Twenty-Four Italy, Rome, & Vatican City Historical Maps & Diagrams
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The Porta Del Popolo, Rome Pen and Brown Ink on Buff Paper
Muirhead BONE (Glasgow 1876 - Oxford 1953) The Porta del Popolo, Rome Pen and brown ink on buff paper. Signed Muirhead Bone at the lower right. 222 x 170 mm. (8 3/4 x 6 5/8 in.) One of the first trips that Muirhead Bone made outside Britain was a long stay of two years - from October 1910 to October 1912 – in central and northern Italy, accompanied by his wife Gertrude and their children. After spending several weeks in Florence, the Bone family settled in Rome in the early months of 1911, and from October 1911 lived in a flat overlooking the Piazza del Popolo. During his time in Italy Bone produced thirty-two copper plates and numerous fine drawings, several of which were sent from Italy to London and Glasgow to be sold by his dealers. A number of Bone’s drawings of Italy were exhibited at the Colnaghi and Obach gallery in London in 1914, to very positive reviews. The present sheet depicts part of the outer façade of the city gate known as the Porta del Popolo, a section part of the Aurelian Walls encircling the city of Rome. The gate was the main entrance to Rome from the Via Flaminia and the north, and was used by most travellers arriving into the city for the first time. Built by Pope Sixtus IV for the Jubilee year of 1475, the Porta del Popolo was remodelled in the 16th century under Pope Pius IV. The Pope had asked Michelangelo to design the new outer façade of the Porta, but the elderly artist passed the commission on to the architect Nanni di Baccio Bigio, who completed the work between 1562 and 1565. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
The Holy See (Including Vatican City State)
COMMITTEE OF EXPERTS ON THE EVALUATION OF ANTI-MONEY LAUNDERING MEASURES AND THE FINANCING OF TERRORISM (MONEYVAL) MONEYVAL(2012)17 Mutual Evaluation Report Anti-Money Laundering and Combating the Financing of Terrorism THE HOLY SEE (INCLUDING VATICAN CITY STATE) 4 July 2012 The Holy See (including Vatican City State) is evaluated by MONEYVAL pursuant to Resolution CM/Res(2011)5 of the Committee of Ministers of 6 April 2011. This evaluation was conducted by MONEYVAL and the report was adopted as a third round mutual evaluation report at its 39 th Plenary (Strasbourg, 2-6 July 2012). © [2012] Committee of experts on the evaluation of anti-money laundering measures and the financing of terrorism (MONEYVAL). All rights reserved. Reproduction is authorised, provided the source is acknowledged, save where otherwise stated. For any use for commercial purposes, no part of this publication may be translated, reproduced or transmitted, in any form or by any means, electronic (CD-Rom, Internet, etc) or mechanical, including photocopying, recording or any information storage or retrieval system without prior permission in writing from the MONEYVAL Secretariat, Directorate General of Human Rights and Rule of Law, Council of Europe (F-67075 Strasbourg or [email protected] ). 2 TABLE OF CONTENTS I. PREFACE AND SCOPE OF EVALUATION............................................................................................ 5 II. EXECUTIVE SUMMARY....................................................................................................................... -
Santamariaprrojadobe.Pdf
From: Virtual Reality in Archaeology, British Archaeological Reports International Series S 843, ed. J. A. Barcelo, M. Forte, and D. H. Sanders (ArcheoPress, Oxford 2000) 155-162. Virtual Reality and Ancient Rome: The UCLA Cultural VR Lab's Santa Maria Maggiore Project Prof. Bernard Frischer (UCLA Department of Classics; Director, UCLA Cultural VR Lab) Prof. Diane Favro (UCLA Department of Architecture and Urban Design) Dr. Paolo Liverani (Vatican Museums, Department of Classical Antiquities) Prof. Sible De Blaauw (Istituto Olandese di Roma) Dean Abernathy, Architect and Doctoral Student (UCLA Department of Architecture and Urban Design) (1) Introduction Since the fall of 1995, professors of Classics, Architecture, Education, and Information Science at UCLA, in conjunction with colleagues in the United States, Britain, and Italy, have been developing virtual reality (VR) models of buildings and monuments in ancient Rome (cf. fig. 1). This collaborative research effort is called the Rome Reborn Project