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Treatment Strategies and Communication Techniques 183 ACTION STEPS: Finding the Right Therapist 189 ACTION STEPS: General Approaches to Communication 197
i-x.kreisman..fm 12/26/03 4:22 PM Page i Sometimes I Act Crazy Living with Borderline Personality Disorder Jerold J. Kreisman, M.D. Hal Straus John Wiley & Sons, Inc. i-x.kreisman..fm 12/26/03 4:22 PM Page vi i-x.kreisman..fm 12/26/03 4:22 PM Page i Sometimes I Act Crazy Living with Borderline Personality Disorder Jerold J. Kreisman, M.D. Hal Straus John Wiley & Sons, Inc. i-x.kreisman..fm 12/26/03 4:22 PM Page ii In memory of my father, Erwin Kreisman, and for my mother, Frieda Kreisman, who taught us that—with unconditional love—all things are possible. —JEROLD J. KREISMAN, M.D. For Lil and Lou —HAL S TRAUS Copyright © 2004 by Jerold J. Kreisman, M.D., and Hal Straus. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hobo- ken, NJ 07030, (201) 748-6011, fax (201) 748-6008. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
South Korean National Identity on the Screen in 'Descendants of the Sun'
Volume 16 | Issue 11 | Number 3 | Article ID 5151 | Jun 01, 2018 The Asia-Pacific Journal | Japan Focus No Country for Blue Helmets: South Korean National Identity on the Screen in 'Descendants of the Sun' Patrick Flamm Summary However, the most interesting aspect of DotS is that the protagonists are deployed as This paper provides a contextualized reading of peacekeepers and medical volunteers to a the South Korean 2016 hit drama ‘Descendants fictional and distant post-war country. The of the Sun’, the most prominent pop cultural drama is thus noteworthy as the first major manifestation of the Republic of Korea’s rising Korean drama to prominently feature status as a global middle power. Through peacekeeping operations (PKO) and South linking the fictional peacekeeping mission to a Korea as a global foreign policy actor in a confidently nationalist conception of South distant land. Because of the drama’s great Korean identity, the drama normalizes troop success in Korea and other parts of East Asia, deployments by circumventing traditional and its immediate entry into political discourse narratives for legitimation. This argument rests as illustrated by Park’s comment, a closer look on observations concerning the omission of any at this pop cultural artefact is warranted. In historical and UN context for the deployment, this article, I follow an increasing body of the Othering of the United States as main critical research in the field of International antagonist, and the unchallenged sense of Relations on the link between world politics righteousness and morality displayed by the and popular culture2 in the wake of the so- main protagonists in an otherwise passive local called “aesthetic turn”, where popular texts are setting. -
The Korean Wave in the Middle East: Past and Present
Article The Korean Wave in the Middle East: Past and Present Mohamed Elaskary Department of Arabic Interpretation, Hankuk University of Foreign Studies, Seoul 17035, South Korea; [email protected]; Tel. +821054312809 Received: 01 October 2018; Accepted: 22 October 2018; Published: 25 October 2018 Abstract: The Korean Wave—otherwise known as Hallyu or Neo-Hallyu—has a particularly strong influence on the Middle East but scholarly attention has not reflected this occurrence. In this article I provide a brief history of Hallyu, noting its mix of cultural and economic characteristics, and then analyse the reception of the phenomenon in the Arab Middle East by considering fan activity on social media platforms. I then conclude by discussing the cultural, political and economic benefits of Hallyu to Korea and indeed the wider world. For the sake of convenience, I will be using the term Hallyu (or Neo-Hallyu) rather than the Korean Wave throughout my paper. Keywords: Hallyu; Korean Wave; K-drama; K-pop; media; Middle East; “Gangnam Style”; Psy; Turkish drama 1. Introduction My first encounter with Korean culture was in 2010 when I was invited to present a paper at a conference on the Korean Wave that was held in Seoul in October 2010. In that presentation, I highlighted that Korean drama had been well received in the Arab world because most Korean drama themes (social, historical and familial) appeal to Arab viewers. In addition, the lack of nudity in these dramas as opposed to that of Western dramas made them more appealing to Arab viewers. The number of research papers and books focused on Hallyu at that time was minimal. -
