2018 Sample Report #2
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Six Events at the LA Convention Center That Should Be on Your Radar
Summer 2019 Event Preview: Six Events at the LA Convention Center That Should be on Your Radar LOS ANGELES (May 21, 2019) – Summer 2019 brings six can’t-miss events to the Los Angeles Convention Center (LACC). Owned by the City of Los Angeles and managed by AEG Facilities, the LACC is delighted to welcome back RuPaul’s DragCon LA, BET Experience, Anime Expo (AX), Beautycon LA and KCON LA, as well as newcomer, AlienCon. “We are excited to partner with these six fantastic organizers and welcome their guests to our facility,” said Ellen Schwartz, General Manager, LACC. “These events represent a wide variety of interests and are sure to make for an energizing three months in DTLA.” In addition to these large-scale entertainment experiences, the LACC has a packed calendar of events including trade shows, meetings and assemblies. These events bring thousands of convention-goers to the LACC and significantly contribute to the Los Angeles economy. MAY 24 – 26: RuPaul’s DragCon LA RuPaul’s DragCon kick-starts the summer season at the LACC with its three-day celebration of pop culture, art and all things drag. Six years after RuPaul’s Drag Race premiered, World of Wonder created a convention to unite fans of the television show and drag culture. In 2015, the LACC held the very first RuPaul’s DragCon. For the past four years, RuPaul’s DragCon has provided a safe, fun space for fans of all ages and backgrounds to engage with RuPaul’s Drag Race Queens, celebrities and icons. The convention is all-ages and family friendly, including a popular Kids Zone with story hour, arts and crafts, kid-specific performances, and more. -
Entertainment&Media
ENTERTAINMENT&MEDIA CJ E&M CJ CGV CJ HELLOVISION 1 CJ E&M is Asia’s No.1 integrated contents company, offering a variety of contents and platform services, including media, movies, live entertainment, and games. CJ E&M leverages synergies by converging a myriad of contents to lead the global Hallyu with new contents developed for one source for multi-use. 25 Korea’s first Multiplex Theater CGV boasts the largest number of cinemas in Korea and the greatest brand power. CGV has continued to develop a unique cinema experience so that the audience can watch a movie within the optimal environment. Cultureplex offers a new paradigm in movie theaters and is just one of the many innovations that CJ has brought to the movie industry. 41 CJ HelloVision is a leader in the smart platform market, delivering valuable contents and information to customers. CJ HelloVision provides you with advanced services fit for the new media environment. Its products include smart cable TV ‘hello tv Smart,’ digital cable TV ‘hello tv,’ fast speed internet ‘hello net,’ internet home telephone ‘hello fone,’ Korea’s No.1 budget phone service ‘hello mobile’ and the N screen service ‘tving.’ CJ E&M CJ CGV CJ HELLOVISION 2 3 BUSINESS OVERVIEW FINANCIAL HIGHLIGHTS CJ E&M Weight of each business Sales by year (Unit: billion won) CJ E&M Center, 66, Sangamsan-ro, Mapo-gu, Seoul as % of sales www.cjenm.com (As of 2013) 2013 1,716.1 2012 1,394.6 29% Asia’s No.1 Total Contents Company CJ E&M, 2011 1,279.2 45% creating a culture and a trend 12% Media Sales Profit by Year (Unit: billion won) Game 14% CJ E&M is the No.1 total contents company creating culture and trends. -
Analysis of the Global-Local-Global Strategy in K-Pop Music Videos
Analysis of the global-local-global strategy in K-pop music videos Yasmine El Ouahi Hajji Tutor: Núria Vergés Bosch Bachelor’s Degree in International Business Faculty of Economics and Business University of Barcelona ABSTRACT K-pop music videos are a global sensation that are breaking YouTube streaming records since the virality of the hit single ‘Gangnam Style’ by PSY in 2012. After that, South Korean pop music artists and bands such as BTS or BLACKPINK kept dominating international charts and winning the admiration of millions of fans through their music videos. According to academic researchers, this was made possible because of a unique internationalization strategy called global-local-global which consists of the hybridity of cultural product by combining global production factors to a South Korean product with the goal of reaching an international audience by using a foreign distributor channel (YouTube). To understand the characteristics and evolution of this method, K-pop music videos with most YouTube views of each year from 2012 up to 2020 where analyzed. The aspects discussed and their respective evolution throughout the years were the nationality of the K-pop music videos producers, the identification of Korean and foreign elements in the visuals, the use of English in the lyrics, music style, the artists looks and also the use of YouTube digital tools. From the analysis of the music videos, the factors that did help with the popularity of K-pop where the progressive increase of English in the lyrics compared to Korean, the quality camerawork and great scenography together with the use of choreographies and YouTube hashtags and subtitles. -
