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MINKA FARTHING-KOHL Director of Photography
MINKA FARTHING-KOHL Director of Photography FEATURES DEMON HOUSE Lee Daniels Tucker Tooley Entertainment CONCRETE COWBOY Ricky Staub Netflix Official Selection, Toronto International Film Festival (2020) Official Selection, Telluride Film Festival (2020) THE NOWHERE INN Bill Benz IFC Official Selection, Sundance Film Festival (2020) Official Selection, SXSW Film Festival (2020) THANK YOU AND SORRY (Short) Bill Benz Independent HOURGLASS PAST, PRESENT & FUTURE Daniel Arsham & Benny Nicks Colossale (3 – 15 min. Shorts) THE CAGE (Short) Ricky Staub Neighborhood Film Company TELEVISION FREE MEEK Michael John Warren Amazon, Roc Nation DETROITERS Bill Benz , Oz Rodriguez Comedy Central Becky Martin, Nick Jasenov ADDITIONAL PHOTOGRAPHY DON’T LOOK UP Adam McKay Netflix TAR (NY Unit) Todd Field Focus Features DIRECTORS & COMMERCIALS AMBER GRACE JOHNSON Bacardi Les Twins, Fenty x Savage, Champion DEXTER NAVY Nike DAVID HELMAN Centrum MATT BARON AAF, Amazon QUINN WILSON Billie JULIE TAYMOR M Butterfly RENELL MEDRANO Coach MATHEW FIRPO Instagram, State Farm LUKE WHITE Adidas BENNY NICKS Adidas, Jefferson University GIOVANNI MESSNER Bose SHAUN COLLINGS ESPN SETH EPSTEIN Jordan UNC RONNIE FEIG Kith BRYCE WYNER Coach ARISU KASHIWAGI Prada DANIEL RAGEN Adidas THOR SAEVARSSON Staropramen STORM & HANSEN AETNA EMMA DALZELL Kate Spade RUTH HOGBEN American Ballet Theatre, Vogue LEA COLOMBO Fendi LACEY Target TUCKER BLISS & MAXIME BRUNEEL Gatorade JR & LOLA Burberry LAUREN SICK Bose DIRECTORS & MUSIC VIDEOS TRAVIS SCOTT & WHITE TRASH TYLER Travis Scott ft. M.I.A. Young Thug “Franchise” MATT BARON Koffee ft. Gunna “W” DEXTER NAVY A$AP Rocky ft. Skepta “Praise Da Lord” BRTHR Kris Wu, Rich Brian, Trippie Redd, Joji, & Baauer “18” TOM CJ BROWN Fischerspooner “Top Brazil” OLIVER GONDRY Joywave “Doubt” Languages: Fluent in Spanish 800 South Robertson Blvd. -
Treatment Strategies and Communication Techniques 183 ACTION STEPS: Finding the Right Therapist 189 ACTION STEPS: General Approaches to Communication 197
i-x.kreisman..fm 12/26/03 4:22 PM Page i Sometimes I Act Crazy Living with Borderline Personality Disorder Jerold J. Kreisman, M.D. Hal Straus John Wiley & Sons, Inc. i-x.kreisman..fm 12/26/03 4:22 PM Page vi i-x.kreisman..fm 12/26/03 4:22 PM Page i Sometimes I Act Crazy Living with Borderline Personality Disorder Jerold J. Kreisman, M.D. Hal Straus John Wiley & Sons, Inc. i-x.kreisman..fm 12/26/03 4:22 PM Page ii In memory of my father, Erwin Kreisman, and for my mother, Frieda Kreisman, who taught us that—with unconditional love—all things are possible. —JEROLD J. KREISMAN, M.D. For Lil and Lou —HAL S TRAUS Copyright © 2004 by Jerold J. Kreisman, M.D., and Hal Straus. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hobo- ken, NJ 07030, (201) 748-6011, fax (201) 748-6008. -
Presence, Emotion, and Sharing Behaviors in News Delivered by Virtual Reality, Television, and Internet in Korea and the United States
Syracuse University SURFACE Dissertations - ALL SURFACE May 2018 Experiential Journalism: Presence, Emotion, and Sharing Behaviors in News Delivered by Virtual Reality, Television, and Internet in Korea and the United States Sung Yoon Ri Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Ri, Sung Yoon, "Experiential Journalism: Presence, Emotion, and Sharing Behaviors in News Delivered by Virtual Reality, Television, and Internet in Korea and the United States" (2018). Dissertations - ALL. 871. https://surface.syr.edu/etd/871 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This research has three overarching purposes. First, it aims to test VR’s capability as a