PDF Version of November 2017 Patterns

Total Page:16

File Type:pdf, Size:1020Kb

PDF Version of November 2017 Patterns patternFRIENDSs OF WILL MEMBERSHIP MAGAZINE november 2017 And the EMMY® goes to... Barns: An Illinois Story! WILL-TV TM patterns Membership Hotline: 800-898-1065 november 2017 Volume XLV, Number 5 WILL AM-FM-TV: 217-333-7300 Campbell Hall for Public Telecommunication 300 N. Goodwin Ave., Urbana, IL 61801-2316 Mailing List Exchange Donor records are proprietary and confidential. WILL does not sell, rent or trade its donor lists. Patterns Friends of WILL Membership Magazine Editor/Art Designer: Sarah Whittington Cover Photo: Courtesy of Oliver Peng Printed by Premier Print Group. Printed with SOY INK on RECYCLED, TM Trademark American Soybean Assoc. RECYCLABLE paper. Radio 90.9 FM: A mix of classical music and NPR information programs, including local news. (Also heard at 106.5 in Danville and with live streaming on will.illinois.edu.) See pages 4-5. 101.1 FM and 90.9 FM HD2: Locally produced music programs and classical music from C24. (101.1 is available in the Champaign-Urbana area.) See page 6. 580 AM: News and information, NPR, BBC, news, very month, this magazine’s primary goal is agriculture, talk shows. (Also heard on 90.9 FM HD3 with live streaming on will.illinois.edu.) See page 7. to show you the amazing things we do with the help of our Friends. We share the great Television E television programming, our high-quality radio WILL Create broadcasts, and our constant engagement with Cooking, travel, gardening and home improvement, arts and crafts. 12.3; also available on Comcast and the community through local public media. Mediacom. See page 8. But this month, you’ll find a special insert that WILL World shifts the focus from us to you. We are honored PBS documentaries, news and public affairs. 12.3; also to have so many loyal donors that consistently available on Comcast and Mediacom. See page 8. provide monetary support to Illinois Public WILL Kids 24/7 Media. This insert includes all the donors from Around the clock, award-winning children’s the past fiscal year and their various levels of programming. 12.2; also available on Comcast and Mediacom. financial support. To each and every one of you, I and the entire staff of IPM say thank you. WILL-HD All your favorite PBS and local programming, in high This issue also shares some of our best news definition when available. 12.1; Contact your cable or yet: our EMMY® win! It truly is OUR win, as we satellite provider for channel information. See pages could not have done it without you. So go ahead: 9-16. roll out the red carpet and give us your best Online acceptance speech. The orchestra will wait; the will.illinois.edu stage is all yours. facebook.com/WILLradiotvonline @willpublicmedia @willpublicmedia Get WILL eNews Moss Bresnahan, Video previews, behind-the-scenes President and CEO information, program schedule updates and more, delivered every Wednesday to your Twitter: @MossILMedia email inbox. go.illinois.edu/WILLsubscribe PATTERNS • NOVEMBER 2017 Illinois Public Media Illinois Public Media is proud Volume XLV, Number 5 to announce that our original wins 2 regional november 2017 documentary film, Barns: An Illinois Story, has won EMMYs® for two Mid-America Regional Emmy Awards. The awards, for program promo and Barns: An Illinois Story photography, are a huge honor for IPM. “The goal of local public media is to bring alive the stories of our area. For Barns, such an integral part of our local farming community, to be the winner of not just one but two Emmy awards is a huge honor,” said President and CEO Moss Bresnahan. Danda Beard, director of development and producer of Barns, couldn’t agree more. “Our inspiration for this program was the photography book Barns of Illinois by Larry and Alaina Kanfer. We wanted to further explore the beauty that many often believe is just flyover country. Our goal was to make a show that adequately conveyed the history and purpose of these