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Transport and Map Symbols Range: 1F680–1F6FF
Transport and Map Symbols Range: 1F680–1F6FF This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
{DOWNLOAD} the Amorous Heart : an Unconventional History of Love
THE AMOROUS HEART : AN UNCONVENTIONAL HISTORY OF LOVE PDF, EPUB, EBOOK Marilyn Yalom | 288 pages | 09 Jan 2018 | INGRAM PUBLISHER SERVICES US | 9780465094707 | English | New York, United States The Amorous Heart : An Unconventional History of Love PDF Book This impressive book provides a story of the social evolution of the iconography of the heart, of the sexes in relation to our capacity to love; it serves to demonstrate our natural instinct for love and erotic expression. The Vatican Art Deck: Masterpieces. Close cookie policy overlay. Notify me of new comments via email. Can it? Comment Add a Comment. It traces the narratives of love associated with Eros and Cupid. We see it used as a verb on t-shirts "I [heart] New York" and in text messages the incredible variety of heart emojis. In The Amorous Heart , Marilyn Yalom tracks the heart metaphor and heart iconography across two thousand years, through Christian theology, pagan love poetry, medieval painting, Shakespearean drama, Enlightenment science, and into the present. Non-members: Enjoy a discount on our virtual events. Read More. How had the human heart become transformed into such a whimsical icon? In The Amorous Heart , Marilyn Yalom tracks the heart metaphor and heart iconography across two thousand years, through Christian theology, pagan love poetry, medieval painting, Shakespearean drama, Enlightenment science, and into the present. Marilyn Yalom's account of the heart's symbolization as the seat of passion takes us from antiquity to the Middle Ages to valentine kitsch of our own age. And its origins weren't exactly filled with passion:. -
Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
A Comparative Study of the Interpretations of Emojis in Between U.S
International Journal of Literature and Arts 2020; 8(3): 108-118 http://www.sciencepublishinggroup.com/j/ijla doi: 10.11648/j.ijla.20200803.12 ISSN: 2331-0553 (Print); ISSN: 2331-057X (Online) A Comparative Study of the Interpretations of Emojis in Between U.S. and Chinese Users Sherman Chui School of English for International Business, Guangdong University of Foreign Studies, Guangzhou, China Email address: To cite this article: Sherman Chui. A Comparative Study of the Interpretations of Emojis in Between U.S. and Chinese Users. International Journal of Literature and Arts. Special Issue: Humanity and Science: China’s Intercultural Communication with the Outside World in the New Era. Vol. 8, No. 3, 2020, pp. 108-118. doi: 10.11648/j.ijla.20200803.12 Received: February 27, 2020; Accepted: March 12, 2020; Published: April 8, 2020 Abstract: In recent years, Emojis have permeated online communications. They constantly show up in text messages, chats and emails, playing a significant role in business and daily interaction. Although designed to replace language text and to convert some universal emotions through icons, there are no rules governing people how to correctly define the sentiments behind them. Therefore, users with different cultural background may interpret emojis differently. This have often led to misinterpretation and miscommunication from different user groups. This study examines the correlation of the sentiments felt from a group of U.S. users versus a group of Chinese users by having them rate their sentiments from positive to negative for the top 15 most popularly used emojis. The survey was circulated in U.S. -
Candlelight: Symbol of Consciousness in Holy, Protective Space
, 제7권 제2호 Journal of Symbols & Sandplay Therapy 2016, 12, Vol. 7, No. 2, 87-106. Candlelight: Symbol of Consciousness in Holy, Protective Space Lee Na Kyoung* <Abstract> This study examined the symbolism of candlelight that is frequently observed in sand pictures. Candlelight represents light in the darkness of life, bright future, vitality of sun, or uncertainty and evanescence of life that can easily vanish. Birth and death of human being is compared to creation and extinction of candlelight. Candlelight that is lit at deathbed breaks darkness of death and it symbolizes the light in afterlife. As for the existing method of candlelight, it reveals its nature by burning itself. Hence, candle, which completes its existence through an encounter with flame, is an important symbol that shows birth, death, resurrection, and holiness. This study examined the symbolism