Art Era Timeline 3 Early 20Th C – Modern
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John Sloan's Illustrations for the Novels of Charles Paul De Kock Oct
Drawn to SSATIREATIRE John Sloan’s Illustrations for the Novels of Charles Paul de Kock Oct. 24, 2009 –March 29, 2010 The Susan and Stephen Chandler Wing of the Virginia Steele Scott Galleries of American Art The Huntington Library, Art Collections, and Botanical Gardens ThThee MMisplacedisplaced KKISSISS REMARQUES A remarque is a small sketch made anywhere in the margins of an etching plate and originally served as a way for artists to test the sharpness of their etching needles. By the late 19th century, print dealers promoted “remarque proofs” as more valuable and ex - clusive than impressions without them. Sloan’s remarques, included on etchings found in the most deluxe editions of the de Kock novels, are often clever puns on the illustrations and enhance their meaning. The Misplaced Kiss ,1905, etching, state 2 of 3, 6 x 4 in. (also on the cover). From the novel Cherami , vol. 1. Partial and promised gift of Gary, Brenda, and Harrison Ruttenberg. The dual cause of The Misplaced Kiss —alcohol and ardor—can be found in the remarque of a blindfolded, tipsy cupid next to an overturned champagne bottle and glass. Although illustrating only a moment in the narrative, Sloan infuses the remarque with the essence of the scene. rom 1902 to 1905, American artist John Sloan F(1871–1951) created 53 etchings to illustrate novels by French author Charles Paul de Kock (1793 –1871), whose satires of early 19th-century Parisian society were popular in the United States around the turn of the century. While Sloan is best known for his gritty depictions of life in the streets, taverns, and tenements of New York City, the de Kock commission gave him the op portunity to refine his etching technique and hone his ability to convey anecdotal incidents with wry humor. -
UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
Art, Fine Art & Art Instruction
DOVER PUBLICATIONS ART, FINE ART & ART INSTRUCTION BACKLIST CATALOG 2015-16 To Order Contact Your Local Dover Rep or Tel 800-223-3130 Fax 516-742-5049 www.doverdirect.com DOVER PUBLICATIONS 100 Calligraphic 100 Drawings The 100 Greatest Alphabets Advertisements 1852 Gustav Klimt 1958: Who Wrote Them Dan X. Solo 9780486224466 and What They Did 9780486297989 Julian Watkins 9780486205403 Pub Date: 6/1/72 Pub Date: 7/10/97 $14.95 $12.95 99 pages 112 pages Trade Paperback Pub Date: 2/15/12 Trade Paperback 9.4 in W | 12.3 in H | 0.7 lb $19.95 8.4 in W | 11 in H | 0.7 lb Wt 256 pages Wt Trade Paperback 7.9 in W | 10.8 in H | 1.4 lb Wt 100 Ornamental 101 Great Samurai 150 Masterpieces of Alphabets Prints Drawing Dan X. Solo Utagawa Kuniyoshi, John Anthony Toney Grafton 9780486286969 9780486210322 9780486465234 Pub Date: 11/17/11 Pub Date: 6/1/63 $19.95 Pub Date: 9/19/08 $22.95 108 pages $14.95 150 pages Trade Paperback 112 pages Trade Paperback 8.4 in W | 11 in H | 0.7 lb Trade Paperback 8.4 in W | 11.3 in H | 1.1 lb Wt 8.4 in W | 11 in H | 1 lb Wt Wt 2,100 Victorian 50 Secrets of Magic 500 Years of Monograms Craftsmanship Illustration: From Albrecht Dürer to Karl Klimsch Salvador Dali Rockwell Kent 9780486283012 9780486271323 Howard Simon 9780486484655 Pub Date: 12/1/94 Pub Date: 6/4/92 $10.95 $16.95 80 pages 192 pages Pub Date: 12/14/11 Trade Paperback Trade Paperback $34.95 9 in W | 12 in H | 0.4 lb Wt 9.3 in W | 12.1 in H | 1.2 lb 512 pages Wt Trade Paperback 8.4 in W | 11 in H | 3.4 lb Wt Abstract Design and The Adventures of Albinus on -
2020 OQ Winter
QUARTERLY WINTER 2020 | VOL. 63 NO. 1 Collecting, Preserving, and Celebrating Ohio Literature Winter 2020 1 Contents QUARTERLY WINTER 2020 FEATURES BOARD OF TRUSTEES HONORARY CHAIR Fran DeWine, Columbus 4 Toni Morrison: A Tribute ELECTED 8 A Conversation with Oge Mora President: Daniel Shuey, Westerville Vice-President: John Sullivan, Plain City Secretary: Geoffrey Smith, Columbus Treasurer: Jay Yurkiw, Columbus BOOK REVIEWS Gillian Berchowitz, Athens Daniel M. Best, Columbus 10 Nonfiction Rudine Sims Bishop, Columbus Helen F. Bolte, Columbus 12 Fiction Katie Brandt, Columbus Lisa Evans, Johnstown 16 Poetry Bryan Loar, Columbus Ellen McDevitt-Stredney, Columbus Mary Heather Munger, Ph.D., Perrysburg 18 Young Adult & Middle Grade Louise Musser, Delaware Claudia Plumley, Dublin 20 Children’s Cynthia Puckett, Columbus David Siders, Cincinnati Yolanda Danyi Szuch, Perrysburg