Numerals on Colored Paper 1851-52 Thin Colored

Total Page:16

File Type:pdf, Size:1020Kb

Numerals on Colored Paper 1851-52 Thin Colored BADEN Numerals on Colored Paper 1851-52 1KR 3KR 6KR 9KR Thin Colored Paper 1851 1KR 3KR 6KR 9KR ON 9KR ON DEEP ROSE PAPER BLUE GREEN PAPER Types of 1851-52 1853-58 1KR ON 3KR ON 3KR ON 6KR ON WHITE PAPER GREEN PAPER BLUE PAPER YELLOW PAPER BADEN Coat of Arms Perforated 13-1/2 1860-62 3KR 1KR 6KR 9KR ULTRAMARINE Perforated 10 1862 1KR 6KR 9KR Perforated 13-1/2 3KR ROSE Coat of Arms, Redrawn Perforated 10 1862-65 1KR 3KR 6KR 9KR 18KR 30KR BADEN Coat of Arms 1868 1KR 3KR 7KR RURAL POSTAGE DUE STAMPS Numerals 1862 1KR 3KR 12KR BAVARIA Numerals, in Broken Circle 1849 1KR 3KR 6KR Numerals, in Complete Circle 1850-58 1KR PINK 6KR BROWN 9KR YELLOW GREEN 12KR RED 18KR YELLOW Numerals, in Complete Circle 1862 1KR YELLOW 3KR ROSE 6KR BLUE 9KR BISTRE 12KR 18KR YELLOW GREEN VERMILION RED Numeral, in Broken Circle 1862 3KR ROSE BAVARIA Coat of Arms, with Silk Thread 1867-68 1KR 6KR 3KR 6KR BISTRE YELLOW GREEN ULTRAMARINE 7KR 9KR BISTRE 12KR 18KR Coat of Arms, without Silk Thread Intersecting Zig-Zag Watermark 1870-72 7KR 1KR GREEN 3KR 6KR BISTRE ULTRAMARINE 9KR 10KR 12KR 18KR PALE BROWN Coat of Arms Coat of Arms Imperforate Perforated 11-1/2 1874 1875 1M 1M BAVARIA Coat of Arms Horizontal Wavy Lines Watermark 1875 1KR 3KR 7KR 10KR 18KR Coat of Arms New Currency, Horizontal Wavy Lines Watermark 1876-78 3PF 5PF DARK GREEN 5PF LILAC 10PF 20PF 25PF 50PF SCARLET 50PF BROWN 1M 2M BAVARIA Coat of Arms Vertical Wavy Lines Watermark, Perforated 11-1/2 1881-1906 3PF 5PF 10PF 20PF 25PF 50PF 1M 2M 3M 5M BAVARIA Coat of Arms Horizontal Wavy Lines Watermark, Perforated 14-1/2 1888-1900 5PF 2PF 3PF GREEN 3PF BROWN 5PF LILAC DARK GREEN 25PF 10PF 20PF 25PF ORANGE 30PF YELLOW BROWN 50PF 40PF 50PF MAROON 80PF DEEP BROWN Vertical Wavy Lines Watermark Horizontal Wavy Lines Watermark 1911 1911 5PF 1M 2M 3M 5M DARK GREEN BAVARIA Prince Regent Luitpold's 90th Birthday 1911 3PF 5PF 10PF 20PF 25PF 30PF 40PF 50PF 60PF 80PF 1M 2M 3M 5M 10M 20M Prince Regent Luitpold's Silver Jubilee 1911 5PF 10PF BAVARIA King Ludwig III Perforated 14 x 14-1/2 1914-20 2PF 2-1/2PF ON 2PF 3PF 5PF 7-1/2PF 10PF 10PF 15PF 15PF 20PF VERMILION CARMINE ROSE VERMILION CARMINE ROSE 25PF 30PF 40PF 50PF 60PF 1M 2M 3M 80PF 5M 10M 20M BAVARIA King Ludwig III Imperforate 1914-20 2PF 3PF 5PF 7-1/2PF 10PF 15PF 20PF 25PF 30PF 40PF 50PF 60PF 80PF 1M 2M 3M 5M 10M 20M BAVARIA Issues of the Republic Issues of 1916-20, Overprinted, Perforated 14 x 14-1/2 1919 3PF 5PF 7-1/2PF 10PF 15PF 20PF 25PF 30PF 35PF 40PF 50PF 60PF 75PF 80PF 1M 2M 3M 5M 10M 20M BAVARIA Issues of the Republic Issues of 1916-20, Overprinted, Imperforate 1919 3PF 5PF 7-1/2PF 10PF 15PF 20PF 25PF 30PF 35PF 40PF 50PF 60PF 75PF 80PF 1M 2M 3M 5M 10M 20M BAVARIA Issues of the Republic Stamps of Germany, 