INTRODUCTION the Bases of Construction, Which Led to the Pyramid Age Magnificence, Were Enhanced During the Third Dynasty
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Historical Deception Gives an Excellent Overview of All Things Egyptian
About the Author Moustafa Gadalla was born in Cairo, Egypt in 1944. He gradu- ated from Cairo University with a Bachelor of Science degree in civil engineering in 1967. He immigrated to the U.S.A. in 1971 to practice as a licensed professional engineer and land surveyor. From his early childhood, Gadalla pursued his Ancient Egyp- tian roots with passion, through continuous study and research. Since 1990, he has dedicated and concentrated all his time to re- searching the Ancient Egyptian civilization. As an independent Egyptologist, he spends a part of every year visiting and studying sites of antiquities. Gadalla is the author of ten internationally acclaimed books. He is the chairman of the Tehuti Research Foundation—an interna- tional, U.S.-based, non-profit organization, dedicated to Ancient Egyptian studies. Other Books By The Author [See details on pages 352-356] Egyptian Cosmology: The Animated Universe - 2nd ed. Egyptian Divinities: The All Who Are THE ONE Egyptian Harmony: The Visual Music Egyptian Mystics: Seekers of the Way Egyptian Rhythm: The Heavenly Melodies Exiled Egyptians: The Heart of Africa Pyramid Handbook - 2nd ed. Tut-Ankh-Amen: The Living Image of the Lord Egypt: A Practical Guide Testimonials of the First Edition: Historical Deception gives an excellent overview of all things Egyptian. The style of writing makes for an easy read by the non- Egyptologists amongst us. Covering a wide variety of topics from the people, language, religion, architecture, science and technol- ogy it aims to dispel various myths surrounding the Ancient Egyp- tians. If you want a much better understanding of Ancient Egypt, then you won’t be disappointed be with the straight forward, no-non- sense approach to information given in Historical Deception. -
Catalog SCIROCCO
Главная Назад Каталог пирамид. Каталог ШИРОКО Дата публикации: 2013г. Версия 3 от 13.09.2013 [email protected] Кат. N: PYReg001.GIZ01.LpsIV Название: Пирамида фараона Хеопса (Cheops) Другие названия: Куфу(Khufu), Великая(Great); Лепсиуса IV(Lepsius IV), Kheops Координаты: 29°58'45.03''N 31°08'03.69''E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.89° Материал: , камень (известняк) Размеры,м: 230x230x146.5 Азимут, °: 0 Коментарий:Самая большая из рукотворных пирамид M01, M02 000, 001, 002, 003, 004, 005, 006, Кат. N: PYReg002.GIZ02.LpsVIII Название: Пирамида фараона Хафры (Khafre) Другие названия: Хефрена(Khephren); Урт-Хафра (Hurt-Khafre); Лепсиус VIII(Lepsius VIII) Координаты: 29°58'34"N 31°07'51"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 53.12° Материал: , камень (известняк) Размеры, м: 215.3x215.3x143.5 Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003 004, 005, Кат. N: PYReg003.GIZ03.LpsIX Название: Пирамида фараона Менкаура(Menkaure) Другие названия: Микерина (Menkaure), Лепсиус IX (Lepsius IX); Херу; Координаты: 29°58'21"N 31°07'42"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.72° Материал: , камень (известняк) Размеры, м: 102.2x104.6x65.5 Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003, 004, 005, 006, 007, 008, 009, 010, 011, 012, 013, 014, 015, 016, 017, 018, Кат. N: PYReg004.GIZ04.LpsV Название:Пирамида царицы Хетепхерес I (Hetepheres I) фараона Хеопса. Другие названия: Царица Хетепхерес I (Queen Hetepheres I) ; G I-a; Лепсиус V (Lepsius V); Координаты: 29°58'43.80"N, 31° 8'10.23"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.72° Материал: , камень Размеры, м: 47.5x47.5x30.1(?) Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003, 004, 005, 006, 007, 008, 009, Кат. -
Architecture and Mathematics in Ancient Egypt
ARCHITECTURE AND MATHEMATICS IN ANCIENT EGYPT In this fascinating new study, architect and Egyptologist Corinna Rossi analyses the relationship between mathematics and architecture in ancient Egypt by explor- ing the use of numbers and geometrical figures in ancient architectural projects and buildings. While previous architectural studies have searched for abstract ‘universal rules’ to explain the history of Egyptian architecture, Rossi attempts to reconcile the different approaches of archaeologists, architects and historians of mathematics into a single coherent picture. Using a study of a specific group of monuments, the pyramids, and placing them in the context of their cultural and historical back- ground, Rossi