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Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Lights on Krishna-Balarama Tattwa in Conversation with Sree Sree Maa Lord Balarama Always Intrigued Me
Hiranyagarbha Vol. 4 No. 4–39 15.01.12 Lights on Krishna-Balarama Tattwa In Conversation with Sree Sree Maa Lord Balarama always intrigued me. form of Shankarshan - the dazzlingly Spiritual literature conceptualizes him as the transparent, fully enlightened, expressed dual first direct manifestation of universal God equivalent (sham) of the supreme attractor consciousness, Lord Krishna. He has been (karshana), as the eternal Sadguru - associated with various divine and human Paramatma’s own light - that carries one and forms including Shesha, Ananta (Great all into the divine lap of Parabrahman. As Serpents of Maha-Vishnu), Lakshmana ‘Shesha’ he expresses himself in innumerable (younger brother of Lord Rama), Balarama or forms of the same eshana swabhav of Krishna, Baladeva (elder brother of Sri Krishna), each self-natured to seek full and complete Ramanujacharya (the leading light if the reunion. Each such atom of divine Vishistadvaita school of thought), Nityananda consciousness is an atma-jyoti (soul-light), Prabhu (the beloved resident in every being as companion of Sri the fully linked spark of Chaitanya Mahaprabhu), the Sadguru constantly etc. In spiritual engaged in yoga or ontology, Lord Balarama union with the supreme. of Golaka is indentified The conglomeration of as the original spiritual this infinite multitude of master or Adi Sadguru. infinitesimal divine During a discussion with consciousness sparks is Sree Sree Maa, I raised depicted as the million- the topic of Balarama- hooded Shesha over the tattwa and requested her head of the Virat to enlighten me. Observing my fairly confused Purusha. ‘Balarama’ is the unlimited strength understanding, Sree Sree Maa patiently (bala) of the supreme soul (Rama), or atma- elucidated:- shakti, that remains steadfast in the divine play “The supreme personality emerges from (raman) with the dynamic life force (Roma) the great void as the seed of eternal divine evolving out of adya shakti. -
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Orissa Review * June - 2006 A Cult to Salvage Mankind Sarat Chandra The cosmic and terrestrial : both realities are The Hindu inclusiveness is nowhere as reflected in the Jagannath cult of Orissa. The evident as in the rituals of Lord Jagannath. Even cosmic reality of the undying spirit which romance is not excluded in the deity's schedule: abides, endures and sustains; the cosmic reality Once in a week the God is closeted with his of birth and death, as well as the beauty and consort Laksmi (in the ritual Ekanta). The refinement of the terrestrial world are mirrored Sayana Devata golden sculpture used in the in this all-inclusive mid-night ritual after the religious practice. "The Bada Singhara Dhupa, is visible and invisible both not only suggestive but worlds meet in man", even explicit. sang the British poet T.S.Eliot in the Four Over a year Lord Quartets. We may say Jagannath, like human that the Jagannath cult is beings, is engaged in designed to reflect both multification activities. the visible, this-worldly On one occasion realities as well as the (Banabhoji Besha) He cosmic phenomena. sets out on a picnic trip, Hence, the cult reflects a to an idyllic forest land, life style of a god who has which is suggestive of the numerous human God's love for natural attributes. beauty. On the other occasions (seven times in a year), the Lord goes This makes the God and the cult unique. for hunting expeditions. During the summer Several traits characterize the God: the everyday rituals of bathing, brushing of teeth, he goes for boat rides for twenty-one days dressing-up and partaking of food materials. -
Who Is Krishna?
