DOCSLIB.ORG

There Is Grandeur in Identity; Philosophy Is Nothing Without Personal Experience

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
There Is Grandeur in Identity; Philosophy Is Nothing Without Personal Experience CULTURE The Minsk Times Thursday, October 22, 2009 9 There is grandeur in identity; philosophy is nothing without personal experience Legends of Our Civilisation exhibition by famous Belarusian artist Victor Alshevsky BELTA Artist Victor Alshevsky By Victor Mikhailov of the world — through his own experience. Th is enables Th e Legends of Our Civili- him to ‘diagnose’ our age. His sation show began its tour in philosophy is based on per- the district centre of Belynichi sonal impressions from his (in the Mogilev region) — the travels, books he has read and artist’s native home. Later, it thoughts he has had. moved to Shklov, Krichev and In the 1990s, Victor began Bobruisk and is now in Mogi- a new artistic stage, addressing lev. It is dedicated to the Year world history and creating his of the Native Land and the eye-catching Letters of Time 65th anniversary of Belarus’ series. He drew historical arte- liberation from the fascists, facts within the context of time ‘synthesising global cultural and their architectural situa- traditions in the context of our tion — including domes and national cultural heritage’, as columns, facades and portals, Mr. Alshevsky explains. sphinxes and pyramids, San His major goal is to ex- Pietro and the Tower of Pisa. plore how the past shapes our He depicted the architecture world of today, harmonis- of Belarus, Russia, Italy, France ing loft y ideals and spiritual and Egypt. Alshevsky’s images values. “On my canvases, I’ve are oft en unrecognisable; they tried to reveal the identity of are not part of the landscape the Belarusian culture via an- but are traces of human activ- cient legends. Th ese showcase BELTA ity, illusions of time and space. Legends of Our Civilisation’s philosophical themes and expressive palette draws audience the grandeur of global and Every gesture, sign and fi gure national architectural monu- with the architecture of Syrian — from classical traditions to apprehension of life and the nature and handicraft s — as are threads uniting him with ments as colourful artistic im- Palmyra, the Egyptian pyra- contemporary aesthetics. He broadness of his artistic ideas his mother taught him. He himself, with his own place in ages,” Victor Alshevsky said at mids and Turkish Byzantia is not afraid to experiment and professional mastery. recalls those warm relations life and his own philosophy. the opening ceremony. and Efes. Belarusian Ruzhany and easily transforms works “Modern art always fol- of childhood days fondly, of- Th e Legends of Our Civi- Two important events and Nesvizh castles, the grand by using both in combination. lows global aesthetic, artistic ten taking a pen and thick lisation project embraces fi ft y have supplemented his artistic towers of Mogilev and Shk- Alshevsky strives to disclose and philosophical trends; the leather notebook to jot down picturesque canvases, created biography this year. By Presi- lov and the beauty of Gomel’s the essence of humanity, ex- need for greater openness is his recollections. Alshevsky’s in recent years. Th is is the fi rst dential Decree, he received Rumyantsev-Paskevich Palace ploring fate and the future. revealed via mutual dialogue childhood memories are the such major project by the art- the State Art Award for his also appear. “Belarus con- He unveils the world’s hidden between cultures,” Victor as- foundation for his enduring ist and it’s no wonder that it series of paintings created for tributed to the development secrets, as well as his personal serts. No doubt, he represents persistence and confi dence. began its tour from his home- Gomel’s Palace and Park En- of global civilisation, as con- ‘self’, in fi nding answers to the new artistic mindset of Th e former is evident in his land — physical and historical semble. Now, he is showcas- fi rmed by its monuments of eternal questions. global culture. Th e themes of four attempts to enter the and, importantly, spiritual. ing