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New Exhibition the American Muse Debuts at the Nmai
FOR IMMEDIATE RELEASE May 2, 2013 Contact: Eric Brocklehurst Tel: (401) 851-8949 ext. 18 Email: [email protected] Website: www.americanillustration.org NEW EXHIBITION ‘THE AMERICAN MUSE’ DEBUTS AT THE NMAI NEWPORT, RI- Friday, May 24, the NMAI officially debuts its new exhibition, The American Muse. The exhibition is in homage to American women of the late 19th and early 20th centuries, and the illustrators who accurately portrayed the quintessential yet distinctly American feminine beauty that these women embodied. The American illustrators highlighted include Charles Dana Gibson, Harrison Fisher, and others of the greatest illustrators of the period, such as: Philip Boileau, MacClelland Barclay, Howard Chandler Christy, James Montgomery Flagg, Henry Hutt, Walter Granville Smith, Paul Stahr, and Albert Beck Wenzell. Each of these illustrators created their own prototypical image of ‘The American Woman.’ The public gave these illustrators’ artworks generic names as part of their respective oeuvre; The Gibson Girl and The Fisher Girl stand out as the most popular of all. These renditions of the illustrators’ ideal woman captured the increasingly independent spirit of American women. The illustrations both shaped and reflected American society and its notions of female beauty. Compared to women of previous eras, these women relished more freedoms, enjoyed greater opportunities in sports and education, and were at the vanguard of a time when women effected change through social and political movements on an unprecedented scale in Western culture. Also showing at the NMAI are Maxfield Parrish: The Retrospective, which has been extended due to popular demand through Fall 2013, and Howard Pyle & His Brandywine Students, showcasing the works of Howard Pyle, N.C. -
Veterans Day Ceremony
VETERANS DAY CEREMONY Friday, Nov. 11, 2016 • 5 p.m. Louis L. Adam Memorial Plaza, Veterans Park & Athletic Complex 3101 Harvey Road • College Station, Texas 2016 Board of Directors and Officers Memorial for all Veterans of the Brazos Valley, Inc. John Anderson . .Audit Committee Steve Beachy . Special Assistant to the President Glenn Burnside . .Chaplain Irma Cauley . Brazos County Representative Chip Dawson . History Committee (Chair) Chris Dyer . ACBV Ex-Officio Representative Jerry Fox . Treasurer Dennis Goehring . .Fundraising Committee Mike Guidry . .Event Committee John Happ . .Vice President, Development Committee (Chair) Brian Hilton . Secretary Randy House . President Fain McDougal . Development Committee Mike Neu . Chief Information Officer Committee (Chair) Louis Newman . Development Committee David Sahm . .Design Committee (Vice Chair) David Schmitz . .City of College Station Representative Jim Singleton . .Design Committee (Chair) Travis Small . Special Assistant to the President Kean Register . City of Bryan Representative Perry Stephney . Event Committee John Velasquez . Flag Coordinator Bill Youngkin . Event Committee (Chair) Veteran Affiliations Air Force Association National Sojourners American Legion Order of Daedalians Brazos Valley Marine Corps League Veterans of Foreign Wars Disabled American Veterans Vietnam Helicopter Pilots Association Military Officers Assoc. of America Vietnam Veterans of America 2 Veterans Day Program 11 November 2016 5 p.m. Brazos Valley Veterans Memorial Veterans Park & Athletic Complex College Station, Texas Honor Wall Roll Call Bill Youngkin, Esq. BVVM Board of Directors Welcome Remarks LTG Randolph House, USA (Ret.) President, BVVM Board of Directors Invocation MAJ Glenn Burnside, USMC (Ret.) Chaplain, BVVM Board of Directors National Anthem, Texas Our Texas The Fightin’ Texas Aggie Band Special Recognition of LTG Randolph House, USA (Ret.) Community Partners Special Recognition of Bill Youngkin, Esq. -
330183 1 En Bookfrontmatter 1..15
Kidnapping and Violence Stephen Morewitz Kidnapping and Violence New Research and Clinical Perspectives 123 Stephen Morewitz California State University, East Bay San Francisco, CA, USA ISBN 978-1-4939-2116-4 ISBN 978-1-4939-2117-1 (eBook) https://doi.org/10.1007/978-1-4939-2117-1 © Springer Science+Business Media, LLC, part of Springer Nature 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Springer imprint is published by the registered company Springer Science+Business Media, LLC part of Springer Nature. -