BOOKS AND EVENTS Jacquelyn L. Vaughan, Dublin Elizabeth A. “Betty” Weibel, Chagrin Falls APPOINTED BY THE GOVERNOR OF OHIO 22 Book List Carl Denbow, Ph.D., Athens Carol Garner, Mount Vernon 45 Coming Soon Brian M. Perera, Columbus TRUSTEES EMERITUS Francis Ott Allen, Cincinnati Ann Bowers, Bowling Green Christina Butler, Ph.D., Columbus James Hughes, Ph.D., Dayton Robert Webner, Columbus OHIOANA STAFF Executive Director..............David Weaver Office Manager...............Kathryn Powers Library Specialist............Courtney Brown Program Coordinator........Morgan Peters The Ohioana Quarterly (ISSN 0030-1248) is currently published four times a year by the Ohioana Library Association, 274 East First Avenue, Suite 300, Columbus, Ohio 43201. Individual subscriptions to the Ohioana Quarterly are available through membership in the Association; $35 of membership dues pays the required subscription. Single copy $6.50. U.S. postage paid at Columbus, Ohio. -
Wavebid > Buyers Guide
Auction Catalog March 2021 Auction Auction Date: Sunday, Feb 28 2021 Bidding Starts: 12:00 PM EST Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 02/28/2021 07:36 AM Lot Title & Description Number 12" x 16" Wyland Lucite Limited Edition Orca Family Statue - Free form clear lucite form reminiscent of ice with sun softened edges 1 holding family pod of 3 Orcas/ killer whales, etched Wyland signature lower left, numbered 105/950 lower right - in house shipping available 2 6" x 4" Russian Lacquerware Box Signed and Numbered with Mythic Cavalry Scene - Black Ground, Bright Red Interior - In House Shipping Available Tiffany & Co. Makers Sterling Silver 6 1/2" plate - 16052 A, 7142, 925-1000, beautiful rimmed plate. 5.095 ozt {in house shipping 3 available} 2 Disney Figurines With Original Boxes & COA - My Little Bambi and Mothe # 14976 & Mushroom Dancer Fantasia. {in house shipping 4 available} 2 Art Glass Paperweights incl. Buccaneers Super Bowl Football - Waterford crystal Super Bowl 37 Buccaneers football #1691/2003 & 5 Murano with copper fleck (both in great condition) {in house shipping available} 6 Hard to Find Victor "His Master's Voice" Neon Sign - AAA Sign Company, Coltsville Ohio (completely working) {local pick up or buyer arranges third party shipping} 7 14K Rose Gold Ring With 11ct Smokey Topaz Cut Stone - size 6 {in house shipping available} 8 5 200-D NGC Millennium Set MS 67 PL Sacagawea Dollar Coins - Slabbed and Graded by NGC, in house shipping available Elsa de Bruycker Oil on Canvas Panting of Pink Cadillac Flying in to the distance - Surrealilst image of cadillac floating above the road 9 in bright retro style, included is folio for Elsa's Freedom For All Statue of Liberty Series - 25" x 23" canvas, framed 29" x 28" local pick up and in house shipping available 10 1887 French Gilt Bronze & Enamel Pendent Hanging Lamp - Signed Emile Jaud Et Jeanne Aubert 17 Mai 1887, electrified. -
New Exhibition the American Muse Debuts at the Nmai
FOR IMMEDIATE RELEASE May 2, 2013 Contact: Eric Brocklehurst Tel: (401) 851-8949 ext. 18 Email: [email protected] Website: www.americanillustration.org NEW EXHIBITION ‘THE AMERICAN MUSE’ DEBUTS AT THE NMAI NEWPORT, RI- Friday, May 24, the NMAI officially debuts its new exhibition, The American Muse. The exhibition is in homage to American women of the late 19th and early 20th centuries, and the illustrators who accurately portrayed the quintessential yet distinctly American feminine beauty that these women embodied. The American illustrators highlighted include Charles Dana Gibson, Harrison Fisher, and others of the greatest illustrators of the period, such as: Philip Boileau, MacClelland Barclay, Howard Chandler Christy, James Montgomery Flagg, Henry Hutt, Walter Granville Smith, Paul Stahr, and Albert Beck Wenzell. Each of these illustrators created their own prototypical image of ‘The American Woman.’ The public gave these illustrators’ artworks generic names as part of their respective oeuvre; The Gibson Girl and The Fisher Girl stand out as the most popular of all. These renditions of the illustrators’ ideal woman captured the increasingly independent spirit of American women. The illustrations both shaped and reflected American society and its notions of female beauty. Compared to women of previous eras, these women relished more freedoms, enjoyed greater opportunities in sports and education, and were at the vanguard of a time when women effected change through social and political movements on an unprecedented scale in Western culture. Also showing at the NMAI are Maxfield Parrish: The Retrospective, which has been extended due to popular demand through Fall 2013, and Howard Pyle & His Brandywine Students, showcasing the works of Howard Pyle, N.C. -
