Researching and Sharing Edgar Family History No. 55, August 2011
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WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1. -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Edgar Wallace (1875–1932)
Edgar Wallace (1875–1932) Richard Horatio Edgar Wallace eða bara Edgar Wallace eins og hann kallaði sig var enskur rithöfundur, blaðamaður og handritshöfundur sem skrifaði 175 skáldsögur, 24 leikrit og fjölda greina í blöð og tímarit. Þá er búið að gera vel á annað hundruð kvikmyndir eftir sögum hans og er enn að bætast við þá tölu. Munu það vera fleiri kvikmyndir en gerðar hafa verið eftir sögum nokkurs annars höfundar. Til marks um vinsældir hans, þá vildi einn útgefandi bóka hans meina að fjórðungur allra bóka sem lesnar voru á Englandi á þriðja áratug 20. aldar væru eftir hann. Í dag er Wallace kannski helst kunnur fyrir að hafa í samvinnu við Draycott Dell skrifað handritið að fyrstu kvikmyndinni um King Kong sem og smásöguna sem handritið og síðar skáldsagan byggir á. Með þekktum bókum eftir Wallace má nefna The Four Just Men, The Ringer og The Door with the Seven Locks (Dyrnar með lásunum sjö). Edgar Wallace fæddist í London 1. apríl árið 1875. Foreldrar hans voru leikarar, Richard Horatio Edgar (sem vissi reyndar aldrei af tilvist hans) og Mary Jane Blair. Mary hafði misst mann sinn árið 1868 og átti eina dóttur fyrir þegar hún varð ófrísk af Edgar eiginlega fyrir slysni. Störfuðu þau Richard bæði hjá sama leikflokki sem rekinn var af móður Richards. Til að forðast hneyksli lét Mary engan vita af óléttunni og fékk leyfi um tíma frá hópnum til að geta eignast barnið í kyrrþey. Bað hún ljósmóðurina sem stundaði hana að finna fyrir sig fólk sem væri tilbúið að fóstra soninn strax eftir fæðingu gegn greiðslum. -
THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC)
THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC) Part of “The British Film” Collection Network Distributing is delighted to announce the release of the seventh volume of THE EALING STUDIOS RARITIES COLLECTION (cert TBC). Featuring 4 films from the vaults of Ealing Studios and Associated Talking Pictures, this double-disc set is available to own on 14 October 2013, RRP £14.99. Presented as new transfers in their original aspect ratios, THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 is an essential addition to anyone interested in classic British films as well as those interested in re-discovering long-forgotten gems from one of the UK’s most iconic production houses. EUREKA STOCKADE (1949) Directed by Harry Watt, written by Walter Greenword, Ralph Smart and Harry Watt. 1853: men from all over the world flock to Victoria, Australia, to dig for gold. The miners bitterly resent the fact that they are treated as intruders and constantly harried by the police; they riot, and four of them band together to protect themselves with a Reform League. But the struggle to gain their rights is to prove a long and bitter one... Starring Chips Rafferty, Jane Barrett, Gordon Jackson, Jack Lambert, Peter Illing, Ralph Truman and Peter Finch. TAKE A CHANCE (1937) Directed by Sinclair Hill, written by G.H Moresby-White and D.B Wyndham-Lewis. Irritated by her husband’s seeming indifference, the wife of a racehorse trainer flirts with a young man whose real object is to learn the secrets of her husband’s stables. Starring Claude Hulbert, Binnie Hale, Henry Kendall, Guy Middleton, Enid Stamp-Taylor. -
Adults' Fiction Audiobooks
439 Burke Road Glen Iris VIC 3146 Soundbooks Ph: (03) 9824 7711 Fax: (03) 9824 7855 The Audio Experts œ Australia and International A.B.N. 14 004 492 013 www.soundbooks.com.au Email: [email protected] New Releases Issue 9219 Adult Fiction Audiobooks Please note: all prices include G.S.T. UA = —complete and unabridged, word for word“ General Fiction RUNAWAY BEST-SELLER! William P. Young. The Shack Donald McCaig. Rhett Butler’s People Mackenzie Allen Philips’s Fully authorised by the Margaret youngest daughter, Missy, Mitchell estate, Rhett Butler’s has been abducted during a is the long-awaited novel People family vacation, and that parallels the Great American evidence that she may have Novel, “Gone With The Wind”. been brutally murdered is Through the storytelling mastery found in an abandoned of award-winning writer Donald shack deep in the Oregon McCaig, the life and times of the dashing Rhett Butler unfolds. wilderness. Four years later, Through Rhett’s eyes we meet the in this midst of his great people who shaped his sadness, Mack receives a personality: Langston Butler, suspicious note, apparently from God, inviting him back to that shack Rhett’s unyielding father; Rosemary his steadfast sister; Tunis for a weekend. Against his better judgment he arrives at the shack on Bonneau, Rhett’s best friend and a onetime slave; Belle Watling, the wintry afternoon and walks back into his darkest nightmare. What he woman for whom Rhett cared long before he met Scarlett O’Hara at finds there will change his life forever. -
2 September 2011 Page 1 of 7 SATURDAY 27 AUGUST 2011 Pet Alligator and More
