DOCSLIB.ORG

Sv Nafellsjö Ull and Director Dagur

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sv Nafellsjö Ull and Director Dagur ��������������� ����������������������������� ������������������ ����������������������������������������� �������������������������������� ������������������������������������������� ����������������������������� ����������������������������������������� ��������������� ������������ 2 The Reykjavík Grapevine Hafnarstræti 15, 2nd floor www.grapevine.is [email protected] ISSUE 8: JUNE 24 - JULY 7, 2005 Published by: Bazar Publishing ehf. Editor: 540-3602 / [email protected] rticles Advertising: 540-3605 / 616-7731 / [email protected] A Marketing: 540-3603 / 869-7796 / [email protected] Distribution: Interview with Sigríður Dögg Auðunsdóttir 540-3601 / 694-2538 / [email protected] 06 Production: 540-3608 / 849-5611 / [email protected] 12 Grapevine’s Government Guide. Listings: 552-3600 / 847-9290 / [email protected] Who They Are and How They Vote Subscription: 540-3601 / 694-2538 / [email protected] 14 Interview with Jello Biafra Publisher: Hilmar Steinn Grétarsson / [email protected] Editor: Bart Cameron / [email protected] 16 Benign Carelessness Marketing Director: Jón Trausti Sigurðarson / An interview with Director Dagur Kári [email protected] Production Manager: Oddur Óskar Kjartansson / Features [email protected] Art Direction: Jóhannes Kjartansson / [email protected] (Iceland) Mired in Tradition 18 Hörður Kristbjörnsson / [email protected] (Global) Iceland’s Courts and Sexual Assault Law Staff Journalist: Paul Fontaine-Nikolov / [email protected] 20 Iron Maiden Editorial Intern: Sari Peltonen / [email protected] The spandex-clad knights of British metal! Advertising Sales: Aðalsteinn Jörundsson / [email protected] Helgi Þór Harðarson / [email protected] 24 Screaming Viking, Ignoring the Volcano Photographs: Hörður Sveinsson / [email protected] Problems with Iceland’s economy aren’t superficial. Guðmundur Freyr Vigfússon / [email protected] Frímann Kjerúlf / [email protected] Essentials Proofreader: Erika Wolfe Distribution: Jóhann Páll Hreinsson 28 City Guide 30 Shopping Guide Cover Photo by: Gúndi and Grapevine Purchases That Justify Existence On Cover: Hilmar Þór Hafsteinsson & Anna Clausen Hair & Makeup: Sóley Ástudóttir Foreigner’s Guide to Buying Fish 31 Stylists: Anna Clausen & Sóley Ástudóttir with Lína Móey & Berglind Rögnvaldsdóttir 32 Restaurant reviews Thanks to: Eggert Feldskeri, Kron, Ásgeir Þormóðsson, Kjartan Jóh, Loftur, Sigurður, Jónína & Þjóðmenningarhús 33 Bezt í Heimi Printed by: Ísafoldarprentsmiðja ehf. The best restaurants in the world. # of copies: 30,101 Arts & Culture 34 Grapevine Book Reviews Nei! sagði litla skrímslið (No! said the little monster) 35 The Grapevine Presents A Spoken Word Creation 36 “Gullpensillinn” (“The Gold Brush”) Turpentine Gallery 38 Grapevine Has Bad Taste Concert Reviews 40 Album Reviews: 80’s Bands 42 Live Concert Reviews: 17 June Concerts and The New Breed at Keflavík 44 Batman Begins Superhero Actors, Supervillain Script. 45 Dark Horse Boy Meets Girl Raises the Stakes in Icelandic Cinema 46 Hotel Review Radisson with Local History Outside Reykjavík 40-53 Driving the Ring Road, Jökulsárlón, Hótel Skaftafell, Grapevine on Tour: Cooking and Travelling Thailand 54 Lodgings: The Salvation Army Guesthouse JÓNSSON & LE’MACKS • jl.is Reykjavík: Kringlan - Bankastræti 5 - Lækjargata 4 - Faxafen 12 Garðabær: Miðhraun 11 - Akureyri: Glerárgata 32 - Also available in selected shops around Iceland. GET A 10% DISCOUNT OF EVERYTHING IN OUR STORES BY PRESENTING THIS COUPON Keeping Iceland warm since 1926 LETTERS Complaints, criticism, suggestions, praise, money, anything at all: Contact [email protected] or send your mail to: The Reykjavík Grapevine, Hafnarstræti 15, 101 Reykjavík. Hi Bart, From: Kara Hnjukar [mailto: observing Icelanders in regards to I was in Iceland until yesterday [email protected]] people of color and immigrants. doing my journo-ing bit looking at Others would describe my a new product made by an Icelandic “It should be noted that the fascination as freakish obsession company and picked up an issue term “professional protestor” since I am a black woman from of the Grapevine in my hotel, (atvinnumótmælandur) has been Alabama. Most people in Alabama the Bjork. I like the look of the frequently used to describe those suffer from severely localized Grapevine, long may it succeed and practicing civil disobedience in mentalities. When I was moving prosper. Iceland. The term is inaccurate, to London years ago, countless Something else that caught my as there is no such thing as a southerners asked me what language attention was the Icelandic girl in “professional protestor.” they spoke “over there.” But, I the rather beat-up, soft-top Suzuki Of course professional protestors digress. Vitara jeep, which had broken down exist. Throughout history, imperial right in the middle of Laugavegur forces on both right and left have I visited Iceland in April through on