A Historical Analysis of the Traditional Japanese Decision-Making Process in Contrast with the U.S
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Collecting Karamono Kodō 唐物古銅 in Meiji Japan: Archaistic Chinese Bronzes in the Chiossone Museum, Genoa, Italy
Transcultural Perspectives 4/2020 - 1 Gonatella Failla "ollecting karamono kod( 唐物古銅 in Mei3i Japan: Archaistic Chinese 4ronzes in the Chiossone Museum, Genoa, Ital* Introduction public in the special e>hibition 7ood for the The Museum of Oriental Art, enoa, holds the Ancestors, 7lo#ers for the ods: Transformations of !apanese and Chinese art collections #hich Edoardo Archaistic 4ronzes in China and !apan01 The e>hibits Chiossone % enoa 1833-T()*( 1898) -athered during #ere organised in 5ve main cate-ories: archaistic his t#enty-three-year sta* in !apan, from !anuary copies and imitations of archaic ritual 2ronzes; 1875 until his death in April 1898. A distinguished 4uddhist ritual altar sets in archaistic styleC )aramono professor of design and engraving techniques, )od( hanaike, i.e0 Chinese @o#er 2ronzes collected in Chiossone #as hired 2* the Meiji -overnment to !apan; Chinese 2ronzes for the scholar’s studioC install modern machinery and esta2lish industrial !apan’s reinvention of Chinese archaismB 2ronze and production procedures at the Imperial Printing iron for chanoyu %tea ceremony), for 2unjincha %tea of 4ureau, T()*(, to instruct the youn- -eneration of the literati,, and for @o#er arrangement in the formal designers and engravers, and to produce securit* rik)a style0 printed products such as 2anknotes, state 2ond 4esides documenting the a-es-old, multifaceted certificates, monopoly and posta-e stamps. He #as interest of China in its o#n antiquit* and its unceasing #ell-)no#n also as a portraitist of contemporaneous revivals, the Chiossone 2ronze collection attests to historic 5-ures, most nota2ly Philipp-7ranz von the !apanese tradition of -athering Chinese 2ronzes 9ie2old %1796-1866, and Emperor Meiji %1852-1912, r. -
Some Observations on the Weddings of Tokugawa Shogun’S Daughters – Part 2
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Family, Life Course, and Society Commons, Inequality and Stratification Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2" (2012). Department of East Asian Languages and Civilizations. 8. https://repository.upenn.edu/ealc/8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/8 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 Abstract This section discusses the complex psychological and philosophical reason for Shogun Yoshimune’s contrasting handlings of his two adopted daughters’ and his favorite son’s weddings. In my thinking, Yoshimune lived up to his philosophical principles by the illogical, puzzling treatment of the three weddings. We can witness the manifestation of his modest and frugal personality inherited from his ancestor Ieyasu, cohabiting with his strong but unconventional sense of obligation and respect for his benefactor Tsunayoshi. Disciplines Family, Life Course, and Society | Inequality and Stratification | Social and Cultural Anthropology This is available at ScholarlyCommons: https://repository.upenn.edu/ealc/8 Weddings of Shogun’s Daughters #2- Seigle 1 11Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 e. -
Man'yogana.Pdf (574.0Kb)
Bulletin of the School of Oriental and African Studies http://journals.cambridge.org/BSO Additional services for Bulletin of the School of Oriental and African Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The origin of man'yogana John R. BENTLEY Bulletin of the School of Oriental and African Studies / Volume 64 / Issue 01 / February 2001, pp 59 73 DOI: 10.1017/S0041977X01000040, Published online: 18 April 2001 Link to this article: http://journals.cambridge.org/abstract_S0041977X01000040 How to cite this article: John R. BENTLEY (2001). The origin of man'yogana. Bulletin of the School of Oriental and African Studies, 64, pp 5973 doi:10.1017/S0041977X01000040 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BSO, IP address: 131.156.159.213 on 05 Mar 2013 The origin of man'yo:gana1 . Northern Illinois University 1. Introduction2 The origin of man'yo:gana, the phonetic writing system used by the Japanese who originally had no script, is shrouded in mystery and myth. There is even a tradition that prior to the importation of Chinese script, the Japanese had a native script of their own, known as jindai moji ( , age of the gods script). Christopher Seeley (1991: 3) suggests that by the late thirteenth century, Shoku nihongi, a compilation of various earlier commentaries on Nihon shoki (Japan's first official historical record, 720 ..), circulated the idea that Yamato3 had written script from the age of the gods, a mythical period when the deity Susanoo was believed by the Japanese court to have composed Japan's first poem, and the Sun goddess declared her son would rule the land below. -
Japanese Economic Growth During the Edo Period*