his symbolically entitled history, culture and architec- Alshevsky’s pictures stand his works depict fragments of Belarusian State Th eatre and Aft er being showcased in Legends of Our Civilisation ture — recently revived from out for their colour and size. the past alongside the present; Art Institute’s Monumental- Mogilev, the exhibition is to — which refl ects the diversity their ruins,” the artist stresses. Th ey boast monumental im- they are far from being paint- Decorative Art Department. tour further; Minsk’s National of life and its philosophy. For Victor Alshevsky, the ages, with attention to sym- ed with direct reality though. His confi dence is rooted in his Art Museum will be the next Th e project philosophi- search for his own imaginative bolic detail, and push beyond He uses spirituality to create a tenacious ambitions (a little to host it. Further plans are cally re-evaluates world civi- expression has become the ba- the limits of the traditional. unique philosophy. unusual in a man from such a outlined but, as the artist ex- lisation, while drawing on the sis of his art. He feels free in Th ere is no doubt that they He took his fi rst steps from rural village). plains, there is no need to look artist’s experiences of travel. interpreting themes and can show his strong artistic per- a picturesque Mogilev region Alshevsky creates more far into the future. It’s much He combines fragments of masterfully combine diff er- sonality. Th ey testify to his in- village, and still feels fed by ru- than an artistic image. He gives more important to live in the ancient Belarusian Mir Castle ent methods in a single work dividuality, his philosophical ral wisdom and a respect for us his personal understanding present. Wonderful festival of music celebrates our rich legacy A new musical project by Belarus’ National Concert Orchestra, conducted by maestro Mikhail Finberg, was recently presented in the capital of Belarusian Polesie By Irina Svirko kicked off with an artistic meeting trate the historic signifi cance of the with Doctor of Art and Belarusian area. Th ey performed compositions Pinsk Meetings-2009 is a new Music Academy Professor Olga Da- by Napoleon Orda, Stanisław Mon- page for this honoured team, reviv- diomova. “Th e Pinsk area’s legacy in- iuszko and Mieczysław Karłowicz. BELTA ing and promoting our national mu- cludes famous Napoleon Orda — a Pinsk Meetings-2009 combined Mikhail Finberg revives Polesie melodies sical legacy. “Th e Pinsk area boasts composer, artist, musician, teacher various musical trends and a true pa- music among artistic circles. square, it featured pop music, as well an interesting musical history, which and favourite pupil of Chopin. His rade of chamber orchestras — dedi- Pinsk’s third meeting was with as the famous orchestra and its lead- local residents should be familiar musical and artistic works — ac- cated to the 80th birthday of People’s the National Concert Orchestra’s big ing soloists. with. Th ey should take pride in it, en- knowledged by European culture Artiste of the USSR Yevgeny Glebov. band. Jazz lovers were able to attend According to the Chairman of couraging them to be proud of their — preserve the great infl uence of Pinsk residents received a wonderful the premiere of a programme dedi- the Pinsk City Executive Commit- homeland — the country where they Pinsk’s wealth of traditions,” notes chance to learn about this composer, cated to the 100th anniversary of tee, Alexander Gordich, the local au- live,” stresses People’s Artiste of Bela- Olga. who was the fi rst in the 20th century legendary conductor, composer and thorities plan to host Pinsk Meetings rus Prof. Mikhail Finberg. Performances by the National to present professional Belarusian virtuoso-trumpeter Eddie Rosner. regularly. Th e capital of Belarusian Th e land’s artistic history is cer- Concert Orchestra’s clarinet ensem- music to Western Europe. Mr. Gle- A gala concert closed the pro- Polesie shall continue hosting truly tainly rich. Pinsk Meetings-2009 ble and string quartet perfectly illus- bov was an acknowledged master of gramme. Held in the city’s main artistic events..
