Evelyn Paucay the Hunger Games Annotations
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Diplomarbeit / Diploma Thesis
DIPLOMARBEIT / DIPLOMA THESIS Titel der Diplomarbeit / Title of the Diploma Thesis „Representation of Kinship in Suzanne Collins’ The Hunger Games Trilogy“ verfasst von / submitted by Katharina Moritz angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. phil) Wien, 2017 / Vienna, 2017 Studienkennzahl lt. Studienblatt / A 190 344 313 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Lehramt UF Englisch UF Geschichte, Sozialkunde, degree programme as it appears on Polit.Bildg. the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Alexandra Ganser-Blumenau Acknowledgements Firstly, I would like to thank Univ.-Prof. Mag. Dr. Alexandra Ganser-Blumenau, who supervised this thesis. She was always there with helpful advice whenever I felt stuck. Secondly, I could not have done it without the support of my parents, siblings, friends and my love. Thank you for putting up with me and encouraging me when I was on the verge of giving up. Lastly, I want to thank YouTube for ending my agony by providing essential tutorials for Microsoft Word amateurs such as myself. Table of Contents 1 Introduction 1 2 Theoretical background 4 2.1 Young Adult Literature 4 2.2 Dystopian Literature 7 2.3 Kinship 12 2.3.1 Kinship trough time 13 2.3.2 Traditional notion of kinship 13 2.3.3 Current notion of kinship 15 2.3.4 Kinship and Gender 16 3 The Hunger Games trilogy by Suzanne Collins 18 3.1 The Hunger Games and media 18 3.2 Origin of The Hunger Games – Greek and Roman Mythology 20 3.3 Characters 26 3.3.1 Katniss Everdeen 26 3.3.2 Peeta Mellark 28 3.3.3 Gale Hawthorne 30 3.3.4 Primrose Everdeen 31 3.3.5 Mrs. -
The Hunger Games: Mockingjay Part 2
THE HUNGER GAMES: MOCKINGJAY PART 2 IN ASSOCIATION WITH CASE STUDY Client Lionsgate Agency Carat Campaign date November 2015 Campaign elements 8-page souvenir supplement Medium The Sun PRINT IN ASSOCIATION WITH IN ASSOCIATION WITH THE HUNGER GAMES: MOCKINGJAY PART 2 A souvenir guide to ensure Jennifer Lawrence’s Hunger Games series scored a bullseye with Sun readers Lionsgate’s epic Hunger Games series, starring Jennifer Lawrence, Stanley Tucci and Donald Sutherland, came to a close with Mockingjay part 2. Millions of fans had followed the dystopian saga closely to this point, but for those that hadn’t the idea of watching four two-hour-plus films to prepare for the finale was a little daunting. For Lionsgate we needed to provide a primer for audiences new to The Hunger Games as well as satisfy the fans’ need for information about the final instalment. THE IDEA The Sun’s greatest skill is in distilling big, complex stories into fun and accessible content, and we knew that this is what non-fans needed for The Hunger Games. The world of Panem – with its insular language of quarter quells, tributes, and turbulent civil war between the Capitol and the Districts – would be hard for non-fans to immediately delve into. It would take the power of The Sun to make The Hunger Games more accessible. “A brilliant blend of Sun- THE EXECUTION style storytelling and We created an 8-page ‘souvenir special edition’ in The Sun for The Hunger Games: Mockingjay part 2. In it we dedicated spaces that could take the reader through a fantastic visuals… it not visual journey of the story so far – an ideal primer for non-fans – and a ‘greatest hits’ only raised awareness selection for fans to keep. -
An Anthropology of Gender and Death in Corneille's Tragedies
AN ANTHROPOLOGY OF GENDER AND DEATH IN CORNEILLE’S TRAGEDIES by MICHELLE LESLIE BROWN (Under the Direction of Francis Assaf) ABSTRACT This study presents an analysis of the relationship between gender and death in Corneille’s tragedies. He uses death to show spectators gender-specific types of behavior to either imitate or reject according to the patriarchal code of ethics. A character who does not conform to his or her gender role as dictated by seventeenth-century society will ultimately be killed, be forced to commit suicide or cause the death of others. Likewise, when murderous tyrants refrain from killing, they are transformed into legitimate rulers. Corneille’s representation of the dominance of masculine values does not vary greatly from that of his contemporaries or his predecessors. However, unlike the other dramatists, he portrays women in much stronger roles than they usually do and generally places much more emphasis on the impact of politics on the decisions that his heroes and heroines must make. He is also innovative in his use of conflict between politics, love, family obligations, personal desires, and even loyalty to Christian duty. Characters must decide how they are to prioritize these values, and their choices should reflect their conformity to their gender role and, for men, their political position, and for females, their marital status. While men and women should both prioritize Christian duty above all else, since only men were in control of politics and the defense of the state, they should value civic duty before filial duty, and both of these before love. Since women have no legal right to political power, they are expected to value domestic interests above political ones. -
