Alderman Unveils Plans for LGBT-Friendly Affordable Housing by Matt Simonette the Development Is Slated to Have 88 Units, According to Of- Ficials
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Non-Equity Jeff Award Nominations Rescinded for the Hypocrites
Editor’s Note: The complete list of Non-Equity Jeff Awards nominees follows this release and is also available on-line in the News and Events section at www.jeffawards.org. Non-Equity Jeff Award Nominations Rescinded for The Hypocrites Additional Nominations Announced Saturday, April 25, 2015 - Chicago, IL. Early Friday, April 24, 2015, Sean Graney, who recently returned to Chicago to resume his post as Artistic Director of The Hypocrites, informed the Joseph Jefferson Awards Committee that he just learned the theater company had been operating under an Equity CAT-N contract for the duration of the 2014-2015 Non-Equity season. Over the past year, requests for judging its productions were made to the Non-Equity Wing without the committee having knowledge of the company’s Equity status. The Jeff Committee was aware that two of the productions had Equity performers (as indicated in the program); however, the committee has now confirmed that these were not guest contracts. As such, the company’s productions are not eligible for consideration in the Non- Equity Wing, and all related Non-Equity Jeff Award nominations have been rescinded. The productions in question will be shifted to the Equity Wing for awards consideration during its current season, which commenced on August 1, 2014 and will end on July 30, 2015. A revised listing of nominees follows for the 2014-2015 Non-Equity Jeff Awards. 2015 NON-EQUITY JEFF AWARD NOMINEES PRODUCTION - PLAY "Exit Strategy" - Jackalope Theatre Company "The Jungle" - Oracle Productions "Men Should Weep" - Griffin Theatre Company "Monstrous Regiment" - Lifeline Theatre "Ruined" - Eclipse Theatre Company" PRODUCTION - MUSICAL "Assassins" - Kokandy Productions "The Full Monty" - Kokandy Productions "Jesus Christ Superstar" - Theo Ubique Cabaret Theatre "Titanic" - Griffin Theatre Company "The Wild Party" - Bailiwick Chicago PRODUCTION - REVUE "Always.. -
Universidade Federal Do Rio De Janeiro – Ufrj Escola De Comunicação Programa De Pós-Graduação Em Artes Da Cena
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO – UFRJ ESCOLA DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES DA CENA – PPGAC NÍVEL MESTRADO MARIA LUCAS PEREIRA VALENTIM DO CÍLIO A NAVALHA: montação na cena carioca Texto apresentado para qualificação no Programa de Pós-Graduação em Artes da Cena da Universidade Federal do Rio de Janeiro, como requisito parcial para obtenção do título de mestre. Orientador: Prof. Dr. Manoel Silvestre Friques Rio de Janeiro 2019 2 Maria Lucas Pereira Valentim DO CÍLIO A NAVALHA: montação na cena carioca Aprovada em: 23/12/2019 Aprovada por: Prof. Dr. Manoel Silvestre Friques (orientador) Prof. Dr. Samuel Sampaio Abrantes (EBA/UFRJ) Prof. Dr. Caio Arnizaut Riscado (ECO/UFRJ) Prof. Dra. Jaqueline Gomes de Jesus (IFRJ) 3 VALENTIM, Maria Lucas Pereira. Do Cílio á Navalha: montação na cena carioca / Maria Lucas Pereira Valentim-- Rio de Janeiro: UFRJ/ECO, 2019. 161 f. Dissertação (Mestrado em Artes da Cena) – Universidade Federal do Rio de Janeiro, Escola de Comunicação, 2019. Orientador Manoel Silvestre Friques. 1. Performance. 2. Questões de Gênero. 3. Drag Queen. 4. Montação. I. FRIQUES, Manoel Silvestre. II. ECO/UFRJ III. Artes da Cena IV. Do Cílio á Navalha 4 Figura 1: Capa Dissertação, realizada pela própria autora. 5 O século XXI é um século estético. Na história, há eras da razão e eras do espetáculo, e é importante saber em que era você está. Nossa América, nossa internet não é a Atenas antiga. É Roma. E seu problema é que você pensa que está no fórum quando está realmente no circo. (Natalie Wynn, 2018) 6 Resumo Esta pesquisa pretende, a partir da análise de distintas práticas de “montação”, compreendê-las e relacioná-las a fazeres que buscam fugir do binarismo de gênero vigente em nossa sociedade. -
Theater Events: Body Image at Play in Clockwise's 'Impenetrable'
