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Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
The Formation of the Scientific Mind
The Formation of the Scientific Mind GASTON BACHELARD The Formation of the Scientific Mind A Contribution to a Psychoanalysis of Objective Knowledge GASTON BACHE LARD Introduced, translated and annotated by Mary MeAl/ester Jones ('III,j IIf tJ Ii J'Sty Copyright © Clinamen Press 2002 Translation © Mary McAllester Jones 2002 Contents Introduction © Mary McAllester Jones 2002 The right of Mary McAllester Jones to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. Translator's note vii Clinamen Press Ltd Introduction by Mary MeAl/esterJo nes Unit B Aldow Enterprise Park ord Blackett Street Forew 17 Manchester MI26AE The idea ofthe epistemological obstacle 24 www.clinamen.co.uk 2 The first obstacle: primary experience 33 Published in French by Librairie Philosophique J. VRIN as La Formation de I 'Esprit ScientiJique 3 General knowledge as an obstacle to scientific �owledge 64 © J. VRIN 1938 t 6, Place de la Sorbonne F - 65005 Paris 4 An example of a verbal obstacle: sponge. On the 81 over-extension of familiar images Two slightly adapted sections of this work previously published in McAllester Jones, Mary, Gaston Bachelard, Subversive 5 Unitary and pragmatic knowledge as an obstacle to 91 Humanist © 1991. Reprinted by permission of the University of scientific knowledge Wisconsin Press 6 All rights reserved. No part of this edition may be reproduced, stored The substantialist obstacle 104 in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording 7 Psychoanalysing realists 136 or otherwise) without the written permission of the publishers. -
Worldcharts TOP 200 + Album TOP 75 Vom 15.02.2018
CHARTSSERVICE – WORLDCHARTS – TOP 200 SINGLES NO. 948 – 15.02.2018 PL VW WO PK ARTIST SONG 1 1 6 1 BRUNO MARS ft. CARDI B finesse 2 2 8 2 EMINEM ft. ED SHEERAN river 3 4 28 1 CAMILA CABELLO ft. YOUNG THUG havana 4 3 49 1 ED SHEERAN perfect 5 20 2 5 JUSTIN TIMBERLAKE ft. CHRIS STAPLETON say something 6 5 6 5 DUA LIPA idgaf 7 6 3 6 DRAKE god's plan 8 12 5 8 LIAM PAYNE & RITA ORA for you (fifty shades freed) 9 7 16 2 SELENA GOMEZ & MARSHMELLO wolves 10 9 9 9 CAMILA CABELLO never be the same 11 8 12 4 LUIS FONSI & DEMI LOVATO échame la culpa 12 11 10 8 G-EAZY & HALSEY him & i 13 15 3 13 CHAINSMOKERS sick boy 14 10 21 4 POST MALONE ft. 21 SAVAGE rockstar 15 13 16 10 RITA ORA anywhere 16 - 1 16 WEEKND & KENDRICK LAMAR pray for me 17 14 23 1 ZAYN ft. SIA dusk till dawn 18 34 3 18 RUDIMENTAL ft. JESS GLYNNE, MACKLEMORE & DAN CAPLENthese days 19 18 5 11 JUSTIN TIMBERLAKE filthy 20 16 18 3 CHARLIE PUTH how long 21 17 31 4 DUA LIPA new rules 22 19 15 11 CLEAN BANDIT ft. JULIA MICHAELS i miss you 23 21 39 11 PORTUGAL. THE MAN feel it still 24 25 18 16 NF let you down 25 22 10 18 MARTIN GARRIX & DAVID GUETTA ft. JAMIE SCOTT & ROMYso DYAfar away 26 31 5 25 KENDRICK LAMAR & SZA all the stars 27 26 10 26 JAX JONES ft. -
Ismert K-Pop Előadók Dalai 5
Ismert előadók híresebb dalai - 5 Írta: Edina holmes Mi is az a K-pop? VIII. Zene k-pop 094 Ezzel a résszel befejezzük az ismerkedést a k-pop dalokkal az első generációtól mostanáig. A változatosság érdekében nemcsak egy generációt veszünk végig a cikkben, hanem az összesből sze- mezgetünk időrendi sorrendben. Vágjunk is bele! A dalokat meghallgathatjátok az edinaholmes. com-on előadók szerinti lejátszólistákban. Psy Aktív évek: 2001-napjainkig Ügynökség: P Nation Híresebb dalai: Bird, The End, Champion, We Are The One, Delight, Entertainer, Right Now, Shake It, Gangnam Style, Gentleman, Daddy, Napal Baji, New Face, I Luv It Big Bang Sechs Kies Tagok száma: 4 J. Y. Park Tagok száma: 4 Aktív évek: 2006-napjainkig Aktív évek: 1994-napjainkig Aktív évek: 1997-2000; 2016-napjainkig Lee Hyori Ügynökség: YG Ügynökség: JYP Ügynökség: YG Aktív évek: 2003-napjainkig Híresebb dalaik: Lies, Last Farewell, Haru Haru, Híresebb dalai: Don’t Leave Me, Elevator, Híresebb dalaik: School Byeolgok, Ügynökség: Esteem Sunset Glow, Tonight, Love Song, Blue, Bad Boy, She Was Pretty, Honey, Kiss, Your House, Pom Saeng Pom Sa, Chivalry, Road Fighter, Híresebb dalai: 10 Minutes, Toc Toc Toc, Fantastic Baby, Monster, Loser, Bae Bae, Someone Else, You’re The One, Who’s Your Reckless Love, Couple, Com’ Back, Hunch, U-Go-Girl, Swing, Chitty Chitty Bang Bang, Bang Bang Bang, If You, Let’s Not Fall In Love, Mama?, I’m So Sexy, Fever, When We Disco Three Words, Be Well, Something Special Miss Korea, Bad Girls, Seoul, Black Fxxk It, Last Dance, Flower Road AniMagazin Tartalomjegyzék △ Zene k-pop 095 Legendás K-pop zenék - vol 8. -