Load more

Recommended publications
  • Show of the Week Th Until 9 February
    12 AGENDA The Minsk Times Thursday, February 6, 2014 Exhibitions NATIONAL ART MUSEUM OF BELARUS 20 Lenin Street Show of the week th Until 9 February. The Teacher and His Pupils (P. Maslennikov) Until 16th February. Portrait of Ludwik Kondratowicz Władysław Syrokomla: single painting exhibition by Adam Szemesz, on loan from the Lithuanian Art Museum Until 18th February. Exhibition, dedicated to the Year of Horse Until 23rd February. Ten Masterpieces. Artistic Works from the Collections of the National Art Museum of Belarus Until 2nd March. Bystanders of the Time. The Portrait of the Russian Painting and Graphics of the 18th-20th Century Until 18th April 2014. Slutsk Belts NATIONAL HISTORY MUSEUM OF BELARUS 12 Karl Marx Street Until 23rd February. Treasures of Ukraine Until 23rd February. Parnat 84-11B HOUSE-MUSEUM OF FIRST RSDRP CONGRESS 31/А Nezavisimosti Avenue Until 9th March. Portrait of a Contemporary MIR CASTLE Until 30th May. Spirit of Time and Luxury: 1820- 1920s Fashion and Style MIKHAIL SAVITSKY ART GALLERY 15 Svobody Square Until 9th February. Leonid ALEXANDER RUZHECHKA Shchemelev’s XX, XXI… Belarusian State Circus hosts the opening night of a new spectacular programme Until 9th March. Transformation Theatres NATIONAL ACADEMIC BOLSHOI OPERA AND BALLET THEATRE Kaleidoscope of history unveiled 1 Parizhskoy Kommuny Square February of decades and centuries past comes to life 07.02. Tamar. Scheherazade 08.02. Turandot 09.02. Anyuta 11.02. Tosca 12.02. Vytautas February 7th. In 1889, a Belarusian of Agricultural Mechanisation, the main February 12th. In 1839, the Polotsk 13.02. Prince Igor and Russian weightlifter and a founder of block of a tourist facility and a complex Church Convocation annulled Brest’s BELARUSIAN STATE ACADEMIC the kettlebell lifting and wrestling Arkady of Sosny recreation facility (on Lake Na- church unia of 1596; as a result, the Uniat MUSICAL THEATRE Alexandrovich was born in Minsk.
    [Show full text]
  • Kresy | the Borderlands
    Kresy | The Borderlands Kresy The Borderlands „Z całego mnóstwa różnorodnych typów ludzkich wyłania się wyraźnie grupa ludzi o instynktach wiejskich, ludzi, którym dobrze jest tylko tam »gdzie żaden płot, rów żaden drogi nie utrudza, gdzie przestępując miedzę nie poznasz, że cudza«; ludzi, którzy nie uświadamiają sobie nawet przyczyn, dlaczego tak jest, czują się u siebie, na swobodzie, gdy im zapachnie świeże powietrze borów, gdy usłyszą miękki szum ławic oczeretów, gdy widzą fale zbóż płynące z wiatrem po wzgórzach, gdy słyszą jęk czajki nad zielonym morzem łąk, gdy patrzą na dalekie widnokręgi, obramione siną wstęgą lasów. W instynktach tych ludzi leży życie nienormowane, nieukrócone, jak w ich pra- gnieniach i tradycjach leży podnieta do czynów wychodzących poza spokojne, regularne, ciche i pracowite wytwarzanie i zjadanie chleba. Dla wszystkich takich natur Ukraina była ziemią marzeń. Wyrazy: step, Kozak, czu- mak, porohy, futor, jar, czajki, miały szczególny urok i pociąg. Przy ówczesnym stanie sztuki ilustracyjnej, przy braku fotografii, gdzieś na Żmudzi i Litwie albo Mazowszu rzeczy, do których te nazwy należały, nie dały się nawet wyobrazić konkretnie, jednak wiał z nich jakiś czar tęsknoty, jakaś woń upajająca i »matka Ukraina« dla dziecka uro- dzonego gdzieś nad Dubiską lub Willą zdawała się naprawdę matką…” (Stanisław Witkiewicz, Juliusz Kossak, s. 34) Kresy Wschodnie zajmują szczególne miejsce w dziejach Rzeczpospolitej – i to zarówno pod względem historycznym, jak i sentymentalnym. Na przestrzeni wieków utrwalił się swoisty
    [Show full text]
  • Kresy Pamiętamy. Z Agnieszką Biedrzycką, Ks. Romanem
    KRESY PAMIĘTAMY Z AGNIESZKĄ BIEDRZYCKĄ, KS. ROMANEM DZWONKOWSKIM, JANUSZEM KURTYKĄ I JANUSZEM SMAZĄ ROZMAWIA BARBARA POLAK B.P. – Chociaż od kilkudziesięciu lat dodajemy do Kre- sów słowo „byłe”, to są one nadal bardzo ważne dla naszej historii i tożsamości. Historia „obcięła” nam na wschodzie połowę ziem, należących do I i II Rzeczypo- spolitej, a losy ich mieszkańców były tragiczne i hero- ROZMOWY BIULETYNU iczne. Polska na tych „byłych” swoich ziemiach odcis- nęła bardzo istotne piętno, w najlepszym znaczeniu. Fot. P. Życieński P. Fot. Dobrze byłoby, żeby nikt o tym nie zapominał. R.D. – Termin „Kresy” jest mi bardzo bliski i dla mnie oczywisty, ale po stronie ukraińskiej istnieje wobec niego mocny sprzeciw. Zrodziła się więc potrzeba wyjaśnienia i uzasadnie- nia tego terminu. B.P. – Nazwa „Kresy” ma stosunkowo niedługą historię, pojawiła się w wydanym