Gopal’s Fun School RS No. Kanhaiyya-Nitai- 001 WHO IS KRISHNA? This is Krishna. Krishna is the Supreme Personality of Godhead. See how beautiful He is! He stands in a threefold bending form. He plays sweet music on His flute. The color of Krishna’s body is blue like a monsoon rain cloud. He wears yellow silk garments. He is decorated with beautiful jewels and flowers. He always wears a peacock feather in His hair. Sweet smelling Tulasi leaves decorate His lotus feet. In Vrindavan everyone loves Krishna very much. Teacher’s sign: ___________ Parent’s sign: ______ Hare Krsna Hare Krsna Krsna Krsna Hare Hare Hare Rama Hare Rama Rama Rama Hare Hare Gopal’s Fun School (GFS) Kanhaiya Nitai 002 Lord of the Universe Sri Jagannath is the black color deity in the temple. He is none other than Krishna. Jagannath means Lord of the universe. He holds the Sudarshana Chakra in His lotus hand. Lord Jagannath comes out of the temple every year on the chariot to give darshan to everyone. This day is called Jagannath Ratha Yatra. His elder brother Balaram and younger sister Subhadra Mai accompany Him. By the causeless mercy of Srila Prabhupada now Ratha Yatra is conducted by ISKCON all over the world. In this festival we pull the chariot, and invite the Lord to stay in our heart. Jagannath is very kind to His devotee. Lord Jagannath stays eternally (for ever) in His Dhama called Jagannath Puri (Orissa). Hare Krishna Hare Krishna Krishna Krishna Hare Hare / Hare Rama Hare Rama Rama Rama Hare Hare Gopal’s Fun School (GFS) Kanhaiya Nitai 003 Jagannath Pranam -
Arts-Integrated Learning
ARTS-INTEGRATED LEARNING THE FUTURE OF CREATIVE AND JOYFUL PEDAGOGY The NCF 2005 states, ”Aesthetic sensibility and experience being the prime sites of the growing child’s creativity, we must bring the arts squarely into the domain of the curricular, infusing them in all areas of learning while giving them an identity of their own at relevant stages. If we are to retain our unique cultural identity in all its diversity and richness, we need to integrate art education in the formal schooling of our students for helping them to apply art-based enquiry, investigation and exploration, critical thinking and creativity for a deeper understanding of the concepts/topics. This integration broadens the mind of the student and enables her / him to see the multi- disciplinary links between subjects/topics/real life. Art Education will continue to be an integral part of the curriculum, as a co-scholastic area and shall be mandatory for Classes I to X. Please find attached the rich cultural heritage of India and its cultural diversity in a tabular form for reading purpose. The young generation need to be aware of this aspect of our country which will enable them to participate in Heritage Quiz under the aegis of CBSE. TRADITIONAL TRADITIONAL DANCES FAIRS & FESTIVALS ART FORMS STATES & UTS DRESS FOOD (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) Kuchipudi, Burrakatha, Tirupati Veerannatyam, Brahmotsavam, Dhoti and kurta Kalamkari painting, Pootha Remus Andhra Butlabommalu, Lumbini Maha Saree, Langa Nirmal Paintings, Gongura Pradesh Dappu, Tappet Gullu, Shivratri, Makar Voni, petticoat, Cherial Pachadi Lambadi, Banalu, Sankranti, Pongal, Lambadies Dhimsa, Kolattam Ugadi Skullcap, which is decorated with Weaving, carpet War dances of laces and fringes. -
2.Hindu Websites Sorted Category Wise
Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam -
The Essence of Popular Folk Dances of Odisha
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 1, Ver. 5 (January 2017) PP 29-32 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Essence of Popular Folk Dances of Odisha Dr.Ashis Mohapatra Guest Faculty, Culture Studies Department, Utkal University of Culture Abstract : Most Of The Communities Of Odisha Have Their An Folk Cultural Way Of Life Which Includes Folk Dance, Art & Crafts, Theatre, Songs, Rituals, Legends And Ballades Etc. Odishan Folk Culture Is Still Preserved In Our Rural Life And Agrarian Society. Folk Dances Imbibe New Influences And At The Same Time Maintain Tradition And Continuity. Folk Dances Are Still Popular Among Different Communities Of Odisha. Odishan Folk Culture Is Still Preserved In Our Rural Life And Agrarian Society. Folk Dances Imbibe New Influences And At The Same Time Maintain Tradition And Continuity. Folk Dances Are Simple And Spontaneous. Since There Are No Complex Or Ritual Gestures And Movements, They Can Be Learnt More Easily. Folk Dances Are Passed Down From One Generation To Another, And, Although The Artistes Have A Great Deal Of Liberty In Performance, The Basic Form Remains The Same. Folk Dances Are Performed Singly Or In Groups. Group Dances Are More Common, Reflecting Community Or Collective Thinking. Singing Is An Essential Part Of These Dances. Although The Dancers Themselves Sing At Times, On Other Occasions They Dance To The Singing Of Another Group. Keywords: Culture, Dance, Folk, Odisha, Tradition The Culture Of Odisha Has Been One Of The Syntheses Of Various Faiths And Cultures. The Cultural Synthesis Of Odisha Is Not Found In Any Other State In The Same Degree As In India. -
