Red Aces and Other Stories
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1 Crisis? What Crisis?
Cavadino-01.qxd 8/3/2007 5:35 PM Page 10 1 Crisis? What Crisis? 1.1 Is There a Crisis? 1.2 The Orthodox Account of the Crisis The high prison population (the ‘numbers crisis’) Overcrowding Bad conditions Understaffing Staff unrest Security ‘Toxic mix’ of prisoners Riots and disorder Criticisms of the orthodox account 1.3 Improving on the Orthodox Account The crisis of penological resources The crisis of visibility The crisis of legitimacy 1.4 Responses to the Crisis 1.5 A Radical Pluralist Account of the Crisis Cavadino-01.qxd 8/3/2007 5:35 PM Page 11 CRISIS? WHAT CRISIS? 11 Is There a Crisis? On 5 May 2006, Home Secretary Charles Clarke – holder of one of the highest offices in the British government – lost his job. The main rea- 1.1son was the deep political embarrassment caused by the revelation that over 1,000 foreign prisoners had been mistakenly released from prisons in England and Wales without being considered for deportation. His successor, John Reid, took over declaring that the Home Office – the government department with responsi- bility for criminal justice and immigration – was ‘not fit for purpose’ (BBC News Online, 23 May 2006). The penal system for which Dr Reid assumed responsibility contained a record number of prisoners, a figure which continued to grow at an alarming rate and threatened to exceed the upper limits of the prison system’s capacity. The Director of the new and troubled National Offender Management Service (NOMS), Martin Narey, had unexpectedly resigned a few months earlier. A spate of cases came to light in which offenders released on licence from prison or under probation super- vision had committed very serious crimes, including some horrific murders. -
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1. -
Edgar Wallace (1875–1932)
Edgar Wallace (1875–1932) Richard Horatio Edgar Wallace eða bara Edgar Wallace eins og hann kallaði sig var enskur rithöfundur, blaðamaður og handritshöfundur sem skrifaði 175 skáldsögur, 24 leikrit og fjölda greina í blöð og tímarit. Þá er búið að gera vel á annað hundruð kvikmyndir eftir sögum hans og er enn að bætast við þá tölu. Munu það vera fleiri kvikmyndir en gerðar hafa verið eftir sögum nokkurs annars höfundar. Til marks um vinsældir hans, þá vildi einn útgefandi bóka hans meina að fjórðungur allra bóka sem lesnar voru á Englandi á þriðja áratug 20. aldar væru eftir hann. Í dag er Wallace kannski helst kunnur fyrir að hafa í samvinnu við Draycott Dell skrifað handritið að fyrstu kvikmyndinni um King Kong sem og smásöguna sem handritið og síðar skáldsagan byggir á. Með þekktum bókum eftir Wallace má nefna The Four Just Men, The Ringer og The Door with the Seven Locks (Dyrnar með lásunum sjö). Edgar Wallace fæddist í London 1. apríl árið 1875. Foreldrar hans voru leikarar, Richard Horatio Edgar (sem vissi reyndar aldrei af tilvist hans) og Mary Jane Blair. Mary hafði misst mann sinn árið 1868 og átti eina dóttur fyrir þegar hún varð ófrísk af Edgar eiginlega fyrir slysni. Störfuðu þau Richard bæði hjá sama leikflokki sem rekinn var af móður Richards. Til að forðast hneyksli lét Mary engan vita af óléttunni og fékk leyfi um tíma frá hópnum til að geta eignast barnið í kyrrþey. Bað hún ljósmóðurina sem stundaði hana að finna fyrir sig fólk sem væri tilbúið að fóstra soninn strax eftir fæðingu gegn greiðslum. -
Researching and Sharing Edgar Family History No. 55, August 2011
EEddggaarr EEvveennttss Researching and sharing Edgar family history No. 55, August 2011 DNA Update by James Edgar ([email protected]) We have four tests waiting in the wings... The first is for Richard Edgar of Alexandria, Virginia. Richard is keen on discovering his Haplotype and has sent his swabs away for analysis already. His name came to us through Jennifer Edgar Cann of South Carolina. The second test is for Terry Edgar of Glengowrie, Adelaide, Australia. We suspect he’s related to my group as an I1, but we’ll let the test results prove his lineage. Terry is Adrian Edgar’s younger brother, who we’ve been in conversation with for the past few months. Both brothers descend from the same line as Peter Edgar, of Canberra, Australia, who has been in our family group almost since the beginning – he is one of the earlier testers. This is from one of Peter’s emails of a few years back: I trace my descent through my father Don, his father Richard, his father Hugh and his father John Edgar (known as ‘McPherson’ Edgar, I don’t know why). John ‘McPherson’ Edgar came to South Australia (Adelaide) in 1848 aged 20, a Scottish labourer. He died in 1893, a well respected pioneer. (The British Colony of SA was established only in 1836). After early years at Glen Osmond (now an Adelaide suburb), he had earned a living as a dairyman and the owner/operator of a small shop, owning three adjoining properties in Halifax St, Adelaide. His last years were spent working as a brewer. -
THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC)
THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC) Part of “The British Film” Collection Network Distributing is delighted to announce the release of the seventh volume of THE EALING STUDIOS RARITIES COLLECTION (cert TBC). Featuring 4 films from the vaults of Ealing Studios and Associated Talking Pictures, this double-disc set is available to own on 14 October 2013, RRP £14.99. Presented as new transfers in their original aspect ratios, THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 is an essential addition to anyone interested in classic British films as well as those interested in re-discovering long-forgotten gems from one of the UK’s most iconic production houses. EUREKA STOCKADE (1949) Directed by Harry Watt, written by Walter Greenword, Ralph Smart and Harry Watt. 1853: men from all over the world flock to Victoria, Australia, to dig for gold. The miners bitterly resent the fact that they are treated as intruders and constantly harried by the police; they riot, and four of them band together to protect themselves with a Reform League. But the struggle to gain their rights is to prove a long and bitter one... Starring Chips Rafferty, Jane Barrett, Gordon Jackson, Jack Lambert, Peter Illing, Ralph Truman and Peter Finch. TAKE A CHANCE (1937) Directed by Sinclair Hill, written by G.H Moresby-White and D.B Wyndham-Lewis. Irritated by her husband’s seeming indifference, the wife of a racehorse trainer flirts with a young man whose real object is to learn the secrets of her husband’s stables. Starring Claude Hulbert, Binnie Hale, Henry Kendall, Guy Middleton, Enid Stamp-Taylor. -
DOCUMENT RESUME ED 359 744 FL 020 283 AUTHOR Snyder, Sharon, Ed.; and Others TITLE Strategy Notebook: a Compilation of Open-Ende
DOCUMENT RESUME ED 359 744 FL 020 283 AUTHOR Snyder, Sharon, Ed.; And Others TITLE Strategy Notebook: A Compilation of Open-Ended Instructional Strategies and Materials for Beginning ESL and Literacy Learners. INSTITUTION International Catholic Migration Commission, Washington, DC. PUB DATE 91 NOTE 698p.; Dot matrix type, withnumerous line drawings. Pages are 8.5 in. by 13 in. AVAILABLE FROMInternational Catholic Migration Commission, 1319 F Street, N.W., Washington, DC 20004. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Reference Materials General (130) EDRS PRICE MF04/PC28 Plus Postage. DESCRIPTORS *Class Activities; *Classroom Techniques;*English (Second Language); *Instructional Materials; fr *Introductory Courses; *Literacy Education;Second Language Instruction ABSTRACT This strategy notebook is designedas a resource for teachers of English as a Second Language (ESL)and literacy education. It consists of a series ofclass activities and recommendations for instructional materialscontributed to the International Catholic Migration Commission (ICMC)by experienced ESL and literacy teachers. The first sectiondescribes instructional activities, subdivided into general and p topical strategies. The general strategies are useful for teachingany content, and make use of stories, pictures, and elements ofthe arts: drama, poetry, music, and drawing. Some are intended to be integratedinto the curriculum as regular features of instruction or to takean entire instructional cycle to carry out, and still others focuson classroom management issues as opportunities for learning.The topical strategies are sample curriculum units usingsome of the general strategies outlined previously. The second section of thenotebook conta;ns teacher-designed instructional materials, includingstory books and class exercises, copies ofsome appropriate materials located in the ICMC learning resource center, andannotated listings of photos, slides, and videos from the learningresource center. -
Murder Duo Is Released On.Parole Man Struck by Car Anb Dies