w Krakowie w 1854 r. rapsodzie rycerskim „Mohort” Wincentego Pola. J.K. – Jeśli przejść na grunt semantyczny, to „Ukra- Życieński P. Fot. ina” znaczy (i historycznie znaczyła) to samo, co obecnie (od XIX w.) „Kresy” – czyli „na skraju, na pograniczu”. Ziemie „ukrainne” w terminologii uży- wanej w I Rzeczypospolitej to ziemie na pograniczu ze światem zewnętrznym, czyli w obecnym znaczeniu „kresowe” – dlatego też Ukrainą w XVI w. nazywa- no województwa kij owskie i bracławskie, a w XVII w. dodatkowo Wołyń i Podole. W XIX w., w następstwie rodzenia się ukraińskiej świadomości narodowej, Ukrainą zaczęto nazywać także obszar zaboru austriackiego, obejmujący dawne województwo lwowskie – czyli Galicję Wschod- nią. Ukraińcy protestują niekiedy przeciw określaniu ich kraju mianem Kresów. Jednak nazwa ich państwa ma swój początek w przestrzeni semantycznej czasów I Rzeczypospo- litej, bowiem powstała na wspólnym obszarze politycznym Korony i Wielkiego Księstwa (w dzisiejszym sensie: polsko-litewsko-ukraińskim) dla określenia terenów wspólnego pań- stwa, przylegających do wrogich terytoriów zdominowanych przez Moskwę, Tatarów i Tur- cję (pomij am tu skomplikowane wewnętrzne relacje pomiędzy tymi trzema podmiotami).
    [Show full text]
  • Note-Worthy Music Stamps, Part 17
    F.A.P. December 2OO8 Note‐Worthy Music Stamps, Part 17 by Ethel Bloesch (Note: Part 17 describes stamps with musical notation that were issued in 2007) Ethel Bloesch has been a member of the Fine and Performing Arts Philatelists for over thirty years. Her annual article on musical notations has been a highlight of our December Journals since 1993. At that time she was asked to continue the work of Jacques Posell, whose articles on this topic had appeared since 1963. She began collecting music stamps in 1972 when she was given a Vaughan Williams stamp that had actual notes from his Sea Symphony. As any librarian would, she did a literature search (before the days of Google) on stamps with music notation. This led her to a lifelong friendship with Jacques Posell, a member of the Cleveland Orchestra and the recognized authority on this philatelic topic. It was Jacques who introduced her to the Fine and Performing Arts Philatelists. In 2002, Ethel retired after 32 years of dedicated service to the School of Library and Information Science at the University of Iowa. As an administrator devoted to the needs of the School, Ethel developed and maintained strong ties with the Iowa library community, national LIS organizations, and University of Iowa administrators, librarians, and faculty. She also found the time to mentor hundreds of students and to contribute her annual articles to the FAP Journal. Ethel’s love for music is evident in her thorough and knowledgeable articles. ARMENIA Scott ??? Michel Block 28 A sheet of four stamps issued March 13, 2007 for the 250th anniversary of the birth of Mozart.
    [Show full text]
  • MB Kupershteyn TOWN of BAR: Jewish Pages Through
    1 M. B. Kupershteyn TOWN OF BAR: Jewish Pages Through The Prism Of Time Vinnytsia-2019 2 The publication was carried out with the financial support of the Charity Fund " Christians for Israel-Ukraine” K 92 M. B. Kupershteyn Town of Bar: Jewish Pages Through The Prism Of Time. - Vinnytsia: LLC "Nilan-LTD", 2019 - 344 pages. This book tells about the town of Bar, namely the life of the Jewish population through the prism of historical events. When writing this book archival, historical, memoir, public materials, historical and ethnographic dictionaries, reference books, works of historians, local historians, as well as memories and stories of direct participants, living witnesses of history, photos from the album "Old Bar" and from other sources were used. The book is devoted to the Jewish people of Bar, the history of contacts between ethnic groups, which were imprinted in the people's memory and monuments of material culture, will be of interest to both professionals and a wide range of readers who are not indifferent to the history of the Jewish people and its cultural traditions. Layout and cover design: L. M. Kupershtein Book proofer: A. M. Krentsina ISBN 978-617-7742-19-6 ©Kupers M. B., 2019 ©Nilan-LTD, 2019 3 Table of Contents INTRODUCTION ........................................................................... 5 HISTORICAL BAR .......................................................................... 7 FROM THE DEPTHS OF HISTORY .................................................. 32 SHTETL ....................................................................................