WRESTLING with OR EMBRACING DIGITIZATION in the MUSIC INDUSTRY the Contrasting Business Strategies of J-Pop and K-Pop
Parc & Kawashima / Wrestling with or Embracing Digitization 23 WRESTLING WITH OR EMBRACING DIGITIZATION IN THE MUSIC INDUSTRY The Contrasting Business Strategies of J-pop and K-pop Jimmyn Parc Seoul National University and Sciences Po Paris [email protected] Nobuko Kawashima Doshisha University [email protected] Abstract Digitization has significantly changed the process for producing and consuming music: from analogue to digital, albums to songs, possess to access, audio to visual, and end products to promotional products. In this globalized digital era, actively embracing digitization would likely help enhance the competitiveness of the music industry. The rise of K-pop and the decline of J-pop clearly demonstrate the different results from whether to embrace or wrestle with digitization. The Korean music industry recognized changes brought on by digitization earlier and was more active in responding with effective strategies. By contrast, the Japanese music industry did not immediately respond to these changes but stuck to its rent-seeking behavior in order to take advantage of its larger market size and ‘sophisticated’ copyright regime. The implications from this paper is that business activities are the core element for creating and enhancing competitiveness of the music industries. Keywords J-pop, K-pop, Hallyu, music industry, digitization, cultural industry Kritika Kultura 30 (2018): 23–048 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Parc & Kawashima / Wrestling with or Embracing Digitization 24 About the Authors Jimmyn Parc is a visiting lecturer at Paris School of International Affairs (PSIA), Sciences Po Paris, France and a research associate at the EU Centre, Graduate School of International Studies (GSIS), Seoul National University. -
KCON USA - to Take Place in New York on July 6-7 and Los Angeles on August 15-18
World’s Largest Korean Pop Music and Culture Convention - KCON USA - To Take Place in New York on July 6-7 and Los Angeles on August 15-18 March 12, 2019 KCON New York Expands and Moves to The World’s Most Famous Arena, Madison Square Garden, and Javits Center KCON Los Angeles Grows to Four Days for the First Time Ever LOS ANGELES, March 12, 2019 (GLOBE NEWSWIRE) -- Today, KCON USA has announced the dates and locations of this year’s KCON New York and KCON Los Angeles events. KCON New York will take place for the first time in Manhattan with two concerts at the legendary venue Madison Square Garden and a Korean pop culture convention during the day at the Javits Center on July 6th and 7th. KCON Los Angeles will take place August 15th through the 18th and will return to the Los Angeles Convention Center and STAPLES Center. KCON is the world’s largest Korean pop music and culture convention featuring Korean music, Korean food, Korean beauty products and, new this year, Korean lifestyle. KCON will continue to provide an unprecedented amount of access to the artists and influencers that fans cannot experience elsewhere, making KCON a truly one-of-a-kind experience. As KCON NY grows into a larger venue, KCON is getting bigger too. For the first time ever, KCON LA will run for four days (as opposed to three days in the past). This means extended programming and shows to be announced in the coming months. Last year’s KCON broke records with over 94,000 fans in attendance at KCON LA. -
Diasporic P'ungmul in the United States
Diasporic P’ungmul in the United States: A Journey between Korea and the United States DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Soo-Jin Kim Graduate Program in Music The Ohio State University 2011 Committee: Professor Udo Will, Advisor Associate Professor Chan E. Park Assistant Professor Danielle Fosler-Lussier Copyright by Soo-Jin Kim 2011 Abstract This study contributes to understanding diaspora and its music cultures by examining the Korean genre of p’ungmul as a particular site of continuous and dynamic cultural socio-political exchange between the homeland and the host society. As practiced in Los Angeles and New York City, this genre of percussion music and dance is shaped by Korean cultural politics, intellectual ideologies and institutions as p’ungmul practitioners in the United States seek performance aesthetics that fit into new performance contexts. This project first describes these contexts by tracing the history of Korean emigration to the United States and identifying the characteristics of immigrant communities in Los Angeles and New York City. While the p’ungmul troupes developed by Korean political refugees, who arrived during the 1980s, show the influence of the minjung cultural movement in Korea, cultural politics of the Korean government also played an important role in stimulating Korean American performers to learn traditional Korean performing arts by sending troupes to the United States. The dissertation then analyzes the various methods by which p’ungmul is transmitted in the United States, including the different methods of teaching and learning p’ungmul—writing verbalizations of instrumental sounds on paper, score, CD/DVD, and audio/video files found on the internet—and the cognitive consequences of those methods. -