in honor of the first systematic study of Roman topography, Flavio Biondo's mid-fifteenth century Roma Instaurata (de Grummond 1996: 160-61). Since January, 1998 the project has been housed in the UCLA Cultural VR Lab, which was created with support from Intel, the Creative Kids Education Foundation, Mr. Kirk Mathews, the UCLA Division of Humanities, the UCLA Humanities Computing Facility, the UCLA Center for Digital Innovation, the UCLA Graduate Division, the UCLA Office of the Vice Chancellor for Research, and the UCLA College of Letters and Science. The Lab's mission is to provide technology support for projects like Rome Reborn that strive to recreate authenticated three-dimensional computer models of sites of great historic and cultural interest around the world. -
Cardinals Elevated in 'Secret' Ritual by Nancy Frazier Outstanding Aid Is Offered to Metropolitan Sees Around the Me for Handling Weighty World
COURIER-JOURNAL Wednesday, February^ 1983 12 Cardinals Elevated In 'Secret' Ritual By Nancy Frazier outstanding aid is offered to metropolitan sees around the me for handling weighty world. matters for the benefit of the Vatican City (NO - The Church." The presentation of the 18 men that Pope John Paul i palliums was to be made Feb. U elevated to the College of During the secret con 3 by Argentinian Cardinal Cardinals Feb. 2 actually sistory, Pope John Paul also Umberto Mozzoni, proto- became cardinals before confirmed the appointment of deacon of the College of publicly receiving the red skull 78-year-old Belgian Cardinal Cardinals, in a ceremony in caps and four-cornered hats Maximilian de Furstenburg as the Vatican's Matilde Chapel. symbolizing their new status. camerlengo (chamberlain) of the college and gave! his assent Cardinal Sebastiano Construction has begun on the Chanter House at Camp Stella Maris, that wiB house The real elevation took to recent episcopal elections Baggio, prefect of the Vatican place at a so-called "secret by the synod of the Coptic Congregation for Bishops, infirmary, bath and administrative offices. consistory" in the Vatican's Cathoik Church. presented a petition on behalf consistory hall immediately of Cardinal Joseph Bernardin before the public ceremony in When the secret consistory of Chicago, the only the Paul VI Audience Hall. was officially proclaimed American among the 18 new Camp Improvements Begin; closed, archbishops, bishops cardinals. and abbots were admitted to When each of the new the consistory hall for the Archbishop Daniel Completion Set for June cardinals received from the petitioning of the palliums — Pilarczyk of Cincinnati hands of a Vatican messenger the requests submitted by presented his own petition for the ' "biglietto" or official the pallium. -
Renaissance Art in Rome Giorgio Vasari: Rinascita
Niccolo’ Machiavelli (1469‐1527) • Political career (1498‐1512) • Official in Florentine Republic – Diplomat: observes Cesare Borgia – Organizes Florentine militia and military campaign against Pisa – Deposed when Medici return in 1512 – Suspected of treason he is tortured; retired to his estate Major Works: The Prince (1513): advice to Prince, how to obtain and maintain power Discourses on Livy (1517): Admiration of Roman republic and comparisons with his own time – Ability to channel civil strife into effective government – Admiration of religion of the Romans and its political consequences – Criticism of Papacy in Italy – Revisionism of Augustinian Christian paradigm Renaissance Art in Rome Giorgio Vasari: rinascita • Early Renaissance: 1420‐1500c • ‐‐1420: return of papacy (Martin V) to Rome from Avignon • High Renaissance: 1500‐1520/1527 • ‐‐ 1503: Ascension of Julius II as Pope; arrival of Bramante, Raphael and Michelangelo; 1513: Leo X • ‐‐1520: Death of Raphael; 1527 Sack of Rome • Late Renaissance (Mannerism): 1520/27‐1600 • ‐‐1563: Last session of Council of Trent on sacred images Artistic Renaissance in Rome • Patronage of popes and cardinals of humanists and artists from Florence and central/northern Italy • Focus in painting shifts from a theocentric symbolism to a humanistic realism • The recuperation of classical forms (going “ad fontes”) ‐‐Study of classical architecture and statuary; recovery of texts Vitruvius’ De architectura (1414—Poggio Bracciolini) • The application of mathematics to art/architecture and the elaboration of single point perspective –Filippo Brunellschi 1414 (develops rules of mathematical perspective) –L. B. Alberti‐‐ Della pittura (1432); De re aedificatoria (1452) • Changing status of the artist from an artisan (mechanical arts) to intellectual (liberal arts; math and theory); sense of individual genius –Paragon of the arts: painting vs. -