Avinash Patra Edited
University of Oxford Journal Origin & Antiquity of the Cult of Lord Jagannath Avinash Patra Edited By: Maria Joseph (Vishnupriy Dasi) ā Oxford University Weekly Journal Copyright© Oxford University Press | Avinash Patra 1 University of Oxford Journal Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dares Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries www.oup.com First Published in Great Britain on 2011 by Oxford University Press weekly Journal Department, Oxford, U.K Copyright © Oxford University Press 2011 Avinash Patra has asserted his right under the University of Oxford press Copyright, Designs and World-class Family Act 2010 to be identified as the author of this work. This Article is belong realist work of Lord Jagannath Origin and Antiquity Culture. A CIP catalogue record for this book is available from the British library. This Article is sold subject to the condition that is shall not, By way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser. Printed and bound by Oxford University Press, Oxford, UK 2 4 6 8 11 9 8 3 6 Oxford University Weekly Journal Copyright© Oxford University Press | Avinash Patra 2 University of Oxford Journal Dedicate this Journal to my Lord Jagannātha Image of Lord Jagannath Oxford University Weekly Journal Copyright© Oxford University Press | Avinash Patra 3 University of Oxford Journal Contents I. -
SRIVAISHNAVISM No.1
OM NAMO BHAGAVATHE VISHVAK SENAYA NAMA : SRIVAISHNAVISM No.1. WEEKLY MAGAZINE FOR SRIVAISHNAVITES. Estd : 07 – 05 -2004. Issue dated 22-03-2009. editor : poigaiadian swamigal. Sub editor : sridhara srinivasan. Flower : 4 petal : 46. srivaishnavism LETTERS FROM OUR READERS. A beautiful composition inspired by the name Adyaril. Adiyen could not have imagined that the name Adyar could inspire a poet. With best regards TGRamamurthi ABOUT THE TAMIL KAVITHAI “ ADAYANINAINTHA “ I am regularly going through your divine mails...and thankyou very much for the pain you are taking to enrich our sampradhaya knowledge.. The recent mail on Vivaha Manthrarthangal is also very good & very explanatory with namaskarams. Gayatri thank u very much for these efforts. adiyen- anuradha raghavan ABOUT DESIKASTHOTHRANGAL IN TAMIL & JIDHANTHE STHOTHRAM. Very happy please include my address in your mailing list. V. Parthasarathy, No.6 Kailash Nagar, II st, Lawspet, Puducherry 605 008.Bye. Yes. I am happy. N Balaji Srimathe Ramanujaya Namaha: Thats a wondrfull effort and service to fellow Bhagavadas. Let Thayar and perumal bless the effort by making it reach many bhagavadas. Adiyen Srinivas ABOUT SRIVAISHNAVISM MAGAZINE IN OTHER YAHOO GROUPS. ************************************************************************************** READERS ARE REQUESTED TO SEND THEIR COMMENTS TO ; [email protected]. SRIVAISHNAVISM SRIMADH RAHASYATHRIYASAARAM. “IF YOU HAVE REFORMED ME FROM WICKEDNESS. WHAT REQUITAL CAN I MAKE TO YOU?” WHEN THE SISHYA HANDS OVER THE GREAT WEALTH OF THE TRUTHS CONTAINED IN THE GIST OF THE THREE MYSTERIES (MONTHRAS) THUS ACQUIRED BY HIM (FROM HIS ACHARYA) TO ONE WHO, AS POINTED OUT IN AN EARLIER CHAPTER, HAS BEEN FOUND FIT FOR IT,M HE SHOULD IMPART INSTRUCTION FIRST ON THE SUCCESSION OF ACHARYAS AND REVEAL ALSO HIS GRATITUDE (TO THEM) AND THE ACREDNESS OF THOSE TRUTHS. -
Social Anthropology of Orissa: a Critique