Under the Arch
Summer, 1982 Hours of operation A free publication to May 29-September 6 provide information Visitor Center, 8:00 a.m. under about the Jefferson to 10:00 p.m. National Expansion Tram Ride, 8:30 a.m. to Memorial 9:30p.m. the Museum of Westward Expansion, 8:00 a.m. to 1arc h 10:00 p.m. Inside this GATEWAY ARCH: issue How long does it take to ride to the top? Where do I A Monument purchase tickets? These and other often asked questions are answered in "Riding to For Our Time the Top." The Museum of Westward Expansion recreates one of the country's most colorful eras. The next page provides a map of the museum and two articles that explain how to view it. See It Today May 29-September 6: Monument to the Dream, a 30-minute film, documents the construction of the Gateway Arch. Shows begin at 8:15 a.m., 9:15 a.m., 10:45 a.m., 12:15 p.m., 1:45 p.m., 2:30 p.m., 3:15 p.m., 4:45 •i p.m., 6:15 p.m., 7:45 p.m. and 8:45 p.m. in Tucker Theater adja i cent to the Gateway Arch lobby. Charles M. Russell: American Artist, a 20-minute film, interprets i the life and significance of a well- known artist of the West. Shows s begin at 10:00 a.m., 11:30 a.m., •2 1:00 p.m., 4:00 p.m., 5:30 p.m. CO and 7:00 p.m. -
Howard Pyle: Imagining an American School of Art. by JILL P. MAY and ROBERT E. MAY. (Champaign: University of Illinois Press, 20
2012 BOOK REVIEWS 317 Howard Pyle: Imagining an American School of Art. By JILL P. M AY and ROBERT E. MAY. (Champaign: University of Illinois Press, 2011. 288 pp. Illustrations, notes, index. $45.) Once upon a time, the latest book illustrated by Howard Pyle (1853–1910) was on every American child’s wish list. In the meantime, youngsters could enjoy his vivid portrayals of history and legend in the pages of St. Nicholas, Everybody’s, Collier’s, Century, Scribner’s, and Harper’s magazines. Though not a household name today, Pyle was the preeminent illustrator of the Gilded Age, and his visual interpretations of the American Revolution, Robin Hood and his Merry Men, the Knights of the Round Table, and a motley crew of pirates were indelibly printed on the imaginations of several generations. Now a new book published in conjunction with the centenary of Howard Pyle’s death has redis- covered this forgotten icon of the popular culture. The subject is custom-made for authors Jill P. May, professor of literacy and language, and Robert E. May, professor of history (both at Purdue University), who bring to this work their expertise in fields beyond the history of art. This is not a coffee-table book but the first extensively documented biography of Howard Pyle. The authors combed through numerous archives and museum collections and wove their findings into a fluent narrative that documents Pyle’s personal life and his career as an illus- trator, author, and teacher. The frequent use of quotations from letters re-creates the intimate conversations between Pyle and his wide circle of colleagues and students, revealing the artist’s exuberant personality and manic energy. -
Group Tour Manual
Group Tour GUIDE 1 5 17 33 36 what's inside 1 WELCOME 13 FUN FACTS – (ESCORT NOTES) 2 WEATHER INFORMATION 17 ATTRACTIONS 3 GROUP TOUR SERVICES 30 SIGHTSEEING 5 TRANSPORTATION INFORMATION 32 TECHNICAL TOURS Airport 35 PARADES Motorcoach Parking – Policies 36 ANNUAL EVENTS Car Rental Metro & Trolley 37 SAMPLE ITINERARIES 7 MAPS Central Corridor Metro Forest Park Downtown welcome St. Louis is a place where history and imagination collide, and the result is a Midwestern destination like no other. In addition to a revitalized downtown, a vibrant, new hospitality district continues to grow in downtown St. Louis. More than $5 billion worth of development has been invested in the region, and more exciting projects are currently underway. The Gateway to the West offers exceptional music, arts and cultural options, as well as such renowned – and free – attractions as the Saint Louis Art Museum, Zoo, Science Center, Missouri History Museum, Citygarden, Grant’s Farm, Laumeier Sculpture Park, and the Anheuser-Busch brewery tours. Plus, St. Louis is easy to get to and even easier to get around in. St. Louis is within approximately 500 miles of one-third of the U.S. population. Each and every new year brings exciting additions to the St. Louis scene – improved attractions, expanded attractions, and new attractions. Must See Attractions There’s so much to see and do in St. Louis, here are a few options to get you started: • Ride to the top of the Gateway Arch, towering 630-feet over the Mississippi River. • Visit an artistic oasis in the heart of downtown. -