structures, and that’s exactly what producer Oliver Peng accomplished. These awards are just icing on the cake!” Photo: Courtesy of Oliver Peng Start the holiday season with the classics Photo: Courtesy of Joan Marcus Ella Ballentine and Martin Sheen return “Feel good show as Anne Shirley and Matthew Cuthbert in Anne of Green Gables-The Good Stars at of the fall” 7 pm Thursday, November 23. The Thanks- giving Day special is the second part of the The festive Roundabout Theatre Company classic Lucy Maud Montgomery story of a production of Irving Berlin’s Holiday Inn, a Great free-spirited teenager on Prince Edward Performances production, comes to PBS at 8 pm Island at the start of the 20th century. Friday, November 24. “We are excited to bring Anne of Green The musical tells the story of Jim, who leaves the Gables back to our viewers with a second bright lights of Broadway—as well as his fiancé installment, as it continues to be a delight- dance partner Lila—to settle down at an old ful addition to our Thanksgiving lineup,” farmhouse in Connecticut… but life just isn’t the said Beth Hoppe, chief programming same without a bit of song and dance. Jim’s luck executive and general manager of General takes a turn for the better when he meets Linda, Audience Programming, PBS. “Anne of a spirited schoolteacher with talent to spare. Green Gables continues to provide our Together they turn the farmhouse into a seasonal viewers with family-friendly programming inn with show-stopping performances to celebrate year-round, especially during the holiday each holiday, from Thanksgiving to the Fourth season.” of July. But when Jim’s best friend, Ted, tries to lure Linda away to be his new dance partner in Watch as Anne turns 13 and faces complex Hollywood, will Jim be able to salvage his latest situations with friends, learns from inspira- chance at love? tional adults, and experiences an escalating friendship with Gilbert. Her free-spirited Songs include such Irving Berlin all-time classics nature is challenged by her perceived as “Blue Skies,” “Cheek to Cheek,” “It’s a Lovely need to be sensible, a journey fraught with Day Today,” “Easter Parade,” and, of course, confusion and some unfortunate—albeit “White Christmas.” Produced in association with amusing—mishaps. Universal Stage Productions, it stars Tony Award® nominee Bryce Pinkham, Lora Lee Gayer, Tony Award® nominee Megan Lawrence, Danny Ruti- gliano, Megan Sikora and Corbin Bleu. Return to 2 PATTERNS • NOVEMBER 2017 Avonlea Start the holiday season with the classics Four young men from Liverpool On February 9, 1964, 73 million people watched The Beatles perform on The Ed Sullivan Show—the largest TV audience to date. But what the band did next would introduce them to the entire world, permanently transforming the music industry, forever ingraining them into the fabric of popular culture. From June 1962 to August 1966, The Beatles performed a staggering 815 times in 15 different countries and 90 cities around the world. This incredible period gave birth to “Beatlemania,” and showed the world something completely new: youth-culture unchained! From Academy Award®-winning director Ron Howard, The Beatles: Eight Days a Week–The Touring Years tells the story of these exceptional years from the point of view of the band, its world and the fans. The film premieres on PBS at 8 pm Saturday, Photo: Courtesy of Joan Marcus Photo: Courtesy of © Apple Corps Ltd. November 25. Photo: Courtesy of Breakthrough Entertainment/ © 2017 Gables 23 Productions Inc PATTERNS • NOVEMBER 2017 3 weekdays Wednesday: Cleveland Orchestra 6 am 11/1 Archival concerts from 1973 and 1966 NPR Morning Edition Daniel Barenboim and Louis Lane, conductors Jacqueline du Pré, cello with Steve Inskeep, Rachel Martin, and David Greene Elgar: Cello Concerto (Lane) Lalo: Cello Concerto (Barenboim) 9 am 11/8 Blossom Festival Concert Classic Mornings with Vic Di Geronimo Franz Welser-Möst, conductor Wagner: “Tristan and Isolde”: Prelude and Join Vic for music and companionship and make each Love Death morning a classic morning! Bruckner: Symphony No. 9 (unfinished) 11/15 Mitsuko Uchida, conductor and piano Noon Mozart: Piano Concerto No. 17 in G, K. 453 Afternoon Classics Mozart: Concerto Rondo in D, K. 382 (07-24) Garrison Keillor’s The Writer’s Almanac is at 1:01. NPR Mozart: Piano Concerto No. 25 in C, K. 507 News Headlines at 3:01. 