CHRISTMAS RARITAM SEALS MOST PROGRESSIVE TOWNSHIP SUBURBAN NEWSPAPER IN THIS AREA Help fo Protect Your Home from , "The-Voice of the Raritan Bay ' District" Tuberculosis VOL. V.—No. 39 FORDS, N. J., FRIDAY, DECEMBER 20, 1940 PRICE THREE CENtf Local Boys In Band MURDER DUO Edison Bridge Is Formally Dedicated MAN STRUCK IS RELEASED BY CAR ANB ON.PAROLE DIES Half-Dozen Merchants Are Duo Held; As Accessories Michael Turek Of Fined After Complaints In Slaying Of Howeli Amboy Is Killed Early By Parents To Chief In November, 1928 Thursday Morning 20-YEAR TERM IS' CUT CLAIM DEVICES TEACH TO 12 BY N. J. COURT CAR & TRUCK DRIVER CHILDREN TO GAMBLE HELD BY LOCAL POLICE Once these boys played in the high school band, but now Companion In Crime Con- they're tooting for Uncle Sam. Pictured above are seven town- Drive To Continue; Keat- ship National Guardsmen who are stationed at Fort Dix and are Cahill Says Man Stepped members of the 113th Infantry Band. They were inducted into tinues Serving Sen- ing Warns Unlicensed Ma- service on September 18 for a period of three years. Sergeant From Center Of Road John Mazza of Fords, is the drum major of the band. tence For Life chines Are Targets in the front row, the four men from left to right are Private In Front Of Car - Donald Leila, of Colonia; Mazza, Private Adam Esposito, of WOODBRIDGE—With the an- Fords, and Private Salvatore Santa Ma,ria, of Hopelawn. The nouncement by the New Jersey RARITAN 'TOWNSHIP — 31- 1 WOQDBRIDGE—"The police de- three standing in the. -
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22 “Te sound, it looks wonderful.” — Dario Argento If the colour yellow once evoked the pleasant imagery of bright summer days and blooming bush daisies, it certainly took a dark turn in the cinematic world of twentieth century Italy. Murder mysteries shot in saturated colours depicting grim, twisted nightmares of brutal killings became the new yellow—the giallo flm. But before referring to a genre of graphic Italian horror flms, giallo, the Italian word for yellow, was used to describe a genre of paperback mystery novels with bright yellow spines and covers introduced by the Milanese publishing house Mondadori in 1929.1 Most of the stories were translations of English whodunits and hard- boiled detective novels, including work by Edgar Allan Poe, Sir Arthur Conan Doyle, and Agatha Christie 2, with translations of Edgar Wallace novels appearing to be some of the most popular during the 1930s and 1940s.3 Despite the fact some critics, such as Alberto Savino, believed that mysteries were “unnatural” and “foreign” to Italian culture, these novels managed to inspire not only an Italian literary tradition with authors such as Giorgio Scerbanenco, Andrea Camilleri, and Carlo Lucarelli 4, but also some of the most terrifying and visually striking flms to come out of Italy during the 1960s and 1970s. Gialli frequently cross generic boundaries of crime flms, horror movies, and thrillers, and therefore may be more appropriately considered flone, as they are by many Italian critics, rather than part of a genre.5 Meaning large thread, the term flone is used to indicate a looser collection of similar themes and styles.6 Gialli can be more generally related to each other in this way, and thus a flm like Dario Argento’s Suspiria (1977) can be called giallo despite its greater resemblance to the supernatural horror thriller. -
77-2440 Laborde, Charles Bernard, Jr., 1949- FORM and FORMULA in DETECTIVE DRAMA: a STRUCTURAL STUDY of SELECTED TWENTIETH- CENTURY MYSTERY PLAYS
77-2440 LaBORDE, Charles Bernard, Jr., 1949- FORM AND FORMULA IN DETECTIVE DRAMA: A STRUCTURAL STUDY OF SELECTED TWENTIETH- CENTURY MYSTERY PLAYS. The Ohio State University, Ph.D., 1976 Theater Xerox University Microfilms,Ann Arbor, Michigan 48106 © 1976 CHARLES BERNARD LaBORDE, JR. ALL RIGHTS RESERVED FORM AND FORMULA IN DETECTIVE DRAMA* A STRUCTURAL STUDY OF SELECTED TWENTIETH-CENTURY MYSTERY PLAYS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Charles Bernard LaBorde, Jr., B.A., M.A. ***** The Ohio State University 1976 Reading Committee* Approved By Donald Glancy Roy Bowen Charles Ritter ^ A'dviser Department of Theatre ACKNOWLEDGMENTS I am grateful to Professor Donald Glancy for his guidance In the writing of this dissertation and to the other members of my committee. Dr, Roy Bowen and Dr. Charles Ritter, for their criticism. I am also indebted to Dr. Clifford Ashby for suggesting to me that the topic of detective drama was suitable for exploration in a dissertation. ii VITA October 6, 19^9 .... Born - Beaumont, Texas 1971 ......... B.A., Lamar State College of Technology, Beaumont, Texas 1971-1973 .......... Teaching Assistant, Department of Speech and Theatre Arts, Texas Tech University, Lubbock, Texas 1973 .............. M.A., Texas Tech University, Lubbock, Texas 1973-1975 ....... Teaching Associate, Department of Theatre, The Ohio State University, Columbus, Ohio 1975-1976 ....... University Fellow, Graduate School, The Ohio State University, Columbus, Ohio PUBLICATIONS "Sherlock Holmes on the Stage after William Gillette." Baker Street Journal. N. S., 2k (June 1974), 109-19. "Sherlock Holmes on the Stage: William Gillette," Accepted for publication by Baker Street Journal. -