Art Era Timeline 3 Early 20Th C – Modern
1 Art Movement Timeline Early 20th C Centuryentury till the start of Modern Art Time Line Art Movement Description Artists & examples Late 19th/ Early 20th Century Design Britain, Late 19th Arts and Crafts The Arts and Crafts Century Movement was a celebration of individual design and craftsmanship, William Morris , a book designer, 18341834----18961896 spearheaded the William Morris movement. He also produced stained glass, textiles and wallpaper and was a painter and writer. © Nadene of http://practicalpages.wordpress.com 04/2010 2 Late 19th Century to Art Nouveau Art Nouveau is an Early 20th Century elegant decorative art style characterized by intricate patterns of curving lines. Its origins somewhat 18601860----19391939 rooted in the British Alphonse Mucha Arts and Crafts Movement of William Morris , 18721872----18981898 Aubrey Beardsley 18621862----19181918 Gustav Klimt Louis Comfort Tiffany . 18481848----19331933 © Nadene of http://practicalpages.wordpress.com 04/2010 3 1880's to 1920's The Golden Age of The Golden Age of European artists: Illustration Illustration was a period of unprecedented excellence in book and magazine 18451845----19151915 illustration. Walter Crane Advances in technology permitted accurate and inexpensive reproduction of art. The public demand for new graphic art grew in this time. Edmund Dulac 18821882----19531953 18721872----18981898 Aubrey Beardsley 18671867----19391939 Arthur Rackham 18861886----19571957 © Nadene of http://practicalpages.wordpress.com 04/2010 4 The Golden Age of Kay Nielsen . Illustration American artists: 18531853----19111911 Howard Pyle 18821882----19451945 N.C. Wyeth 18701870----19661966 Maxfield Parrish 18771877----19721972 Frank Schoonover 18521852----19111911 Edwin Austin Abbey . © Nadene of http://practicalpages.wordpress.com 04/2010 5 1920's to 1930's Art Deco Art Deco is an elegant style of decorative art, design and architecture which began as a Modernist reaction against the Art 18981898----19801980 Nouveau style. -
Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular. -
George P. Merrill Collection, Circa 1800-1930 and Undated
George P. Merrill Collection, circa 1800-1930 and undated Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Descriptive Entry.............................................................................................................. 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: PHOTOGRAPHS, CORRESPONDENCE AND RELATED MATERIAL CONCERNING INDIVIDUAL GEOLOGISTS AND SCIENTISTS, CIRCA 1800-1920................................................................................................................. 4 Series 2: PHOTOGRAPHS OF GROUPS OF GEOLOGISTS, SCIENTISTS AND SMITHSONIAN STAFF, CIRCA 1860-1930........................................................... 30 Series 3: PHOTOGRAPHS OF THE UNITED STATES GEOLOGICAL AND GEOGRAPHICAL SURVEY OF THE TERRITORIES (HAYDEN SURVEYS), CIRCA 1871-1877.............................................................................................................. -
Untitled [Bradley Cesario on Shanghaiing Sailors: A
Mark Strecker. Shanghaiing Sailors: A Maritime History of Forced Labor, 1849/1915. Jefferson: McFarland & Company, 2014. 