Wednesday at around noon. often bribed citizens to turn against Icelandair’s Midweek Getaway. I Now obviously, most British guys their own government. Surely you had an amazing trip. Yes, the natural would be far too reserved to ask for must have heard the term “fifth wonders and horseback riding were the phone number of a woman in columnist”? nice, but my best days were spent distress. Normally, I would have schlepping around Reykjavík’s thrown caution to the wind and Closer to home, you say that “all are coffeehouses. As much as I would asked, but I was on my way to catch welcome” to join the demonstration like to say that I no longer feel a bus to the airport to come home. outside the Ministry of Justice. You drawn to Icelandic history and So, through your letters pages, are presumably being paid a salary immigration issues, I cannot. I feel may I enquire as to the condition at the Grapevine so the Icelandic more compelled to study the strange of her battery now (well, I am an government could claim that you are way Icelanders insist bigotry doesn’t automotive journalist!) and whether, a “professional protestor”. happen in their country. For some should she read this, she might send reason, Icelanders seem to think that me either her phone number, or e- And let’s not forget that Susan de placing focus on preservation of their mail? I’ll be coming back to Iceland Muth, the author of that Guardian lineage and culture has nothing to do later this year and would be happy piece, is the wife of protestor Ólafur with bigotry. It’s the same mentality to bring a new set up ‘jump leads’ Páll Sigurðsson. Presumably she that fueled the Ku Klux Klan in the with me. was paid for the article, which the United States. Racism doesn’t have How many girls are there in Icelandic government and others to be a violent act or a yelled slur. Reykjavík that drive beat-up white claim to be highly inaccurate It is more offensive in those small Suzuki Vitaras? I’ll be happy to share – professional protesting by a every day acts. But, I am not writing that information with you in due journalist. And that’s nothing new. to flog Iceland because I live in the course! Incidentally, on another hypocrisy capital of the modern tack, why is it that Icelanders are so This kind gentleman confirms the world. blind to the treasures that are right definition of “professional protestor” not there in front of them? I’m talking with the fascist belief that if you have a I would like to know if there is any about 1930s ‘Art Deco’ buildings. view that doesn’t match the government way someone like myself could assist True, there are quite a few bad you are there to cause disorder. No, he with your paper on a volunteer level. examples, but Reykjavík has some advances it to a unique level: if you I currently live in Philadelphia and really excellent - if rather neglected report on someone who doesn’t fully have writing experience. I work as a - examples that with a little bit of agree with the government you are a copy editor at a financial firm. imagination could provide more than “professional protestor.” Excellent logic. a good enough reason to visit the April Dobbins city. If you, or the Icelandic tourist We are familiar with the term fifth office doesn’t believe me, look no column, a term coined by General We welcome submissions from around further than the equally hard to Mola in during the Spanish Civil the world, though we focus mainly on reach New Zealand city of Napier War, but that has since been used to local issues. We pay all writers as much for inspiration. scare populations about foreign-born as we can. I managed to (just) find enough populations, especially popular against time to start photographing the best Jews in Britain in the middle of the Regarding blatant racism, in this examples I could find and asked last century, as Jews would be loyal, issue we decided not to print any of the a number of local book dealers according to their accusers, to anarchists Iceland is a white motherland emails and antique dealers whether there and Bolsheviks. How curious to see the that we receive. For one thing, they was a society in Iceland for term thrown about in Iceland when have gotten more violent in tone and the preservation of what I think a group of locals want to protest big they are not adding to the stupid racist Icelanders call ‘funky’ 1930s-style business. discussion—so if you want to read buildings and objects. With massive about ignorant angry racists, read any degrees of redevelopment now taking The kindly gentleman also confuses of our back issues. place in the city centre, it would be a the Grapevine for any and all foreign great shame if this heritage was lost media. There he is correct. The foreign Another reason we aren’t running any now in my view. media is actually a large jellyfish-like of the angry racist letters is because Is there an opening here for a new creature living in a parallel universe whenever we try to respond to one of the pressure group? If so, count me in.