International Journal of Cross-Cultural Studies Vol. 2 No. 1 (June, 2016) ISSN: 0975-1173 www.mukpublications.com Social Anthropology of Orissa: A Critique Nava Kishor Das Anthropological Survey of India India ABSTRACT Orissa is meeting place of three cultures, Indo-Aryan, Dravidian, and Munda and three ethno- linguistic sections. There are both indigenous and immigrant components of the Brahmans, Karna, who resemble like the Khatriyas, and others. The theory that Orissa did not have a viable Kshatriya varna has been critically considered by the historian -anthropologists. We will also see endogenous and exogenous processes of state formation. The Tribespeople had generally a two-tier structure of authority- village chief level and at the cluster of villages (pidha). Third tier of authority was raja in some places. Brahminism remained a major religion of Orissa throughout ages, though Jainism and Buddhism had their periods of ascendancy. There is evidence when Buddhism showed tendencies to merge into Hinduism, particularly into Saivism and Saktism. Buddhism did not completely die out, its elements entered into the Brahmanical sects. The historians see Hinduisation process intimately associated with the process of conversion, associated with the expansion of the Jagannatha cult, which co-existed with many traditions, and which led to building of Hindu temples in parts of tribal western Orissa. We notice the co-existence of Hinduisation/ peasantisation/ Kshatriyaisation/ Oriyaisation, all operating variously through colonisation. In Orissa, according to Kulke it was continuous process of ‘assimilation’ and partial integration. The tribe -Hindu caste intermingling is epitomised in the Jagannatha worship, which is today at the centre of Brahminic ritual and culture, even though the regional tradition of Orissa remaining tribal in origin. -
Nartanam 15-1 Final.Pmd
A Quarterly Journal of Indian Dance Volume : XV, No. 1 January-March, 2015 Sahrdaya Arts Trust Hyderabad RNI No. APENG2001/04294 Nartanam, founded by Kuchipudi Kala Kendra, Mumbai, now owned and Founders published by Sahrdaya Arts Trust, G. M. Sarma Hyderabad, is a quarterly which provides M. Nagabhushana Sarma a forum for scholarly dialogue on a broad range of topics concerning Indian Chief Editor dance. Its concerns are theoretical as Madhavi Puranam well as performative. Textual studies, dance criticism, intellectual and Advisory Board interpretative history of Indian dance traditions are its focus. It publishes Avinash Pasricha (Former Photo Editor, SPAN) performance reviews and covers all C.V. Chandrasekhar (Padma Bhushan) major events in the field of dance in Kiran Seth (Padma Shri; Founder, SPIC MACAY) India and notes and comments on dance studies and performances abroad. K. K. Gopalakrishnan (Performing Arts Critic) The opinions expressed in the articles and the Leela Venkataraman (SNA Awardee) reviews are the writers’ own and do not reflect Pappu Venugopala Rao (Former Associate D G, the opinions of the editorial committee. American Institute; Secretary, Music Academy) Guest Editor Reginald Massey (FRSA & Freeman of London) Kedar Mishra Sunil Kothari (Padma Shri & SNA Awardee) Guest Photo Editor Arabinda Mohapatra Research Associates Cover & Design Anuradha Jonnalagadda (Scholar, Kuchipudi dancer) Shakeel Ahmed Kedar Mishra ( Poet, Scholar, Critic) Mallika Kandali (Sattriya dancer, Scholar) Cover: Sahi Jata of Puri Photos Courtesy: -
Eternal Beauty Wandering on Its Way
ODISHA REFERENCE ANNUAL - 2014 ETERNAL BEAUTY WANDERING ON ITS WAY An unbroken history of the unusual people of this land, has continued since several centuries before Christ. It has left its imprint in the shape of numerous monuments and every passing day, excavation brings to light more and more of such sites from almost all parts of the state. They reveal the existence of a flourishing civilization, striking by any standard. Few other cultures in all the senses of the term are as rich and as varied. In the sphere of religion and philosophy, tribal and Aryan religions, Buddhism and Jainism, Islam and Christianity — all have existed in history and they continue side by side even now as a testimony to the religious tolerance of the people of this land. In art and architecture, centuries of history survive in the shape of temples and even today they survive in replicas which provide livelihood to the descendants of the ancient practitioners of these arts. Through centuries Odisha has retained its cultural identity within the mainstream of pan- Indian culture. Its social customs and mores are expressed in the long list of festivals connected with an agrarian calendar. Its gods are human and whether they reside in big temples like Jagannath or Lingaraj or small village shrines, they come out to visit their votaries on festival days. Its unusually large number of temples reflect the religious attitude of the people who even today never tire of building tiny temples through spontaneous popular efforts in every new locality. Artisans are engaged in making articles of decoration required for festival days in temples and households, which has not only provided them their living but also opportunities for artistic expression.