11/22 Mitsuko Uchida, conductor and piano Mozart: Piano Concerto No. 23 in A, K. 488 5 pm Mozart: Divertimento in F, K. 138 Mozart: Piano Concerto No. 24 in C, K. 491 NPR All Things Considered 11/29 Blossom Music Festival Concert with Robert Siegel, Audie Cornish, Kelly McEvers, and Jahja Ling, conductor Ari Shapiro Mozart: Piano Concerto No. 22 in Eb, K. 482. Emanuel Ax, piano Nicolai: “Merry Wives of Windsor” Overture 7 pm Chopin: Andante Spianato and Grande The Evening Concert Polonaise Brillante. Emanuel Ax, piano Great performances from the gr eat Thursday: concert venues. Also on Sundays from The Milwaukee Symphony Orchestra 7-9 pm. Listings are subject to change. 11/2 Conductor: Carlos Kalmar Monday: Britten: Concerto No. 1 for Violin and The New York Philharmonic This Week Orchestra, Opus 15. 11/6 Mahler: Symphony No. 6 Elina Vähälä, violin Semyon Bychkov, Conductor Shostakovich: Symphony No. 10 in E Minor 11/13 Mahler: Symphony No. 7 11/9 Conductor: Asher Fisch Rafael Kubelik, Conductor Tchaikovsky: Concerto No. 1 in B-flat Minor for 11/20 Mahler: Symphony No. 8 Piano and Orchestra Christine Brewer, soprano; Nancy Gustafson, Joyce Yang, piano soprano; Jeanine De Bique, soprano; Mary Tchaikovsky: Symphony No. 4 in F Minor Phillips, mezzo-soprano; Nancy Maultsby, 11/16 Conductor: Christoph König mezzo-soprano; Anthony Dean Griffey, tenor; Poulenc: Gloria.
Recommended publications
  • October 2015
    October 2015 Bertrand Chamayou INSIDE: Ian Bostridge | Sarah Connolly Ehnes Quartet | Thomas Hampson Alina Ibragimova & Cédric Tiberghien Magdalena Kozˇená & Mitsuko Uchida Steven Isserlis | Robert Levin Sandrine Piau | Christoph Prégardien Stile Antico | Vox Luminis And many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. Please note that the Box Office with be closed for bookings in person from Monday 27 July to Friday 4 September. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–Y Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – Y AAAA AAAA Lowest price This brochure is available in alternative formats.
    [Show full text]
  • Sat, Jan 02, 2021 - 00 the Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Sat, Jan 02, 2021 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:31 Weber Overture to Der Freischutz Berlin 01006 EMI 74764 724357476423 Philharmonic/Karajan 00:13:0125:39 Strauss, R. Death and Transfiguration, Op. Atlanta 07032 Telarc 80661 089408066122 24 Symphony/Runnicles 00:39:55 19:54 Haydn Piano Trio No. 36 in E flat Beaux Arts Trio 04027 Philips 432 070 n/a 01:01:1911:33 Falla Three Dances from The Boston Pops/Fiedler 04581 RCA 68550 090266855025 Three-Cornered Hat 01:13:5202:08 Gabrieli, G. Canzona prima a 5 Canadian Brass 05433 RCA 63238 090266323821 01:16:00 01:02 Palestrina Hosanna Canadian Brass 05433 RCA 63238 090266323821 01:18:1741:41 Schubert Piano Sonata in A, D. 959 Mitsuko Uchida 05116 Philips 289 456 028945657929 579 02:01:2804:15 Grieg The Last Spring from Two Capella 11036 Naxos 8.578009 747313800971 Elegiac Melodies, Op. 34 Istropolitana/Leaper 02:06:4343:50 Balakirev Symphony No. 1 in C City of Birmingham 00845 EMI 47505 077774750523 Symphony/Jarvi 02:51:4808:17 Beethoven Overture to Egmont, Op. 84 Berlin 00470 DG 415 506 028941550620 Philharmonic/Karajan 03:01:3511:14 Liszt Mephisto Waltz No. 1 Murray Perahia 02233 Sony 47180 07464471802 03:13:4903:44 Tippett Dance, Clarion Air (madrigal for Choir of Christ Church 00783 Nimbus 5266 D 110593 five voices) Cathedral, Oxford/Darlington 03:18:4840:41 Alfven Symphony No. 1 In F minor, Stockholm 01531 BIS 395 731859000395 Op. 7 Philharmonic/Jarvi 4 04:00:5932:43 Taneyev, A.