Radio 4 Extra Listings for 27 August – 2 September 2011 Page 1 of 7 SATURDAY 27 AUGUST 2011 pet alligator and more. Harry H Corbett. Edinburgh and Loose Ends wouldn't be the same without our From March 1976. SAT 00:00 Charles Chilton - Journey into Space (b007jq0c) regular right-hand man Arthur Smith (so identified with the * HANCOCK: The Radio Ham: the Pye re-recording: The Red Planet Edinburgh Fringe that they named one of the city's high peaks The originally BBC TV-only episode performed by The Lad 7. The Shared Nightmare after him...*). Arthur talks to the woman who put Luton Airport Himself before an audience for an album release in 1961. As the Mars fleet crew battle to locate Freighter Ship number 6, on the map, Lorraine Chase. Amateur radio enthusiast Tony Hancock receives a mayday call Captain Jet Morgan suffers strange hallucinations... And from the Outer Hebrides, music comes from the Scots from a yachtsman in distress. Charles Chilton’s 1954 classic set in 1971. Trad Music Awards 2010 Composer of the Year, Iain Morrison Presenter: Peter Reed Jet Morgan …. Andrew Faulds with album track, 'The Sky Throws You'. And from even Producer: Mik Wilkojc Lemmy …. David Kossoff further afield, in fact from around the world, Voices perform Made for BBC Radio 7 and first broadcast in July 2008. Doc …. Guy Kingsley Poynter 'Imani' in acappella. SAT 12:00 Val McDermid - Village SOS (b013zdg4) Mitch …. Bruce Beeby *possibly not true. Although it sure feels as though Arthur's DCI Marion Bettany investigates a murder in the sleepy Announcer/Various …. -
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22 “Te sound, it looks wonderful.” — Dario Argento If the colour yellow once evoked the pleasant imagery of bright summer days and blooming bush daisies, it certainly took a dark turn in the cinematic world of twentieth century Italy. Murder mysteries shot in saturated colours depicting grim, twisted nightmares of brutal killings became the new yellow—the giallo flm. But before referring to a genre of graphic Italian horror flms, giallo, the Italian word for yellow, was used to describe a genre of paperback mystery novels with bright yellow spines and covers introduced by the Milanese publishing house Mondadori in 1929.1 Most of the stories were translations of English whodunits and hard- boiled detective novels, including work by Edgar Allan Poe, Sir Arthur Conan Doyle, and Agatha Christie 2, with translations of Edgar Wallace novels appearing to be some of the most popular during the 1930s and 1940s.3 Despite the fact some critics, such as Alberto Savino, believed that mysteries were “unnatural” and “foreign” to Italian culture, these novels managed to inspire not only an Italian literary tradition with authors such as Giorgio Scerbanenco, Andrea Camilleri, and Carlo Lucarelli 4, but also some of the most terrifying and visually striking flms to come out of Italy during the 1960s and 1970s. Gialli frequently cross generic boundaries of crime flms, horror movies, and thrillers, and therefore may be more appropriately considered flone, as they are by many Italian critics, rather than part of a genre.5 Meaning large thread, the term flone is used to indicate a looser collection of similar themes and styles.6 Gialli can be more generally related to each other in this way, and thus a flm like Dario Argento’s Suspiria (1977) can be called giallo despite its greater resemblance to the supernatural horror thriller. -
77-2440 Laborde, Charles Bernard, Jr., 1949- FORM and FORMULA in DETECTIVE DRAMA: a STRUCTURAL STUDY of SELECTED TWENTIETH- CENTURY MYSTERY PLAYS
77-2440 LaBORDE, Charles Bernard, Jr., 1949- FORM AND FORMULA IN DETECTIVE DRAMA: A STRUCTURAL STUDY OF SELECTED TWENTIETH- CENTURY MYSTERY PLAYS. The Ohio State University, Ph.D., 1976 Theater Xerox University Microfilms,Ann Arbor, Michigan 48106 © 1976 CHARLES BERNARD LaBORDE, JR. ALL RIGHTS RESERVED FORM AND FORMULA IN DETECTIVE DRAMA* A STRUCTURAL STUDY OF SELECTED TWENTIETH-CENTURY MYSTERY PLAYS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Charles Bernard LaBorde, Jr., B.A., M.A. ***** The Ohio State University 1976 Reading Committee* Approved By Donald Glancy Roy Bowen Charles Ritter ^ A'dviser Department of Theatre ACKNOWLEDGMENTS I am grateful to Professor Donald Glancy for his guidance In the writing of this dissertation and to the other members of my committee. Dr, Roy Bowen and Dr. Charles Ritter, for their criticism. I am also indebted to Dr. Clifford Ashby for suggesting to me that the topic of detective drama was suitable for exploration in a dissertation. ii VITA October 6, 19^9 .... Born - Beaumont, Texas 1971 ......... B.A., Lamar State College of Technology, Beaumont, Texas 1971-1973 .......... Teaching Assistant, Department of Speech and Theatre Arts, Texas Tech University, Lubbock, Texas 1973 .............. M.A., Texas Tech University, Lubbock, Texas 1973-1975 ....... Teaching Associate, Department of Theatre, The Ohio State University, Columbus, Ohio 1975-1976 ....... University Fellow, Graduate School, The Ohio State University, Columbus, Ohio PUBLICATIONS "Sherlock Holmes on the Stage after William Gillette." Baker Street Journal. N. S., 2k (June 1974), 109-19. "Sherlock Holmes on the Stage: William Gillette," Accepted for publication by Baker Street Journal. -
