View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-22-2014 12:00 AM Sculpted Selves, Sculpted Worlds: Plasticity and Habit in the Thought of Catherine Malabou Thomas Wormald The University of Western Ontario Supervisor Chris Keep The University of Western Ontario Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Thomas Wormald 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Wormald, Thomas, "Sculpted Selves, Sculpted Worlds: Plasticity and Habit in the Thought of Catherine Malabou" (2014). Electronic Thesis and Dissertation Repository. 2398. https://ir.lib.uwo.ca/etd/2398 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact
[email protected]. SCULPTED SELVES, SCULPTED WORLDS: PLASTICITY AND HABIT IN THE THOUGHT OF CATHERINE MALABOU (Thesis format: Monograph) by Thomas Wormald Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Thomas Wormald 2014 Abstract One of the contemporary trends marking our current moment in theory is the call for the elaboration of ‘new’ materialisms. The new materialisms, however, have taken two principal articulations: a Neo-Spinozist materialism read through the work of Gilles Deleuze, represented by thinkers such as Elizabeth Grosz, Jane Bennett and William Connolly and a Neo-Hegelian materialism read through Jacques Lacan, represented by figures Alain Badiou, Slavoj Žižek and Adrian Johnston.