Japanese Economic Growth during the Edo Period* Toshiaki TAMAKI Abstract During the Edo period, Japanese production of silver declined drastically. Japan could not export silver in order to import cotton, sugar, raw silk and tea from China. Japan was forced to carry out import-substitution. Because Japan adopted seclusion policy and did not produce big ships, it used small ships for coastal trade, which contributed to the growth of national economy. Japanese economic growth during the Edo period was indeed Smithian, but it formed the base of economic development in Meiji period. Key words: Kaimin, maritime, silver economic growth, Sakoku 1.Introduction Owing to the strong influence of Marxism, and Japan’s defeat in World War II, Japanese historians dismissed the Edo period (1603–1867) as a stagnating period. Japan, during this period, was regarded as a country that lagged behind Europe because of its underdeveloped social and economic systems. It had been closed to the outside world for over two hundred years, as a result of its Sakoku (seclusion) policy, and could not, therefore, progress as rapidly as Europe and the United States. This image of Japan during the Edo period began to change in the 1980s, and this period is now viewed as an age of economic growth, even if Japan’s growth rates were not as rapid as those of Europe. Economic growth during the Edo period is now even considered to be the foundation for the economic growth that occurred after the Meiji period. In this paper, I will develop three arguments that demonstrate the veracity of the above viewpoint. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
Volume 19 (2012), Article 2
Volume 19 (2012), Article 2 http://chinajapan.org/articles/19/2 Fogel, Joshua A. “On Saeki Arikiyo’s Monumental Study of the ‘Treatise on the People of Wa’” Sino-Japanese Studies 19 (2012), article 2. Abstract: Saeki Ariyiko was one of the world’s premier historians of ancient Japanese and East Asian history. His knowledge of texts and his ability to use them in creative ways and thus bring antiquity to life were virtually unmatched. One of his last works was a reading of the single most commented upon text in Sino-Japanese historical and cultural relations, the Treatise on the People of Wa in the Chronicle of the Kingdom of Wei (known in Japan as Gishi Wajinden). Saeki’s book, entitled Gishi Wajingden o yomu 魏 志倭人伝を読む (Reading the Treatise on the People of Wa in the Chronicle of the Kingdom of Wei), appeared in two volumes (over 450 pages in total) and was published by Yoshikawa kōbunkan in 2000. To give a flavor of the work, I offer a translation of the introductions to each of the volumes. Sino-Japanese Studies http://chinajapan.org/articles/19/2 On Saeki Arikiyo’s Monumental Study of the “Treatise on the People of Wa” Joshua A. Fogel Saeki Ariyiko 佐伯有清 (1925-2005) was one of the world’s premier historians of ancient Japanese and East Asian history. His knowledge of texts and his ability to use them in creative ways and thus bring antiquity to life were virtually unmatched. Although I never had the honor to study with or even meet him, I have long been an admirer of his scholarship both for his approach and product. -
Hirohito the Showa Emperor in War and Peace. Ikuhiko Hata.Pdf
00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page i HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page ii General MacArthur and Emperor Hirohito photographed in the US Embassy, Tokyo, shortly after the start of the Occupation in September 1945. (See page 187) 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iii Hirohito: The Sho¯wa Emperor in War and Peace Ikuhiko Hata NIHON UNIVERSITY Edited by Marius B. Jansen GLOBAL ORIENTAL 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iv HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE by Ikuhiko Hata Edited by Marius B. Jansen First published in 2007 by GLOBAL ORIENTAL LTD P.O. Box 219 Folkestone Kent CT20 2WP UK www.globaloriental.co.uk © Ikuhiko Hata, 2007 ISBN 978-1-905246-35-9 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without prior permission in writing from the Publishers. British Library Cataloguing in Publication Data A CIP catalogue entry for this book is available from the British Library Set in Garamond 11 on 12.5 pt by Mark Heslington, Scarborough, North Yorkshire Printed and bound in England by Athenaeum Press, Gateshead, Tyne & Wear 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page vi 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page v Contents The Author and the Book vii Editor’s Preface -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
Cambridge University Press 978-1-108-72474-6 — an Introduction to Japanese Society Yoshio Sugimoto Index More Information
Cambridge University Press 978-1-108-72474-6 — An Introduction to Japanese Society Yoshio Sugimoto Index More Information Index Abe, Shinz¯o,236, 303, 312 alternative culture, 285 abilities, of employees, 116–17 characteristics, 287 abortion, 186–8 communes and the natural economy, 299–300 academic world system, 52–3 Cool Japan as, 311 achieved status, 73–4, 81 countercultural events and performances, 298–9 Act on Land and Building Leases (1991), 122 historical examples, 297 Act on Promotion of Women’s Participation local resident–volunteer support movements as, and Advancement in the Workplace (2016), 325 182 mini-communication media and online papers, activism, see resident movements; social 297–8 movements nature of, 297 administrative guidance (gyosei¯ shido¯), 232, 235–6, social formations producing, 286 338 amae (active dependency), 29, 43, 51 administrative systems amakudari (descending from heaven), 232–5, 251 during Heian period, 9 Amaterasu Ōmikami, 6–7, 267 during Kamakura period, 10 ambiguity, manipulation of, 337–8 during Yamato period, 7 Ame no Uzume, 6 adoption, 196 Ampo struggle, 318, 321 AEON, 110 ancestor worship, 266, 281, 295 aging society, 47–8 animators, working conditions, 307 declining birth rate and, 86–7 anime, 27–8, 46–7, 302, 311 life expectancy in, 84–6 animism, 203, 266–7 rise in volunteering and, 323 annual leave, 120 woman’s role as caregiver in, 181 anomie (normlessness), 48 Agon-shu¯ (Agon sect), 273 anti-development protests, 324–5 agricultural cooperatives, 326 anti-nuclear demonstrations, 92, 317–21 -