260 pp. $39.95, paper, ISBN 978-0-7864-9451-4. Reviewed by Bradley Cesario Published on H-War (August, 2017) Commissioned by Margaret Sankey (Air University) “Shanghaiing” conjures up tales of the sea--of the legal history of the court cases that ended the forced voyages, secret liaisons, and oceanic cross‐ practice in the United States in 1915. ings. While fully understanding and drawing Unfortunately, it must be said that there are upon the romantic side of these tales, Mark two major issues with Strecker’s work. The frst is Strecker sets out to undertake a more scholarly a question of definition. The author notes early in examination of the phenomenon. His work the frst chapter that shanghaiing specifically Shanghaiing Sailors: A Maritime History of refers to “the kidnapping and forcing of a man to Forced Labor, 1849-1915 “presents not only a com‐ serve on board a merchant ship” (p. 3). However, prehensive history of shanghaiing, which peaked many of the examples and anecdotes used relate roughly between 1850 and 1915 … but also exam‐ to entirely separate maritime activities--impress‐ ines the nineteenth-century seafarer’s world and ment/the press gang, privateering, and piracy. All the circumstances that created the perfect storm three of these are covered as activities distinct of events which made shanghaiing a lucrative from shanghaiing, with the result that the reason business” (p. 1). for their inclusion in the volume is somewhat un‐ To accomplish this, Strecker divides his work clear. -
Downloaded Typical NBA Front-Office Executive
R 1 E 12/20/12 9:48 AM 104, NUMB E LUM O SEPTOCT 2011, V R 3 E 105, NUMB E LUM O B 2013, V E JANF AUSTRIA TO PAKISTAN … BOOK COVERS … L IGHT … VA CCINE TESTING … BENJAMIN MAYS JANFEB 2013 UCH_JAN–FEB_covers and spine_v6.indd 1 alumniweekend June –June , LET KNOWLEDGE GROW FROM MORE TO MORE. Mark your calendar now for Alumni Weekend 2013. • CHALLENGE conventional thinking and join scholarly conversations at UnCommon Core sessions. • HONOR outstanding alumni and faculty service to the University and the global community. • STRENGTHEN personal and professional connections across professional schools and divisions. • JOIN the broader University of Chicago alumni community and discover the rich spectrum of experience, achievement, and perspectives. uestions? Call 800.955.0065, e-mail [email protected], or visit alumniweekend.uchicago.edu. Alumni Weekend Jan/Feb ad_12.11.indd 1 12/19/12 12:51 PM Features 26 A PASSAGE TO INDIA In 1956, two new PhDs drove a Land Rover from Austria to India to begin the JANFEB 2013 research that would be their life’s work. Notes from their journey. By Lloyd VOLUME 105, NUMBER 3 and Susanne Rudolph 38 UNDER THE COVERS Isaac Tobin’s designs for University of Chicago Press books provoke readers to take a deeper look. By Jason Kelly 46 TWILIGHT ZONE Exploring the attributes of low light, an architect and a physicist try to cultivate a dim awareness. By Lydialyle Gibson 54 NEEDLE AND THREAT The road to safe, reliable bioweapon vaccines for children is fraught with ethical peril. -
History of the U.S. Attorneys
Bicentennial Celebration of the United States Attorneys 1789 - 1989 "The United States Attorney is the representative not of an ordinary party to a controversy, but of a sovereignty whose obligation to govern impartially is as compelling as its obligation to govern at all; and whose interest, therefore, in a criminal prosecution is not that it shall win a case, but that justice shall be done. As such, he is in a peculiar and very definite sense the servant of the law, the twofold aim of which is that guilt shall not escape or innocence suffer. He may prosecute with earnestness and vigor– indeed, he should do so. But, while he may strike hard blows, he is not at liberty to strike foul ones. It is as much his duty to refrain from improper methods calculated to produce a wrongful conviction as it is to use every legitimate means to bring about a just one." QUOTED FROM STATEMENT OF MR. JUSTICE SUTHERLAND, BERGER V. UNITED STATES, 295 U. S. 88 (1935) Note: The information in this document was compiled from historical records maintained by the Offices of the United States Attorneys and by the Department of Justice. Every effort has been made to prepare accurate information. In some instances, this document mentions officials without the “United States Attorney” title, who nevertheless served under federal appointment to enforce the laws of the United States in federal territories prior to statehood and the creation of a federal judicial district. INTRODUCTION In this, the Bicentennial Year of the United States Constitution, the people of America find cause to celebrate the principles formulated at the inception of the nation Alexis de Tocqueville called, “The Great Experiment.” The experiment has worked, and the survival of the Constitution is proof of that.