    [Show full text]
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Tue, Jan 26, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:39 Mozart Adagio in B minor, K. 540 Mitsuko Uchida 00264 Philips 412 616 028941261625 00:13:3945:17 Dvorak Cello Concerto in B minor, Op. du Pre/Swedish Radio 07040 Teldec 85340 685738534029 104 Symphony/Celibidache 01:00:2631:11 Beethoven String Quartet No. 9 in C, Op. Tokyo String Quartet 04508 Harmonia 807424 093046742362 59 No. 3 Mundi 01:32:3708:09 Mozart Adagio & Fugue in C minor for Berlin 06660 DG 0005830 028947759546 Strings K. 546 Philharmonic/Karajan 01:42:1618:09 Telemann Paris Quartet No. 11 Kuijken 04867 Sony 63115 074646311523 Bros/Leonhardt 02:01:5529:22 Mozart Sinfonia Concertante in E flat, Frang/Rysanov/Arcang 12341 Warner 08256462 825646276776 K. 364 elo/Cohen Classics 76776 02:32:1726:39 Brahms Clarinet Trio in A minor, Op. Stoltzman/Ax/Ma 02937 Sony 57499 074645749921 114 Classical 03:00:2611:52 Liszt Mephisto Waltz No. 1 Evgeny Kissin 06623 RCA 58420 828765842020 03:13:1834:42 Strauss, R. Symphony in D minor Hong Kong 03667 Marco Polo 8.220323 73009923232 Philharmonic/Scherme rhorn 03:49:0009:52 Schubert Overture to Rosamunde, D. Leipzig Gewandhaus 00217 Philips 412 432 028941243225 797 Orchestra/Masur 04:00:2215:04 Haydn Piano Sonata No. 50 in D Julia Cload 02053 Meridian 84083 N/A 04:16:2628:32 Mozart Symphony No. 29 in A, K. 201 Prague Chamber 05596 Telarc 80300 089408030024 Orch/Mackerras 04:45:58 12:20 Webern In the Summer Wind Philadelphia 10424 Sony 88725417 887254172024 Orchestra/Ormandy 202 04:59:4806:23 Lehar Merry Widow Waltz Richard Hayman 08261 Naxos 8.578041- 747313804177 Symphony 42 05:07:11 21:52 Rachmaninoff Rhapsody on a Theme of Entremont/Philadelphia 04207 Sony 46541 07464465412 Paganini, Op.