dailyherald.com http://www.dailyherald.com/article/20141010/entlife/141019986/ Theater events: Body image at play in Clockwise's 'Impenetrable' Barbara Vitello Body image A spa billboard showing a gorgeous, bikini-clad woman with arrows pointing to her imperfections and how they could be improved provokes outrage in a Chicago suburb in "Impenetrable" by Mia McCullough. Judy Blue directs Clockwise Theatre's production of the 2012 play about body image and perception and how this advertisement affects men and women in the community. Opens at 8 p.m. Friday, Oct. 10, at 221 N. Genesee St., Waukegan. $12, $20. See clockwisetheatre.org. A sneak peek The Actors Gymnasium offers a glimpse of new works as part of its Circus in Progress series showcasing circus arts. Featured artists include Striding Lion dance theater along with trapeze artist Camille Swift and Akemi Berry on silks. Next up is "A Circus Night's Dream," written and directed by The House Theatre's Chris Mathews. 4:30 and 7:30 p.m. Saturday, Oct. 11, at the Noyes Cultural Arts Center, 927 Noyes St., Evanston. $15. (847) 328-2795 or actorsgymnasium.org. Devil has his 'Day' Signal Ensemble Theatre opens its season with the world premiere of "Devil's Day Off" by Jon Steinhagen ("Blizzard '67," "Dating Walter Dante"). Set during a record-breaking heat wave that is accompanied by massive power outages, "Devil's Day Off" chronicles the fear, humor and heroism of the event through multiple vignettes. Co-artistic director Ronan Mara directs the premiere, which features 13 actors playing 100 characters. -
Woodcut Society 1932-1954 by Cori Sherman North with Transcriptions by John R
With the Grain: Presentation Prints of the Woodcut Society 1932-1954 by Cori Sherman North with transcriptions by John R. Mallery With the Grain: Presentation Prints of the Woodcut Society 1932-1954 by Cori Sherman North with transcriptions by John R. Mallery A digital publication printed in conjunction with an exhibition held at the Birger Sandzén Memorial Gallery from March 31 through June 2, 2019 The show included a complete set of the 44 prints in their original letterpress folders This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. On the cover: Twilight Toil by Allen Lewis, 1943, color woodcut and linoleum cut The Birger Sandzén Memorial Gallery in participating printmakers. Lindsborg, Kansas, is exhibiting its complete set of Woodcut Society membership prints in The Woodcut Society was primarily geared their original presentation folders, March 22 toward print collectors, with the publications through June 2, 2019. The 44 blockprints— “intended to be savored in the intimate setting wood engravings, woodcuts, and linocuts—were of one’s private library.”2 The membership print created by an international cast of 32 artists commissions were “all selected by one man, and reveal a wide variety of subject matter and unencumbered by juries or trustees, H.A. [Harry technique. Of the printmakers, Asa Cheffetz Alfred] Fowler, Director of the Society.”3 Artists (1897-1965), Paul Landacre (1893-1963), Clare were instructed to pull 200 impressions in one Leighton (1898-1989), and Thomas Nason (1889- edition, but the subject matter and edition paper 1971) each completed three membership prints, choice were left entirely to the printmaker. -
STATEMENT of PRINCIPLE No One Should Be Forced to Choose
STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales. -
Nightspots #1085 • January 23, 2013
nightspots #1085 • January 23, 2013 the world “everythin looks g’s coming up bright ros and shiny es” every Show Tune Monday. Open at 3pm •Monday Show Tunes 8pm-2am. /SidetrackBar 3349 N. Halsted SidetrackChicago.com That Guy by Kirk Williamson Tajma Hall and Teri Yaki had obviously taken their nasty- ass pills before the www.M4M411.com launch party at Jackhammer, because they were both at their inappropriatest. I know, I know, no mean feat for Teri, but even Taj was less than lady-like. All fitting for the occasion, I thought. Let’s all wish good luck to John and the whole team at www.M4M411.com. See my photos on page 13. I semi-stalked our very own music writer Marc “Moose” Moder this week, and who could blame me. Just two of his seemingly 4.6 billion gigs are the Old Skool House Party at Mary’s Attic (2nd Friday of each month) and Downtown Lights at Downtown Bar and Lounge (1st and 3rd Fridays). What about 4th Fridays, Moose? Ya gettin’ lazy? Lots of great events coming up. The opening of Flesh: Photographs by Justice Howard at the Leather Archives on Feb. 1 is not for the faint of heart, but I suspect the faint of heart don’t read my column. Scot’s annual “Slap My Ass and Call Me Sally” chili cook off takes place Super Bowl Sunday, so get your antacids ready. Touche sashes a new Mr. Chicago Leather this weekend, and roasts the old one. Windy City Times/Nightspots photographer Mel Ferrand marked her Correction: Last week’s photos of Spin were credited to birthday with a party at Marie’s Golden Jerry Nunn. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
