14.10.15 BROCHURE Workshop
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San Giovanni Report
San Giovanni Living Next to a Transit Corridor Brooke Shin Madeleine Galvin Raphael Laude Shareef Hussam Rome Workshop 00 Introduction San Giovanni in the urban context of Rome Image Subject Rome Workshop Outline Contents 00 Introduction 1 Outline Getting Oriented A Transit Corridor Methodology Hypotheses 01 History 15 Summary Timeline A Plan for San Giovanni Construction Begins A Polycentric Plan Metro Construction 02 Statistics 19 Summary Key Data Points Demographics & Housing Livability Audit 03 Built Form 25 Summary Solids Voids Mobility 04 Services 37 Summary Ground-Floor Use Primary Area Services Secondary Area Services Institutions 05 Engagement 49 Summary Key Stakeholders Intercept Interviews Cognitive Mapping 06 Conclusion 57 Key Takeaways Next Steps Bibliography, Appendix 3 Introduction Graphics / Tables Images Urban Context Study Area Broader / Local Transit Network 1909 Master Plan 1936 Historical Map 1962 Master Plan Population Density Population Pyramids Educational Attainment Homeownership San Giovanni Transit Node Building Typologies/Architectural Styles Public Spaces Sidewalks, Street Typologies, Flows Primary Area Services Secondary Area Services Ground Floor Use Map Daily Use Services Livability Audit Key 4 Rome Workshop Introduction The Rome Workshop is a fieldwork-based course that takes students from the classroom to the city streets in order to conduct a physical assess- ment of neighborhood quality. Determining the child and age-friendliness of public spaces and services was the main goal of this assessment. The San Giovanni neighborhood starts at the Por- ta San Giovanni and continues over two kilome- ters south, but this study focused specifically on the area that flanks the Aurelian Walls, from the Porta San Giovanni gate to the Porta Metronio gate. -
The Porta Del Popolo, Rome Pen and Brown Ink on Buff Paper
Muirhead BONE (Glasgow 1876 - Oxford 1953) The Porta del Popolo, Rome Pen and brown ink on buff paper. Signed Muirhead Bone at the lower right. 222 x 170 mm. (8 3/4 x 6 5/8 in.) One of the first trips that Muirhead Bone made outside Britain was a long stay of two years - from October 1910 to October 1912 – in central and northern Italy, accompanied by his wife Gertrude and their children. After spending several weeks in Florence, the Bone family settled in Rome in the early months of 1911, and from October 1911 lived in a flat overlooking the Piazza del Popolo. During his time in Italy Bone produced thirty-two copper plates and numerous fine drawings, several of which were sent from Italy to London and Glasgow to be sold by his dealers. A number of Bone’s drawings of Italy were exhibited at the Colnaghi and Obach gallery in London in 1914, to very positive reviews. The present sheet depicts part of the outer façade of the city gate known as the Porta del Popolo, a section part of the Aurelian Walls encircling the city of Rome. The gate was the main entrance to Rome from the Via Flaminia and the north, and was used by most travellers arriving into the city for the first time. Built by Pope Sixtus IV for the Jubilee year of 1475, the Porta del Popolo was remodelled in the 16th century under Pope Pius IV. The Pope had asked Michelangelo to design the new outer façade of the Porta, but the elderly artist passed the commission on to the architect Nanni di Baccio Bigio, who completed the work between 1562 and 1565. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
Hassler's Roma: a Publication That Descrive Tutte Le Meraviglie Intorno Al Nostro Al- Describes All the Marvels, Both Hidden and Not, Bergo, Nascoste E Non
HASSLER’S ROMA A CURA DI FILIPPO COSMELLI Prodotto in esclusiva per l’Hotel Hassler direzione creativa: Filippo Cosmelli direzione editoriale: Daniela Bianco fotografie: Alessandro Celani testi: Filippo Cosmelli & Giacomo Levi ricerche iconografiche: Pietro Aldobrandini traduzione: Logos Srls. - Creative services assistente: Carmen Mariel Di Buono mappe disegnate a mano: Mario Camerini progetto grafico: Leonardo Magrelli stampato presso: Varigrafica, Roma Tutti I Diritti Riservati Nessuna parte di questo libro può essere riprodotta in nessuna forma senza il preventivo permesso da parte dell’Hotel Hassler 2018. If/Books · Marchio di Proprietà di If S.r.l. Via di Parione 17, 00186 Roma · www.ifbooks.it