Load more

Recommended publications
  • With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
    I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties.
    [Show full text]
  • April's Fools
    APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom.
    [Show full text]
  • JELLO IS FREE! Byruth Schwartz Therealitv of the Courtroom,The Realitv of the Legalsystem I"S Not Like Anyother Reality Anywhere Orlor Invone
    OCTOBER37 THIS TSART! JELLO IS FREE! ByRuth Schwartz Therealitv of the courtroom,the realitv of the legalsystem i"s not like anyother reality anywhere orlor invone. It is still inbredibleto rnethat these officersof tnecourt train in thisrealitv for somanv years. I think that all of us who walkedin therb blind,with a senseof iusticeand anger over this disruption of our livesand liberty iearned a big"lessonin logic,lhw, and reason. When we started this trial.................(continued inside) ** {. r.rrhe q ti b.rlr. $ sd jndvs|l|a&[vt'Elb.o|oi t '. d db !on.^ d br or e o'yr t io sv. bdE rc o'.i - rts,d @ rrYb tl, .d,brnhr*hr'snb*daalr*'$ I io'r.d or, d rq'di€ rrd ft. i'.r F I q r'r d Fla r.*{i rd v{ rd yd I '|l t cr&dy d cd tJ rdd i! ,A & n..h .r,rd rnro r'!.r y4 6 dr \ d {rb^ rh', d M !.i pcd ,{, 't 6.6m. rM b$ly rFr i io b {Jt- \ l'.6lhdf.lls'.4rq..|Mton.?,jgl##5rofiffi$r ,,4\ . 7 oor'!.d.tr!bd. @d,d. dr "ryil,'"ry" *i?; sp -- l: ffi"8ft f i,lf*"i ;a hi, b. -d6!b i6' bd 'o - .-\'/'/l j'r. 'r -- \t //1 <, h '*adq d oo. d ^t'!o. d.a.l0.lpiid'rdk.lo,b..ff| sl'ld.d@{dp'ld,q'cidbh 'dlb!d,l'.d/M.|'d6oh P}IANTOMRECORDS GNP FREESPEECH NIEUWEKOEKRAND BARBIEARMY ATOMICGOOS HENRYNOLLINS JEFFSALE SACREDDENIAL t'Dahn dah aahn dahrr" oao who Dgrtrrrnlndod sll the soarches) wa! prc6strt ss the assiBta[t to ths pt!|4ntor throughout the trlal.
    [Show full text]
  • 10. a Crass Course in Education
    ROBERT HAWORTH 10. A CRASS COURSE IN EDUCATION Punk Art, Music and Informal Learning Feeding of the 5000 J. Austin (Ed.), Spinning Popular Culture as Public Pedagogy, 107–115. © 2017 Sense Publishers. All rights reserved. R. Haworth As I sift through punk albums from the 1980s, the artwork on the sleeves (not to mention the etched out grooves of analog music within these cardboard gems) brings back memories of resistance, anger, joy, and frustration. The emotional impact is overwhelming. In many instances, the significance of one cover has connections to another. Moreover, these images are embedded in my own complex experiences during my youth. A larger question comes to mind, “Is it possible to choose an album cover that represents how I, or better stated, ‘we,’ experienced punk?” Part of the complicated process of choosing a cover coincides with how I have internalized my experiences, and how my own knowledge and understanding has emerged from these influential bands, artists, and local “scenes”- especially during tremulous times- both externally and internally. Additionally, my confusion in choosing a specific cover stems from the complex nature of punk’s political and cultural spaces or “counter-publics”. In many cases, the “counter-publics” we (participants in the “scene”) constructed were situated and somewhat temporary; however, these spaces were interwoven with and connected to larger movements that contested the oppressive political and economic institutions of the time. Consider the Dead Kennedys’ song “California Über Alles” (1980) where Jello Biafra lyrically paints the political landscape of California as fascists, and the U.K. band, Crass, who characterized and mocked Margaret Thatcher and Ronald Reagan’s attacks on the poor and working class.