To Apply for the 2020 Emerging Theatre Award
2020 BROADWAY IN CHICAGO EMERGING THEATER AWARD APPLICATION The League of Chicago Theatres is now accepting applications for the 2020 Broadway In Chicago Emerging Theater Award. The recipient of the award receives $5,000, a consultation and marketing support package with advertising support. The award was created in 2007 to encourage, support and promote young theatres in Chicago that have demonstrated great ability and promise, artistic excellence and fiscal responsibility in business practices. A nominating committee comprised of Chicago theatre administrators, artists, and educators reviews all the applications and selects the finalists. The honoree is selected from this group of finalists by a majority vote of member companies of the League of Chicago Theatres. Previous award recipients include Interrobang Theatre Project, Broken Nose Theatre, Route 66 Theatre, Sideshow Theatre Company, Jackalope Theatre, Oracle Productions, 16th Street Theater, Theatre Seven of Chicago, The New Colony, Steep Theatre, the side project, Silk Road Rising, and The House Theatre of Chicago. APPLICANT CRITERIA: • Company must be a non-profit organization. • Company must have been in existence at least 3 years and less than 10 years and produced a minimum of 3 productions. • Company must be a member of the League of Chicago Theatres in good standing. • Company must demonstrate artistic excellence and fiscal responsibility in business practices. • Company cannot be a previous recipient of the Emerging Theater Award Date ________________ Organization Name -
Chicago Theatres Announce FRANKENSTEIN: Unearthed
Contact: Cathy Taylor / Kelsey Moorhouse FOR IMMEDIATE RELEASE Cathy Taylor Public Relations, Inc. 773-564-9564 [email protected] [email protected] Chicago Theatres Announce FRANKENSTEIN: Unearthed Special Joint Event Between Court Theatre and Manual Cinema, Lifeline Theatre, Lookingglass Theatre Company and Remy Bumppo Theatre Company Explores Four Unique Productions of Frankenstein Coming to Chicago Stages This Season Chicago, IL–Lookingglass Theatre Company, Court Theatre and Manual Cinema, Lifeline Theatre, and Remy Bumppo Theatre Company announce FRANKENSTEIN: Unearthed, a one-time-only event exploring the four productions of this classic tale coming to Chicago stages during the 2018-2019 season. FRANKENSTEIN: Unearthed takes place September 30, 2018 at 1:00 p.m. at Lookingglass Theatre Company. Tickets are $15 and can be purchased online at https://secure.acceptiva.com/?cst=85009b. Lookingglass is located at 821 N Michigan Avenue at Pearson. In celebration of the 200th Anniversary of the first publishing of Frankenstein, Mary Shelley's monster comes to life in Chicago this season with four distinctive theatrical productions at Court Theatre, Lifeline Theatre, Lookingglass Theatre Company, and Remy Bumppo Theatre Company. What is Chicago’s fascination with this undying tale? How will this story be told? Four Frankensteins, seriously? Artists David Catlin and Cordelia Dewdney (Lookingglass Theatre Company), Sarah Fornace (Manual Cinema), Ian Frank and Eliza Stoughton (Remy Bumppo Theatre Company), and Robert Kauzlaric -
2019 Broadway in Chicago Emerging Theatre Award
FOR IMMEDIATE RELEASE Contact: Cathy Taylor Cathy Taylor Public Relations, Inc. [email protected] (773) 564-9564 The League of Chicago Theatres Announces the 2019 Broadway In Chicago Emerging Theatre Award Finalists: Interrobang Theatre Project, Midsommer Flight, Underscore Theatre Company, Water People Theater and Windy City Playhouse Recipient to be honored at the League of Chicago Theatres Gala on Monday, May 20 at the Palmer House Hilton CHICAGO (March 22, 2019) – The League of Chicago Theatres, now celebrating its 40th Anniversary, announces the 2019 Broadway In Chicago Emerging Theatre Award Finalists: Interrobang Theatre Project, Midsommer Flight, Underscore Theatre Company, Water People Theater and Windy City Playhouse. The award recipient will be determined by a majority vote of member companies of the League of Chicago Theatres. The 2019 Broadway In Chicago Emerging