    [Show full text]
  • Learning to Play Like the Great Pianists
    Learning to Play Like the Great Pianists Asmir Tobudic Gerhard Widmer Austrian Research Institute for Department of Computational Perception, Artificial Intelligence, Vienna Johannes Kepler University, Linz [email protected] Austrian Research Institute for Artificial Intelligence, Vienna [email protected] Abstract CD recordings and the printed score of the music. Exper- iments show that the system indeed captures some aspect of An application of relational instance-based learn- the pianists' playing style: the machine's performances of un- ing to the complex task of expressive music per- seen pieces are substantially closer to the real performances formance is presented. We investigate to what ex- of the `training' pianist than those of all other pianists in our tent a machine can automatically build `expres- data set. An interesting by-product of the pianists' `expres- sive profiles’ of famous pianists using only min- sive models' is demonstrated: the automatic identification of imal performance information extracted from au- pianists based on their style of playing. And finally, the ques- dio CD recordings by pianists and the printed tion of automatic style replication is briefly discussed. score of the played music. It turns out that the The rest of the paper is laid out as follows. After a short machine-generated expressive performances on un- introduction to the notion of expressive music performance seen pieces are substantially closer to the real per- (Section 2), Section 3 describes the data and its representa- formances of the `trainer' pianist than those of all tion in FOL. We also discuss how the complex task of learn- others.
    [Show full text]
  • Film, Television and Video Productions Featuring Brass Bands
    Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light.
    [Show full text]
  • Conducting from the Piano: a Tradition Worth Reviving? a Study in Performance
    CONDUCTING FROM THE PIANO: A TRADITION WORTH REVIVING? A STUDY IN PERFORMANCE PRACTICE: MOZART’S PIANO CONCERTO IN C MINOR, K. 491 Eldred Colonel Marshall IV, B.A., M.M., M.M, M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2018 APPROVED: Pamela Mia Paul, Major Professor David Itkin, Committee Member Jesse Eschbach, Committee Member Steven Harlos, Chair of the Division of Keyboard Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Marshall IV, Eldred Colonel. Conducting from the Piano: A Tradition Worth Reviving? A Study in Performance Practice: Mozart’s Piano Concerto in C minor, K. 491. Doctor of Musical Arts (Performance), May 2018, 74 pp., bibliography, 43 titles. Is conducting from the piano "real conducting?" Does one need formal orchestral conducting training in order to conduct classical-era piano concertos from the piano? Do Mozart piano concertos need a conductor? These are all questions this paper attempts to answer. Copyright 2018 by Eldred Colonel Marshall IV ii TABLE OF CONTENTS Page CHAPTER 1. INTRODUCTION: A BRIEF HISTORY OF CONDUCTING FROM THE KEYBOARD ............ 1 CHAPTER 2. WHAT IS “REAL CONDUCTING?” ................................................................................. 6 CHAPTER 3. ARE CONDUCTORS NECESSARY IN MOZART PIANO CONCERTOS? ........................... 13 Piano Concerto No. 9 in E-flat major, K. 271 “Jeunehomme” (1777) ............................... 13 Piano Concerto No. 13 in C major, K. 415 (1782) ............................................................. 23 Piano Concerto No. 20 in D minor, K. 466 (1785) ............................................................. 25 Piano Concerto No. 24 in C minor, K.
    [Show full text]
  • Brentano String Quartet
    “Passionate, uninhibited, and spellbinding” —London Independent Brentano String Quartet Saturday, October 17, 2015 Riverside Recital Hall Hancher University of Iowa A collaboration with the University of Iowa String Quartet Residency Program with further support from the Ida Cordelia Beam Distinguished Visiting Professor Program. THE PROGRAM BRENTANO STRING QUARTET Mark Steinberg violin Serena Canin violin Misha Amory viola Nina Lee cello Selections from The Art of the Fugue Johann Sebastian Bach Quartet No. 3, Op. 94 Benjamin Britten Duets: With moderate movement Ostinato: Very fast Solo: Very calm Burlesque: Fast - con fuoco Recitative and Passacaglia (La Serenissima): Slow Intermission Quartet in B-flat Major, Op. 67 Johannes Brahms Vivace Andante Agitato (Allegretto non troppo) Poco Allegretto con variazioni The Brentano String Quartet appears by arrangement with David Rowe Artists www.davidroweartists.com. The Brentano String Quartet record for AEON (distributed by Allegro Media Group). www.brentanoquartet.com 2 THE ARTISTS Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim. “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism.” In 2014, the Brentano Quartet succeeded the Tokyo Quartet as Artists in Residence at Yale University, departing from their fourteen-year residency at Princeton University. The quartet also currently serves as the collaborative ensemble for the Van Cliburn International Piano Competition. The quartet has performed in the world’s most prestigious venues, including Carnegie Hall and Alice Tully Hall in New York; the Library of Congress in Washington; the Concertgebouw in Amsterdam; the Konzerthaus in Vienna; Suntory Hall in Tokyo; and the Sydney Opera House.