Extraordinary Jubilee of Mercy 2015-2016
EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary. -
The Application of Sacrosanctum Concilium to Music in the Parish of St Peter and St Paul, Wolverhampton
Models of Liturgical Music & Model Liturgical Music: The Application of Sacrosanctum Concilium to Music in the Parish of St Peter and St Paul, Wolverhampton by Wilfrid H G Jones The University of Birmingham, Department of Theology and Religions Thesis Submitted in partial fulfilment of the requirements of the degree Master of Arts (by Research) Department of Theology and Religions, College of Arts and Law University of Birmingham December, 2015 Copyright © Wilfrid Jones 2016. All rights reserved. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Active participation in the liturgy, which should be primarily internal and fostered by external participation, is the primary concern of the Second Vatican Council’s Constitution on the sacred liturgy, Sacrosanctum Concilium. Having investigated the historical effects of the Council and the ensuing liturgical reform on the music in the liturgies of St Peter and St Paul’s, Wolverhampton, this experiment gradually introduced the liturgical music envisaged by Sacrosanctum Concilium into a weekly Mass and uses ethnographic techniques to investigate whether the active participation of the people increased. This paper examines attitudes to active participation, to congregational singing and listening, and the construction of liturgical atmosphere. -
The Holy See, Social Justice, and International Trade Law: Assessing the Social Mission of the Catholic Church in the Gatt-Wto System
THE HOLY SEE, SOCIAL JUSTICE, AND INTERNATIONAL TRADE LAW: ASSESSING THE SOCIAL MISSION OF THE CATHOLIC CHURCH IN THE GATT-WTO SYSTEM By Copyright 2014 Fr. Alphonsus Ihuoma Submitted to the graduate degree program in Law and the Graduate Faculty of the University of Kansas, in partial fulfillment of the requirements for the degree of Doctor of Juridical Science (S.J.D) ________________________________ Professor Raj Bhala (Chairperson) _______________________________ Professor Virginia Harper Ho (Member) ________________________________ Professor Uma Outka (Member) ________________________________ Richard Coll (Member) Date Defended: May 15, 2014 The Dissertation Committee for Fr. Alphonsus Ihuoma certifies that this is the approved version of the following dissertation: THE HOLY SEE, SOCIAL JUSTICE, AND INTERNATIONAL TRADE LAW: ASSESSING THE SOCIAL MISSION OF THE CATHOLIC CHURCH IN THE GATT- WTO SYSTEM by Fr. Alphonsus Ihuoma ________________________________ Professor Raj Bhala (Chairperson) Date approved: May 15, 2014 ii ABSTRACT Man, as a person, is superior to the state, and consequently the good of the person transcends the good of the state. The philosopher Jacques Maritain developed his political philosophy thoroughly informed by his deep Catholic faith. His philosophy places the human person at the center of every action. In developing his political thought, he enumerates two principal tasks of the state as (1) to establish and preserve order, and as such, guarantee justice, and (2) to promote the common good. The state has such duties to the people because it receives its authority from the people. The people possess natural, God-given right of self-government, the exercise of which they voluntarily invest in the state. -
Popes in History
popes in history medals by Ľudmila Cvengrošová text by Mons . Viliam Judák Dear friends, Despite of having long-term experience in publishing in other areas, through the AXIS MEDIA company I have for the first time entered the environment of medal production. There have been several reasons for this decision. The topic going beyond the borders of not only Slovakia but the ones of Europe as well. The genuine work of the academic sculptress Ľudmila Cvengrošová, an admirable and nice artist. The fine text by the Bishop Viliam Judák. The “Popes in history” edition in this range is a unique work in the world. It proves our potential to offer a work eliminating borders through its mission. Literally