Theatre Award recipient will be honored at the League of Chicago Theatre Annual Gala on Monday, May 20, 2019 at the Palmer House Hilton, 17 E. Monroe St. in Chicago. The event will bring together friends of Chicago theatre to raise funds for programs to support Chicagoland’s more than 250 member-theatre companies. The Broadway In Chicago Emerging Theatre Award was created in 2007 to encourage, support, and promote young theatres in Chicago that have demonstrated great ability and promise, artistic excellence and fiscal responsibility in business practices. Applications for the award were accepted during March 2019. Eligible companies are members of the League of Chicago Theatres, have been incorporated at least 3 and no longer than 10 years, and have demonstrated artistic excellence and fiscal responsibility. Broadway In Chicago will provide a $5,000 cash prize and marketing support, including an advertising package. -
A Killjoy's Introduction to Religion
Buzzsprout MY PODCASTS MY PROFILE HELP LOG OUT Keeping It 101: A Killjoy's Introduction to Religion Episodes Players Website Directories Resources Podcast Settings Stats Back to Episode Transcript Export Done, Back to Episode Episode: Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Last Saved 14 minutes ago. Ilyse Keeping It 101: A Killjoy's Introd… This is Keeping it 101, a killjoy's introduction to religion podcast. Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Megan What's up nerds? Share Info 00:00 | 59:11 Ilyse Hi. Hello. I'm Ilyse Morgenstein Fuerst a professional and professorial killjoy living, Speakers working, and raising killjoys on the traditional and ancestral lands of the Abenaki Ilyse people. I'm a scholar of Islam, imperialism, racial ization of Muslims and the history of Megan religion Located at the University of Vermont. RPDR Megan Simpsons Hi. Hello. I'm Megan Goodwin, the other unapologetic feminist killjoy on keeping at ADD SPEAKER 101 Broadcasting. Get it From the Land of the Wabenaki Confederacy, the Abenaki and the Aucocisco Peoples. I'm a scholar of gender, sexuality, white supremacy, minority religions, politics and America, located at Northeastern University--slash currently, my couch--and I coordinate Sacred Writes, public scholarship on religion, a Luce funded project that helps scholars and nerds like yourself share their expertise with folks who don't talk and study and think about religion all the time. Megan Hey, it's an extracurricular episode. Schools fun and all, but it's after school when the magic of learning really happens. -
The History and Representation of Drag in Popular Culture; How We Got to Rupaul
MASARYK UNIVERSITY FACULTY OF ARTS The History and Representation of Drag in Popular Culture; How We Got to RuPaul Bachelor's thesis MICHAELA SEVEROVÄ Supervisor: Jeffrey Alan Vanderziel, B.A. Department of English and American Studies English Language and Literature Brno 2021 MUNI ARTS THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Bibliographic record Author: Michaela Severovä Faculty of Arts Masaryk University Title of Thesis: The History and Representation of Drag in Popular Culture; How We Got to RuPaul Degree Program: English Language and Literature Supervisor: Jeffrey Alan Vanderziel, B.A. Year: 2021 Number of Pages: 72 Keywords: drag queens, RuPauVs Drag Race, drag, LGBTQ+, representation, queer culture, sexuality 2 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Abstract This bachelor thesis deals with drag and its representation in popular culture, focus• ing on RuPaul's Drag Race. It analyses the representation of drag by explaining some basic terms and the study of the history of drag. It then analyses the evolution of the representation of drag queens in movies and shows. The main focus of this thesis is the American TV show RuPaul's Drag Race and how it changed the portrayal of drag and the LGBTQ+ community in popular culture. The thesis questions if the show is as progressive and diverse as it proclaims to be and if it shows the authentic image of drag culture. 3 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Declaration I hereby declare that this thesis with title The History and Representation of Drag in Popular Culture; How We Got to RuPaul I submit for assessment is entirely my own work and has not been taken from the work of others save to the extent that such work has been cited and acknowledged within the text of my thesis.