argues that theory and practice of construction must be considered as a continuum, not as two separated fields, in order to allow the original plan- ning process of a building to re-emerge. Highly illustrated with plans, diagrams and figures, this book is essential reading for all scholars of ancient Egypt and the architecture of ancient cultures. Dr Corinna Rossi is a Junior Research Fellow in Egyptology at Churchill College, Cambridge. ARCHITECTURE AND MATHEMATICS IN ANCIENT EGYPT CORINNA ROSSI cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sa~o Paulo Cambridge University Press The Edinburgh Building, Cambridge, CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521690539 C Corinna Rossi 2003 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
Through the Eras AHTTE.Ancntegypt.Tpgs 9/14/04 12:10 PM Page 3
AHTTE.AncntEgypt.tpgs 9/14/04 12:10 PM Page 1 ARTS & HUMANITIES Through the Eras AHTTE.AncntEgypt.tpgs 9/14/04 12:10 PM Page 3 ARTS & HUMANITIES \ Through the Eras Ancient Egypt 2675–332 B.C.E Edward Bleiberg, Editor 69742_AHTE_AEfm_iv-xxviii.qxd 9/21/04 1:20 PM Page iv Arts and Humanities Through The Eras: Ancient Egypt (2675 B.C.E.–332 B.C.E.) Edward Bleiberg Project Editor Indexing Services Product Design Rebecca Parks Barbara Koch Michelle DiMercurio Editorial Imaging and Multimedia Composition and Electronic Prepress Danielle Behr, Pamela A. Dear, Jason Everett, Randy Bassett, Mary K. Grimes, Lezlie Light, Evi Seoud Rachel J. Kain, Timothy Sisler, Ralph G. Daniel William Newell, Christine O’Bryan, Zerbonia Kelly A. Quin Manufacturing Wendy Blurton Editorial Support Services Rights and Acquisitions Mark Springer Margaret Chamberlain, Shalice Shah-Caldwell © 2005 Thomson Gale, a part of the This publication is a creative work fully Cover photographs by permission of Corbis Thomson Corporation. protected by all applicable copyright laws, as (seated statue of Pharaoh Djoser) and well as by misappropriation, trade secret, AP/Wide World Photos (“The Creation of Thomson and Star Logo are trademarks and unfair competition, and other applicable laws. Adam and Eve” detail by Orvieto). Gale is a registered trademark used herein The authors and editors of this work have under license. added value to the underlying factual Since this page cannot legibly accommo- material herein through one or more of the date all copyright notices, the acknowledge- For more information, contact following: unique and original selection, ments constitute an extension of the Thomson Gale coordination, expression, arrangement, and copyright notice. -
Cwiek, Andrzej. Relief Decoration in the Royal
Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig -
Astronomy, Topography and Dynastic History in the Age of the Pyramids
Astronomy, topography and dynastic history in the Age of the Pyramids. Giulio Magli Faculty of Civil Architecture - Politecnico di Milano Piazza Leonardo da Vinci 32, 20133 Milan, Italy It is known since the 19 century that in the layout of the pyramid field of the pharaohs of the 4 th Egyptian dynasty at Giza, a “main axis” exists. Indeed, the south-east corners of these monuments align towards the site of the temple of Heliopolis, which was plainly visible in ancient times. It was later discovered that a similar situation occurs in the main pyramid field of the subsequent dynasty at Abu Sir. Here, the north-west corners of three chronologically successive pyramids again voluntarily align towards Heliopolis. However, the temple was in this case not visible, due to the rock outcrop- today occupied by the Cairo citadel - which blocks the view. In the present paper, a multi-disciplinary approach based on historical, topographical and archaeoastronomical analysis is developed in an attempt at understanding this peculiar feature, which governed from the very beginning the planning of such wonderful monuments. A general pattern actually arises, which appears to have inspired the choice of the sites and the disposition on the ground of almost all the funerary complexes of the kings during the Old Kingdom. 1. Introduction An interesting feature exists in the layouts of the pyramids of Giza and Abu Sir: the presence of a “main axis” directed to the area where the ancient temple of the sun of Heliopolis once stood, on the opposite bank of the Nile. These axes are connected with a process of “solarisation” of the pharaoh which probably started with Khufu, the builder of the Great Pyramid. -
Geometry and Perspective in the Landscape of the Saqqara Pyramids