    [Show full text]
  • Download Article
    Advances in Social Science, Education and Humanities Research, volume 324 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019) Basilian Order Monastic Temples Architecture on the Territory of Belarus in the 17th – First Half of the 19th Centuries Irina Ozheshkovskaya Architect Faculty Belarusian National Technic University Minsk, Belarus E-mail: [email protected] Abstract—In the terms of figured out and studied metropolitans. So, Polotsk Basilian nunnery was established architecture materials by the author, the development of by I. Kuntsevich [1]. In 1624 I. Rutskoy formed a friary and Belarusian Basilian temples volume-design structure is a convent in Novogrudok. F. Grebnitsky contributed to the contemplated. Herewith, the description and images of development of 88 Basilian monasteries on the territory of numerous disappeared temples are introduced to the scientific Belarus during the period of his reign [2]. circulation along with dating and possibility of graphic reconstruction for the first time ever. Tendencies of stone Numerous historians suppose that the Basilians were a churches’ architecture and the influence of West European Polish squall of the Eastern Catholic Church [3]. But, construction and stylistics are found out. The architecture of according to Eucharist rubberstamped by St. Vasily, the each temple analyzed in the article has special artistic-stylistic presentation of the iconostasis in the interior of a temple characteristics. The reasons of such a phenomenon are studied. remained “for border of Great altar, was occluded…” [4]. Actually, the iconostasis was preserved in monastic temples Keywords—architecture of Basilian monastic temples; domed of the Union period. The iconostases of parish churches, by temples; two-tower and towerless basilicas; the Early and contrast, were not widespread.
    [Show full text]
  • 1 Trillium Studios • 70 Green ST., Norwell, Ma 02061 • 781.659.2839
    Trillium STudioS • 70 Green ST., norwell, mA 02061 • 781.659.2839 • TrilliumstudioS.com 1 “When people ask me, ‘What is the most important period in the history of Polish Jews?’ it’s usually because they already know. ‘Oh, yes. It’s the Holocaust.’ I have one answer, ‘The most important period in the history of Polish Jews is 1,000 years.’” —Barbara Kirshenblatt-Gimblett CONTENTS 3 Raise the Roof Details 4 Synopsis 4 Gwoździec Reconstruction Details 5 Press Release 6 Film Festivals 7 People are saying… 8 Biographies of the Filmmakers 10 Biographies of Featured Commentators and Composers/Musicians 13 Film Credits 21 Gwoździec Animals 22 Q&A with Yari Wolinsky, Director 24 Q&A with Cary Wolinsky, Producer 27 Q&A with Rick and Laura Brown, Handshouse Studio 31 Raise the Roof Archival Material Photos may be found at www.raisetheroofmovie.com/photos They may be used in promotionl materials and film reviews. Copyright 2015 Trillium Studios Trillium STudioS • 70 Green ST., norwell, mA 02061 • 781.659.2839 • TrilliumstudioS.com 2 RAISE THE ROOF DETAILS Raise the Roof release date: 2015 Running time 85 minutes Language English and Polish with English subtitles. Available with Polish subtitles. Website www.raisetheroofmovie.com Film Credits www.raisetheroofmovie.com/credits Trailer www.raisetheroofmovie.com/movietrailer/ Press kit www.raisetheroofmovie.com/press-kit/ Contact Trillium Studios www.trilliumstudios.com 781-659-2839 Cary Wolinsky [email protected] Distributor National Center for Jewish Film www.jewishfilm.org 781-736-8600 Lisa Rivo, NCJF Co-Director for film festivals and event screenings [email protected] Public Relations Essentia Marketing www.essentiamarketingandpr.com 781-534-8620 Melissa Maichle [email protected] Social Media www.facebook.com/raisetheroofmovie Logline The set out to reconstruct a lost synagogue.