of ‘candlelight’ from an aspect of analytical psychology by dividing into ‘Temenos’ as a holy protective space, ‘Initiation’ to death that is encountered at the process toward regeneration, and ‘Consciousness’ that naturally begins a noble evolution by converting unconscious characteristics of Self to be conscious. The paper analyzed the symbolism of candlelight by examining the sand pictures of client. Keywords : candlelight, temenos, initiation, consciousness * Corresponding Author: Lee Na Kyoung, Counselor-researcher, Mara Youth and Family Counseling Center ([email protected]) - 87 - Journal of Symbols & Sandplay Therapy, Vol.7 No.2. Ⅰ. Introduction The candlelight symbolizes birth, death, resurrection, and sacredness. It also represents the light amid the darkness of life, bright future, vitality of the sun, or uncertainty of life and transience. Candles lit at the time of death give light to the darkness of death and symbolize the light in the afterlife. -
Bodies of Knowledge: the Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Geoffrey Shamos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Shamos, Geoffrey, "Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600" (2015). Publicly Accessible Penn Dissertations. 1128. https://repository.upenn.edu/edissertations/1128 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1128 For more information, please contact [email protected]. Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Abstract During the second half of the sixteenth century, engraved series of allegorical subjects featuring personified figures flourished for several decades in the Low Countries before falling into disfavor. Designed by the Netherlandsâ?? leading artists and cut by professional engravers, such series were collected primarily by the urban intelligentsia, who appreciated the use of personification for the representation of immaterial concepts and for the transmission of knowledge, both in prints and in public spectacles. The pairing of embodied forms and serial format was particularly well suited to the portrayal of abstract themes with multiple components, such as the Four Elements, Four Seasons, Seven Planets, Five Senses, or Seven Virtues and Seven Vices. While many of the themes had existed prior to their adoption in Netherlandish graphics, their pictorial rendering had rarely been so pervasive or systematic. -
An Exploration of the Symbolism of the Heart in Art Transcript
Affairs of the Heart: An Exploration of the Symbolism of the Heart in Art Transcript Date: Tuesday, 14 February 2017 - 6:00PM Location: Museum of London 14 February 2017 Affairs of the Heart: An Exploration of the Symbolism of the Heart in Art Professor Martin Elliott and Dr Valerie Shrimplin Welcome to the Museum of London for this St Valentine’s Day lecture. Valentine’s Day is a day for romance, flowers, chocolate and, of course, hearts. My connection with the heart is both obvious and by now well known; it has been the overall theme of my series of lectures. Even the Gresham grasshopper has a heart. Actually, it has many hearts…segmentally along its aorta. Once again, I am delighted to be speaking in front of what is always a special Gresham audience. I love the Gresham audience. My heart has been pierced! That single image of a pulsating heart is a symbol; something used to signify ideas and qualities. The images acquire symbolic meanings that are different from their literal sense. A picture is worth a thousand words, and you instantly grasp the meanings of these symbols, without the use of words. How these symbols have evolved and came to have such instant and effective meaning is what we are to discuss this evening. I am delighted and honoured to share the delivery of this talk with Dr Valerie Shrimplin, who many of you will know is the Registrar of Gresham College. She is also (fortunately for all of us, and especially me) a card- carrying art historian with a particular interest in the symbolism of the heart in art. -
Traveling in Foreign Countries God Is Light Temple Symbolism the Winged Feet of Love