1906-19, Overprinted 1919 2-1/2PF 3PF 5PF 7-1/2PF 10PF 15PF 20PF 25PF 35PF 40PF 75PF 80PF 1M 2M 3M 5M BAVARIA Issues of the Republic Issues of 1919, Overprinted, Perforated 14 x 14-1/2 1919-20 3PF 5PF 7-1/2PF 10PF 15PF 20PF 25PF 30PF 40PF 50PF 60PF 75PF 80PF 1M 2M 3M 5M 10M 20M BAVARIA Issues of the Republic Issues of 1919, Overprinted, Imperforate 1919-20 3PF 5PF 7-1/2PF 10PF 15PF 20PF 25PF 30PF 40PF 50PF 60PF 75PF 80PF 1M 2M 3M 5M 10M 20M BAVARIA Issues of the Republic King Ludwig Type of 1914, Printed in Various Colors Surcharged, Perforated 11-1/2 1919 1.25M ON 1M 1.50M ON 1M 2.50M ON 1M Surcharged, Imperforate 1920 1.25M ON 1M 1.50M ON 1M 2.50M ON 1M Coat of Arms Type of 1888, Surcharged in Dark Blue 1920 20PF ON 3PF BAVARIA Issues of the Republic Plowman, Waterwheel, or Sower (Typographed) 1920 5PF 10PF 15PF 20PF 30PF 40PF 50PF 60PF 75PF Madonna and Child 1M 1-1/4M 1-1/2M 2-1/2M Von Kaulbach's "Genius" 3M 5M 10M 20M Lithographed 2-1/2M BAVARIA Plowman Types, Overprinted 1920 5PF 10PF 15PF 20PF 30PF 40PF 50PF 60PF 75PF 80PF Madonna and Child Types, Overprinted 1M 1-1/4M 1-1/2M 2M 2-1/2M 2-1/2M TYPOGRAPHED LITHOGRAPHED BAVARIA Von Kaulbach's "Genius" Type, Overprinted 1920 3M 4M 5M 10M 20M BAVARIA SEMI-POSTAL STAMPS Issues of the Republic For Wounded War Veterans Regular Issue of 1914-20, Overprinted and Surcharged 1919 10PF + 5PF 15PF + 5PF 20PF + 5PF BAVARIA POSTAGE DUE STAMPS Numeral, Imperforate 1862 3KR Numeral, Perforated 11-1/2 1870 1KR 3KR BAVARIA POSTAGE DUE STAMPS Regular Issue of 1876, Overprinted in Red Horizontal Wavy Lines Watermark, Perforated 11-1/2 1876 3PF 5PF 10PF Vertical Wavy Lines Watermark, Perforated 11-1/2 1883 3PF 5PF 10PF Horizontal Wavy Lines Watermark, Perforated 14-1/2 1895-1903 2PF 3PF 5PF 10PF Surcharged in Red in Each Corner 1895 2PF ON 3PF BAVARIA OFFICIAL STAMPS Regular Issue of 1888-1900 Overprinted "E" 1908 3PF 5PF 10PF 20PF 50PF Coat of Arms 1916-17 7-1/2PF 7-1/2PF 3PF 5PF GREEN GREEN ON GREENISH PAPER 15PF 20PF 15PF 10PF RED DEEP BLUE RED ON BUFF PAPER ON BLUE PAPER 20PF 25PF 30PF 60PF DEEP BLUE 1M 1M DULLVIOLET MAROON ON GRAYISH PAPER BAVARIA OFFICIAL STAMPS Issues of the Republic Type of 1916-17, Overprinted 1918 3PF 5PF 7-1/2PF 10PF 15PF 20PF 25PF 30PF 35PF 50PF 60PF 75PF 1M 1M DULLVIOLET MAROON ON GRAYISH PAPER Heraldic Lion in Oval 1920 5PF 10PF 15PF 20PF 30PF 40PF BAVARIA OFFICIAL STAMPS Issues of the Republic Numeral in Oval 1920 50PF 60PF 70PF 75PF 80PF 90PF 1M 1-1/4M 1-1/2M 2 1/2M 3M 5M BAVARIA OFFICIAL STAMPS Types of 1920 Overprinted 1920 5PF 10PF 15PF 20PF 30PF 40PF 50PF 60PF 70PF 75PF 80PF 90PF 1M 1-1/4M 1-1/2M 2-1/2M 3M 5M BERGEDORF Combined Arms of Lübeck and Hamburg 1861-67 1-1/2S 1S 1/2S 4S 3S BREMEN Coat of Arms 1855 Horizontally Laid Vertically Laid Paper Paper 3GR 3GR Coat of Arms Imperforate 1856-60 5GR 7GR 5SGR Serpentine Rouletted 1861-63 2GR 3GR 