Marriott Edgar
MARRIOTT EDGAR George Marriott Edgar is little known now because the style in which his words usually came to the public no longer carries popularity. But in his day one could find people freely reciting his words not only in performances but in pubs and at home. They were a kind of community singing and made people laugh. Perhaps they didn't know they were his, because the public reciter was the well-known actor Stanley Holloway (1890-1982). Edgar's background was itself interesting. His was a Lancashire family forming a theatre troupe, and he was born in Kirkcudbright in 1880. His parents Jennifer and Richard had married in 1875, but neither was aware that Richard had already fathered an illegitimate child by an actress. This boy turned out to be Edgar Wallace (1875-1932), the celebrated author, and it was a long time before the connection became known: in fact the Kirkcudbright Edgar remained ignorant of it until he met the more famous author in Hollywood not long before Wallace's death there. Edgar used the name Wallace for the lion (of Albert and the Lion) but this appears to be coincidence. Like the scions to so many music hall families Edgar took to the stage, and only began to come to notice in the long running The Co-Optimists in London in 1921-22. It was there that he met Stanley Holloway, who had already started his series of monologues. From 1930 Edgar supplied the words and their piano accompaniment. He also worked as a film scriptwriter, usually on comedies, including Oh Mr Porter! and The ghost train. -
The Oxford Dictionary of Modern Quotations.TXT
The Oxford Dictionary of Modern Quotations PREFACE Preface =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- This is a completely new dictionary, containing about 5,000 quotations. What is a "quotation"? It is a saying or piece of writing that strikes people as so true or memorable that they quote it (or allude to it) in speech or writing. Often they will quote it directly, introducing it with a phrase like "As ---- says" but equally often they will assume that the reader or listener already knows the quotation, and they will simply allude to it without mentioning its source (as in the headline "A ros‚ is a ros‚ is a ros‚," referring obliquely to a line by Gertrude Stein). This dictionary has been compiled from extensive evidence of the quotations that are actually used in this way. The dictionary includes the commonest quotations which were found in a collection of more than 200,000 citations assembled by combing books, magazines, and newspapers. For example, our collections contained more than thirty examples each for Edward Heath's "unacceptable face of capitalism" and Marshal McLuhan's "The medium is the message," so both these quotations had to be included. As a result, this book is not--like many quotations dictionaries--a subjective anthology of the editor's favourite quotations, but an objective selection of the quotations which are most widely known and used. Popularity and familiarity are the main criteria for inclusion, although no reader is likely to be familiar with all the quotations in this dictionary. The book can be used for reference or for browsing: to trace the source of a particular quotation or to find an appropriate saying for a special need. -
41 Red Feather Journal 4.2 Fall 2013 the House of the Screaming Child
41 The House of the Screaming Child: Ambivalence and the Representation of Children in Profondo Rosso (Dario Argento, 1975) By Alexandra Heller-Nicholas and Craig Martin While broadly renowned for hyperactive visual spectacles of color and carnage over complex narratives, the plot of Dario Argento's Profondo rosso hinges upon an urban legend known as "The House of the Screaming Child". It concerns a derelict old house where the film’s protagonist Marcus Daly (David Hemmings) is told, "a strange thing happened. One night, a hunter woke up before dawn and heard a child singing in a shrill voice. Soon after, the voice stopped, and he heard shrieking, screams and weeping". Throughout the film’s investigation into a series of gruesome murders that provide the film's key visceral spectacles, the image of the traumatized "screaming child” is a crucial motif. Argento's most admired giallo hinges on its construction of the child as evil even as it blurs its representation of children with the infantalization of eldery people as a method of misdirecting attention away from the identity of the killer. The mystery around which Profondo rosso’s narrative is structured therefore relies on the conscious Othering of what we are calling “non-adult” knowledge. As such, the ethical ambivalence of its representations of children and elderly people overlap in its structuring system of subterfuge and revelation. This paper explores Argento's ambivalent representations of children in Profondo rosso that deconstruct the mechanics underlying a number of assumptions about the ethical status of children in horror more broadly. Profondo rosso demonstrates the broader ambivalence of the giallo category in its ethical construction of childhood as it subverts and collapses these assumptions.