    [Show full text]
  • Dead Kennedys and the Yippie-Punk Continuum I Michael Stewart Foley
    Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i Michael Stewart Foley To cite this version: Michael Stewart Foley. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i. Sonic Politics: Music and Social Movements in the Americas, 2019, 1138389390. hal-01999010 HAL Id: hal-01999010 https://hal.univ-grenoble-alpes.fr/hal-01999010 Submitted on 30 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuumi MICHAEL STEWART FOLEY By the time Dead Kennedys released their first LP, Fresh Fruit for Rotting Vegetables, in 1980, the band had established itself as the leading American political punk band, hailing from a city that seemed to specialize in political art. In many ways, the band and its music represented the culmination of nearly three years of subcultural political struggle on a host of issues facing not only young people in San Francisco but American youth everywhere – enough that, to this day, many of the city’s punk veterans refer to their experience in the “movement.” Political historians of the United States in the 1970s and 1980s have mostly ignored punk, but this essay examines Dead Kennedys’ early career as a way to illuminate the political experience of one segment of American youth in the late 1970s.
    [Show full text]
  • Punk Lyrics and Their Cultural and Ideological Background: a Literary Analysis
    Punk Lyrics and their Cultural and Ideological Background: A Literary Analysis Diplomarbeit zur Erlangung des akademischen Grades eines Magisters der Philosophie an der Karl-Franzens Universität Graz vorgelegt von Gerfried AMBROSCH am Institut für Anglistik Begutachter: A.o. Univ.-Prof. Mag. Dr. Hugo Keiper Graz, 2010 TABLE OF CONTENTS PREFACE 3 INTRODUCTION – What Is Punk? 5 1. ANARCHY IN THE UK 14 2. AMERICAN HARDCORE 26 2.1. STRAIGHT EDGE 44 2.2. THE NINETEEN-NINETIES AND EARLY TWOTHOUSANDS 46 3. THE IDEOLOGY OF PUNK 52 3.1. ANARCHY 53 3.2. THE DIY ETHIC 56 3.3. ANIMAL RIGHTS AND ECOLOGICAL CONCERNS 59 3.4. GENDER AND SEXUALITY 62 3.5. PUNKS AND SKINHEADS 65 4. ANALYSIS OF LYRICS 68 4.1. “PUNK IS DEAD” 70 4.2. “NO GODS, NO MASTERS” 75 4.3. “ARE THESE OUR LIVES?” 77 4.4. “NAME AND ADDRESS WITHHELD”/“SUPERBOWL PATRIOT XXXVI (ENTER THE MENDICANT)” 82 EPILOGUE 89 APPENDIX – Alphabetical Collection of Song Lyrics Mentioned or Cited 90 BIBLIOGRAPHY 117 2 PREFACE Being a punk musician and lyricist myself, I have been following the development of punk rock for a good 15 years now. You might say that punk has played a pivotal role in my life. Needless to say, I have also seen a great deal of media misrepresentation over the years. I completely agree with Craig O’Hara’s perception when he states in his fine introduction to American punk rock, self-explanatorily entitled The Philosophy of Punk: More than Noise, that “Punk has been characterized as a self-destructive, violence oriented fad [...] which had no real significance.” (1999: 43.) He quotes Larry Zbach of Maximum RockNRoll, one of the better known international punk fanzines1, who speaks of “repeated media distortion” which has lead to a situation wherein “more and more people adopt the appearance of Punk [but] have less and less of an idea of its content.
    [Show full text]
  • America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
    our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).