Dialogues: Modern & Contemporary Art
PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE: 26 JUNE 2 0 2 0 DIALOGUES: MODERN & CONTEMPORARY ART ONLINE-ONLY FROM 26 JUNE TO 14 JULY 2020 PART OF THE AUCTION PROGRAMME TO ACCOMPANY ONE: A GLOBAL SALE OF THE 20TH CENTURY Tamara de Lempicka, La couronne de fleurs II (c. 1932/c. 1950, estimate: £300,000-500,000), Glenn Ligon Figure #96 (2011, estimate: £280,000-350,000) and Peter Blake The National Gallery Madonna (1994-2000, estimate: £120,000-180,000) London – As part of the expanded online programme to accompany ONE: A Global Sale of the 20th Century, Christie’s presents Dialogues: Modern & Contemporary Art, an online auction running from 26 June to 14 July 2020, featuring painting, sculpture, works on paper and photography. Constructivism, Fauvism, Art Brut, Surrealism, Abstract Expressionism, Pop: the past century of Western art has been a period of vast change. As artists responded to events happening around them and the evolution of artistic practice, they also engaged with the work of other artists past and present. Dialogues: Modern & Contemporary Art highlights a selection of these conversations. Some dialogues are formal, as in the sharp, flat hues of Walter Dexel’s Constructivism and Josef Albers’ post-Bauhaus Homage to the Square: Oracle (1961, estimate: £220,000-320,000). Others are more visceral: an early work, Kallmünz – Regentag (1903, estimate: £150,000-200,000) by Wassily Kandinsky, from before his own revolutionary turn to abstraction, emits a sunny energy that echoes in Jack Butler Yeats’ bright, fluid California (1937, estimate: £500,000-800,000). Jean Dubuffet’s Art Brut figures share the totemic power of sculptures by Eduardo Paolozzi and Henri Laurens. -
Violet Oakley: Pennsylvania’S Premiere Muralist
1 VIOLET OAKLEY: PENNSYLVANIA’S PREMIERE MURALIST Susan Hamburger Paper and slide presentation Pennsylvania Historical Association October 14, 1995 [SLIDE 1] Violet Oakley--a versatile portraitist, illustrator, stained glass artisan, and muralist--earned a reputation as the first American woman artist to succeed in the predominantly-male architectural field of mural decoration. Her strong commitment to her religion and world peace influenced her art as well as her life. [SLIDE 2] Oakley was born in Bergen Heights, New Jersey, to the artistic family of Arthur Edmund Oakley and Cornelia Swain Oakley. Both of her grandfathers, George Oakley and William Swain, belonged to the National Academy of Design and two of her aunts studied painting in Munich with Frank Duveneck. She believed that her compulsion to draw was “hereditary and chronic.” She once commented that she must have been “a monk in some earlier state of existence....The abbesses and sisters were too busy nursing the sick and doing fine needleworks. I never heard of them illuminating manuscripts. I am quite sure I was a monk.” 1 The youngest of three children, Violet followed her sisters Cornelia and Hester in learning the acceptable feminine skills of poetry writing, piano playing, 2 and sketching. While Hester attended Vassar College, Violet’s asthma prevented her from obtaining a college education which her parents thought too rigorous for her physical condition. She never let the asthma impede her artistic education or career. In 1892, at the age of eighteen, Oakley commuted to New York City to study at the Art Students’ League with Irving R. -
To See Anew: Experiencing American Art in the 21St Century
Initiatives in Art and Culture To See Anew: Experiencing American Art in the 21st Century 21ST ANNUAL AMERICAN ART CONFERENCE FRIDAY – SATURDAY, MAY 20 – 21, 2016 1851, after an original of 1851, The Greek Slave, The Greek Stuart Davis, Swing Landscape, 1938, oil on canvas, 86¾ x 172⅞ in. Indiana University Art Museum, Bloomington, Indiana. © Estate of Stuart Davis/Licensed Hiram Powers, Powers, Hiram Art University x 18¼ in. Yale 1844, marble, 65¼ x 21 Dann Fund. 1962.43, Olive Louise Gallery, by VAGA, New York, NY. Jonathan Boos. Jonathan Boos. 36 x 29 in. Private collection; photo: courtesy, canvas, Guy Pène du Bois, Country Wedding, Henry Peters Gray, The Wages of War, 1848, oil on 1929, oil on canvas, 48¼ x 76¼ in. The Metropolitan Museum of Art, gift of Several Ladies and Gentlemen, 1873. 