DOCSLIB.ORG

THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC) THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC) Part of “The British Film” Collection Network Distributing is delighted to announce the release of the seventh volume of THE EALING STUDIOS RARITIES COLLECTION (cert TBC). Featuring 4 films from the vaults of Ealing Studios and Associated Talking Pictures, this double-disc set is available to own on 14 October 2013, RRP £14.99. Presented as new transfers in their original aspect ratios, THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 is an essential addition to anyone interested in classic British films as well as those interested in re-discovering long-forgotten gems from one of the UK’s most iconic production houses. EUREKA STOCKADE (1949) Directed by Harry Watt, written by Walter Greenword, Ralph Smart and Harry Watt. 1853: men from all over the world flock to Victoria, Australia, to dig for gold. The miners bitterly resent the fact that they are treated as intruders and constantly harried by the police; they riot, and four of them band together to protect themselves with a Reform League. But the struggle to gain their rights is to prove a long and bitter one... Starring Chips Rafferty, Jane Barrett, Gordon Jackson, Jack Lambert, Peter Illing, Ralph Truman and Peter Finch. TAKE A CHANCE (1937) Directed by Sinclair Hill, written by G.H Moresby-White and D.B Wyndham-Lewis. Irritated by her husband’s seeming indifference, the wife of a racehorse trainer flirts with a young man whose real object is to learn the secrets of her husband’s stables. Starring Claude Hulbert, Binnie Hale, Henry Kendall, Guy Middleton, Enid Stamp-Taylor. THE GAUNT STRANGER (1938) Directed by Walter Forde, adapted from an Edgar Wallace story by Sidney Gilliat This adaptation of Edgar Wallace’s famous tale sees Scotland Yard investigator Alan Wembury teaming up with Lomond, a police doctor, in order to find the mysterious killer known only as ‘The Ringer’ because he is a master of disguise. When a lawyer receives a bouquet of flowers with a note informing him that he’ll be dead in 48 hours, they must work fast to uncover the killer… Starring Sonnie Hale, Wilfred Lawson, Louise Henry, Alexander Knox and John Longden. PLAY UP THE BAND (1935) Directed by Harry Hughes, written by Frank Atkinson and Aveling Ginever It is a red letter day in the history of Heckdyke, for the Heckdyke Steam Wagon Works Brass Band is setting off for London and the famous Crystal Palace band contest. On the departure platform they are surrounded by enthusiastic well-wishers. But they are to go through many adventures before they finally step on to the Crystal Palace concert platform… Starring Stanley Holloway, Betty Ann Davies, Leslie Bradley, Amy Veness, Frank Atkinson and Charles Sewell. For media enquiries contact: Bryony Forde, Sabina Maharjan or Luciano Chelotti Network, 19-20 Berghem Mews, Blythe Road, London, W14 0HN Tel: 020 7605 4422 or 020 7605 4424 Fax: 020 7605 4421 Email: [email protected], [email protected] or [email protected] .
Load more

Recommended publications
  • The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
    The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message.
    [Show full text]
  • WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
    WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1.
    [Show full text]
  • Andrew Martin Is an Author, Journalist and Broadcaster. His Previous Books with Profile Are Underground, Overground and Belles and Whistles
    ANDREW MARTIN is an author, journalist and broadcaster. His previous books with Profile are Underground, Overground and Belles and Whistles. He has written for the Guardian, Evening Standard, Independent on Sunday, Daily Telegraph and New Statesman, amongst many others. His ‘Jim Stringer’ series of novels based around railways is published by Faber. His latest novel, Soot, is set in late eighteenth-century York. Praise for Night Trains ‘You do not have to be a trainspotter to enjoy this book. It is social history, a kind of epitaph to a way of travel that seems to be lost, at least in Europe.’ Spectator ‘A delightful book … charmingly combines Martin’s own travels, as he recreates journeys on famous trains such as the Orient Express, with a serious, occasionally geeky, history of those elegant wagons lits of the past … Even if you’re not into the detail of rail gauges, this book is the perfect companion as you wait for the 8.10 from Hove.’ Observer ‘Excellent … Mr Martin paints a vivid picture of this world on rails … he proves a witty companion who wears his knowledge lightly’ Country Life ‘Andrew Martin has cornered the train market. He is the Bard of the Buffer, the Balladeer of the Blue Train, the Laureate of Lost Property … I picked up Night Trains knowing that I would be entertained, but also in the hope that his many years of experience would teach me how to sleep on a sleeper … Andrew Martin is the best sort of travel writer: inquisitive, knowledgeable, lively, congenial. He is also very funny, while never letting the humour drive reality, rather than vice versa.