news medium compared to TV and Web. Second, it attempts to identify the differences in the responses to VR news, TV news, and Web news between the Korean and the U.S. respondents. Third, it formulates a theoretical model regarding media user’s news information processing across VR, TV, and Web: Model of Interactive News Consumption Across Media (MINCAM). A 2 x 2 x 3 mixed design study was conducted using the between-subjects factors of country (Korea/the U.S.) and story proximity (Seoul, Korea/Syracuse, New York) as well as the within-subjects factors of level of interactivity (Web/TV/VR) and story arousal (Relic/Airport/Gunshot). Outcomes indicated that VR news resulted in higher levels of presence, attention, sharing behaviors, arousal, pleasant activated emotion, perceived effects on self, perceived effects on others, interactivity, and perceived self-relevance than TV news or Web news. -
KBTV MEDIA KIT 2016 KBTV 소개 Vision
KBTV MEDIA KIT 2016 KBTV 소개 Vision HISTORY CEO 인사말 KBTV는 한국 국영방송사 KBS 컨텐츠 자원을 기반으로 미디어 컨텐츠 제작, 기타 미디어 서비스를 운영하는 미래형 종합 방송사입니다 또한 축적된 제작 경험을 바탕으로 보다 완성도 높은 작품을 통하여 급속히 변화하는 영상 시장을 선도 하고자 합니다 KBTV는 참신한 기획과 주도 면밀한 작업, 그리고 원활한 작품 제작 시스템을 구성하여 미래 지향적 컨텐츠 제작의 새로운 축을 만들어 가고자 합니다 KBTV CEO & CHAIRMAN 이동현 KBTV는 신뢰를 바탕으로 그 신뢰를 영원히 저버리지 않을 열정으로 컨텐츠 제작 산업의 선두 주자로 거듭나 세계를 움직이는 미디어가 되고자 합니다 KBTV는 TV 방송 제작 (뉴스, 다큐멘터리, 예능, 버라이어티, 드라마) 과 기업 영상 홍보물 및 TV 광고 제작, 콘서트, 컨벤션 등의 각종 이벤트를 오랜 경험을 바탕으로 최선을 다해 최고의 프로덕션을 제공 할것입니다 KBTV는 시청자의 눈으로 시청자를 위한 시청자와 함께하는 미국을 넘어 전 세계 한인 커뮤니티 대표 방송사로 거급날 것입니다 About KBS CHANNELS INTERNATIONAL BROADCASTING TV RADIO TERRESTIAL TV KBS initiated the country's first radio broadcasting service in 1924 RADIO Commenced Korea's first television broadcasting service in 1961 First broadcasting HD programs in 2001 RADIO1 RADIO2(HAPPY FM) KBS completed the transfer to digital broadcasting in 2012 RADIO3(VOICE OF LOVE) Gross revenue 1.568 trillion won CABLE TV FM1(CLASSIC FM) 2012 FM2(COOL FM) Total cost 1.5742 trillion won 2012 GLOBAL KOREAN NETWORK OVERVIEW TERRESTIAL DMB KBS has long been a leader in the development of the broadcasting culture of the nation. As the key public service broadcaster of Korea, KBS has undertaken initiatives at technological turning points while providing a communication channel for diverse views. In the multi-channel digital broadcasting environment, a number of broadcasting channels are available, making the social role of public broadcasting ever more important. -
Contesting and Appropriating Chineseness in Sinophone Music
China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others. -
Surviving K-Pop Training by Gary Boyle
Bangkok Post Learning: Test Yourself Test Yourself is where you can improve your reading skills. Whether it’s for tests like University Entrance Exams or IELTS and TOEFL, or even just for fun, these stories help you to read, understand and improve your English. Surviving K-pop training by Gary Boyle Photo by Varuth Hirunyatheb Read the following story by Suwitcha Chaiyong from the Bangkok Post. Then, answer the questions that follow. Kongthap Peak is the only Thai on the Korean show Produce X 101 Idol groups from South Korea like BTS, EXO, Blackpink and Twice seem to come with the whole package -- the talent, the looks and the personality. But before reaching stardom, every one of them went through intense trainings for years. FIGHT FOR SUCCESS Produce X 101 is a popular reality TV programme in South Korea. The show allows viewers to explore how trainees fight their way to become K-pop successes. To qualify as the show's 11 finalists, 101 trainees from several music labels were required to team up to perform as a group, but as individuals they still had to stand out in order to gain votes from Korean viewers. During the show, all trainees were guided by professional singing and dancing coaches who helped enhance their skills. Since 2016, Produce X 101 created four famous temporary pop groups: I.O.I, Wanna One, IZ*ONE and X1. Kongthap Peak, an aspiring actor from Channel 3 and singer from Chandelier Music, was the only Thai trainee who had participated in Produce X 101's latest season, which ended in July. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Pengaruh Hedonic Shopping Motives Terhadap Impulse Buying Pada Mahasiswa Pengguna Aplikasi E- Commerce Shopee
PENGARUH HEDONIC SHOPPING MOTIVES TERHADAP IMPULSE BUYING PADA MAHASISWA PENGGUNA APLIKASI E- COMMERCE SHOPEE Indah Khoirunisa 4915163917 Skripsi ini ditulis untuk Memenuhi Salah Satu Persyaratan dalam Memperoleh Gelar Sarjana Pendidikan PROGRAM STUDI PENDIDIKAN ILMU PENGETAHUAN SOSIAL FAKULTAS ILMU SOSIAL UNIVERSITAS NEGERI JAKARTA 2021 ABSTRAK Indah Khoirunisa, Pengaruh Hedonic Shopping Motives Terhadap Impulse Buying pada Mahasiswa Pengguna Aplikasi E-Commerce Shopee. Skripsi. Jakarta: Program Studi Pendidikan Ilmu Pengetahuan Sosial, Fakultas Ilmu Sosial, Universitas Jakarta. 2021 Penelitian ini bertujuan untuk menganalisis pengaruh Hedonic Shopping Motives terhadap Impulse Buying pada mahasiswa Pendidikan IPS angkatan 2016 dan 2017 pengguna aplikasi E-commerce Shopee. Penelitian ini dilatarbelakangi oleh meningkatnya pengguna aplikasi E-commerce Shopee dikalangan mahasiswa. Metode yang digunakan dalam penelitian ini adalah penelitian metode kuantitatif dengan teknik pengambilan sampel yang digunakan adalah Purposive Sampling. Populasi yang digunakan pada penelitian ini adalah mahasiswa Pendidikan IPS angkatan 2016 dan 2017. Berdasarkan hasil penelitian dengan uji regresi linear sederhana menunjukkan bahwa nilai R square sebesar 0,435 hal ini membuktikan bahwa, variabel hedonic shopping motives berpengaruh terhadap impulse buying sebesar 43,5% sementara 56,5% sisanya merupakan kontribusi dari variabel- variabel lain yang tidak dimasukan dalam penelitian ini. Hal tersebut juga diperkuat oleh hasil analisis uji-t yang diperoleh t-hitung 9,947 > t-tabel 1,978. Sehingga dapat disimpulkan bahwa variabel hedonic shopping motives berpengaruh terhadap impulse buying pada mahasiswa pengguna aplikasi e-commerce Shopee. Kata Kunci: hedonic shopping motives, impulse buying, e-commerce i ABSTRACT Indah Khoirunisa, The Influence Of Hedonic Shopping Motives on Impulse Buying to The Students Who Uses Shopee E-Commerce Aplication. -
An Analysis of Korean Reported Speech in Media Talk
CO-PARTICIPATION IN STORY ELICITING AND NARRATING PHASES: AN ANALYSIS OF KOREAN REPORTED SPEECH IN MEDIA TALK A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN EAST ASIAN LANGUAGES AND LITERATURES (KOREAN) MAY 2014 By Jieun Lee Dissertation Committee: Ho-min Sohn, Chairperson Mee-jeong Park Mary Kim Haruko Cook William O’Grady Keywords: reported speech, broadcast talk, coparticipation, conversation analysis i © Copyright 2014 by Jieun Lee ii To my parents iii ACKNOWLEDGEMENT This dissertation would not have been possible without the support and encouragement of a number of people. First of all, I would like to express my deep gratitude to the members of my dissertation committee: Professors Homin Sohn, Meejeong Park, Mary Kim, Haruko Cook and William O’Grady. I am most grateful to Dr. Homin Sohn, my dissertation chairperson, for his continuous support and warm-hearted encouragement throughout my graduate education. He offered insightful advice with a profound knowledge of and expertise in Korean language and linguistics, and I feel honored to have been able to have such a great scholar as my advisor. I would like to thank Professor Meejeong Park for her tremendous support in and outside of the academic world. She provided me with helpful guidance when I faced a number of difficulties in my academic and personal life. I also would like to express my deep gratitude to Professor Mary Kim for her brilliant insights, comments, and prompt feedback. I always wished that I could have met her in the early stages of my academic life. -
