A Workshop with Catherine Malabou

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Contact gerald.moore@durham.ac.uk for details The Evidence of Plasticity: A Workshop with Catherine Malabou Durham University, Williams Room, St Chad’s, 14.00-18.00, January 26th, 2016 Le Monde for © Gunther von Hagens © BODY WORLDS, InsCtute for PlasCnaCon, Heidelberg, Germany GUILLAUME DARRIBAU/FRACTURES 14.00-16.30 – ‘The Place of the Void’, Ian James (Cambridge); ‘A Plastic Reading of the 17th Century’, Maria El-Turk (Durham); ‘Brains, Pills and Dildos: Neuroplasticity, Pharmacology and Prosthetics’, Sofia Hewson (Cambridge); ‘Philosophy, Plasticity and “History as the History of Addictions”’, Gerald Moore (Durham). 16.45-18.00 – ‘Annihilation without a trace?’ Roundtable on the evidence of plasticity, led by Catherine Malabou. Prof. Catherine Malabou ! (CRMEP, Kingston University)" " 27th January 2016, 19:30, ! Great Hall, Durham Castle! ! ‘The Anthropocene: A New History’" " Outline: I will interrogate the notion of ‘Anthropocene’ as a specific temporal determination situated at the boarder of nature and history. The Anthropocene is both a geological era and a historical moment. Clearly, such a phenomenon requires a new concept of history, in which nature plays a central role and ceases to be the eternal recurrence of the identical to become a genuine source of events. A phenomenon like global warming can thus be analysed as a historical turn of nature. New notions like deep history, negative universal history, neurohistory, are currently used by historians, theoreticians of environment and evolutionary biologists. I will propose a philosophical approach to these new determinations. ! Biography: Malabou graduated from the École Normale Supérieure Lettres et Sciences Humaines (Fontenay- Saint-Cloud). Her agrégation and doctorate were obtained, under the supervision of Jacques Derrida and Jean-Luc Marion, from the École des hautes études en sciences sociales. Her dissertation became the book, L'Avenir de Hegel: Plasticité, Temporalité, Dialectique (1996). Central to Malabou's philosophy is the concept of ‘plasticity’, which she derives in part from the work of Georg Wilhelm Friedrich Hegel, and from medical science, for example, from work on stem cells and from the concept of neuroplasticity. Malabou is preparing a new book on the political meaning of life in the light of the most recent biological discoveries. This work will discuss Giorgio Agamben's concept of ‘bare life’ and Michel Foucault's notion of biopower, underscoring the lack of scientific biological definitions of these terms, and the political meaning of such a lack.! " This lecture is free, and open to all. No tickets or registration are required. Seats are allocated on a first-come, first-served basis.! ! Contact castle.lectures@durham.ac.uk for more information about this event.!.

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Catherine Malabou's Plasticity in Translation
Document généré le 27 sept. 2021 20:02 TTR Traduction, terminologie, rédaction Catherine Malabou’s Plasticity in Translation Le concept de plasticité chez Catherine Malabou, appliqué à la traduction Carolyn Shread Du système en traduction : approches critiques Résumé de l'article On Systems in Translation: Critical Approaches En traduisant La plasticité au soir de l’écriture. Dialectique, destruction, Volume 24, numéro 1, 1er semestre 2011 déconstruction (2005) de Catherine Malabou en vue de l’édition anglaise de 2009, j’ai été frappée de constater à quel point son concept de plasticité pouvait URI : https://id.erudit.org/iderudit/1013257ar être utile pour repenser les notions conventionnelles en traduction. Dans cette DOI : https://doi.org/10.7202/1013257ar autobiographie philosophique, qui décrit ses rencontres avec Hegel, Heidegger, et Derrida, Malabou introduit « la plasticité » en suggérant que cette notion, plus contemporaine, pourrait remplacer la conception d’écriture comme Aller au sommaire du numéro schème moteur de Derrida. Après avoir revu et explicité les réflexions innovatrices de Derrida sur la traduction, j’avance que les pouvoirs de donner, de recevoir, d’exploser et de régénérer la forme qui sont décrits par la Éditeur(s) plasticité modifient la modification et altèrent ainsi la transformation qu’est la traduction. Pour adapter le concept philosophique de Malabou à la Association canadienne de traductologie traductologie, j’établis une distinction entre la traduction élastique et la traduction plastique, ce qui me permet de faire voler en éclats les paradigmes ISSN d’équivalence, qui depuis si longtemps restreignent la théorie et la pratique de 0835-8443 (imprimé) la traduction.
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