5GR 10GR 5SGR BREMEN Coat of Arms Perforated 13 1866-67 2GR 3GR 5GR 7GR 10GR 5SGR BRUNSWICK The "Leaping Saxon Horse" Unwatermarked, Imperforate 1852 1SG ROSE 2SG BLUE 3SG VERMILION Posthorn Watermark, Imperforate 1853-63 1SGR ON 1/4GGR 1/3SGR 1/2GR ORANGE PAPER 1SGR ON 3SGR BLACK 2SGR 3SGR ROSE YELLOW PAPER ON ROSE PAPER Numerals and Crown 1857 1/4GGR (BLOCK OF 4) BRUNSWICK Type of 1852 Serpentine Rouletted 16 1864 1SGR BLACK 1/3SGR 1/2GR 1SGR YELLOW ON YELLOW PAPER 2SGR 3SGR Serpentine Rouletted 12 1SGR BLACK 1SGR YELLOW 3SGR ON YELLOW PAPER The "Leaping Saxon Horse" in Oval 1865 1/3GR 1GR 2GR 3GR HAMBURG Numeral on Coat of Arms Typographed, Imperforate 1859 1/2S 1S 2S 3S 4S 7S 9S Lithographed 1864 1-1/4S 2-1/2S HAMBURG Type of 1859 Perforated 13-1/2 1864-65 1/2S 1S 2S 3S 4S 7S ORANGE 7S VIOLET 9S 1-1/4S 2-1/2S Numeral on Coat of Arms Rouletted 10 1866 1-1/4S 1-1/2S Numeral on Coat of Arms Perforated 13-1/2 1867 2-1/2S HANOVER Numeral on Coat of Arms Square Frame Watermark 1850 1G G Numeral on Coat of Arms Wreath of Oak Leaves Watermark 1851-55 1G G 1/30TH 1/15TH 1/10TH BLACK Crown and Numeral 1853 3PF ROSE Type of 1851 1855 1/10 BLACK & ORANGE HANOVER Types of 1850-53 Paper with Colored Network 1856-57 3PF 1G G 1/30TH 1/15TH 1/10TH Paper without Network 1859-63 3PF 3PF GREEN CARMINE ROSE Crown & Post Horn and King George V 1859-61 1/2G 1G 2G 3G YELLOW 3G BROWN 10G Types of 1853-59 Perce en Arc 16 1864 3PF 1/2G 1G 2G 3G LUBECK Coat of Arms 1859 1/2G 1S ORANGE 2S 2-1/2S 4S 1862 1S 1/2S YELLOW ORANGE Coat of Arms 1863 1/2G 1S 2S 2-1/2S 4S Coat of Arms Imperforate Rouletted 1864 1865 1 1/4S 1 1/4S MECKLENBURG-SCHWERIN Coat of Arms Imperforate 1856 1/4S 3S 5S (BLOCK OF 4) Coat of Arms Rouletted 11-1/2 1864-67 1/4S 1/4S 2S (BLOCK OF 4) (BLOCK OF 4) 3S 5S MECKLENBURG-STRELITZ Coat of Arms 1864 1/4SG 1/2SG 1SCH 1SG 2SG 3SG OLDENBURG Numerals and Coat of Arms 1852-55 1/30TH 1/15TH 1/10TH 1/3SGR Coat of Arms 1859 1/3G BLACK 1G BLACK 2G BLACK 3G BLACK Coat of Arms 1861 1/4G 1/3G GREEN 1/2G 1G BLUE 2G RED 3G YELLOW OLDENBURG Coat of Arms in Oval Rouletted 11-1/2 1862 1/3G 1/2G 1G 2G 3G Rouletted 10 1867 1/3G 1/2G 1G 2G 3G PRUSSIA King Frederick William IV Engraved, Background of Crossed Lines 1850-56 4PF 6PF 1SG 2SG 3SG King Frederick William IV Typographed, Solid Background 1857 1SG 2SG 3SG King Frederick William IV Background of Crossed Lines 1858-60 Typographed Engraved 4PF 6PF Typographed 1SG 2SG 3SG PRUSSIA Coat of Arms 1861-65 3PF 4PF 6PF 1SG 2SG 3SG Numerals 1866 10SG 30SG Coat of Arms 1867 1KR 2KR 3KR 6KR 9KR SAXONY Numeral Coat of Arms 1850 1851 3PF 3PF Frederick Augustus II 1851-52 2NG ON 2NG ON 1/2NG 1NG 3PF PALE BLUE PAPER DARK BLUE PAPER King John I 1855-57 1/2NG 1NG 2NG 3NG 5NG 10NG SAXONY Coat of Arms 1863 3PF 1/2NG 1NG 2NG 3NG 5NG SCHLESWIG-HOLSTEIN Coat of Arms 1850 1S 2S Numerals 1865 1/2S 1-1/4S 1-1/3S 2S 