1 Crisis? What Crisis?
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Red Aces and Other Stories
Red Aces And Other Stories By Edgar Wallace Red Aces And Other Stories I. — THE THREAT WHEN a young man is very much in love with a most attractive girl he is apt to endow her with qualities and virtues which no human being has ever possessed. Yet at rare and painful intervals there enter into his soul certain wild suspicions, and in these moments he is inclined to consider the possibility that she may be guilty of the basest treachery and double dealing. Everybody knew that Kenneth McKay was desperately in love. They knew it at the bank where he spent his days in counting other people's money, and a considerable amount of his lunch hour writing impassioned and ill-spelt letters to Margot Lynn. His taciturn father, brooding over his vanished fortune in his gaunt riverside house at Marlow, may have employed the few moments he gave to the consideration of other people's troubles in consideration of his son's new interest. Probably he did not, for George McKay was entirely self- centred and had little thought but for the folly which had dissipated the money he had accumulated with such care, and the development of fantastical schemes for its recovery. Kenneth went over to Beaconsfield every morning on his noisy motorbike and came back every night, sometimes very late, because Margot lived in London; they dined together at the cheaper restaurants and sometimes saw a film. Kenneth was a member of an inexpensive London club which sheltered at least one sympathetic soul. Except for Rufus Machfield, the confidant in question, he had no friends. -
British Crime Film
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular con- sciousness. Crime Files is a groundbreaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive cover- age and theoretical sophistication. Published titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting the Social Order Emelyne Godfrey MASCULINITY, CRIME AND SELF-DEFENCE IN VICTORIAN LITERATURE Emelyne Godfrey FEMININITY, CRIME AND SELF-DEFENCE -
Bezazeel Woodward and His Successors
BEZALEEL WOODWARD and HIS SUCCESSORS A BRIEF ACCOUNT of MATHEMATICS at DARTMOUTH COLLEGE 1769-1960 BY BANCROFT H. BROWN INTRODUCTION A certain amount of mental agility is required in reading this record of the slow but surprising development of a scientific de- partment in a long-established institution. While the mathemati- cian of 1770 could never comprehend even the simpler aspects of the mathematics of today, the mathematician of today may have some dif- ficulty in understanding the complete complacency and satisfaction with which earlier generations regarded the standards of their times. Always we shall meet the intolerance of the conservative, who finds virtue only in Euclid, Descartes, and Leibniz. Edna St. Vincent Millay had not yet favored us with: "Euclid alone has looked on Beauty bare", but our conservative friend would have approved. His characteristic tag was: "Quod semper, auod ubique, et quod ab omnibus" -- roughly -- " (we believe this because it has been believed) always, everywhere, and by every one." Of course 11 everyone" means "all right-thinking people". Intolerance, trying to oppress, has to be met with sling-shots and brass knuckles. Intolerance at home, basking by the fire, can be thoroughly enjoy- able, and often serves good liquor. Once in a while we shall see the radical: "Let's do this differently this year, Just for the sake of doing it differently." A mathematical radical can. be stimulating -- for a time. He is never a menace like an Attila or a Hitler; but he can be tedious. I ask you to be generally tolerant as you meet in these pages conservatives and radicals. -
We Have Never Been Modern I Bruno Latour : Translated by Catherine Porter
We Have Never Been Modern Bruno Latour translated by Catherine Porter Harvard University Press Cambridge, Massachusetts This translation © 1993 by Harvester Whearsheaf and the President and Fellows of Harvard College All rights reserved Printed in the United States of America Originally published as Nous n 'avons jamais ete modernes: Essais d'anthropologie symmetrique. Copyright © 1991 La Decouverte Library of Congress Cataloging-in-Publication Data Latour, Bruno. [Nous n'avons jamais ete modernes. English] We have never been modern I Bruno Latour : translated by Catherine Porter. p. em. Translation of: Nous n'avons jamais ete moderns. Includes bibliographical references and index. ISBN 0-674-94838-6 .- ISBN 0-674-94839--4(pbk.) 1. Science-Social aspects. 2. Technology-Social aspects. 3. Science-Philosophy. 4. Science-History. I. Title. Q175.5.L3513 1993 303.48'3--dc20 93-15226 CIP For Charis and Adrian CONTENTS Acknowledgements IX CRISIS 1 1.1 The Proliferation of Hybrids 1 1.2 Retying the Gordian Knot 3 1.3 The Crisis of the Critical Stance 5 1.4 1989: The Year of Miracles 8 1.5 What Does It Mean To Be A Modern? 10 2 CONSTITUTION 13 2.1 The Modern Constitution 13 2.2 Boyle and His Objects 15 2.3 Hobbes and His Subjects 18 2.4 The Mediation of the Laboratory 20 2.5 The Testimony of Nonhumans 22 2.6 The Double Artifact of the Laboratory and the Leviathan 24 2.7 ScientificRepresentation and Political Representation 27 2.8 The Constitutional Guarantees of the Modern 29 2.9 The Fourth Guarantee: The Crossed-out God 32 2.10 The Power of the -
CINEMA of CONFINEMENT Series Editors Slavoj Žižek Adrian Johnston Todd Mcgowan
CINEMA OF CONFINEMENT Series Editors Slavoj Žižek Adrian Johnston Todd McGowan diaeresis CINEMA OF CONFINEMENT Thomas J. Connelly Northwestern University Press Evanston, Illinois Northwestern University Press www .nupress .northwestern .edu Copyright © 2019 by Northwestern University Press. Published 2019. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 ISBN 978- 0- 8101- 3921- 3 (paper) ISBN 978- 0- 8101- 3922- 0 (cloth) ISBN 978- 0- 8101- 3923- 7 (ebook) Cataloging-in-Publication Data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Connelly, Thomas J. Cinema of Confinement. Evanston, Ill.: Northwestern Univer- sity Press, 2019. The following material is excluded from the license: Images. For permissions beyond the scope of this license, visit http://www.nupress. northwestern.edu/ An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative de- signed to make high-quality books open access for the public good. More infor- mation about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. For Katie Contents Acknowledgments ix Introduction: Excess, the Gaze, and Cinema of Confinement