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 by Sunyoung Yang A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Anthropology University of Toronto © Copyright by Sunyoung Yang Year of 2015 The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 Sunyoung Yang Doctor of Philosophy Department of Anthropology University of Toronto 2015 Abstract In this dissertation I will shed light on the interwoven process between Internet development and neoliberalization in South Korea, and I will also examine the formation of new subjectivities of Internet users who are also becoming neoliberal subjects. In particular, I examine the culture of the South Korean Internet freak community of DCinside.com and the phenomenon I have dubbed “loser aesthetics.” Throughout the dissertation, I elaborate on the meaning-making process of self-reflexive mockery including the labels “Internet freak” and “surplus (human)” and gender politics based on sexuality focusing on gender ambiguous characters, called Nunhwa, as a means of collective identity-making, and I explore the exploitation of unpaid immaterial labor through a collective project making a review book of a TV drama Painter of the Wind. The youth of South Korea emerge as the backbone of these creative endeavors as they try to find their place in a precarious labor market that has changed so rapidly since the 1990s that only the very best succeed, leaving a large group of disenfranchised and disillusioned youth. I go on to explore the impact of late industrialization and the Asian financial crisis, and the nationalistic desire not be left behind in the age of informatization, but to be ahead of the curve. -
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KBS World – August Schedule
KBS World – August Schedule Program Schedule for 2009.08.01, Saturday 00:20 Two days and One night 01:50 Green, the Color of Survival 02:25 The Road Home 03:00 KBS News 9 03:30 Hometown over the Hill 04:30 Saturday Challenges 06:00 News Plaza 06:50 KBS World Hannet 07:20 Green, the Color of Survival 07:50 Screen Album - The Mountain 08:30 Conversations with the Past 09:30 News 10:00 Love and Obsession 10:30 Summer Scent 15:20 Love and Obsession 15:50 VJs on the Scene 17:00 News 17:10 Happy Together 18:30 Open Concert 19:50 My Too Perfect Sons 21:00 KBS News 9 21:40 The Iron Empress 22:50 First Love Program Schedule for 2009.08.02, Sunday 00:50 Chitchat of Beautiful Ladies 02:00 Science Cafe 03:00 KBS News 9 03:40 My Too Perfect Sons 04:50 Concert 7080 06:00 Backpack Travels 07:00 Quiz Show : The Golden Ladder 08:10 Petit Petit Muse 08:40 Bristol Expedition 09:10 News 09:50 The Iron Empress 12:10 He who Can't Marry 14:30 KBS World Hannet 15:00 Green, the Color of Survival 15:30 Yu Huiyeol's Sketchbook 17:00 News 17:10 VJs on the Scene 17:30 Happy Sunday 19:50 My Too Perfect Sons 21:00 KBS News 9 21:40 The Iron Empress 22:50 First Love Program Schedule for 2009.08.03, Monday 00:50 Being Green 01:00 KBS Special 02:00 Conversations with the Past 03:00 KBS News 9 03:40 My Too Perfect Sons 04:50 Korea Sings 06:00 News Plaza 06:50 Hometown over the Hill 07:45 Screening Humanity 08:25 Morning Forum 09:30 News 10:00 Love and Obsession 10:30 Landscape in My Heart 11:05 Environment Special 12:00 News 12:25 2009 Song Competition 13:25 Being Green -
Interbrand-Best-Korean-Brands-2015
Contents 02 Introduction 04 The future of business is personal 06 The Age of You: key questions answered 10 Best Korea Brands 2015 Top50 46 Best Korea Brands 2015 Analysis 54 Authors & Contributors 1 engage customers and generate genuine result, each of us will become our own 2015 will provide the insights you need value for the business. marketplace or “Mecosystem.” to drive your organization forward—and Introduction new inspiration to push creative thought The need to create brand experiences In our report, Jez Frampton, Global CEO Jihun Moon and innovation in these changing times. that are seamless and more holistic has of Interbrand, will elaborate on this new been precipitated by sector convergence era, which we at Interbrand refer to as Congratulations to all of Korea’s Best The origin of the term “branding” was and the rise of Big Data. Harnessing the the “Age of You”—the move from brand Global Brands—in particular those whose lit¬erally to burn one’s name onto prop- potential of Big Data isn’t just for tech as monologue, to brand as dialogue, leadership skills have earned them a erty as a crude mark of ownership. But companies anymore—it offers huge to brand as a communal experience, to place among the nation’s top brands. it’s only in our relatively recent history opportunities for all brands. By collecting brand as a truly personal and curated ex- that branding has become recognized as To your continued success, and analyzing customer data and honing perience created around each and every a business discipline. -
Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’S Corporate World