4S SCHLESWIG Numerals 1864 1-1/4S 4S GREEN CARMINE 1865 1-1/4S 1/2S 1-1/3S 2S 4S RED LILAC SCHLESWIG-HOLSTEIN HOLSTEIN Numerals Imperforate 1864 1-1/4S 1-1/4S 1-1/4S TYPE I TYPE II TYPE III Rouletted 8 1864 1-1/4S Numeral in Oval 1865 1/2S 1-1/4S 2S Numeral in Oval 1865-66 1-1/4S 1-1/2S 2S 4S THURN AND TAXIS NORTHERN DISTRICT Numerals On Colored Paper 1852-58 1SGR ON 1/4SGR 1/3SGR 1/2SGR DARK BLUE PAPER 1SGR ON 2SGR 3SGR LIGHT BLUE PAPER Numerals On White Paper 1859-60 1/4SGR RED 1/2SGR GREEN 1SGR BLUE 2SGR ROSE 3SGR RED BROWN 5SGR LILAC 10SGR ORANGE THURN AND TAXIS NORTHERN DISTRICT Numerals Imperforate 1862-63 1/2SGR 1/4SGR BLACK 1/3SGR GREEN 1SGR ROSE ORANGE YELLOW 2SGR BLUE 3SGR BISTRE Numerals Rouletted 1865 1/4SGR BLACK 1/3SGR GREEN 1/2SGR YELLOW 1SGR ROSE 2SGR BLUE 3SGR BISTRE THURN AND TAXIS NORTHERN DISTRICT Numerals Rouletted in colored Lines 1866 1/4SGR BLACK 1/3SGR GREEN 1/2SGR YELLOW 1SGR ROSE 2SGR BLUE 3SGR BISTRE THURN AND TAXIS SOUTHERN DISTRICT Numerals On Colored Paper 1852-53 3KR ON 3KR ON 1KR DARK BLUE PAPER BLUE PAPER 6KR 9KR Numerals On White Paper 1859 1KR GREEN 3KR BLUE 6KR ROSE 9KR YELLOW 15KR LILAC
Recommended publications
  • French Guiana, and Stamps International, Krakow
    1 provisional overprints as old stocks were used up for different purposes from the FRENCH FRENCH ones originally intended. GUIANA GUIANA In 1946 Guyane and Inini were combined together as an Overseas Department of The French first established their presence FISCAL France. Some revenues of France continued in 1763. A Penal Colony was set up in 1854 to be overprinted GUYANE for use there, at St Laurent in the Province of Maroni. (GENERAL and several unoverprinted values of French Another penal camp on Devils Island off sets were only released in Guyane. the coast (which became nororious during DUTY) the Dreyfus Affair) gave the colony a bad Recently a satellite launching base was reputation. established in Guyane and economic activity has increased. The administrative centre was at Cayenne, and settlements for logging and for farming Thanks to the following collectors for tropical produce such as coffee, sugar, information and scans : cocoa, manioc and (most important of all) Andrew McClellan, sugar cane spread along the coast. Initially, Before 1934, regular "Fiscal" issues of Tony Hall, revenues of France were used when required France were used in French Guiana, and Stamps International, Krakow. on documents, and may be recognised only can only be distinguished by the cancel. _______________________________________ by the cancellation. 1934. Timbre Fiscal stamps of France of 1925, Type Daussy, ovpt GUYANE. Typo. No wmk. Perf 13½. 1. 1c red-brown, brown & blue ........... 2.50 A cancel "GF" in a roller of dots was used 2. 2c red-brown, brown & blue ........... 2.50 in Guiana. 3. 3c red-brown, brown & blue ..........