© Copyright 2020 Young Dae
© Copyright 2020 Young Dae Kim The Pursuit of Modernity: The Evolution of Korean Popular Music in the Age of Globalization Young Dae Kim A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2020 Reading Committee: Shannon Dudley, Chair Clark Sorensen Christina Sunardi Program Authorized to Offer Degree: Music University of Washington Abstract The Pursuit of Modernity: The Evolution of Korean Popular Music in the Age of Globalization Young Dae Kim Chair of the Supervisory Committee: Shannon Dudley School of Music This dissertation examines the various meanings of modernity in the history of Korean pop music, focusing on several crucial turning points in the development of K-pop. Since the late 1980s, Korean pop music has aspired to be a more advanced industry and establish an international presence, based on the economic leap and democratization as a springboard. Contemporary K-pop, originating from the underground dance scene in the 1980s, succeeded in transforming Korean pop music into a modern and youth-oriented genre with a new style dubbed "rap/dance music." The rise of dance music changed the landscape of Korean popular music and became the cornerstone of the K-pop idol music. In the era of globalization, K-pop’s unique aesthetics and strategy, later termed “Cultural Technology,” achieved substantial returns in the international market. Throughout this evolution, Korean Americans were vital players who brought K-pop closer to its mission of modern and international pop music. In the age of globalization, K-pop's modernity and identity are evolving in a new way. -
WHDE Lesson Plan
WHDE Lesson Plan Kpop and Globalization AUTHOR INFORMATION Author: Bonnie Lewis State: Kentucky GENERAL INFORMATION Lesson Grade Span: Secondary 9th-12th Grade Targeted Grade Level/Course: Geography Estimated Time to Complete Lesson: 3-5 50-minute classes FOCUSED QUESTION Do you have to be original to be new? STANDARDS (STATE/C3) KAS 2.19 Students recognize and understand the relationship between people and geography and apply their knowledge in real-life situations. D2. Geo.5.9-12. Evaluate how political and economic decisions throughout time have influenced cultural and environmental characteristics of various places and regions. D2.Geo.11.9-12. Evaluate how economic globalization and the expanding use of scarce resources contribute to conflict and cooperation within and among countries. D3.3.9-12. Identify evidence that draws information directly and substantively from multiple sources to detect inconsistencies in evidence in order to revise or strengthen claims. STUDENT & TARGET OUTCOMES I can explain the impact of globalization. I can describe the effects of globalization on Korea. I can construct an argument backed by evidence. LESSON OVERVIEW ALL RIGHTS RESERVED WHDE WHDE Lesson Plan This lesson will allow students to explore the concept of globalization and how it has impacted Korean culture by examining the Kpop phenomenon and how it has been influenced by other cultures. PROCEDURES Introduction: Begin the lesson by facilitating discussion around the focus question: Do you have to be original to be new? Explain that you will be talking about how new cultures emerge from encountering, copying, and modifying others. Have students watch a clip (Source A) about globalization and have them write down what they see, think, and wonder as the video is playing. -
The Korean Wave in America: Assessing the Status of K-Pop and K-Drama Between Global and Local
Situations 11.2 (2018): 105– 27 ISSN: 2288–7822 The Korean Wave in America: Assessing the Status of K-pop and K-drama between Global and Local Lisa M. Longenecker and Jooyoun Lee (St. Edward’s University) Abstract Although scholarly attention has focused increasingly on the global recognition of the Korean Wave, little has been explored regarding the popularity and appeal of this phenomenon in the United States. This article seeks to fill this gap by analyzing the extent to which hallyu has been recognized and accepted by American audiences by focusing on K-pop and K-drama. Exploring how hallyu is being received in America offers meaningful insights into how a country with predominant cultural influence on the global stage responds to another country’s transnational popular culture. This study demonstrates that K-pop and K-drama are gradually gaining popularity and visibility in America via diverse channels. BTS in particular has significantly penetrated the U.S. market by interacting with fans on social media, meeting psychological needs of individuals, and filling in for the lack of boy bands in the current American music scene. While both K-pop and K-drama exhibit some limitations in infiltrating American society, the contemporary status of hallyu in America disputes the idea of American cultural dominance by illustrating a complex and intriguing process of globalization embedded in constant interactions between global and local forces, a process that entails adaptation, acceptance, and tension between different cultures. Keywords: Korean Wave, hybridity, cultural tension, cultural homogenization, heterogenization, K-pop, K-drama, BTS 106 Lisa M. -