    [Show full text]
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
    [Show full text]
  • Controlling the Ooldea/Yalata Aborigines, 1952-1982
    The politics of space and mobility! controlling the Ooldea/Yalata Aborigines, 1952-1982 Maggie Brady Abstract In 1977 Isobel (Sally) White described the camp sites, spatial organisation and mobility of Pit- jantjatjara-speaking people at Yalata, a community 1000 kilometres northwest of Adelaide, South Australia. She remarked on the unusual living arrangements ofthat community, in which the entire Aboriginal population was periodically relocated from one Big Camp to another some­ where on the Yalata reserve, 4650 square kilometres of land running east-west along the Eyre Highiuay. In this article, I show that the unusual arrangement she described did not arise spon­ taneously, but was one of several last-ditch strategies designed to force Yalata people to remain well south of the dangerous and prohibited area of the Maralinga atomic testing site. White observed and described this state of affairs without knowing its origins. She and the people with luhom she lived up until the early 1970s could also not have imagined that resettlement in the spinifex country of the Great Victoria Desert zvould eventually take place, and that there would be a reclamation of the ivide-ranging mobility the people once had. In 1949 one hundred and thirty Aboriginal men, women and children from the United Aborigines' Mission (UAM) station at Ooldea Soak became actors in the feature film 'Bitter Springs'. Accompanied by their missionary carers, they travelled east by train from Ooldea, on the edge of the Great Victoria Desert in South Australia, to the film site at Warren's Gorge, near Quorn. There, for the director Ralph Smart of Ealing Studios, they acted out a fictional dispossession of their land, a dispossession which was already taking place in real life.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Edgar Wallace (1875–1932)
    Edgar Wallace (1875–1932) Richard Horatio Edgar Wallace eða bara Edgar Wallace eins og hann kallaði sig var enskur rithöfundur, blaðamaður og handritshöfundur sem skrifaði 175 skáldsögur, 24 leikrit og fjölda greina í blöð og tímarit. Þá er búið að gera vel á annað hundruð kvikmyndir eftir sögum hans og er enn að bætast við þá tölu. Munu það vera fleiri kvikmyndir en gerðar hafa verið eftir sögum nokkurs annars höfundar. Til marks um vinsældir hans, þá vildi einn útgefandi bóka hans meina að fjórðungur allra bóka sem lesnar voru á Englandi á þriðja áratug 20. aldar væru eftir hann. Í dag er Wallace kannski helst kunnur fyrir að hafa í samvinnu við Draycott Dell skrifað handritið að fyrstu kvikmyndinni um King Kong sem og smásöguna sem handritið og síðar skáldsagan byggir á. Með þekktum bókum eftir Wallace má nefna The Four Just Men, The Ringer og The Door with the Seven Locks (Dyrnar með lásunum sjö). Edgar Wallace fæddist í London 1. apríl árið 1875. Foreldrar hans voru leikarar, Richard Horatio Edgar (sem vissi reyndar aldrei af tilvist hans) og Mary Jane Blair. Mary hafði misst mann sinn árið 1868 og átti eina dóttur fyrir þegar hún varð ófrísk af Edgar eiginlega fyrir slysni. Störfuðu þau Richard bæði hjá sama leikflokki sem rekinn var af móður Richards. Til að forðast hneyksli lét Mary engan vita af óléttunni og fékk leyfi um tíma frá hópnum til að geta eignast barnið í kyrrþey. Bað hún ljósmóðurina sem stundaði hana að finna fyrir sig fólk sem væri tilbúið að fóstra soninn strax eftir fæðingu gegn greiðslum.
    [Show full text]
  • Celluloid Television Culture the Specificity of Film on Television: The
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses .
    [Show full text]
  • Simply-Hitchcock-1587911892. Print
    Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind.