    [Show full text]
  • Belarus – Ukraine 2007 – 2013
    BOOK OF PROJECTS CROSS-BORDER COOPERATION PROGRAMME POLAND – BELARUS – UKRAINE 2007 – 2013 BOOK OF PROJECTS CROSS-BORDER COOPERATION PROGRAMME POLAND – BELARUS – UKRAINE 2007 – 2013 ISBN 978-83-64233-73-9 BOOK OF PROJECTS CROSS-BORDER COOPERATION PROGRAMME POLAND – BELARUS – UKRAINE 2007 – 2013 WARSAW 2015 CROSS-BORDER COOPERATION PROGRAMME POLAND – BELARUS – UKRAINE 2007-2013 FOREWORD Dear Readers, Cross-border Cooperation Programme Poland-Belarus-Ukraine 2007-2013 enables the partners from both sides of the border to achieve their common goals and to share their experience and ideas. It brings different actors – inhabitants, institutions, organisations, enterprises and communities of the cross-border area closer to each other, in order to better exploit the opportunities of the joint development. In 2015 all the 117 projects co-financed by the Programme shall complete their activities. This publication will give you an insight into their main objectives, activities and results within the projects. It presents stories about cooperation in different fields, examples of how partner towns, villages or local institutions can grow and develop together. It proves that cross-border cooperation is a tremendous force stimulating the develop- ment of shared space and building ties over the borders. I wish all the partners involved in the projects persistence in reaching all their goals at the final stage of the Programme and I would like to congratulate them on successful endeavours in bringing tangible benefits to their communities. This publication will give you a positive picture of the border regions and I hope that it will inspire those who would like to join cross-border cooperation in the next programming period.
    [Show full text]
  • Publication of the Scientific Papers
    Center of European Projects European Neighbourhood Instrument Cross-border Cooperation Programme Poland-Belarus-Ukraine 2014-2020 Publication of the Scientifi c Papers of the International Scientifi c Conference Cross-border heritage as a basis of Polish-Belarusian-Ukrainian cooperation Edited by: Leszek Buller Ihor Cependa Warsaw 2018 Publisher: Center of European Projects Joint Technical Secretariat of the ENI Cross-border Cooperation Programme Poland-Belarus-Ukraine 2014-2020 02-672 Warszawa, Domaniewska 39 a Tel: +48 22 378 31 00 e-mail: [email protected] www.pbu2020.eu Publication under the Honorary Patronage of the Prime Minister Mateusz Morawiecki. The International Scientifi c Conference “Cross-border heritage as a basis of Polish-Belarusian-Ukrainian cooperation” was held under the Honorary Patronage of the Prime Minister Mateusz Morawiecki. The conference was held in partnership with Vasyl Stefanyk Precarpathian National University This document has been produced with the fi nancial assistance of the European Union, under Cross-border Cooperation Programme Poland-Belarus-Ukraine 2007-2013. The contents of this document are the sole responsibility of the Joint Technical Secretariat and can under no circumstances be regarded as refl ecting the position of the European Union. Circulation: 400 copies ISBN: 978-83-64597-07-7 Scientifi c Committee: Leszek Buller, PhD – Center of European Projects, Cardinal Stefan Wyszynski University in Warsaw Prof. Ihor Cependa, PhD – Vasyl Stefanyk Precarpathian National University Prof. Kanstantsin
    [Show full text]
  • Ancestral Palaces and Manors
    www.belarustourism.by hospitality beyond borders Ancestral Palaces and Manors The spirit of luxury and splendor Ancestral Palaces and Manors 1 11 3 2 20 6 12 15 Мinsk 3 10 13 8 16 2 13 4 18 17 11 9 4 19 14 1 14 12 5 7 5 15 6 Table of content 16 1. The Sapega’s Palatial Complex . 2 2. The Bishop’s Palace. 4 3. The Governor’s Palace. 5 7 4. The Potyomkin Palace . 6 17 5. The Palace of the Rumyantsevs-Paskevichs . 8 6. The Tizenhaus Palace. 10 7. The Butrimovich Palace . 12 8. The Palace of the Valovichs . 13 8 9. The Bulgaks’ Palace . 14 18 10. The Umestovskys’ Palace . 15 11. The Rdutlovskys’ Palace . 16 12. The Palace of the Puslovskys . 18 13. Chapskie’s Manor in Pryluki . 20 9 14. Shvykovskie’s Manor. 21 19 15. The Oginskies’ Manor . 22 16. The Palace of the Tyshkevichs’. 24 17. The Khreptovichis’ Manor. 25 18. Gutten-Chapskie’s Manor . 26 10 19. The Gatovsky’s Manor . 27 20 20. The Bishevskies’ Manor . 28 Родовые дворцы и усадьбы ear travelers! Belarus is a country where the cultures of the West and the East blend together harmonically. It was a land of the Polish gentlemen, Russian noblemen, grand Belarusian families. The Sapiehas, the Rumyantsevs, the Paskievichs, the Chapskis, the Tyzenhauses… Their splendid manors, palaces and mansions were the places where the Enlightenment spirit was lingering and the most educated people of that time were gathering. The owners took pride in their elaborate paintings, arms and antiquities collections, rich libraries and the greenhouses full of the carefully nurture exotic species.