GEOMETRY AND PERSPECTIVE IN THE LANDSCAPE OF THE SAQQARA PYRAMIDS MAGLI Giulio, (I) Abstract. A series of peculiar, visual alignments between the pyramids of the pharaohs of the 4th , the 5th and the 6th Egyptian dynasties exists. These alignments governed from the very beginning the planning of the funerary monuments of successive kings and, in some cases, led to establish building sites in quite inconvenient locations from the technical viewpoint. Explaining the topography of these monuments means therefore also investigating on their symbolic motivations: religion, power, dynastic lineage and social context, as well as getting insights on the skills of the ancient architects in astronomy and geometry. In the present paper we focus on the relationships between the Old Kingdom pyramids at Saqqara. Key words. Ancient astronomy. Ancient and sacred geometry. Egyptian pyramids. Mathematics Subject Classification: Primary 01A16, 51-03. 1 Introduction th It is known since the 19 century that an interesting feature exists in the layouts of the pyramids of th the 4 dynasty at Giza: the presence of a “main axis” connecting the south-east corners of the three main monuments and directed to the area where the ancient temple of the sun of Heliopolis once stood, on the opposite bank of the Nile [1,2,3]. This line is connected with a process of “solarisation” of the pharaohs which started with Khufu, the builder of the Great Pyramid, and th lasted up Menkaure, the builder of the third Giza pyramid [4,5]. The kings of the 5 dynasty moved - in spite of the presence of several favorable places to the immediate south of Giza - some 7 Kms apart on the plateau of Abusir. -
Ancient Egypt Old Kingdom & First Intermediate Period
ITTC06 1/25/07 5:34 PM Page 121 CHAPTER 6 The Old Kingdom and First Intermediate Period Contents 6.1 The Old Kingdom: Overview The Early Old Kingdom 6.2 The 3rd Dynasty: Djoser’s Step Pyramid at Saqqara 6.3 The 4th Dynasty’s First King, Sneferu, and his Three Pyramids 6.4 Khufu’s Great Pyramid at Giza 6.5 The Great Sphinx and Khafra’s Pyramid Complex 6.6 Menkaura’s Giza Pyramid and its Remarkable Valley Temple Finds 6.7 Giza Pyramid Towns 6.8 Giza Mastabas, Queen Hetepheres’s Hidden Tomb, and the Workmen’s Cemetery The Later Old Kingdom 6.9 Sun Temples of the 5th Dynasty 6.10 Later Old Kingdom Pyramids and the Pyramid Texts 6.11 An Expanding Bureaucracy: Private Tombs in the 5th and 6th Dynasties 6.12 Egypt Abroad The First Intermediate Period 6.13 The End of the Old Kingdom and the First Intermediate Period: Causes of State Collapse ITTC06 1/25/07 2:56 PM Page 122 Introduction With the successful consolidation of state control in the first two dynasties (and most likely an increasingly effective bureaucracy), the stage was set for the impressive royal projects of the 3rd and 4th Dynasties. Egypt’s first pyramids represent state control over resources, both material and human, on a new and much larger scale than previously. The state was ruled by a king, whose earthly power and ideological role were symbolized by the stone pyramid, first as a stepped structure and later as a smooth-sided form. The Great Pyramid at Giza, the most impres- sive of these monuments, was the largest building in the world for over 45 centuries. -
Astronomy, Topography and Dynastic History in the Age of the Pyramids
Astronomy, topography and dynastic history in the Age of the Pyramids. Giulio Magli Faculty of Civil Architecture - Politecnico di Milano Piazza Leonardo da Vinci 32, 20133 Milan, Italy [email protected] It is known since the 19 th century that in the layout of the pyramid field of the pharaohs of the 4th Egyptian dynasty at Giza, a “main axis” exists. Indeed, the south-east corners of these monuments align towards the site of the temple of Heliopolis, which was plainly visible in ancient times. It was later discovered that a similar situation occurs in the main pyramid field of the subsequent dynasty at Abu Sir. Here, the north-west corners of three chronologically successive pyramids again voluntarily align towards Heliopolis. However, the temple was in this case not visible, due to the rock outcrop- today occupied by the Cairo citadel - which blocks the view. In the present paper, a multi-disciplinary approach based on historical, topographical and archaeoastronomical analysis is developed in an attempt at understanding this peculiar feature, which governed from the very beginning the planning of such wonderful monuments. A general pattern arises, which appears to have inspired the choice of the sites and the design of almost all the funerary complexes of the kings of the 4 th and the 5th Egyptians dynasties. This pattern is deeply connected with religion, funerary cult and dynastic lineage, but also - probably - with astronomical knowledge. 1. Introduction It is very well known that an interesting feature exists in the layouts of the pyramids of the 4th and the 5th dynasties in Giza and Abu Sir: the presence of a “main axis” (Lehner 1999, Verner 2002). -