“A Sane Mind, A Soft Heart, A Sound Body” May/June 1996—$3.00 TRAVELING IN FOREIGN COUNTRIES GOD IS LIGHT TEMPLE SYMBOLISM THE WINGED FEET OF LOVE A CHRISTIAN ESOTERIC MAGAZINE Three Prayers Christ, be with me, Christ before me, Christ behind me, Christ in me, Christ beneath me, Christ above me, Christ on my right, Christ on my left, Christ where I lie, Christ where I sit, Christ where I arise, Christ in the heart of every one who thinks of me, Christ in every eye that sees me, Christ in every ear that hears me. Salvation is of the Lord, Salvation is of the Christ, May your salvation, O Lord, be ever with us. —St. Patrick Christ, whose glory fills the skies, Christ, the true and only light, Sun of righteousness, arise, Triumph o’er the shades of night; Dayspring from on high, be near; Daystar, in my heart appear! Visit, then, this soul of mine, Pierce the gloom of sin and grief; Fill me, Radiancy divine Scatter all my unbelief; More and more Thyself display, Shining to the perfect day. —Charles Wesley O God, You are the light of the minds that know You the life of the souls that love You, and the strength of the wills that serve You; help us so to know You that we may truly love You, so to love You that we may fully serve You, Whom to serve is perfect freedom; through Jesus Christ our Lord. —St. Augustine of Hippo Front Cover: Benediction of the Resurrected Christ, Christ Church Cathedral, 1832 This Issue.. -
Character Properties 4
The Unicode® Standard Version 14.0 – Core Specification To learn about the latest version of the Unicode Standard, see https://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2021 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at https://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see https://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 14.0. Includes index. ISBN 978-1-936213-29-0 (https://www.unicode.org/versions/Unicode14.0.0/) 1. -
The Unicode Standard, Version 4.1 This File Contains an Excerpt from the Character Code Tables and List of Character Names for the Unicode Standard, Version 4.1
Miscellaneous Symbols Range: 2600–26FF The Unicode Standard, Version 4.1 This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 4.1. Characters in this chart that are new for The Unicode Standard, Version 4.1 are shown in conjunction with any existing characters. For ease of reference, the new characters have been highlighted in the chart grid and in the names list. This file will not be updated with errata, or when additional characters are assigned to the Unicode Standard. See http://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See http://www.unicode.org/Public/4.1.0/charts/ for a complete archived file of character code charts for Unicode 4.1. Disclaimer These charts are provided as the on-line reference to the character contents of the Unicode Standard, Version 4.1 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this excerpt file, please consult the appropriate sections of The Unicode Standard, Version 4.1, at http://www.unicode.org/versions/Unicode4.1.0/, including sections unchanged in The Unicode Standard, Version 4.0 (ISBN 0-321-18578-1), as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, and #34, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available on-line. See http://www.unicode.org/ucd/ and http://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
Miscellaneous Mathematical Symbols-A Range: 27C0–27EF
Miscellaneous Mathematical Symbols-A Range: 27C0–27EF This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
The Truth Behind St. Valentine's
The Truth Behind St. Valentine’s Day St. Valentine’s Day is the world’s “holiday of love.” Since the Bible states that God is love (I John 4:8, 16), does He approve of the celebration of this day? Does He want His people—true Christians—partaking of the candy and cards, or any customs associated with this day? hen God says He wants truth behind St. Valentine’s Day. And Assisted by Vestal Virgins, the you to live life abundantly you will know what God expects you Luperci (male priests) conducted puri- (John 10:10), does that in- to do about it! fication rites by sacrificing goats and W a dog in the Lupercal cave on Palatine clude celebrating a festive, seem- Valentine’s Past Hill, where the Romans believed the ingly harmless holiday like Valen- Like Christmas, Easter, Halloween, New twins Romulus and Remus had been tine’s Day? The God who gives us Year’s and other holidays of this world, sheltered and nursed by a she-wolf everything—life, food, drink, the St. Valentine’s Day is another attempt before they eventually founded Rome. ability to think for ourselves, etc.— to “whitewash” perverted customs and Clothed in loincloths made from sacri- surely approves of St. Valentine’s observances of pagan gods and idols by ficed goats and smeared in their blood, the Luperci would run about Rome, Day, the holiday for lovers to ex- “Christianizing” them. As innocent and harmless as St. striking women with februa, thongs change gifts—right? Valentine’s Day may appear, its tradi- made from skins of the sacrificed goats.