and metaphorically, too. The fabulous processing of noble metals and miniatures produced with the smallest details possible will for sure attract the interest of antiquarians but also of those interested in this topic. Although this is a limited edition I am convinced that it will be provided to everybody who wants to commemorate significant part of the historical continuity and Christian civilization. I am pleased to have become part of this unique project, and I believe that whether the medals or this lovely book will present a good message on us in the world and on the world in us. Ján KOVÁČIK AXIS MEDIA 11 Celebrities grown in the artist’s hands There is one thing we always know for sure – that by having set a target for himself/herself an artist actually opens a wonderful world of invention and creativity. In the recent years the academic sculptress and medal maker Ľudmila Cvengrošová has devoted herself to marvellous group projects including a precious cycle of male and female monarchs of the House of Habsburg crowned at the St. -
The Holy See
The Holy See LETTER OF THE HOLY FATHER FRANCIS TO HIS HOLINESS BARTHOLOMEW I, ARCHBISHOP OF CONSTANTINOPLE, ACCOMPANYING THE GIFT OF SOME RELICS OF SAINT PETER To His Holiness Bartholomew Archbishop of Constantinople Ecumenical Patriarch Your Holiness, dear Brother, With deep affection and spiritual closeness, I send you my cordial good wishes of grace and peace in the love of the Risen Lord. In these past weeks, I have often thought of writing to you to explain more fully the gift of some fragments of the relics of the Apostle Peter that I presented to Your Holiness through the distinguished delegation from the Ecumenical Patriarchate led by Archbishop Job of Telmessos which took part in the patronal feast of the Church of Rome. Your Holiness knows well that the uninterrupted tradition of the Roman Church has always testified that the Apostle Peter, after his martyrdom in the Circus of Nero, was buried in the adjoining necropolis of the Vatican Hill. His tomb quickly became a place of pilgrimage for the faithful from every part of the Christian world. Later, the Emperor Constantine erected the Vatican Basilica dedicated to Saint Peter over the site of the tomb of the Apostle. In June 1939, immediately following his election, my predecessor Pope Pius XII decided to undertake excavations beneath the Vatican Basilica. The works led first to the discovery of the exact burial place of the Apostle and later, in 1952, to the discovery, under the high altar of the Basilica, of a funerary niche attached to a red wall dated to the year 150 and covered with precious graffiti, including one of fundamental importance which reads, in Greek, Πετρος ευι. -
Rome 2016 Program to SEND
A TASTE OF ANCIENT ROME 17–24 October 2016 Day-by-Day Program Elizabeth Bartman, archaeologist, and Maureen Fant, food writer, lead a unique, in-depth tour for sophisticated travelers who want to experience Rome through the eyes of two noted specialists with a passion for the city, its monuments, and its cuisine. Together they will introduce you to the fascinating archaeology of ancient foodways and to the fundamentals of modern Roman cuisine. Delicious meals, special tastings, and behind-the-scenes visits in Rome and its environs make this week-long land trip an exceptional experience. You’ll stay in the same hotel all week, in Rome’s historic center, with some out-of-town day trips. October is generally considered the absolutely best time to visit Rome. The sun is warm, the nights not yet cold, and the light worthy of a painting. The markets and restaurants are still offering the last of the summer vegetables—such as Rome’s particular variety of zucchini and fresh borlotti beans—as well as all the flavors of fall and winter in central Italy—chestnuts, artichokes, broccoli, broccoletti, chicory, wild mushrooms, stewed and roasted meats, freshwater fish, and so much more. Note: Logistics, pending permissions, and new discoveries may result in some changes to this itinerary, but rest assured, plan B will be no less interesting or delicious. B = Breakfast included L = Lunch included D = Dinner included S = Snack or tasting included MONDAY: WELCOME AND INTRODUCTION You’ll be met at Leonardo da Vinci Airport (FCO) or one of the Rome railroad stations and transferred to our hotel near the Pantheon, our base for the next seven nights.