Marriott Edgar
MARRIOTT EDGAR George Marriott Edgar is little known now because the style in which his words usually came to the public no longer carries popularity. But in his day one could find people freely reciting his words not only in performances but in pubs and at home. They were a kind of community singing and made people laugh. Perhaps they didn't know they were his, because the public reciter was the well-known actor Stanley Holloway (1890-1982). Edgar's background was itself interesting. His was a Lancashire family forming a theatre troupe, and he was born in Kirkcudbright in 1880. His parents Jennifer and Richard had married in 1875, but neither was aware that Richard had already fathered an illegitimate child by an actress. This boy turned out to be Edgar Wallace (1875-1932), the celebrated author, and it was a long time before the connection became known: in fact the Kirkcudbright Edgar remained ignorant of it until he met the more famous author in Hollywood not long before Wallace's death there. Edgar used the name Wallace for the lion (of Albert and the Lion) but this appears to be coincidence. Like the scions to so many music hall families Edgar took to the stage, and only began to come to notice in the long running The Co-Optimists in London in 1921-22. It was there that he met Stanley Holloway, who had already started his series of monologues. From 1930 Edgar supplied the words and their piano accompaniment. He also worked as a film scriptwriter, usually on comedies, including Oh Mr Porter! and The ghost train. -
41 Red Feather Journal 4.2 Fall 2013 the House of the Screaming Child
41 The House of the Screaming Child: Ambivalence and the Representation of Children in Profondo Rosso (Dario Argento, 1975) By Alexandra Heller-Nicholas and Craig Martin While broadly renowned for hyperactive visual spectacles of color and carnage over complex narratives, the plot of Dario Argento's Profondo rosso hinges upon an urban legend known as "The House of the Screaming Child". It concerns a derelict old house where the film’s protagonist Marcus Daly (David Hemmings) is told, "a strange thing happened. One night, a hunter woke up before dawn and heard a child singing in a shrill voice. Soon after, the voice stopped, and he heard shrieking, screams and weeping". Throughout the film’s investigation into a series of gruesome murders that provide the film's key visceral spectacles, the image of the traumatized "screaming child” is a crucial motif. Argento's most admired giallo hinges on its construction of the child as evil even as it blurs its representation of children with the infantalization of eldery people as a method of misdirecting attention away from the identity of the killer. The mystery around which Profondo rosso’s narrative is structured therefore relies on the conscious Othering of what we are calling “non-adult” knowledge. As such, the ethical ambivalence of its representations of children and elderly people overlap in its structuring system of subterfuge and revelation. This paper explores Argento's ambivalent representations of children in Profondo rosso that deconstruct the mechanics underlying a number of assumptions about the ethical status of children in horror more broadly. Profondo rosso demonstrates the broader ambivalence of the giallo category in its ethical construction of childhood as it subverts and collapses these assumptions. -
The Green Rust, by Edgar Wallace 2 CHAPTER XXXI CHAPTER XXXII the Green Rust, by Edgar Wallace
1 CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX The Green Rust, by Edgar Wallace 2 CHAPTER XXXI CHAPTER XXXII The Green Rust, by Edgar Wallace The Project Gutenberg EBook of The Green Rust, by Edgar Wallace This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Green Rust Author: Edgar Wallace Release Date: March 28, 2008 [EBook #24929] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE GREEN RUST *** Produced by D Alexander, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE GREEN RUST BY EDGAR WALLACE WARD, LOCK & CO., LIMITED LONDON AND MELBOURNE MADE IN ENGLAND Printed in Great Britain by Butler & Tanner Ltd., Frome and London THE GREEN RUST Novels by EDGAR WALLACE published by WARD, LOCK AND CO., LTD. The "Sanders" Stories SANDERS OF THE RIVER BOSAMBO OF THE RIVER BONES LIEUTENANT BONES SANDI, THE KING-MAKER THE PEOPLE OF THE RIVER THE KEEPERS OF THE KING'S PEACE Mystery Stories The Green Rust, by Edgar Wallace 3 THE DAFFODIL MYSTERY THE DARK EYES OF LONDON BLUE HAND MR.