    [Show full text]
  • Fungal Systematics and Evolution PAGES 97–170
    VOLUME 4 DECEMBER 2019 Fungal Systematics and Evolution PAGES 97–170 doi.org/10.3114/fuse.2019.04.08 A revision of the genus Psathyrella, with a focus on subsection Spadiceogriseae P. Voto1, F. Dovana2, M. Garbelotto3 1Via Garibaldi 173 45010 Villadose, Italy 2Department of Life Sciences and Systems Biology, University of Torino, Viale P.A. Mattioli 25, I-10125, Torino, Italy 3Department of Environmental Science, Policy, and Management; University of California, Berkeley, CA 94720 *Corresponding author: [email protected] Key words: Abstract: Specimens belonging to taxa traditionally assigned to the subsection Spadiceogriseae of the Genus key Psathyrella were analyzed both morphologically and molecularly. Samples included mainly European collections, molecular phylogenetics selected GenBank accessions, and specimens of various North American taxa described by Smith (1972) and new taxa deposited at the Herbarium of the University of Michigan (MICH). Three additional taxa from Africa and Central systematics America were also included. Bayesian and Maximum Likelihood analyses of two loci (ITS and Tef-1α) independently taxonomy and together supported the monophyletic nature of the subsectionSpadiceogriseae , and identified nine statistically supported clades within the subsection. North American and European species often fell within the same clade, suggesting a relatively recent origin of the subsection or human induced intercontinental movement. While this study determines for the first time that the presence of a white veil is diagnostic for the entire subsection, very few morphological traits were associated with individual clades, but clades were often distinctively different in terms of habitat association, suggesting that trophic interactions may have driven the evolution of this group of fungi.
    [Show full text]
  • In the Land of Forgotten Colors on the Trail of Cranach, Dürer and Stradivari: Chemist Georg Kremer Studies and Reproduces the Paints Used by the Old Masters
    PRINTING INKS AND COLORS In the land of forgotten colors On the trail of Cranach, Dürer and Stradivari: chemist Georg Kremer studies and reproduces the paints used by the old masters. 34 print process 22/03 TEXT: HELGE BENDL, PHOTOS: KURT HENSELER magician’s wares: dragon’s blood, their brushes in pigments; artists, archi- While Kremer’s wife stokes up the dried cuttlefish ink, red fermented tects and even violin-makers today prefer ceramic woodstove in the living room (lab A rice, charred ivory, curcuma pow- these rediscovered natural materials to workers later process the soot from the der, gallnuts, buckthorn bark and walnut mass-produced industrial paints. beechwood fire into bistre, an historical shells, plus bismuth, ink stone, Russian In the mid-Eighties, Kremer purchased pigment previously used to copy bibles), jade, Spanish ocher, rock crystal and dried the old mill at the southwestern tip of Georg Kremer describes his never-end- cochineal insects, as well as an extract from Bavaria. Today, the company and its mul- ing search for historical formulations, for a purple dye murex that costs 2,000 euros ti-million sales support not only Kremer’s natural substances old and new: “Just as a gram. The most valuable substances are family, but also some thirty employees. words have gone out of use in the course of more precious than gold. An alchemist in Although shops have been opened in time, pigments have also been forgotten. the heart of Bavaria, inhabiting an historic Munich, Stuttgart and New York, Kremer Lukas Cranach even had his own apothe- mill in the village of Aichstetten? continues to coordinate his worldwide cary and sold a variety of substances, mix- Georg Kremer laughs at the idea.
    [Show full text]
  • COOLWALL® Colors
    CLEAR TO MISTY COLORS White Lavender 1A-2P Whisper Pink 3A-2P Pink Hibiscus 4A-2P Feminique 5A-2P Sunset Snow 6A-2P Peach Frosting 15A-2P Burgundy Dash 7A-1A Pink Frost 7A-2P Cosmetic Pink 14A-2P Lover’s Knot 14A-3P Santa Fe 14B-3D Mineral Red 14B-4D September Cream 17A-2P Invanhoe Ivory 16A-2P Peach Dust 15A-3P Pleasant Pebble 16A-3P Peach Beige 18A-2P Peach Whisper 17A-3P Abbeystone 18A-3P Candelabra 19A-3P Orange Scent 19A-2P Orange Paste 18B-1P Frothy Orange 18B-2T Orange Drop 18B-3D Apricot Liquer 18C-1P Colonial Peach 18C-2T Mango 18C-3D Lacquer Orange 18C-4D Banana Split 27A-2P Candleglow 19B-1P Orange Gem 19B-2T Tangerine 19B-3D Moon Morn 19C-1P Gobi Sands 19C-2T Squash 19C-3D Indian Corn 19C-4D Patio Brick 20A-1A Vanilla Ice 20A-2P Powder Puff 20A-3P Honey Rose 20B-1P Calfskin 20B-2T Smoked Seville 20B-3D Cattail 20B-4D Vicuna 20C-1P Italian Earth 20C-2T Copper Kettle 20C-3D Hash Brown 20C-4D Abigail 27C-1T Golden Corn 27C-2T Clarion 27C-3D These sample reproductions are an approximation of color and do not denote the actual texture or sheen and vary according to material type and specific batch. Colors also vary depending upon lighting conditions, substrate, exposure, and on-line viewing. On-line viewing is for reference purposes and is not intended for final color choice; it is recommended to refer to Tex-Cote's physical fan deck for final color selection.