Gentilissimi ospiti, cari amici, Dear guests, dear friends, Le strade, le piazze e i monumenti che circonda- The streets, squares and buildings that surround no l’Hotel Hassler sono senza dubbio parte inte- the Hassler Hotel are without a doubt an in- grante della nostra identità. Attraversando ogni tegral part of our identity. Crossing Trinità de mattina la piazza di Trinità de Monti, circonda- Monti every morning, surrounded by the stair- ta dalla scalinata, dal verde brillante del Pincio case, the brilliant greenery of the Pincio and the e dalla quiete di via Gregoriana, è inevitabile silence of Via Gregoriana, the desire to preser- che sorga il desiderio di preservare, e traman- ve and hand so much beauty down to future ge- dare tanta bellezza. È per questo che sono feli- nerations is inevitable. This is why I am pleased ce di presentarvi Hassler’s Roma: un volume che to present Hassler's Roma: a publication that descrive tutte le meraviglie intorno al nostro al- describes all the marvels, both hidden and not, bergo, nascoste e non. -
C HAPTER THREE Dissertation I on the Waters and Aqueducts Of
Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. Evans http://www.press.umich.edu/titleDetailDesc.do?id=17141, The University of Michigan Press C HAPTER THREE Dissertation I on the Waters and Aqueducts of Ancient Rome o the distinguished Giovanni Lucio of Trau, Raffaello Fabretti, son of T Gaspare, of Urbino, sends greetings. 1. introduction Thanks to your interest in my behalf, the things I wrote to you earlier about the aqueducts I observed around the Anio River do not at all dis- please me. You have in›uenced my diligence by your expressions of praise, both in your own name and in the names of your most learned friends (whom you also have in very large number). As a result, I feel that I am much more eager to pursue the investigation set forth on this subject; I would already have completed it had the abundance of waters from heaven not shown itself opposed to my own watery task. But you should not think that I have been completely idle: indeed, although I was not able to approach for a second time the sources of the Marcia and Claudia, at some distance from me, and not able therefore to follow up my ideas by surer rea- soning, not uselessly, perhaps, will I show you that I have been engaged in the more immediate neighborhood of that aqueduct introduced by Pope Sixtus and called the Acqua Felice from his own name before his ponti‹- 19 Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. -
Progetto Per Un Parco Integrato Delle Mura Storiche
ROMA PARCO INTEGRATO DELLE MURA STORICHE Mura Aureliane - Mura da Paolo III a Urbano VIII Esterno delle Mura lungo viale Metronio Mura storiche di Roma 2 Pianta di Roma di Giovanni Battista Nolli - 1748 3 Mura di Roma, Grande Raccordo Anulare e anello ciclabile 4 Piano Regolatore Generale di Roma - 2003/2008 5 Ambiti di programmazione strategica: quadro di unione 1-Tevere 2-Mura 3-Anello ferroviario 1 4-Parco dell’Appia 5-Asse nord-sud 5 2 3 4 6 Pianta di Pietro Visconti (Archeologo) e Carlo Pestrini (Incisore)- 1827 7 Quadro di unione Forma Urbis Romae di Rodolfo Lanciani - 1893/1901 8 Piano Regolatore Generale di Roma - 1883 9 Piano Regolatore Generale di Roma - 1909 10 Piano Regolatore Generale di Roma - 1931 11 Piano Regolatore Generale di Roma - 1961 12 Stralcio Piano Regolatore Generale di Roma - 1961 13 Intersezioni delle Mura con gli assi viari storici e ambiti di progettazione 2 1 - Corso_Flaminia 2 - XX Settembre_Salario 3 - Laterano_Appio 4 - Caracalla_Appia Antica 1 5 - Marmorata_Ostiense 6 - Trastevere_Gianicolo Aurelia antica 6 5 3 4 14 Centralità lungo le Mura storiche 15 Parchi e ambiti di valorizzazione ambientale Villa Borghese Villa Doria Pamphili Parco dell’Appia 16 Ambito di programmazione strategica Mura - Risorse 17 Ambito di programmazione strategica Mura - Obiettivi 18 Progetto «Porte del Tempo» Museo del Sito UNESCO a Porta del Museo dei Bersaglieri Popolo di Porta Pia Museo garibaldino e repubblica Romana a Porta Portese e Porta San Pancrazio Museo delle Mura Museo della resistenza a Porta San a Porta Ostiense Sebastiano 19 Porta del Popolo (Flaminia) 20 Porta San Sebastiano (Appia Antica) 21 Porta San Paolo (Ostiense) 22 Parco lineare integrato 23 Schema direttore generale del progetto urbano delle Mura 24 Parco lineare integrato delle Mura - Progetti realizzati e approvati Responsabili del procedimento: Arch. -