Jingu Kogo Ema in Southwestern Japan Reflections and Anticipations of the Seikanron Debate in the Late Tokugawa and Early Meiji Period
R ic h a r d W A n d e r s o n Oregon State University Corvallis, Oregon Jingu Kogo Ema in Southwestern Japan Reflections and Anticipations of the Seikanron Debate in the Late Tokugawa and Early Meiji Period Abstract Preliminary investigation suggests that ema (votive paintings) featuring a fourth-century legendary empress (Jingu Kogo) of Japan as their subject were used by local elites in southwestern Japan in the nineteenth century to justify the need for overseas expansion — in particular the need for an invasion of Korea. Jingu Kogo ema exhibit two basic motifs, both of which allude to her alleged invasion of Korea. From ema surveys in Yamaguchi Prefecture and Fukuoka Prefecture I have discovered that a geographical and temporal correlation emerges from the distribution of these ema. I contend that the prevalence of different motifs in these areas, and the dating suggest that local elites were using Jingu Kogo ema as an iconographic “text” to discuss and comment on the advisa bility/feasibility of invading Korea {seikanron). This spillover of political themes into religious artifacts is an interesting and potentially very fruitful area of study that has received inadequate attention. Keywords: ema— seikanron— Jingu Kogo— folk art— Japanese-Korean relations— min- shushi Asian Folklore Studies, Volume 61,2002: 247-270 APANESE-KOREAN RELATIONS have evolved over a long and often con tentious history.1 The record of nearly two thousand years of contact between Japan and Korea includes the introduction of Buddhism into JJapan through Korea; the exchange of tribute and trade; repeated raids by pirates; two invasions and occupations of portions of the Korean peninsula (from the fourth to sixth centuries and in the latter part of the sixteenth cen tury);2 a major debate by Japanese government officials in the 1870s over whether to invade Korea a third time; and, finally, the annexation of Korea by Japan in 1905 until the restoration of its independence in 1945. -
Introduction the Making of Decadence in Japan 1
Notes Introduction The Making of Decadence in Japan 1. Nakao Seigo, “Regendered Artistry: Tanizaki Junichiro and the Tradition of Decadence,” (Ph.D. Diss. New York U, 1992), p. 53. 2. Homi K. Bhabha, The Location of Culture. New York: Routledge, 1994, p. 122. 3. Ibid., p. 123. 4. Ibid., p. 130. 5. Kamishima Jirō, Kindai nihon no seishin kōzō [The Structure of the Modern Japanese Mind]. Tokyo: Iwanami, 1961, p. 183. Kamishima introduces the word “reiki” (encouraging reinforcement) to describe the acculturation pro- cess that appeared to further the social phenomenon of decadence in late Meiji Japan. He argues that individualism, the decay of conventional ethics, the corruption of public morals, and a collective neurosis, etc., were ubiqui- tous by the end of the Meiji period. According to Kamishima, these social fac- tors already existed in pre-Meiji Japan, but became more visible in the 1900s. These indigenous factors were not transplanted but simply “reinforced” through contact with the West. 6. In reality, Ariwara no Narihira lived in the ninth century (825–880). Ise Monogatari offers a fictional version of Narihira and places him in the context of the year 950 or thereabouts. Karaki traces Narihira’s decadent image not on the basis of biographical facts but via the fictional image created by the author of Ise Monogatari. See Karaki Junzō, Muyōsha no keifu. Tokyo: Chikuma, 1960, p. 10. 7. Fujiwara no Kusuko (?–810), a daughter of Fujiwara no Tanetsugu and the wife of Fujiwara no Tadanushi, was Emperor Heijō’s mistress. She and her brother, Fujiwara no Nakanari, vehemently opposed the Emperor’s decision to leave the throne. -
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices by Gunnella Thorgeirsdottir A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Social Sciences School of East Asian Studies August 2014 ii iii iv Abstract In recent years there has been an oft-held assumption as to the decline of traditions as well as folk belief amidst the technological modern age. The current thesis seeks to bring to light the various rituals, traditions and beliefs surrounding pregnancy in Japanese society, arguing that, although changed, they are still very much alive and a large part of the pregnancy experience. Current perception and ideas were gathered through a series of in depth interviews with 31 Japanese females of varying ages and socio-cultural backgrounds. These current perceptions were then compared to and contrasted with historical data of a folkloristic nature, seeking to highlight developments and seek out continuities. This was done within the theoretical framework of the liminal nature of that which is betwixt and between as set forth by Victor Turner, as well as theories set forth by Mary Douglas and her ideas of the polluting element of the liminal. It quickly became obvious that the beliefs were still strong having though developed from a person-to- person communication and into a set of knowledge aquired by the mother largely from books, magazines and or offline. v vi Acknowledgements This thesis would never have been written had it not been for the endless assistance, patience and good will of a good number of people.