    [Show full text]
  • Postage Stamp Collectors Curios, Coins and Kindred Sciences
    5 fgs A D V A N C E COPY m Vol. I.. No. I The September, 1908 Canadian. Collector ■ Wt .'1 m m m DEVOTED TO THE INTERESTS OF Postage Stamp Collectors ■ Curios, Coins 1 $ and Kindred Sciences. & m f t S M I f : m TO SUBSCRIBERS As a Special Offer to new subscribers we offer for this month : 25 Canadian, including old jubilees, old map stamps, old 8c. K ing’s Head, 5c. and 7c., etc., and 5 Quebec Tercen­ tenary stamps, including #c. and 5c. values - $0 So1 ALL Packet of 50 differeut stam ps - - - - - 75 FOR 20 word exchange advt. ------- 20 Subscription to The Canadiaq Collector for one year - - 50 50c. $2.25 Canadian and American subscribers please send cash or money orders. Eng­ lish, Colonial, and all others send International Money Orders, or unused English or Canadian low value stamps, no others accepted. TO ADVERTISERS SPECIAL .—-ALL our pages are 8 1 /2 x 1112 inches, which is nearly twice as large as other collectors’ papers, considering this our rates are very reasonable. There will be 3000 extra copies of the October issue sent out, that is, 3000 copiesi besides the number we send out every month. This means that it will reach thousands of collectors* in every country where the English lan­ guage is spoken. Every advertiser knows that the next six months are THE months for advertising, and you will find our rates exceptionally reasonable consider­ ing our circulation, etc. The October issue will contain at least twenty-four pages of interesting matter.
    [Show full text]
  • Precancels/Canada
    PRECANCELS/ CANADA WHOLE NUMBER 1 • SPRING, 2000 GEOFF WALBURN 1902-1999 PRECANCELLED Henry Geoffrey Walburn was born in Bramhall, Cheshire, ADMIRAL England on September 21, 1902. He died in Kelowna, SHADES British Columbia on by Hans Reiche September 4, 1999, at age 96. Geoff was predeceased by The question that was raised his wife Bernice (nee by A. Ellwood about the lack Delaney) in 1995. of data of the Admiral shades that were precancelled During Geoff's lifetime, he originated from this writer. sold real estate, worked on Admirals are full of shades and farms, owned and operated partially listed in the Unitrade a large apple orchard, and, catalogue. prior to his retirement, owned and operated a purposes to be used and For example the 4 cents exists summer resort named Pixie enjoyed by advanced and in olive bistre, olive yellow, Beach which overlooks novice collectors throughout golden yellow and yellow Okanagan Lake just north of the stamp collecting ochre. The golden yellow is the the Okanagan Centre post community. best and often undervalued. office. During much of the Geoff was a founding member The 5 cents exists in dark blue, above, he was ably assisted of the Okanagan Mainline grey blue and indigo. The 5 by his wife Bernice. Philatelic Association which cents violet shades are not as Geoff was an accomplished recently celebrated its 40th pronounced. bridge player and belonged anniversary. He belonged to The 7 cents has some very nice to many clubs over the years. numerous stamp fraternities shades such as the straw, sage An avid reader, he was which included BNAPS, CPS of green, greenish yellow and constantly busy at a number GB, RPSC, PHS of Canada, and olive bistre.
    [Show full text]
  • OIL PAINTING GLOSSARY Alkyd (Pronounced: Al-Kid)
    OIL PAINTING GLOSSARY Alkyd (Pronounced: al-kid) An alkyd is a synthetic resin that can be added to oil paint to speed up the drying time of oil paints. You can buy an alkyd-based medium that you can mix in with your oils; the most commonly available is Liquin by Winsor & Newton. “Alla Prima” (Pronounced: ah-luh pree-ma) Alla Prima is an Italian oil painting technique, usually from life, in which the entire painting is completed in one session or while the paint is still wet. Usually, there isn’t any underpainting to the piece. Portraits, landscapes, and still life are common subject matter using alla prima. It translates as “at the first”. In past eras, it was used primarily as a means of sketching, but eventually, it became a means of producing finished works of art by the Impressionists. “Bistre” Bistre (“the wipe-out method”) is an underpainting using warm browns (usually raw umber or burnt umber). A thin wash of Raw umber is painted over the white canvas and then ‘wiped out’ to create a tonal underpainting. The shadows are built up using thin color, allowing the warmth of the brown to show through while the lights and midtones are applied as opaque color. You can also use Burnt Umber for an even warmer, darker underpainting. The Bistre method lends itself very well to chiaroscuro. Chiaroscuro (Pronounced: key-ARE-oh-SCURE-oh) Chiaroscuro is an Italian word literally meaning “light dark”, used to describe the skillful balance of light and dark in a painting with strong contrasts to create a dramatic effect.