    [Show full text]
  • Hex Dispensers
    GARAGE ZINE scIonav.com vol. 2 Human EyE · natural CHild · King tuff JaCuzzi Boys · HEx dispEnsErs · Cola frEaKs SCION A/v SCHEDULe APRIL 2011 27th Scion garage Show in Austin, Texas 28th Scion garage Show in chicago, illinois CHECK IT OUT! MAY 2011 3rd Scion garage 7”: King Tuff / hex dispensers JUNE 2011 7th Scion garage 7”: cola Freaks / digital Leather STREAMING NOW AT now AvAiable SCIONAV.COM Scion gArAge 7” Scion GarAge 7” The Strange Boys / human eye / natural child Sex Beet STAFF CONTAcT Scion ProjecT MAnAger: jeri Yoshizu, Sciontist For additional information on Scion, email, write or call. WATCH! ediTor: eric ducker Scion custoMer exPerience MuSIC VIDEOS creative direcTion: Scion 19001 S. western Avenue ArT directION: mBF Mail Stop WC12 BLAcK LiPS Davilla 666 TYVEK ProducTion direcTor: Anton Schlesinger Torrance, cA 90501 “Modern Art” “esa nena nunca regresco” “4312” conTriBuTing ediTor: Brian costello Phone: 866.70.SCION AssistanT ediTor: Maud deitch Fax: 310.381.5932 graphic deSignerS: nicholas Acemoglu, cameron charles, email: email us through the contact page located on scion.com ASK Kate Merritt, gabriella Spartos hours: M-F 6am-5pm PST SCION online chat: M-F, 6am-6pm PST CONTRIBuTORS Question: wriTerS: christopher roberts, Adam Shore Scion garage Zine is published by malbon Brothers Farms. For The range of types of artists that Scion works with on garage rock projects is pretty broad. PhoTographerS: Miguel Angel, clayton hauck, Leslie Lyons, more information about mBF, contact [email protected] what classifies a group as “garage”? Kara McMurtry, Stephen K. Schuster, rebecca Smeyne AnSwer: garage rock isn’t an aesthetic and it isn’t a fidelity.g arage rock is just straight up, no chaser rock & roll.
    [Show full text]
  • Paul Weller Wild Wood
    The Venus Trail •Flying Nun-Merge Paul Weller Wild Wood PAUL WELLER Wild Wood •Go! Discs/London-PLG FAY DRIVE LIKE JEHU Yank Crime •Cargo-Interscope FRENTE! Marvin The Album •Mammoth-Atlantic VOL. 38 NO.7 • ISSUE #378 VNIJ! P. COMBUSTIBLE EDISON MT RI Clnlr SURE THING! MESSIAH INSIDE II The Grays On Page 3 I Ah -So-Me-Chat In Reggae Route ai DON'T WANT IT. IDON'T NEED IT. BUT ICAN'T STOP MYSELF." ON TOUR VITH OEPECHE MOUE MP.'i 12 SACRAMENTO, CA MAJ 14 MOUNTAIN VIEV, CA MAI' 15 CONCORD, CA MA,' 17 LAS, VEGAS, NV MAI' 18 PHOENIX, AZ Aff.q 20 LAGUNA HILLS, CA MAI 21 SAN BERNARDINO, CA MA,' 24 SALT LAKE CITY, UT NOTHING MA,' 26 ENGLEVOOD, CO MA,' 28 DONNER SPRINGS, KS MA.,' 29 ST. LOUIS, MO MP, 31 Sa ANTONIO, TX JUNE 1HOUSTON. TX JUNE 3 DALLAS, TX JUNE 5BILOXI, MS JUNE 8CHARLOTTE, NC JUNE 9ATLANTA, GA THE DEBUT TRACK ON COLUMBIA .FROM THE ALBUM "UNGOD ." JUNE 11 TILE ,' PARX, IL PROOUCED 81.10101 FRYER. REN MANAGEMENT- SIEVE RENNIE& LARRY TOLL. COLI MI-31% t.4t.,• • e I The Grays (left to right): Jon Brion, Jason Falkner, Dan McCarroll and Buddy Judge age 3... GRAYS On The Move The two started jamming together, along with the band's third songwriter two guys who swore they'd never be in aband again, Jason Falkner and Buddy Judge and drummer Dan McCarron. The result is Ro Sham Bo Jo Brion sure looked like they were having agreat time being in the Grays (Epic), arecord full of glorious, melodic tracks that owe as much to gritty at BGB's earlier this month.