The Oxford Democrat
The Oxford Democrat. 1898. NUMBER 48. ΥΟΙ.ΓΜΚ 65. SOUTH PARIS, MAINE, TUESDAY, NOVEMBER 29, Witt toe Μία sir? Doe· It If iu nue un- "Ah," cried be, "I hare no money!" CHAPTER IV. βmets," uyrano. * or to ad- ford ml. kin* a! dieguat you? ν VTKARNS. «Ill confer far by writing I Ragneneau, paatry I■ here assembled." wholesome to or It· too Blubbing, s be pot All tbe coûtent» of Bat eye· aw all the My ootnpany AMONG THE FARMERS. vance the amount and kind of exhibit· cook·, patron of poati and playwright·, you proportions thoagh Cyrano'· at hi· «id Carbon de Cutei Jaloux. "Cy- «rill communica- De Ur^e?" tbe buffet bis aervice. soene. bat am thought filled mind Attorney & Counselor, they make. All such had circnlated among them, telling them to the if you Bergerac nut take them from never rano, pre«-tit ooant, 91 be addreaaed to J. J. Cryano "No, no!" tbe bore, "it is "I could yon, —Knxam· Would she con»·* MAINS. tion· should Fry, from Um play by Hmd lottHd. them of Um bargain of Cyrano de Ber- gasped " NORWAY, exhibit cf io (act. Heaven obild," he Mid, "no keen la our Uaaoou Woo Id tbe «low minutes never dis* pieaae. Portland, Main·. A large waa ■nail, quite minute^ de Bergerac bon gerac. _ _ >;n!nir- (Un k Bull'lln# U ex· 8avinieu-Gyrano But fear of out- lb* CumstKifetoac* oa tiMtui ιο|>ι· a poultry food· and other a of me!" pride. hurting you themselves by? He wbiled away ajjrtcuitara. «applies (a Perigord in Um year 1620 and died "He haa got bat· Montflenry, belp (To be couUeu*l.j to aottrltad. -
Rivevideo Distribution-Sample List Urban Hip Hop Video Shows
FEATURED DESTINATIONS & OUTLETS MTV is an American network based in New York City that launched August 1, 1981. MTV has had a profound impact on the music industry and pop culture around the globe. Broadcast to more than 750 college campuses and via top cable distributors in 700 college communities nationwide, mtvU reaches upwards of 9 million U.S. college students – making it the largest, most comprehensive television network just for college students. Twenty-four hours a day, seven days a week, mtvU can be seen in the dining areas, fitness centers, student lounges and dorm rooms of campuses throughout the U.S., as well as on cable programming. MTV Live (formerly Palladia) is a high definition channel that showcases the biggest music videos, live concerts, performances, festivals, documentaries and more from all the artists you love. MTV LIVE has created a truly enhanced musical experience - the sense that you are there, and can touch and feel the music. Featuring stellar Dolby 5.1 Surround Sound and a high-grade picture, MTV Live is your personal in-home all-access pass to concerts, festivals, performances, music videos, documentaries, and more 24/7. MTV offers broadband Video On Demand which acts an interactive add-on to the network's broadcast content, with music videos, extra scenes, highlights packages, news roundups, movie trailers and more. MTV Tr3s is a cable, satellite and over-the-air network which is broadcasted to over 40 million households spanning the US & South America. It is rooted in the fusion of Latin America and American music, cultures, and languages, bringing the biggest names of Latin artist in pop, urban, and rock music.