    [Show full text]
  • Woodgrain Prints
    woodgrain prints The beginning of something stunning. Custom Color Matching Durable Woodgrain Panels No High Order Minimums Fabrication to Exact Specifications Eco-friendly Paint Process Cut-to-Size and Custom Fabricated woodgrain prints by Panel Processing, Inc. The Details • 4' x 8' sheets stocked in 3.2mm & 5.5mm Panel Processing’s Woodgrain Prints are a different type of panel. It’s not • UV Top Coated digitally printed, it’s not veneer and it’s not laminate. The realistic look of Panel’s • Meets All KCMA Standards Woodgrain Prints is achieved utilizing a gravure printing method with a one to • Printed One Side, Two Sided Available three color process that goes directly onto the substrate. This direct transfer • Custom Color Matching Available print application offers a consistent transfer of ink and a high quality image with • Cut-to-Size repeatable color and consistency. Multiple engraved cylinders of different wood • Custom Fabricated species give this collection of Woodgrain Prints diversity and character for multiple • Perforated Upon Request projects. Although custom colors are available, the standard colors listed below • Meets All KCMA Standards are complementary to many industry laminates. Start your next project with Panel Processing's Woodgrain Prints...the beginning of something stunning. The Standard Colors PPI-001 PPI-002 PPI-003 PPI-004 Cocoa Bean Java Acer Maple Autumn Mist PPI-005 PPI-006 PPI-007 PPI-008 Cognac Flax Maple Bistre Brown Bourbon PPI-009 PPI-010 PPI-011 PPI-012 Holland Oak Zebrano Burnt Umber Hilltop Cherry PPI-013 PPI-014 Montgomery Maple Panel Mahogany 120 North Industrial Hwy.
    [Show full text]
  • C L E a R T O M I S T Y C O L O
    CLEAR TO MISTY COLORS White Lavender 1A-2P Whisper Pink 3A-2P Pink Hibiscus 4A-2P Feminique 5A-2P Sunset Snow 6A-2P Peach Frosting 15A-2P Burgundy Dash 7A-1A Pink Frost 7A-2P Cosmetic Pink 14A-2P Lover’s Knot 14A-3P Santa Fe 14B-3D Mineral Red 14B-4D September Cream 17A-2P Invanhoe Ivory 16A-2P Peach Dust 15A-3P Pleasant Pebble 16A-3P Peach Beige 18A-2P Peach Whisper 17A-3P Abbeystone 18A-3P Candelabra 19A-3P Orange Scent 19A-2P Orange Paste 18B-1P Frothy Orange 18B-2T Orange Drop 18B-3D Apricot Liquer 18C-1P Colonial Peach 18C-2T Mango 18C-3D Lacquer Orange 18C-4D Banana Split 27A-2P Candleglow 19B-1P Orange Gem 19B-2T Tangerine 19B-3D Moon Morn 19C-1P Gobi Sands 19C-2T Squash 19C-3D Indian Corn 19C-4D Patio Brick 20A-1A Vanilla Ice 20A-2P Powder Puff 20A-3P Honey Rose 20B-1P Calfskin 20B-2T Smoked Seville 20B-3D Cattail 20B-4D Vicuna 20C-1P Italian Earth 20C-2T Copper Kettle 20C-3D Hash Brown 20C-4D Abigail 27C-1T Golden Corn 27C-2T Clarion 27C-3D These sample reproductions are an approximation of color and do not denote the actual texture or sheen and vary according to material type and specific batch. Colors also vary depending upon lighting conditions, substrate and exposure. When color matching is critical, an applied sample is required and all materials should be from the same batch. Special colors are subject to confirmation by Textured Coatings of America, Inc.
    [Show full text]
  • The General Issues of United States Stamps, Their Shades and Varieties
    : \7niUd States Stamps ^^^^^^^^^^^^^^P -ma ^^^mM vmM • : ;.: :v .', . ;':: :... ,..:'v '/',.' :;: .-' ";' :: EY GIBBONS, Inc. 6tl Utsisit, JU«s*»i» 6 as CORNELL UNIVERSITY LIBRARY THIS BOOK IS ONE OF A COLLECTION MADE BY BENNO LOEWY 1854-1919 AND BEQUEATHED TO CORNELL UNIVERSITY THE GENERAL ISSUES OF UNITED STATES STAMPS THEIR SHADES AND VARIETIES TO WHICH IS AFFIXED A HISTORY OF THE PRIVATE PERFORATING MACHINES AND THEIR PRODUCTS BY EUSTACE B. POWER WITH ILLUSTRATIONS 1909 Copyrighted, 1909, by Stanley Gibbons, Inc. FIRST EDITION NEW YORK STANLEY GIBBONS, Incorporated 198 BROADWAY LONDON STANLEY GIBBONS, Limited 391 STRAND r ~~fe~~~& -£-£-~„ c f\l(*(?y l PRESS OF The Hann & Adair Printing Co. columbus, ohio FOREWORD In offering this work to the collector of United States Stamps I do so with the full knowledge that there are more exhaustive works already published, and I do not claim any originality in the work. It has been produced in response to many requests for a guide to shades, and also as a kind of warning to collectors what to avoid and what not to avoid. In the present day the value of unused stamps is often so stupendous that unscrupulous people are tempted to turn a dishonest penny by cleaning pen- struck copies, perforating and gumming proofs, erasing the word "specimen," etc., and it is to warn collectors of these practices that I have at times gone into seemingly minute descriptions. I am exceedingly indebted to the Scott Stamp & Coin Co., Mr. C. H. Mekeel, Mr. John N. Luff and many others for use of portions of their copyright works.