    [Show full text]
  • Emorial Rt Gallery of the University of Rochester
    emorial rt Gallery of the University of Rochester RCH • PRIL 2015 Where Do We Come From? What Are We? Where Are We Going? This is the title of an 1897 painting by French Post- Impressionist Paul Gauguin (pictured below), at the Museum of Fine Arts, Boston. I have always loved the picture because of its unmistakable beauty—it is arguably Gauguin’s greatest achievement—and also because of its title. The questions it describes are questions I have always asked, and whenever I conjure them I think about Gauguin and the spiritual journeys that many creative minds, from painters to philosophers, have taken. Their quests are our signposts. They plot the road of humankind’s past, present and future. We all have our own roads to travel, and so does the Memorial Art Gallery. My role as director is to work with all of you—our dedicated staff, patrons, UR colleagues and fellow Rochesterians—to identify the best possible way forward. The result will be an institution that serves us well by charting our paths in a meaningful and lasting way. It is indeed my honor to have this opportunity to lead the charge. In this ARTiculate, which handsomely sports an updated cover design featuring the colorful MAG graphic from the Centennial Sculpture Park, we launch IDEATION, a fund dedicated to imagining and realizing MAG’s future. IDEATION’s premiere enterprise is HIDDEN PASSIONS (facing page), an exciting new program that showcases our friends and neighbors who live hyphenated lives and demon- strate extraordinary commitment to creativity and innovation. These inspiring people have generously agreed to share their passions with us—not their vocations but their avocations, not their occupations but their preoccupations— so that we, too, may be inspired to liberate the promise inside ourselves.
    [Show full text]
  • Björk Reaches Beyond the Binaries
    COMMUNICATOR BETWEEN WORLDS: BJÖRK REACHES BEYOND THE BINARIES Edwin F. Faulhaber A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Kimberly Coates, Advisor Robert Sloane ii ABSTRACT Kimberly Coates, Advisor Icelandic pop star Björk has spent her career breaking down boundaries, blurring lines, and complicating binaries between perceived opposites. Examining a variety of both primary and secondary sources, this study looks at the ways that Björk challenges the binary constructions of “high” and “low” art, nature and technology, and feminism and traditional femininity, and also proposes that her uniquely postmodern approach to blurring boundaries can be a model for a better society in general. This study contends that Björk serves as a symbol of what might be possible if humans stopped constructing boundaries between everything from musical styles to national borders, and as a model for how people can focus on their commonalities while still respecting the freedom of individual expression. This is particularly important in the United States of America, a place where despite its infinite potential for cultural pluralism and collaboration, there are as many (or more) divisions between people based upon race, class, gender, and religion as anywhere else in the world. iii Dedicated to Morgaine iv ACKNOWLEDGMENTS I would like to thank my committee, Dr. Kim Coates and Rob Sloane, for all of their suggestions and encouragement while I wrote this thesis. I would also like to thank Dr. Don McQuarie and Gloria Enriquez Pizana for their support and assistance, as well as a host of wonderful professors who laid the groundwork for this thesis by inspiring me along the way: Rob, Kim, Drs.
    [Show full text]
  • World Domination Or Death!
    The Sugarcubes and Their Protégés The Sugarcubes in August of 1986. From left: Einar Örn, Sigtryggur, Björk, Einar Melax, Friðrik, Þór and Bragi. Photo: Unknown. World Domination or Death! A few years after Mezzoforte Reptile; inescapably their fame making music. Guitarist Guðlau- Björk and Þór bore a son in June cracked international pop markets also brought light to their country gur “Godkrist” Óttarsson made of 1986, so life was taken easy on Iceland’s behalf, the nation fi- of origin, which few people knew some music that featured Björk during that spring and summer. Ein- nally got its international pop stars: much about. singing lyrics by Þór Eldon, her ar Örn finished his studies in Lon- The Sugarcubes. The band would boyfriend since 1983. They called don and moved to Iceland. During survive six years before implod- Pop Group for Money themselves The Elgar Sisters, long meetings at Björk’s and Þór’s ing and giving way to the biggest The obscure artists of Kukl were and three of the songs would place at Nesvegur, Einar, Björk, Icelandic star ever, Björk. of course as far removed from much later turn up as B-sides on Þór and other friends eventually pop music as possible, even Björk singles. Björk and drummer came up with the idea of forming The Sugarcubes released sever- though they had performed a Sigtryggur Baldursson also made a collective that they would call al well-received hits, and toured few “melodic” songs in their some music together under the Smekkleysa (“Bad Taste”). “Bad the world over on numerous earliest incarnation.
    [Show full text]