'The World of the Hunger Games' Now Open at Motiongate™ Dubai
EXPERIENCE THE FIRST EVER ‘THE WORLD OF THE HUNGER GAMES’ NOW OPEN AT MOTIONGATE™ DUBAI Exceptional entertainment attractions inspired by Lionsgate’s Hollywood blockbuster movie franchise, The Hunger Games. A recreation of the fantastical world of Panem, with the world’s first The Hunger Games inspired attractions, exhilarating rides, a live entertainment show and a themed shop and cafe Dubai, UAE, October 22nd, 2017: The first ever World of The Hunger Games featuring rides and attractions from the blockbuster movie franchise was officially inaugurated on October 20th at Dubai Parks and Resorts, the region’s largest integrated theme park destination. The launch of the World of the Hunger Games completes all the rides and attractions at the LIONSGATE Zone, one of the five zones at MOTIONGATE™ Dubai, and is the latest addition to the Hollywood-inspired theme park. Fans of the movies can now experience the action-packed, thrill of the beloved films that reached audiences worldwide through a first-of-its kind theme park land designed by LIONSGATE, the global film studio behind The Hunger Games movies. For the very first time, guests can experience an immersive land which includes a replication of the movie set, and exclusive video content, featuring film favorites, Effie Trinket and Caesar Flickerman, broadcasted on screens across the land. Also, The World of The Hunger Games is composed of two incredible attractions, one high- energy street show, an immersive shopping outlet with exclusive branded merchandise and a great street-front café taking guests on an immersive journey in the dystopian world of Panem. Thrill-seekers can soar on the high-speed, gravity-defying Capitol Bullet Train which is an adrenaline-fuelled ride aboard a half-pipe rollercoaster that offers a taste of the futuristic technology of Panem. -
Horse-Breeding – Being the General Principles of Heredity
<i-. ^u^' Oi -dj^^^ LIBRARYW^OF CONGRESS. Shelf.i.S.g^. UNITED STATES OF AMERICA. HORSE-BREEDING BKING THE GENERAL PRINCIPLES OE HEREDITY APPLIED TO The Business oe Breeding Horses, IXSTEUCTIOJS'S FOR THE ^IaNAGE^HKNT Stallions, Brood Mares and Young' Foals, SELECTION OF BREEDING STOCK. r y-/' J. H. SANDERS, rdiinrof 'Tlie Bleeder's Gazette," '-Breeders' Trotting Stuil Book," '•ri'r<lu Honorary member of the Chicago Eclectic Medical SoeieU>'flfti'r.> ^' Illinois Veterinary Medical Association, ^rl^.^^Ci'^'' ~*^- CHICAGO: ' ^^ J. H. SANDERS & CO. ]8S5. r w) <^ Entered, according to Act of Congress, in the year 1885, BY J. H. SANDERS, In the office of the Librarian of Congress, at Washington, D. C. ^ la TABLE OF CONTENTS. Preface 5 CHAPTER I. General Principles of Breeding.—General Laws of Heredity- Causes of Variation from Original Typos — Modifications from Changed Conditions of Life—Accidental Variations or " Sports "— Extent of Hereditary Inflaence—The Formation of Breeds—In-Breeding and Crossing—Value of Pedigree- Relative Size of Sire and Dam—Influenee of First Impregna- tion—Effect of Imagination on Color of Progeny—Effect of Change of Climate on the Generative Organs—Controlling the Sex 9 CHAPTER II. Breeds of Horses.— Thoroughbreds — Trotters and Roadsters — Orloffs or Russian Trotters—Cleveland Bays—Shire or Cart Horses—Clydesdales—Percherons-Otber Breeds (58 CHAPTER III. Stallions, Brood Mares and Foals.— Selection of Breeding- Stock—General Management of the StaUion—Controlling the Stallion When in Use—When Mares Should be Tried—The -
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The Hunger Games: Katniss Everdeen's Effort to Gain American Pragmatism Goals in Terms of American Values Journal Article By