Aqueduct Architecture: Moving Water to the Masses in Ancient Rome
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 2006 Volume IV: Math in the Beauty and Realization of Architecture Aqueduct Architecture: Moving Water to the Masses in Ancient Rome Curriculum Unit 06.04.04 by Ralph Russo Introduction This unit seeks to raise awareness of basic, yet, historic principles of architecture as they apply to the provision of water to an urban center. Exploration of Roman aqueducts should serve this goal. It fits the study of classical civilizations in the ninth grade world civilizations curriculum. Moreover, it lends itself to interdisciplinary teaching, a great way for students to see things in context. Studying aqueduct architecture encourages proficiency in quantitative skills, language arts, and organizational skills. Quantitative activities such as measuring, using scale, and calculating volume facilitate developing math skills. Critical reading of primary and secondary sources, document based questions, discussion, reflective writing, descriptive writing, and persuasive writing teach and/or reinforce language arts skills. Readings and activities can also touch on the levels of organization or government necessary to design, build, and maintain an aqueduct. The unit is not a prescribed set of steps but is meant to be a framework through which objectives, strategies, activities, and resources can be added or adjusted to meet student needs, address curriculum goals, and help students to make connections between the past and contemporary issues. The inhabitants of Rome satisfied their need for water first from the Tiber River. Rome grew from a small farming community along the Tiber into the capitol city of an empire with almost one million inhabitants. -
Building in Early Medieval Rome, 500-1000 AD
BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages. -
Rome on the Rise
HoustonChronicle @HoustonChron Houston Chronicle | Sunday, April13, 2014 |HoustonChronicle.com and Chron.com Section L WEEKEND GETAWAY An afternoon antiquing and eating in Fayetteville. TRAVEL Page L2 ESCAPES &HOME DESTINATION Rome on the rise Andrew Sessaphoto Big changes are remaking the Eternal City —here’s acheatsheet for what’s newinthe CaputMundi right now By Andrew Sessa prime ministers in the last18months. And that’sjustthe beginning. ROME,Italy—Visitors to Rome Despite the economic crisis often approach the city with what you INSIDER’S thatcontinues to linger in Italyin might call aJulius Caesar attitude: “Veni, GUIDE general and in Rome in particular vidi, vici,”they say. “I came,Isaw,I —orperhaps because of it —there’s conquered.” innovation aplenty to be found here. Colosseum?Check. Imperial Forum? Exciting just-opened hotels and novel Check. Coins tossed in the TreviFountain, neck restaurants impress with their styleand design; cramps suered at the Sistine Chapel, scoops rising neighborhoods and forward-thinking of gelato eaten in frontofthe Pantheon?Check. individuals demand attention; and even the old Check. Double check. And then they’re out. is newagain, as ancientand recentlyuncovered There’s good reason for this, of course.Not for historical sightshaveopened to the public for the nothing is Rome called the Eternal City —for the firsttime. mostpart, it seems to stay eternallythe same.So Today, getting to knowthe city is all about whychangethe itineraryfrom the greatesthits going deeper,feeling more adventurous and tour your parents did in 1967,oreventhe one veering much further o the typical touristpath. Marco Bertani /D.O.M. Hotel your grand-touring ancestors did in 1767? Here are seveninsider tips for making the most Top: The domes and rooftops of Rome in silhouette, includ- ButRome is aplace in fluxthese days.The city of Rome right now. -
LIVING ITALY PAST and PRESENT Issue 5 Winter-Spring 2018