    [Show full text]
  • Pollen Color Chart
    Pollen Color Common name Latin name raisin [3] Red Horse chestnut Aesculus carnea caledonian brown White Clover Trifolium repens auburn [3] White Sweet Clover Melilotus alba auburn [3] Yellow Sweet Clover Melilotus officinalis dark brown Crimson Clover Trifolium incarnatum grey brown Red Maple Acer rubrum anatolia [3] Horse chestnut Aesculus hippocastanum orange red, red, purplish Henbit Lamium amplexicaule red orange, red Snowdrop Galanthus nivalis orange Marigold Calendula officinalis red yellow Pear Pyrus communis red yellow, orange Blueberry Vaccínium myrtíllus red yellow, orange Dandelion Taraxacum officinale bright orange Asparagus Asparagus officinalis light brown to brown Cherry Plum Prunus cerasifera canary yellow [3] Elder Sambucus canadensis brownish yellow Grey Alder Alnus incana reddish yellow Peach Prunus persica dark yellow Sour Cherry Prunus cerasus reddish yellow Aster Aster spp. yellow to dark yellow White Sweet Clover Melilotus alba yellow to dark yellow Yellow Sweet Clover Melilotus officinalis yellow brown Sainfoin Onobrychis viciifolia yellow brown Alsike Clover Trifolium hybridum yellow brown Hawthorn Crataegus spp. yellow to light orange Basswood or American Linden Tilia americana dull yellow or black? Ivy Hedera spp. golden Sunflower Helianthus annuus golden Goldenrod Solidago spp. Crocus vernus (syn. Crocus orange yellow Yellow Crocus aureus) khaki [3] Alfalfa Medicago sativa light brown to brown pollen - not considered a good pollen source but Almond Prunus amygdalus bees are the primary pollinator yellow brown,
    [Show full text]
  • Colour Table
    Colour codes, colours, GTIN and set assortments – Art & Graphic pencils and pastels Colour Colour Poly- Poly- Albrecht Albrecht Pitt Poly - Poly - Albrecht Albrecht Pitt Code chromos chromos Dürer Dürer Pastel chromos chromos Dürer Dürer Pastel artists’ artists’ artists’ water- Magnus pencils artists’ artists’ artists’ Magnus pencils colour Pastels colour colour colour water colour pencils pencils pencils pencils pencils Lightfastness Colour assortment sets 12 24 3660 7212 24 36 6012 24 3660 72 12 24 30 12 24 3660 101 white *** *** *** *** *** • • • • • • • • • • • • • • • • • • • • • 102 cream *** ** *** ** • • • • • • • • • • 103 ivory *** *** *** *** • • • 104 light yellow glaze *** *** *** *** *** • • • • • • • • • • • • • • 105 light cadmium yellow *** *** • • • • 106 light chrome yellow *** ** *** • • • • 107 cadmium yellow *** *** ** *** • • • • • • • • • • • • • • • • • 108 dark cadmium yellow *** *** *** • • • • • 109 dark chrome yellow *** *** ** *** ** • • • • • • • • • • • • • • • • 110 phthalo blue *** *** *** *** • • • • • • • • • • • • • • • • 111 cadmium orange *** *** • • • • • • 112 leaf green *** *** *** • • • • • • • 113 orange glaze *** * ** • • • 115 dark cadmium orange *** *** ** *** • • • • • • • • • • • • • • • • • 117 light cadmium red *** *** 118 scarlet red *** *** ** * • • • • • • • 119 light magenta * * • • 120 ultramarine *** *** ** *** • • • • • • • • • • • • • • 121 pale geranium lake *** *** ** *** • • • • • • • • • • • 123 fuchsia ** *** ** • • • 124 rose carmine *** ** * • • • • • • • • 125 middle purple
    [Show full text]