    [Show full text]
  • Performance Commentary
    PERFORMANCE COMMENTARY Notes on the musical text – the trill in bar 113 can be begun from the main note (as in the analo- gous bar 225) or from the upper note (emphasising the link with the corresponding motif in bar 110); The variants marked ossia were indicated as such by Chopin him- – the trill in bar 187 is better begun from the upper note; cf. Source self, or added in his handwriting to pupils’ copies; the variants without Commentary, as well as the Allegro de Concert, Op. 46, bars 89, 179 this designation are the result of discrepancies in the authentic sources and 260; or the impossibility of arriving at an unambiguous reading of the text. – the remaining trills not preceded by a grace note should be begun Minor authentic alternatives (individual notes, ornaments, slurs, ac- from the main note (bars 199 and 236). cents, pedal markings, etc.), that can be considered variants, are en- p. 29 closed in parentheses. Editorial additions are enclosed in brackets. Bar 140 One of the pupils’ copies contains numbers written in for Pianists uninterested in source-related questions, who want to base fingering; their interpretation is uncertain (cf. Source Comment- their performance on a single text without variants, are advised to use ary). In the editors’ opinion, the most likely deciphering is: the music printed on the principle staves, including all the markings in 3 parentheses or brackets. 1 2 2 Chopin’s original f i ngering is indicated in large bold-type numerals (1 2 3 4 5), in contrast to the editors’ fingering, written in smaller italic numerals (1 2 3 4 5).
    [Show full text]
  • SR January 2011
    THE SARMATIAN REVIEW Vol. XXXI, No. 1 January 2011 Sovereignty Then and Now Józef Piłsudski arrives at Warsaw’s Central Railway Station on 11 November 1918. Piłsudski had just been freed from German captivity, and his arrival in Warsaw marked the founding of the Second Polish Republic. On16 November a provisional government was formed in Polish lands, and the first parliamentary election was set up for 26 January 1919. 1544 THE SARMATIAN REVIEW January 2011 The Sarmatian Review (ISSN 1059- In this issue: committing oneself to any program 5872) is a triannual publication of the Polish Sarmatian Review Data . 1545 or views. Institute of Houston. The journal deals with With less than half the eligible Polish, Central, and Eastern European affairs, Richard J. Hunter, Jr. and Leo V. and it explores their implications for the United Ryan, C.S.V., Polish Election 2010: voters participating, there were no States. We specialize in the translation of Possible Political and Economic surprises. Overall, the Civic documents. Sarmatian Review is indexed in the Implications . .1547 American Bibliography of Slavic and East Platform (PO) won with 32 percent European Studies, EBSCO, and P.A.I.S. Joanna Rostropowicz Clark, The Two of the vote; Law and Justice (PiS) International Database. Since September 1997, Lives of Ludwik Gumplowicz (review) got 23 percent. For reasons that files in PDF format are available at the Central . .1549 remain unclear, a large percentage and Eastern European Online Library Agnieszka Gutthy, The Intelligentsia, (www.ceeol.com). of the ballots (3 million) were Empire, and Civilization in the Subscription price is $21.00 per year for invalidated.
    [Show full text]