    [Show full text]
  • March 2009 Guide
    Magazine MARCH 2009 David Foster joins us in the AETN studios for the airing of HIT MAN: DAVID FOSTER AND FRIENDS, March 11, 2009, 7:00 p.m., with special guest Renee Olstead SpringMembershipCampaign Arkansas Educational Television Network Contents On The Cover.... AETN MAGAZINE Staff Editor in Chief Reserve your SpringMembershipCampaign Allen Weatherly seats and On the Cover........2 Editors Mona Dixon mark your Concert HIT MAN: DAVID FOSTER AND FRIENDS Kathy Atkinson “Dear Friends,” 15-time Grammy Award- calendars . April of winner David Foster calls them, “some of Editorial & Creative Directors Information.........3 Elizabeth duBignon 2009 - From the my favorite people in the world.” To you Sara Willis Doo Wop and me, however, they’re better known as in Concert Andrea Bocelli, Josh Groban and Michael Editorial Panel Director...............4 Rowena Parr, Pam Wilson, Dan Koops Don’ t Miss Bublé. The gilded trio leads a parade of Tiffany Verkler Digital Transition entertainers nurtured by the Canadian-born The AETN producer, honoring him in the gala concert Copy Editors Foundation, Questions............5 Darbi Blencowe, Catherine Mays, “Hit Man: David Foster & Friends” on Shirley Bowen, Pat Pearce in partnership On AETN..............6 GREAT PERFORMANCES. Airs Wednesday, with Celebrity March 11, 7:00 p.m. AETN Offices Music in March.....8 350 S. Donaghey Ave. - Conway, AR - Attractions, presents 72034 Spring Pledge MASTERPIECE: “David Copperfield”, Airs 800/662-2386 - Doo Wop in Concert Sunday, March 8, 8:00 p.m. and Sunday, [email protected] - www.aetn.org at the Robinson Center Music Highlights..........10 March 22, 9:00 p.m. Hall in Little Rock, Saturday, Daytime AETN Mission April 18 at 7 p.m.
    [Show full text]
  • August 1-9, 2009
    www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne August 2009 Volume 36 Number 2 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. AUGUST 1-9, 2009 AUGUST At a Glance AUGUSTFEST LOCAL FOCUS HISTORY & CULTURE SCIENCE & NATURE Tony Bennett: An Oklahoma Horizon Time Team NOVAscienceNow American Classic Sundays at 3 p.m. America Special Tuesdays @ 8 p.m. August 2 at 7 p.m. August 19 at 7 p.m. page 2 9 10 11 2 TONY BENNETT AN AMERICAN CLASSIC f Sunday August 2 at 7 p.m. The ground-breaking television event features breath- taking stage productions that take the viewer on an emotional musical journey of this legendary entertain- f er’s life, re-creating the seminal venues of his career. Saturday August 1 at 7 p.m. Tony performs duets of his greatest hits with some of Hosted by Mary Lou today’s greatest artists – “The Best Is Yet to Come” Metzger, this all-new with Diana Krall, “Rags to Riches” with Elton John and special highlights “For Once in My Life” with Stevie Wonder, to name outstanding musical a few. Woven throughout the special are narratives production numbers by special guests such as Billy Crystal, John Travolta from the past ten and Robert De Niro. The special ends with Tony’s solo years. Members of the performance of his signature song “I Left My Heart in Welk Musical Fam- San Francisco.” ily are spotlighted in short biographies, illustrated by their own personal collection of photographs.
