The Layer Monuments
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The Presence of Myth in the Pyramid Texts
The Presence of Myth in the qnamid Texts A thesis submitted in conformity with the nquirements for the degree of Doctor of Philosophy Graduate Department of Near and Middk Eastern Civilizations University of Toronto National CiBrary Bibiioth ue nationale u*m of Canada du Cana% The author has granteci a non- L'auteur a accordé une licence non exclusive ticence allowing the exclusive pennettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, Ioan, distri'btûe or sen reproduire, prêter, disbn'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/& de reproduction sur papier ou sur fomiat électronique. The author retains ownership ofthe L'auteur conserve la propriété du copyright in this thesis. Neither the choit d'auteur qni protège cette thèse. thesis nor substantid exûacts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être miphés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE PRESENCE OF MYTH IN THE PYRAMID TEXTS Doctor of Philosophy 200 1 Jeder Elisabeth Hellum Graduate Department of Near and Middle Eastern Civilizations University of Toronto The Pyramid Texts, written on the waUs of the entrance corridors, antechambers, and funerary chambers of the royal pyramids of the late Fiifth and entire Skth Dynasties, are filied with mythic statements and allusions, without using prose or poetic narrative. They hctioned as a holistic group, each distinct from the other, yet each working within the group to create a situation paraHehg the mythic, celestial worid of the afterlife. -
I. a Consideration of Tine and Labor Expenditurein the Constrijction Process at the Teotihuacan Pyramid of the Sun and the Pover
I. A CONSIDERATION OF TINE AND LABOR EXPENDITURE IN THE CONSTRIJCTION PROCESS AT THE TEOTIHUACAN PYRAMID OF THE SUN AND THE POVERTY POINT MOUND Stephen Aaberg and Jay Bonsignore 40 II. A CONSIDERATION OF TIME AND LABOR EXPENDITURE IN THE CONSTRUCTION PROCESS AT THE TEOTIHUACAN PYRAMID OF THE SUN AND THE POVERTY POINT 14)UND Stephen Aaberg and Jay Bonsignore INTRODUCT ION In considering the subject of prehistoric earthmoving and the construction of monuments associated with it, there are many variables for which some sort of control must be achieved before any feasible demographic features related to the labor involved in such construction can be derived. Many of the variables that must be considered can be given support only through certain fundamental assumptions based upon observations of related extant phenomena. Many of these observations are contained in the ethnographic record of aboriginal cultures of the world whose activities and subsistence patterns are more closely related to the prehistoric cultures of a particular area. In other instances, support can be gathered from observations of current manual labor related to earth moving since the prehistoric constructions were accomplished manually by a human labor force. The material herein will present alternative ways of arriving at the represented phenomena. What is inherently important in considering these data is the element of cultural organization involved in such activities. One need only look at sites such as the Valley of the Kings and the great pyramids of Egypt, Teotihuacan, La Venta and Chichen Itza in Mexico, the Cahokia mound group in Illinois, and other such sites to realize that considerable time, effort and organization were required. -
6 King's Chamber