Food& Food Service
CONTENTS VISION&MISSION 2 MESSAGE FROM CEO 4 CJ HISTORY 6 CJ GLOBAL STORY 9 BUSINESS OVERVIEW 21 CREATING SHARED VALUE 45 SPORTS MARKETING 51 CJ HUMANVILLE·CJ KIDSVILLE 52 CJ ONE 53 GLOBAL NETWORK 54 1953 – 2013 Structure CJ Group Marking the 60th anniversary of the foundation of CJ Group, CJ has embarked on a journey create a history of new challenges and innovations for ‘2020 GREAT CJ.’ The past sixty years have been a time of continuous challenge for innovation, despite the recurrent difficulties faced. CJ will continue onwards to the next 60 years with the same spirit that has sustained it as it pursues new challenges and innovations. CJ will move forward to be a ▼ ‘Global lifestyle company creating health, happiness and convenience.’ GROUP FOOD& BIO& HOME ENTER- INFRA STRUCTURE FOOD SERVICE PHARMA SHOPPING& TAINMENT& www.cj.net LOGISTICS MEDIA CJ Food&Food Service business CJ Bio&Pharma business has global CJ Homeshopping&Logistics business CJ Entertainment&Media business CJ Infrastructure business is involved has created a healthy food culture by competitiveness. The bio business has has emerged as CJ's future growth leads the globalization of Korean culture in construction, e-business, and the enriching the meal tables of Korean been leading the world bio industry engine as it has made a quantum leap and Asian pop culture. By closely transmission of digital broadcasting, people since Korea’s first sugar with the production of ‘Lysine,’ in domestic and overseas markets. CJ connecting all subsidiaries to create creating a synergy effect with four other production in 1953. -
Kcon L.A. Invites Fans of Korean Culture to Check out the Music, the Cuisine and Screened Entertainment at Its Convention
FOCUS KCON LA FOCUS KCON L.A. INVITES FANS OF KOREAN CULTURE TO CHECK OUT THE MUSIC, THE CUISINE AND SCREENED ENTERTAINMENT AT ITS CONVENTION. BOYS BAND K-pop group ATEEZ performs at KCON N.Y. earlier this year. XXXXXX AUGUST 13, 2019 | VARIETY.COM | 28 FOCUS KCON LA CURIOUS DRAWN TO KO RE AN CULTURE KCON expands from concerts to encompass cooking and beauty STORY BY JAE-HA KIM CREATED TO CELEBRATE SOUTH KOREA’S soft power, KCON has grown into the Coachella of Korean culture. Debuting in 2012 as a one-day festival in Los Angeles just months after Psy’s “Gangnam Style” became a worldwide hit, KCON attracted 12,000 curious fans. Flash forward to 2019, when one of the world’s most-famous groups is the Korean boy band BTS, Korean beauty products are all the rage, chefs are incorporating kimchi into western cooking and stream- ing sites including Netflix are premier- ing buzzworthy Korean shows such as the zombie serial, “Kingdom.” The interest in Korean culture has blown up so much that KCON has expanded into multi-day events in New York, Los Angeles, Tokyo and Bangkok. will helm workshops and panels to dis- Boy band ATEEZ, which performed at More than 55,000 attendees were at cuss how K-pop has been a source of men- KCON in New York last month, will take the New York’s two-day Korean culture con- tal-health strength for fans; what it takes stage Aug. 17 at the Staples Center. Though vention last month and KCON will hit L.A. -
K-Pop Connection: Maintaining Fandom Loyalty in K-Pop and V Live
Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses Spring 5-17-2020 K-Pop Connection: Maintaining Fandom Loyalty in K-Pop and V Live Amanda Xiong Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/student_honors Part of the Korean Studies Commons, and the Music Commons Recommended Citation Xiong, Amanda, "K-Pop Connection: Maintaining Fandom Loyalty in K-Pop and V Live" (2020). Dickinson College Honors Theses. Paper 379. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. K-Pop Connection: Maintaining Fandom Loyalty in K-Pop and V Live Amanda Xiong Senior Thesis Department of East Asian Studies Dickinson College May 6, 2020 Xiong 2 Introduction “It’s almost like a drug—companies keep giving just a little bit more to maintain interest and fans always come back.” - Alice, female 23-year-old K-pop fan from America Korean popular music, more commonly known as K-pop, is a smaller branch of the Hallyu Wave. Hallyu refers to the international success of Korean popular cultural products such as film, music, television, radio, fashion, and computer games.1 In recent years, K-pop has seen a tremendous rise in global popularity as more and more K-pop artists attempt to leave their mark on the Western music scene. However, the reasons for this success continue to elude scholars. Some, such as Solee Shin, believe that the answer lies in the way K-pop companies conduct their business and marketing strategies to appeal to fandoms.