    [Show full text]
  • Disabling Comedy: “Only When We Laugh!”
    Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people.
    [Show full text]
  • Monthly Community Drum Circles –
    Square Chapel Arts Centre 10 Square Road, Halifax, HX1 1QG Press Release Wednesday 27 March Square Chapel Arts Centre announces its very first ‘Up North’ - Film & Television Festival (3-29 May 2019) Image: Key Mellor, Chuckle Vision, Ian Puleston-Davies, Brian Blessed and Nicky Spinks Film & Television Festival Trailer: http://ow.ly/fu6L30o8cKv Up North: Film & Television Festival Brochure: http://ow.ly/xFmO30oc1Ys What’s on April-July brochure: http://ow.ly/yvZt30nWfNg On Thursday 21 March, Square Chapel Arts Centre in the heart of Halifax, West Yorkshire launched its first ever Film and Television Festival with the help of well-known actor Ian Puleston-Davies. The Up North: Film and Television Festival is a month-long festival, celebrating northern voices on screen and behind the camera. The festival will run from Friday 3rd to Wednesday 29th May. Film, stage and TV actor, Ian Puleston-Davies said: “I am excited and honoured to host the launch of the film and television festival, and if I could camp outside the building, I would, because it’s going to be a feast! As a Square Chapel Arts Centre 10 Square Road, Halifax, HX1 1QG Press Release Wednesday 27 March Welshman, I feel I have found a new spiritual home at Square Chapel Arts Centre in Halifax. I have fallen in love with the people and the place.” Ian Puleston-Davies’ career spans over 40 years across stage, film and the small screen. His work includes hit TV shows like Vera, Marcella; the longest running soap Coronation Street; popular children’s animation Ben and Holly’s Little Kingdom; and recently the hit Sky Atlantic and Channel 4 series Tin Star, to name just a few.
    [Show full text]
  • Abuse, 56, 57, 137, 138 Alison Hindell 'Casualness,'
    INDEX Abuse, 56, 57, 137, 138 Bechdel Test Movie List, Alison Hindell 68, 74 ‘casualness,’ 12 Bechdel–Wallace Test, 17, circumspect, 15 64–66 criticism, 19 female relationships, 64 feminist, 11 methodology, 66–67 plot devices, 13 The Bell, 97 women, role and status, Bible, 51 17 Big Society, 119 ‘Altruism in pursuit of Bipolar disorder, 133 social stability,’ 126 Black Panther, 147 Altruistic motivations, Borsetshire Mental Health 121 Trust, 29 Ambridge Cricket Team, Bridge Farm, 15, 40, 43, 173 45, 73, 123 Ambridge Farm Machinery, Bridge Farm Tea Room, 183 181 Ambridge support network, British popular culture, 41 31–32 Brookfield cow issue, 14 Anorexia, 136–138 Business, Energy and The Antiques Roadshow, Industrial Strategy 181 (BEIS), 156 Archers/Bechdel–Wallace Test (ABW Test), 66, Calculating conversations, 68, 69, 72 67–70 Audience survey, 144 ‘Casualness,’ 12 ‘Auditory voyeurism,’ 25 Celebrity Big Brother, The Avengers, 66 146–147 197 198 Index ‘Civil society,’ 117, 118 Estimated science capital, Collective citizen action, 117 162–163 Communication studies, ‘ – Fall of The House of 53 55 ’ ‘gestures,’ 82 Aldridge, 14 Family, 94, 102, 109 gossip, 52 Fawcett Society, 145 non-verbal, 6, 78 Female characterisation, Compact Code on 64, 80 Volunteering, 122 Female relationships, 64 Confederation of British Female representation, 74 Industry (CBI), 155 Female writers, 22, 23 Constituency, 17 Contraception, 106 Feminine, 145 Feminisation, 22 Coronation Street, 41, 43 Formal and informal power Cradle to Cradle, 181 relations, 117–118 Cricket,
    [Show full text]