    [Show full text]
  • TPTV Schedule September 24Th - 30Th 2018
    TPTV Schedule September 24th - 30th 2018 DATE TIME PROGRAMME SYNOPSIS Mon 24 6:00 Piccadilly Incident 1946. War. Director: Herbert Wilcox. Stars Anna Neagle, Michael Wilding, Sep 18 Coral Browne & Edward Rigby. A missing Wren returns from a desert isle and finds her husband has a new wife and son. Mon 24 8:00 Hawkeye & the Way Station. 1957. Directed by Sam Newfield. Stars John Hart, Lon Sep 18 Last of the Chaney Jr & James Doohan. The daughter of Mingo Chief Nocona is Mohicans desired by two warring tribesmen. ​(Subtitles Available) Mon 24 8:30 Convict 99 1938. Comedy. Directed by Marcel Varnel. Stars Will Hay, Moore Marriott, Sep 18 Graham Moffat & Googie Withers. A school master is mistaken for a prison governor and assigned the charge of a prison. Mon 24 10:15 Glimpses of Glimpses: Made as an educational film showing our crops of hops & fruit. Sep 18 Southern England The film provides a startling glimpses of bygone days of all of the in 1968 Southern area of the UK including great aerial shots. Mon 24 10:35 The Lost Moment 1947. Drama. A publisher insinuates himself into the mansion of the Sep 18 centenarian lover of a renowned but long-dead poet in order to find his lost love letters. Starring Robert Cummings & Susan Hayward. Mon 24 12:20 Waterloo Road 1944. Drama. Director: Sidney Gilliat. Stars Stewart Granger, John Mills, Sep 18 Alastair Sim & Joy Shelton. After Jim reports for military duty, he suspects that his bride has been seeing another man. Mon 24 13:55 The Old Dark 1963.
    [Show full text]
  • Researching and Sharing Edgar Family History No. 55, August 2011
    EEddggaarr EEvveennttss Researching and sharing Edgar family history No. 55, August 2011 DNA Update by James Edgar ([email protected]) We have four tests waiting in the wings... The first is for Richard Edgar of Alexandria, Virginia. Richard is keen on discovering his Haplotype and has sent his swabs away for analysis already. His name came to us through Jennifer Edgar Cann of South Carolina. The second test is for Terry Edgar of Glengowrie, Adelaide, Australia. We suspect he’s related to my group as an I1, but we’ll let the test results prove his lineage. Terry is Adrian Edgar’s younger brother, who we’ve been in conversation with for the past few months. Both brothers descend from the same line as Peter Edgar, of Canberra, Australia, who has been in our family group almost since the beginning – he is one of the earlier testers. This is from one of Peter’s emails of a few years back: I trace my descent through my father Don, his father Richard, his father Hugh and his father John Edgar (known as ‘McPherson’ Edgar, I don’t know why). John ‘McPherson’ Edgar came to South Australia (Adelaide) in 1848 aged 20, a Scottish labourer. He died in 1893, a well respected pioneer. (The British Colony of SA was established only in 1836). After early years at Glen Osmond (now an Adelaide suburb), he had earned a living as a dairyman and the owner/operator of a small shop, owning three adjoining properties in Halifax St, Adelaide. His last years were spent working as a brewer.
    [Show full text]
  • Under Capricorn Symposium Were Each Given a 30 Minute Slot to Deliver Their Paper and Respond to Questions
    Papers based on the Symposium held at Kings College, University of London, 5th & 6th September, 2019 1 Introductory Note Speakers at the Under Capricorn Symposium were each given a 30 minute slot to deliver their paper and respond to questions. In preparing for this collection, all the papers have been revised and several have been considerably developed to provide additional context, argument and analysis. Apart from changes in format introduced to create a unified document (and in one or two cases to integrate images), the papers appear as the writers submitted them. The papers are arranged in the order of the symposium programme, with one exception. Bertrand Tavernier was unfortunately unable to attend and his paper is the first the reader will encounter. Papers that do not appear in this collection are marked by an asterisk in the programme. 2 Under Capricorn at 70 King’s College, University of London th th 5 and 6 September 2019 Day 1 5 September 9:00 - 9:30 Registration 9:30 - 10:00 Welcome & Introductions 10:00 - 10:30 An Overview of Under Capricorn Stéphane Duckett 10:30 - 11:00 Hitchcock and Ireland Charles Barr * 11:00 - 11:30 Bewitched, Bothered and Bewildered. A Fairy Tale of Old Ireland Richard Blennerhassett 11:30 - 12:00 Teas & Coffees 12:00 - 12:30 Under Capricorn and Helen de Guerry Simpson Ed Gallafent 12:30 - 1:00 Under Capricorn and The Paradine Case Douglas Pye 1:00 - 2:00 Lunch 2:00 - 2:30 “Between P & B- The Past and the Bottle” or Ingrid Bergman’s Acting and Opinions on Acting Tytti Soila 2:30 - 3:00 Under Capricorn
    [Show full text]