Ranks & Files: Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’s Corporate World by Michael Morgan Prentice A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2017 Doctoral Committee: Associate Professor Matthew Hull, Chair Associate Professor Juhn Young Ahn Professor Gerald F. Davis Associate Professor Michael Paul Lempert Professor Barbra A. Meek Professor Erik A. Mueggler Michael Morgan Prentice [email protected] ORCID: 0000-0003-2981-7850 © Michael Morgan Prentice 2017 Acknowledgments A doctoral program is inexorably linked to the document – this one – that summarizes the education, research, and development of a student and their ideas over the course of many years. The single authorship of such documents is often an aftereffect only once a text is completed. Indeed, while I have written all the words on these pages and am responsible for them, the influences behind the words extend to many people and places over the course of many years whose myriad contributions must be mentioned. This dissertation project has been generously funded at various stages. Prefield work research and coursework were funded through summer and academic year FLAS Grants from the University of Michigan, a Korea Foundation pre-doctoral fellowship, and a SeAH-Haiam Arts & Sciences summer fellowship. Research in South Korea was aided by a Korea Foundation Language Grant, a Fulbright-IIE Research grant, a Wenner-Gren Dissertation Fieldwork Grant, and a Rackham Centennial Award. The dissertation writing stage was supported by the Rackham Humanities fellowship, a Social Sciences Research Council Korean Studies Dissertation Workshop, and the Core University Program for Korean Studies through the Ministry of Education of the Republic of Korea and Korean Studies Promotion Service of the Academy of Korean Studies (AKS-2016-OLU-2240001). -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
An Analysis of Korean Reported Speech in Media Talk
CO-PARTICIPATION IN STORY ELICITING AND NARRATING PHASES: AN ANALYSIS OF KOREAN REPORTED SPEECH IN MEDIA TALK A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN EAST ASIAN LANGUAGES AND LITERATURES (KOREAN) MAY 2014 By Jieun Lee Dissertation Committee: Ho-min Sohn, Chairperson Mee-jeong Park Mary Kim Haruko Cook William O’Grady Keywords: reported speech, broadcast talk, coparticipation, conversation analysis i © Copyright 2014 by Jieun Lee ii To my parents iii ACKNOWLEDGEMENT This dissertation would not have been possible without the support and encouragement of a number of people. First of all, I would like to express my deep gratitude to the members of my dissertation committee: Professors Homin Sohn, Meejeong Park, Mary Kim, Haruko Cook and William O’Grady. I am most grateful to Dr. Homin Sohn, my dissertation chairperson, for his continuous support and warm-hearted encouragement throughout my graduate education. He offered insightful advice with a profound knowledge of and expertise in Korean language and linguistics, and I feel honored to have been able to have such a great scholar as my advisor. I would like to thank Professor Meejeong Park for her tremendous support in and outside of the academic world. She provided me with helpful guidance when I faced a number of difficulties in my academic and personal life. I also would like to express my deep gratitude to Professor Mary Kim for her brilliant insights, comments, and prompt feedback. I always wished that I could have met her in the early stages of my academic life. -
The History of the Development of British Satellite Broadcasting Policy, 1977-1992
THE HISTORY OF THE DEVELOPMENT OF BRITISH SATELLITE BROADCASTING POLICY, 1977-1992 Windsor John Holden —......., Submitted in accordance with the requirements for the degree of PhD University of Leeds, Institute of Communications Studies July, 1998 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others ABSTRACT This thesis traces the development of British satellite broadcasting policy, from the early proposals drawn up by the Home Office following the UK's allocation of five direct broadcast by satellite (DBS) frequencies at the 1977 World Administrative Radio Conference (WARC), through the successive, abortive DBS initiatives of the BBC and the "Club of 21", to the short-lived service provided by British Satellite Broadcasting (BSB). It also details at length the history of Sky Television, an organisation that operated beyond the parameters of existing legislation, which successfully competed (and merged) with BSB, and which shaped the way in which policy was developed. It contends that throughout the 1980s satellite broadcasting policy ceased to drive and became driven, and that the failure of policy-making in this time can be ascribed to conflict on ideological, governmental and organisational levels. Finally, it considers the impact that satellite broadcasting has had upon the British broadcasting structure as a whole. 1 TABLE OF CONTENTS Abstract i Contents ii Acknowledgements 1 INTRODUCTION 3 British broadcasting policy - a brief history