THE HUNGER GAMES: KATNISS EVERDEEN’S EFFORT TO GAIN AMERICAN PRAGMATISM GOALS IN TERMS OF AMERICAN VALUES JOURNAL ARTICLE BY IKA FITRI NAASA RIANDJI NIM 0911110184 STUDY PROGRAM OF ENGLISH DEPARTMENT OF LANGUAGES AND LITERATURE FACULTY OF CULTURAL STUDIES UNIVERSITAS BRAWIJAYA 2013 1 THE HUNGER GAMES: KATNISS EVERDEEN’S EFFORT TO GAIN AMERICAN PRAGMATISM GOALS IN TERMS OF AMERICAN VALUES IkaFitriNaasaRiandji Abstract As one of a popular American novel which was published recently, The Hunger Games composed by Suzanne Collins, provides a significant description about the manifestation of American values portrayed by the main character, KatnissEverdeen.Katniss’ efforts in the novel are in line with the principle of American Pragmatism, which later on can be analyzed by its relation with the idea of American values, the grounding idea of the framing of this great American philosophy. By applying a sociological approach, this study discover the existence of the two roots of American culture known as American values and American Pragmatism, are still preserved. Katniss successfully manifests the goals of American Pragmatism that certainly taken from American values’ idea through her struggle told in the novel. This result leads to the comprehension of how American values influence American’s mind in fulfilling their goals or achievements. Keywords: American Values, American Pragmatism, Manifestation of Effort, The Hunger Games. Literary work is the place where “humans as the part of society express their ideas, feelings, and experiences in various form” (Langland, 1984, p.4). It is also mentioned in Plato’s theory that literary work is an imitation of truth which had a tremendous influence upon early literary critics and theorists during the Renaissance and 19th century, many of whom often speculated as to the role and function of art as imitation of reality (Plato, 429-347 BCE). -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Katniss Everdeen's Character Development in Suzanne Collins
LEXICON Volume 5, Number 1, April 2018, 9-18 Katniss Everdeen’s Character Development in Suzanne Collins' The Hunger Games Trilogy Valeri Putri Mentari Ardi*, Bernadus Hidayat Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research examines the character development of Katniss Everdeen, the protagonist in Suzanne Collins’ The Hunger Games trilogy. It attempts to investigate whether socioeconomic factors play a role in Katniss’s character development. To address this question, Marxism was adopted as the theoretical framework to analyze Katniss’s character development. The results of the research indicate that the development of Katniss Everdeen as a character is a product of the socioeconomic power struggle within the society, both coming from the socioeconomic classes and the two presidents in Panem. Keywords: character development, Marxism, power struggle, society. their lives. It creates socioeconomic power INTRODUCTION struggle within the society that is believed to In the past few years, the literary world has influence people on personal level, including been swarmed with numerous science fiction Katniss Everdeen, the main character of the novels. One of them is the best-selling young trilogy. adult series called The Hunger Games trilogy The protagonist, Katniss Everdeen, is a written by an American novelist Suzanne Collins. dynamic character who drives the plot This trilogy consists The Hunger Games, Catching significantly, and at the same is also influenced by Fire, and Mockingjay, the setting of which is a it. She is only sixteen years of age when the story dystopian future of North America. begins and physically looks nothing special According to. Abrams (1999), science fiction compared to other girls in the neighborhood, but represents “an imagined reality that is radically her life is no ordinary adventure. -
Exploring Gender in Suzanne Collins's the Hunger Games Trilogy
UNIVERSIDADE DA CORUÑA FACULTADE DE FILOLOXÍA MÁSTER INTERUNIVERSITARIO EN ESTUDOS INGLESES AVANZADOS E AS SÚAS APLICACIÓNS “Real or Not Real?” Exploring Gender in Suzanne Collins’s The Hunger Games Trilogy Raquel Martínez Neira TFM 2017 Vº Bº Coordinadora María Frías Rudolphi Table of Contents Page Abstract ………………………………………….…………………………………. 3 Introduction ……………………………………….……….…………………...….. 4 Part One Chapter 1: Understanding Young Adult and Dystopian Fiction …………………. 8 Chapter 2: The Fragility of Gender ….…………………….………………..…....... 13 Part Two Chapter 1: “She has no idea, the effect she can have:” Katniss Everdeen and the Thousand Faces of the ‘Feminine’ ………………….……………………….……. 19 Chapter 2: “He was too handsome, too male:” The Representation of Masculinity in Gale Hawthorne ……………………………………………….……………….… 36 Chapter 3: “I Don’t Want Them to Change Me:” Peeta Mellark and the New ‘Masculine’……………………………….……………..