern life in Paris. One readily observable development of the period was the emergence of a small but highly visible population of free blacks in the city, just fifteen years after the second and final French abolition of territorial slavery in 1848. The discourse around Olympia has centered almost exclusively on one of the two figures depicted: the eponymous prostitute whose portrayal constitutes a radical revision of conventional images of the courtesan. This dissertation will attempt to provide a sustained art-historical treatment of the second figure, the prostitute’s black maid, posed by a model whose name, as recorded by Manet, was Laure. It will first seek to establish that the maid figure of Olympia, in the context of precedent and Manet’s other images of Laure, can be seen as a focal point of interest, and as a representation of the complex racial dimension of modern life in post-abolition Paris. -
Oh, Gently Lead Us. for Soprano Solo and Quartette. Harmonized and Adapted from a German Melody
Box 181 Abbot, Jno. M. Gently, Lord! Oh, Gently Lead Us. For Soprano Solo and Quartette. Harmonized and adapted from a German melody. Troy, NY: C. W. Harris, 1867. Abbot, John M. God Is Love. Trio for Soprano, Tenor, and Basso. Adapted from Conradin Kreutzer. New York: Wm. A. Pond & Co., 1865. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Alphonzo Smith, 1862. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Charles C. Sawyer, 1862. 3 copies. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: J. W. Smith, Jr., 1862. 3 copies. Abbot, John M. Softly now the light of day. Hymn with solos for Soprano, Tenor, and Contralto or Baritone. New York: S. T. Gordon, 1866. Abbott, Jane Bingham. Just For To-Day. Sacred Song for Soprano. Words by Samuel Wilberforce. Chicago: Clayton F. Summy Co., 1894. Abraham’s Daughter; or, Raw Recruits. For voice and piano. New York: Firth, Pond & Co., 1862. Cover features lithograph printed by Sarony, Major & Knapp. Abt, Franz. Absence and Return. For voice and piano. Words by J. E. Carpenter, PhD. From “New Songs by Franz Abt.” Boston: Oliver Ditson & Co., [s.d.]. Abt, Franz. Autumnal Winds (Es Braust der Herbstwind). Song for Soprano or Tenor in D Minor. New York: G. Schirmer, 1872. Abt., Franz. Boatman’s Song, Op. 174, No. 6. For voice and piano. Words by J. Oxenford. From “Franz Abt.” [s.l.]: W. F. Shaw, 1881. Cover features lithograph print by Century Lith. Co. Abt., Franz.