ISSN 2514-0779 LIVING ITALY PAST AND PRESENT Issue 5 Winter-Spring 2018 The Spanish Steps in Bloom Photo © GGH TABLE OF CONTENTS LETTER FROM THE EDITOR ����������������������������������������������� 3 ARRIVEDERCI ROMA ������������������������������������������������������ 4 By Our Itinerant Reporter �������������������������������������������������������������������������������� 4 VILLA TORLONIA, ONE OF ROME’S ��������������������������������� 6 HISTORICAL HOMES AND PARKS ��������������������������������� 6 By Georgina Gordon-Ham �������������������������������������������������������������������������������� 6 ANCIENT ROME BROUGHT ALIVE ��������������������������������� 8 ALL SAINTS ANGLICAN CHURCH, ROME �������������������������� 9 By Rubina Montebello ������������������������������������������������������������������������������������������ 9 RUGBY ROUND UP 2018 ���������������������������������������������������� 11 By Our Sports Correspondent ��������������������������������������������������������������������� 11 BOOK REVIEWS ������������������������������������������������������������������� 13 WALKING IN TUSCANY ������������������������������������������������������������������������������ 13 WALKING AND TREKKING IN ��������������������������������������������������������������������� 13 GRAN PARADISO ����������������������������������������������������������������������������������������������� 13 VIEWS OF ROME ������������������������������������������������������������ 14 By Georgina Jinks ����������������������������������������������������������������������������������������������� -
Rome 2016 Program to SEND
A TASTE OF ANCIENT ROME 17–24 October 2016 Day-by-Day Program Elizabeth Bartman, archaeologist, and Maureen Fant, food writer, lead a unique, in-depth tour for sophisticated travelers who want to experience Rome through the eyes of two noted specialists with a passion for the city, its monuments, and its cuisine. Together they will introduce you to the fascinating archaeology of ancient foodways and to the fundamentals of modern Roman cuisine. Delicious meals, special tastings, and behind-the-scenes visits in Rome and its environs make this week-long land trip an exceptional experience. You’ll stay in the same hotel all week, in Rome’s historic center, with some out-of-town day trips. October is generally considered the absolutely best time to visit Rome. The sun is warm, the nights not yet cold, and the light worthy of a painting. The markets and restaurants are still offering the last of the summer vegetables—such as Rome’s particular variety of zucchini and fresh borlotti beans—as well as all the flavors of fall and winter in central Italy—chestnuts, artichokes, broccoli, broccoletti, chicory, wild mushrooms, stewed and roasted meats, freshwater fish, and so much more. Note: Logistics, pending permissions, and new discoveries may result in some changes to this itinerary, but rest assured, plan B will be no less interesting or delicious. B = Breakfast included L = Lunch included D = Dinner included S = Snack or tasting included MONDAY: WELCOME AND INTRODUCTION You’ll be met at Leonardo da Vinci Airport (FCO) or one of the Rome railroad stations and transferred to our hotel near the Pantheon, our base for the next seven nights. -
Cianci-Molinari Fullpaper
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W15, 2019 27th CIPA International Symposium “Documenting the past for a better future”, 1–5 September 2019, Ávila, Spain THE TRACES OF THE PAST: INFORMATIVE TOOLS FOR THE RECONSTRUCTION OF AURELIAN WALLS IN RIONE TESTACCIO M.G. Cianci 1, M. Molinari 1 1 Roma Tre University, Dept. Architecture, Rome, Italy - (mariagrazia.cianci, matteo.molinari)@uniroma3.it Commission II, WG II/8 KEY WORDS: Aurelian Walls, Testaccio, Analysis, GIS, Mapping ABSTRACT: Rome has a great cultural heritage, formed by the stratification of styles and political influences from different eras. The different eras and architectural styles that have defined the city in the two millennia of history, make each part unique in its kind. This succession of changes has by necessity led to the denial of some archaeologies that in past ages were pivotal points in the development of the ancient city. The research presented here is intended to analyze and reconstruct the archeology of the river stretch of the Aurelian Walls on the Lungotevere Testaccio partly disappeared from the architectural landscape of the city. The research was set in two main phases, the first based on the two-dimensional study of the lost fabric, focusing on the cartographic study and the digitization of them in the GIS environment. The second one still under development foresees the digitalization of the three- dimensional elements detected and the insertion of these within the dedicated platforms. 1. INTRODUCTION construction of new infrastructures have imposed arbitrary choices that have given a new face to the city.