Nature, the Natural, and the Castrato's Body in the Eighteenth Century
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 12-6-2019 "An Idolatry of Sound" : Nature, the Natural, and the Castrato's Body in the Eighteenth Century Caitlin Elizabeth Pala Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the History Commons Let us know how access to this document benefits ou.y Recommended Citation Pala, Caitlin Elizabeth, ""An Idolatry of Sound" : Nature, the Natural, and the Castrato's Body in the Eighteenth Century" (2019). Dissertations and Theses. Paper 5341. https://doi.org/10.15760/etd.7214 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. “An Idolatry of Sound”: Nature, the Natural, and the Castrato’s Body in the Eighteenth Century by Caitlin Elizabeth Pala A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Arts in History Thesis Committee: Richard Beyler, Chair John Ott Thomas Luckett Jelena Simonovic Schiff Portland State University 2019 © 2019 Caitlin Elizabeth Pala Abstract The castrati—Italian men castrated before puberty in order to retain their high singing voice—were Europe’s first superstars, reaching the height of their popularity in the first few decades of the eighteenth century. While only a tiny percentage of the European population, the castrati embodied many of the significant medical and philosophical questions of the Enlightenment that aimed to understand humanity: human emotion, physiology, sexuality, and culture. -
Phil Mogg: Mister UFO
EUR 7,10 DIE WELTWEIT GRÖSSTE MONATLICHE 12/08 VINYL -/ CD-AUKTION Dezember Phil Mogg: Mister UFO Powered and designed by Peter Trieb – D 84453 Mühldorf Ergebnisse der AUKTION 361 Hier finden Sie ein interessantes Gebot dieser Auktion sowie die Auktionsergebnisse Anzahl der Gebote 1.997 Gesamtwert aller Gebote 30.720,00 Gesamtwert der versteigerten Platten / CD’s 19.198,00 Höchstgebot auf eine Platte / CD 233,48 Highlight des Monats November 2008 S - 68 - Golden Earrings - The Truth About Arthur - Polydor 59177 - D - M-/M- So wurde auf die Platte / CD auf Seite 18, Zeile 67 geboten: Mindestgebot EURO 4,00 Die frühen Singles der holländischen Bieter 1 5,11 Rocker sind bekanntlicherweise sehr Bieter 2 9,90 gesucht und in besonderem Maße gilt dies für die ersten Jahre, als sie noch als Bieter 3 13,10 Golden Earrings auftraten. Bieter 4 23,51 Neben den holländischen Pressungen sind natürlich auch die deutschen Bieter 5 27,56 Ausgaben interessant, zumal wegen der abweichenden Bildhüllen. So ist das Höchstgebot auch angesichts des guten Erhaltungszustandes wenig überraschend, wohl aber das Mindestgebot, für das einmal mehr der berühmteste aller Sammlersätze gilt: Man kann es ja einmal probieren. Bieter 6 41,33 Sie finden Highlight des Monats ab Juni 1998 im Internet unter www.plattensammeln.de Werden Sie reich durch OLDIE-MARKT – die Auktionszahlen sprechen für sich ! Software und Preiskataloge für Musiksammler bei Peter Trieb – D84442 Mühldorf – Fax (+49) 08631 – 162786 – eMail [email protected] Kleinanzeigenformulare WORD und EXCEL im Internet unter www.plattensammeln.de Einige Highlights der aktuellen Auktion Interpret Plattentitel Plattennummer / Zustand Min.-Gebot Anbieter Little Feat Waiting For Columbus (2 LP) MFSL 2-013 78 JP M/M- 60,00 € G. -
EXO Watch List
EXO - Debuted April 8, 2012 - Originally 12 members split into 2 sub-units (EXO-K & EXO-M) - Now 9 members, but one (Lay) is mostly inactive - Official Color: Cosmic Latter (pearl/silver/white) - Official Fandom Name: EXO-L - Fandom Nickname: Aeri/Eri (coined by Baekhyun) Member ‘Snapshot’ Video: https://www.youtube.com/watch?v=mz9vGrVz4xk Music Videos: Growl: https://www.youtube.com/watch?v=I3dezFzsNss Overdose: https://www.youtube.com/watch?v=TI0DGvqKZTI Call Me Baby: https://www.youtube.com/watch?v=yWfsla_Uh80 Love Me Right: https://www.youtube.com/watch?v=RuqaVryDRd0 Lucky One: https://www.youtube.com/watch?v=73QzQYN8FtE Monster: https://www.youtube.com/watch?v=KSH-FVVtTf0 Lotto: https://www.youtube.com/watch?v=tbe3pe2BtwA Dancing King: https://www.youtube.com/watch?v=4EiNsoTc9KK Ko Ko Bop: https://www.youtube.com/watch?v=IdssuxDdqKK Tempo: https://www.youtube.com/watch?v=iwd8N6K-sLk Electric Kiss: https://www.youtube.com/watch?v=BC19fhyTG_M Love Shot: https://www.youtube.com/watch?v=pSudEWBAYRE Live/Concert Performances: Lucky One: https://www.youtube.com/watch?v=ORLpFCtF8xE Lightsaber: https://www.youtube.com/watch?v=wBg_1MNrg6k (Until 4:10) Touch It: https://www.youtube.com/watch?v=yFAAARceaLU (Start at 5:29) Artificial Love: https://www.youtube.com/watch?v=ScWkjL0wpFM Dance Practices: The Eve: https://www.youtube.com/watch?v=b6ycw7p9-bE Monster: https://www.youtube.com/watch?v=e8q3OET5dwk Blooming Day: https://www.youtube.com/watch?v=UdjEoGzXxmI (EXO-CBX) EXO-CBX: Ka-Ching: https://www.youtube.com/watch?v=XNwYapPXNkw Hey Mama!: -
Played Through in Comedy But, Perhaps More
Redressing Grievances Redressing Grievances. Cross-Dressing Pleasure With the Law Hisahcth Ihonfen The notion of the subject-in-process assumes that we recogmze on the one hand, the unity ofthe subject who submits to a law - the law of communication, among others, yet who, on the other hand, does not entirely submit, cannot entirely submit, does not want to submit entirely The subject-in-process is always in a State of contestmg the law, either with the force of violence, of aggressivity, of the death dnve, or with the other side of this force pleasure and jouissance (Julia Knsteva Interviews p 26) The Riddle of Dress The double proposal scene, with which Billy Wilder puts closure on the scenario of mistaken identities played through in Some Like it Hot, continues to fascinate not only critics writing on postwar American film comedy but, perhaps more crucially, those engaged in the debate on the ' potentially subversive resignification cross-dressing might entail As the plot unfolds, the two musicians Jerry/Daphne (Jack Lemmon) and Joe/Josephine (Tony Curtis), who have unintentionally become the witnesses ofthe St Valentine's Day Massacre, find that the only way they can leave Chicago and thus escape detection is to don women's clothes and join an all-women-band, which is leaving that night on a train to Florida. Once safely installed in their new environment, they discover to their horror, that the gangsters they are fleeing from have chosen for their clan meeting precisely the hotel where their band is performing In contrast to their first successful flight, a second escape, however, now proves to be more complicated, because in the course of their stay at this Florida beach resort, they both have gotten involved in vexed romances. -
The Hunger Games (PDF)
PART I “THE TRIBUTES” 2 | P a g e The Hunger Games – Suzanne Collins When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress. She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the reaping. I prop myself up on one elbow. There’s enough light in the bedroom to see them. My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me. Sitting at Prim’s knees, guarding her, is the world’s ugliest cat. Mashed-in nose, half of one ear missing, eyes the color of rotting squash. Prim named him Buttercup, insisting that his muddy yellow coat matched the bright flower. I le hates me. Or at least distrusts me. Even though it was years ago, I think he still remembers how I tried to drown him in a bucket when Prim brought him home. Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. -
THE VAULT an Anthology of Student Writing
THE VAULT an Anthology of Student Writing The Writing Program at SUNY Sullivan The Vault—2014—Volume 6 The Vault an Anthology of Student Writing Presented by the Writing Program of SUNY Sullivan Volume 6 • Fall 2014 Vault • Volume 6 • Fall 2014 1 Preface The Vault Overview: The Writing Program publishes an anthology of student writing each academic year. The anthology—called The Vault —showcases exceptional writing created in our courses, offers models for current students, and creates a potential teaching tool for instructors. The writings come from a combination of Writing Program courses (Basic English, Composition I, Composition II) and Creative Writing courses (Creative Writing, Creative Nonfiction), and on occasion we receive exceptional essays from other classes. The Editorial Committee selects the pieces for publication. Procedures: Instructors choose worthy