Tessa Dickinson a Landscape and Materials-Based Approach to Royal Mortuary Architecture in Early Third Millennium BC Egypt Volum
Tessa Dickinson A Landscape and Materials-based Approach to Royal Mortuary Architecture in Early Third Millennium BC Egypt Volume 1: Text Institute of Archaeology University College London 2014 Thesis submitted to University College London for the Degree of Doctor of Philosophy 1 Disclaimer I, Tessa Dickinson, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Tessa Dickinson 2 Abstract This dissertation examines the role that the building of royal mortuary complexes (RMC hereafter) played in the consolidation of the Egyptian state between the reigns of kings Khasekhemwy and Shepseskaf, c. 2,700-2,500 BC. The theoretical basis for this research is inspired by cross-cultural studies that demonstrate (a) that monuments are not only the after-effect of a centralised state system, but may themselves be integrative strategies that contribute more directly to a state’s formation and consolidation and (b) that a monument’s location and construction materials reflect both logistical and symbolic concerns with salient socio-political scope. The main analysis offered here consists of a sequential, monument-by-monument archaeological assessment of RMC location and construction materials with a particular emphasis on the role of a specialist workforce. This research combines both quantitative and qualitative methods that help flesh out possible logistical and symbolic implications associated with the decision- making process behind each RMC. The working and symbolic properties of a whole range of construction materials is determined via careful use of the limited contemporary, and more abundant later, Egyptian documentary sources, as well as demonstrable patterns of material use in the archaeological record. -
Excavating the Old Kingdom. the Egyptian Archaeologists
EGYPTIAN ART IN THE AGE OF THE PYRAMIDS THE METROPOLITAN MUSEUM OF ART, NEW YORK DISTRIBUTED BY HARRY N. ABRAMS, INC., NEW YORK This volume has been published in ulIljunction 1\\1 ri~brs reserwd. No pari 01 Ibis pnhli":II;on 'I'Llnsl:lli,,,,, Iwnl tbe I:relll·b hy .I:III1l·S p. Allen with the exhibition «Egyptian Art in the Age of Illay he reproduced or 'T:lIlSlllilled hy any Ill"ans, of essays hy Nadine CIl<'rpion and .Iean-Philipl'" the Pyramids," organized by The Metropolitan electronic or mechanical, indllding phorocopyin~, I.ann; hy .Iobn McDonald of essays by Niu,las Museum of Art, New York; the Reunion des recording, or information retrieval system, with Crilllal, I\ndran I.abrollsse, .Ie'lIl I.edant, and musees nationaux, Paris; and the Royal Ontario out permission from the publishers. Christiane Ziegler; by Jane Marie Todd and Museum, Toronto, and held at the Gaieries Catharine H. Roehrig of entries nationales du Grand Palais, Paris, from April 6 John P. O'Neill, Editor in Chief to July 12, 1999; The Metropolitan Museum of Carol Fuerstein, Editor, with the assistance of Maps adapted by Emsworth Design, Inc., from Art, New York, from September 16, 1999, to Ellyn Childs Allison, Margaret Donovan, and Ziegler 1997a, PI'. 18, 19 January 9, 2000; and the Royal Ontario Museum, Kathleen Howard Toronto, from February 13 to May 22, 2000. Patrick Seymour, Designer, after an original con Jacket/cover illustration: Detail, cat. no. 67, cept by Bruce Campbell King Menkaure and a Queen Gwen Roginsky and Hsiao-ning Tu, Production Frontispiece: Detail, cat. -
Social Change in the Fourth Dynasty: the Spatial Organization Of
Social Change in the Fourth Dynasty: The Spatial Organization of Pyramids, Tombs, and Cemeteries Author(s): Ann Macy Roth Source: Journal of the American Research Center in Egypt, Vol. 30 (1993), pp. 33-55 Published by: American Research Center in Egypt Stable URL: http://www.jstor.org/stable/40000226 . Accessed: 21/04/2011 16:10 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=arce. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Research Center in Egypt is collaborating with JSTOR to digitize, preserve and extend access to Journal of the American Research Center in Egypt.