………………………… 47 Conclusions ………………………………………………………………...…….. 61 Works Cited …………………………….……...……………………………...... 63 Appendix ………………………………………………………………………… 68 2 Abstract My Masters final project deals with issues of gender in Suzanne Collins’s The Hunger Games. I analyse the main three characters—Katniss Everdeen, Gale Hawthorne and Peeta Mellark—following Judith Butler’s theories of gender proposed in Gender Trouble (1990) and Undoing Gender (2004), as well as other theories about feminism and masculinity. The aims of my project are, on the one hand, to demonstrate that the saga re-examines and re-defines traditional ideas of masculinity and femininity; and, on the other, that the portrayal of the aforementioned characters proves that The Hunger Games saga evidences that gender is neither fixed nor pre-established by questioning the legitimacy of gender stereotypes and roles. 3 Introduction “Ladies and gentlemen, let the Seventy-fourth Hunger Games begin!” The Hunger Games (171) A few years ago, I would have felt insulted if I was told I kicked “like a girl.” Girls were not strong fighters or praise-worthy heroes. -
The Hunger Games
Individual Learning Packet Teaching Unit The Hunger Games by Suzanne Collins written by Stacey Macpherson Copyright © 2011 by Prestwick House Inc., P.O. Box 658, Clayton, DE 19938. 1-800-932-4593. www.prestwickhouse.com Permission to copy this unit for classroom use is extended to purchaser for his or her personal use. This material, in whole or part, may not be copied for resale. ISBN 978-1-935468-75-2 Item No. 308803 The Hunger Games TEACHING UNIT The Hunger Games Notes Suzanne Collins began her career writing for children’s television, working on several programs throughout the 1990s for such production companies as Nickelodeon, PBS, and the WB Television Network. During this time, she met the children’s book author and illustrator, James Proimos, who encouraged her to try writing children’s books. Inspired, Collins began writing her first book for young adults, a fantasy novel titled Gregor the Overlander, which was published by Scholastic in 2003. That book became the first of a bestselling five-part series calledThe Underland Chronicles, the final volume of which was published in 2007. Following the success of The Underland Chronicles, Collins began writing The Hunger Games, the first in what would soon become a popular trilogy involving the fiery sixteen-year-old protagonist, Katniss Everdeen. Set in a bleak, post-apocalyptic future, the novel tells the story of Katniss’s strug- gle to survive the Hunger Games, a gladiator-style reality show that pits twenty-four teenage boys and girls against each other in a battle to the death. Combining elements of science fiction, romance, reality television, and Greek and Roman mythology, Collins creates a suspenseful, fast-paced story of survival under the most adverse conditions, expertly weaving in such universal motifs as: love and friendship, loyalty and betrayal, oppression and rebellion, honor, and sacrifice. -
HEADLINE NEWS • 5/15/07 • PAGE 2 of 6
Andrew Caulfield on French Classics HEADLINE ...p. 4 NEWS For information about TDN, DELIVERED EACH NIGHT BY FAX AND FREE BY E-MAIL TO SUBSCRIBERS OF call 732-747-8060. www.thoroughbreddailynews.com TUESDAY, MAY 15, 2007 EASY BREEZE FOR CURLIN CIRCULAR QUAY MAY RUN IN PREAKNESS Nine days after running third in the first leg of the Trainer Todd Pletcher yesterday indicated that Mi- Triple Crown, trainer Steve Asmussen’s Curlin (Smart chael Tabor’s Circular Quay (Thunder Gulch), sixth in Strike) breezed an easy four fur- the GI Kentucky Derby, may in fact longs in advance of an assault tackle Saturday’s GI Preakness S. It on the second leg, Saturday’s GI was earlier thought that Pletcher Preakness S. at Pimlico. The would be represented by only King chestnut, who lost his unbeaten of the Roxy (Littleexpectations). record after completing the tri- Pletcher’s announcement followed fecta under Street Sense and Circular Quay’s four-furlong work Hard Spun in the GI Kentucky over Belmont’s main track in :48.44, Derby, worked in :51 flat at which came in company with stable- Churchill Downs. It ranked 51st mate A.P. Arrow. “I worked him Curlin Horsephotos among the 54 works at the dis- Circular Quay with the Preakness in the back of tance over a track rated fast. Adam Coglianese my mind,” said Pletcher. “I'll talk to Asmussen said the move was just what he was aiming Mr. Tabor and we'll make a decision for. “He looked nice, smooth and relaxed,” said the [Tuesday] morning.” Circular Quay finished sixth at conditioner.