73.5. THE GRADUATE CENTER, THE CITY UNIVERSITY OF NEW YORK To See Anew: Experiencing American Art in the 21st Century 21ST ANNUAL AMERICAN ART CONFERENCE Heilbrun, 1922). Chanler. Robert Winthrop Ivan Narodny, (from: 1921 Chanler, Robert Winthrop New York: William New York: Avian Arabesque, Avian Arabesque, The Art of In this conference, Initiatives in Art and Culture considers iconic works by recognized masters, seeking to understand both why they were celebrated in their own time and why they retain their power today. At the same time, we explore the works of artists who did not retain the renown they enjoyed during their lifetimes and who fell into obscurity. But obscurity is not necessarily forever, and as cycles of taste have changed, these once-forgotten artists and their largely unknown works have re-surfaced to startle us today. -
Lempicka Page 4: Self-Portrait in the Green Bugatti, 1929 Oil on Panel, 35 X 27 Cm Private Collection
Lempicka Page 4: Self-Portrait in the Green Bugatti, 1929 Oil on panel, 35 x 27 cm Private Collection Designed by: Baseline Co Ltd 19-25 Nguyen Hue Bitexco Building, Floor 11th District 1, Ho Chi Minh City Vietnam © Sirrocco, London, UK (English version) © Confidential Concepts, worldwide, USA © de Lempicka Estate / Artists Rights Society, New York, USA / ADAGP, Paris All rights reserved No part of this publication may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case we would appreciate notification. ISBN 978-1-78042-030-1 2 It can be argued that the Art Deco spirit expressed itself more naturally through portraiture than through any other kind of painting. The quintessential Art Deco portraitist is undoubtedly Tamara de Lempicka. The Fashionable society of the 1920s and 30s is now perceived very largely through her eyes. — Edward Lucie-Smith 3 Biography 1898 Born Tamara Gurwik-Gorska in Warsaw to wealthy, upper-class Polish parents. Her father, Bolris Gorski, was a lawyer with a French firm. Her mother was Malvina Decler. 1911 A trip to Italy with her grandmother helps Tamara discover her passion for art. 1914 Tamara moves in with her aunt Stephanie in St Petersburg, resenting her mother’s decision to remarry. She meets her future husband, Tadeusz Lempicki, a handsome lawyer from a wealthy Russian family. 1916 Tamara and Tadeusz marry in Petrograd in the chapel of the Knights of Malta. -
2001 Great Plains Prairie
2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S. -
Holly Trostle Brigham Myths, Portraits, and the Self Holly Trostle Brigham Myths, Portraits, and the Self
Holly Trostle Brigham Myths, Portraits, and the Self Holly Trostle Brigham Myths, Portraits, and the Self August 5 - September 27, 2013 Mary H. Dana Women Artists Series / Douglass Library Guest Curators: Judith K. Brodsky and Ferris Olin Copyright: Institute for Women and Art, Rutgers, The State University of New Jersey, 2013 INSTITUTE FOR WOMEN AND ART Programs Mary H. Dana Women Artist Series At the Douglass Library Galleries and in partnership with Rutgers University Libraries, this exhibition series was founded in 1971 by Joan Snyder and is the oldest continuously running venue for women visual artists in the US. Estelle Lebowitz Visiting Artist-in-Residence Lectureship Brings to the Rutgers University community and general public the work of a renowned contemporary woman artist through exhibitions, classes and public lectures. The Feminist Art Project (TFAP) A collaborative international initiative promoting and documenting diverse feminist art events and publications celebrating the feminist art movement and the aesthetic, intellectual and political impact of women on the visual arts, art history, and art practice, past and present. IWA Exhibition Series Exhibitions curated by the IWA and presented at selected venues. Miriam Schapiro Archives This archival collection contains files related to women artists and art organizations and is housed in Rutgers University Libraries Special Collections and University Archives. In addition to the files for the Mary H. Dana Women Artists Series, the Schapiro archives also contain the Contemporary Women Artists Files (CWAF) of emerging and established contemporary women artists. On-Line Education E-courses about women artists, their achievements, and impact on culture and society; race and contemporary art; homosexuality and visual culture.