essays, poems, or stories from their classes and, with the permission of the student, submit them for consideration to the Editorial Committee. Instructors must note that offering or refusing to offer submissions will not affect a student’s grade in a course. To submit student work for possible publication in The Vault , students and instructors should follow these steps: • Instructors should select exceptional pieces of writing and ask students to revise, if necessary, prior to submission • Students must complete a Permission Form • Students should send an electronic copy of the final draft to the instructor, Lynne Crockett, or Cindy Linden. First drafts also are appreciated. (NOTE: We no longer will scan paper copies; the essays must be submitted electronically.) EDITORS Lynne Crockett Cindy Linden EDITORIAL COMMITTEE Lisa Caloro Lynne Crockett Cindy Linden Lisa Lindquist COMPUTER GRAPHICS/GRAPHIC DESIGN Mark Lawrence Rocky Pinciotti Michael Bloom Graphics and Art Production: The Computer Graphics/Graphic Design program participated in an inter-department effort to enhance The Vault by establishing a new, unique look for the publication. -
Stream Media Corporation / 4772
Stream Media Corporation / 4772 COVERAGE INITIATED ON: 2021.07.20 LAST UPDATE: 2021.07.20 Shared Research Inc. has produced this report by request from the company discussed in the report. The aim is to provide an “owner’s manual” to investors. We at Shared Research Inc. make every effort to provide an accurate, objective, and neutral analysis. In order to highlight any biases, we clearly attribute our data and findings. We will always present opinions from company management as such. Our views are ours where stated. We do not try to convince or influence, only inform. We appreciate your suggestions and feedback. Write to us at [email protected] or find us on Bloomberg. Research Coverage Report by Shared Research Inc. Stream Media Corporation/ 4772 RCoverage LAST UPDATE: 2021.07.20 Research Coverage Report by Shared Research Inc. | https://sharedresearch.jp INDEX How to read a Shared Research report: This report begins with the trends and outlook section, which discusses the company’s most recent earnings. First-time readers should start at the business section later in the report. Executive summary ----------------------------------------------------------------------------------------------------------------------------------- 3 Key financial data ------------------------------------------------------------------------------------------------------------------------------------- 5 Recent updates ---------------------------------------------------------------------------------------------------------------------------------------- -
Facultad De Ciencias Sociales Y Jurídicas
FACULTAD DE CIENCIAS SOCIALES Y JURÍDICAS GRADO EN COMUNICACIÓN AUDIOVISUAL Título: ESTUDIO DEL IMPACTO DE LA INDUSTRIA MUSICAL SURCOREANA EN OCCIDENTE A TRAVÉS DEL VIDEOCLIP TRABAJO DE FIN DE GRADO DE INVESTIGACIÓN BIBLIOGRÁFICA 2018/2019 Alumno: Adrián Salguero Vico Tutor: Vicente Javier Pérez Valero 1 ÍNDICE 1. Resumen / abstract …………………………………………………………….. 4 2. Palabras clave / keywords …………………………………………………….. 6 3. Introducción……………………………………………………………………….6 4. Hipótesis………………………………………………………………………….. 7 5. Objetivos…………………………………………………………………………..7 6. Estado de la cuestión y marco teórico…………………………………………8 1. Base y orígenes del fenómeno K-POP………………………………..8 2. Era dorada - Viralización y aparición de YouTube (2009-2015) 1. Videoclip y YouTube…………………………………………….10 2. La 2º generación del K-POP………………………………….. 12 3. Viralización y boom 2012……………………………………... 14 3. Estado actual – nuevos grupos y fórmulas (2015 – actualidad) 1. Expansión del fenómeno fan………………………………….. 17 2. Reconocimiento y expansión…………………………………. 19 3. Marcando la diferencia………………………………………… 20 7. Metodología……………………………………………………………………… 24 8. Resultados……………………………………………………………………….. 25 9. Conclusiones…………………………………………………………………….. 29 10.Bibliografía………………………………………………………………………. 32 11.Anexos 1. Encuesta sobre consumo musical y de K-POP………………………34 2. Resultados de la encuesta…………………………………………….. 51 3. Tabla – análisis videoclips………………………………………………61 2 TABLAS Tabla 1 – Resumen de videoclips visionados…………………………………25 Tabla 2 – Resultados de encuesta……………………………………………..26 GRÁFICOS Gráfico