Revelation Research Foundation, Inc. Hamburg, NJ 07419, USA © 2015 Contents Author’s and Editor’s Notes . v Photo/Illustration Acknowledgments . vi Pyramid Chart . vii Chapter 1: God’s Stone Witness in Egypt . 1 Chapter 2: Chart of Interior Chambers and Passage System . 13 Chapter 3: The Entrance . 19 Chapter 4: Well Shaft and Grotto . 21 Chapter 5: Grand Gallery and Antechamber . 29 Chapter 6: King’s Chamber . 39 Chapter 7: Construction Chambers . 47 Chapter 8: Horizontal Passage and Queen’s Chamber . 53 Chapter 9: The Top Stone . 59 Chapter 10: Chronology of the Passage System . 63 Chapter 11: Three Pyramids of the Gizeh Plateau . 71 Chapter 12: The Sphinx . 75 Chapter 13: Ararat . 77 Chapter 14: Great Pyramid and Mount Ararat . 81 Song of Praise . 87 Appendix A: The Garden Tomb . 89 Appendix B: Queen Hatshepsut and Her Mortuary Temple . 93 Appendix C: The Solar Boat . 97 Appendix D: Location of Noah’s Ark . 101 Appendix E: Great Seal of the United States . 103 Appendix F: Pharaoh of the Exodus . 109 iii Appendix G: Twelfth Dynasty of Manetho . 115 Appendix H: The Abydos Tablets . 119 Appendix I: Planes of Perfection . 123 Appendix J: Granite Fragments in Great Pyramid . 125 Appendix K: Excavation at Top of Well Shaft . 127 Addendum: Origin of the Pyramid . 129 iv AUTHOR’S NOTE When properly understood, the title and subject matter of this work, A Rock of the Ages: The Great Pyramid, do no injustice to the theme of that grand old hymn “Rock of Ages,” for the Great Pyramid of Egypt clearly accentuates the centricity of Christ in abolishing death and bringing to light the two salvations—life and immortality (2 Tim. -
Palaeolithic
A COURSEBOOK OF SOCIAL STUDIES Our team of experts: Sadaquat Ali Ansari Namrata Agrawal Asha Sangal Content Reviewers for the Series Vrinda Loiwal Consultant for Social and Emotional Learning (SEL) Subhashish Roy Consultant for Design K6056 Acknowledgements The Publishers would like to acknowledge Shutterstock for granting us permission to use the photographs and images listed below : Alvaro German Vilela (Fig 1.1), Sudip Ray (Fig 1.2), saiko3p (Fig1.6), arindambanerjee (Fig 2.1), Kachaya Thawansak (Fig2.2), Juan Aunion (Fig 2.3), mountainpix (Fig 2.7), ABIR ROY BARMAN (Fig 7.3), Curioso (Fig8.1), ArunjithKM (Fig 8.3), Monontour (Fig 8.4), Shal09 (Fig 10.9),Alex Mit (Fig 1.3), Iron Mary (Fig 1.4), Withan Tor (Fig 1.6), itechno (Fig 1.7), pakpoom (Fig 1.8), robert_s (Fig 1.9), Castleski (Fig 1.11), SKY2015 (Fig 1.15), Kheng Guan Toh (Fig 2.1) Phruet (Fig 2.2), Bardocz Peter (Fig 2.3), gomolach (Fig 2.4), Soleil Nordic (Fig 2.5), Nasky (Fig 2.6), Inna Bigun (Fig 2.7), Soleil Nordic (Fig 2.8), brichuas (Fig 2.9), Hollygraphic (Fig 3.2), Siberian Art (Fig 3.3), Designua (Fig 3.4), NoPainNoGain (Fig 3.5), Designua (Fig 3.6), Bardocz Peter (Fig 4.2),Serban Bogdan (Fig 4.3), Bardocz Peter (Fig 4.8), VINCENT GIORDANO PHOTO (Fig 4.12), Syda Productions (Fig 4.13), Kudryashka (Fig 4.14), nahariyani (Fig 4.15), dikobraziy (Fig 5.3), tonkaa (Fig 5.4), re_bekka (Fig 5.5), Yusiki (Fig 5.6), boreala (Fig 5.7), Dimitrios Karamitros (Fig 5.8), okili77 (5.9), trgrowth (Fig 5.12), Anton Foltin (5.13), iamnong (Fig 6.3), Vasily Gureev (Fig 6.5), Svetlana -
G:\Lists Periodicals\Periodical Lists B\BIFAO.Wpd
Bulletin de l’Institut Français d’Archéologie Orientale Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Clédat in BIFAO i (1901), 21-3 fig. 1 Meir. B.2. Ukh-hotep. iv.250(8)-(9) Top register, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 2 Meir. B.2. Ukh-hotep. iv.250(4)-(5) Lower part, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 3 Meir. B.2. Ukh-hotep. iv.250(8)-(9) III, Beja holding on to boat. Salmon in BIFAO i (1901), pl. opp. 72 El-Faiyûm. iv.96 Plan. Clédat in BIFAO i (1901), 88-9 Meir. Miscellaneous. Statues. iv.257 Fragment of statue of Ukh-hotep. Clédat in BIFAO i (1901), 89 [4] El-Qûs.îya. (Cusae) iv.258A Block of Djehutardais, probably Dyn. XXX. Clédat in BIFAO i (1901), 90 [top] Text El-Qûs.îya. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 iv.258 Fragment of lintel. Clédat in BIFAO i (1901), 92-3 Cartouches and texts Gebel Abû Fôda. -
Historical Deception Gives an Excellent Overview of All Things Egyptian
About the Author Moustafa Gadalla was born in Cairo, Egypt in 1944. He gradu- ated from Cairo University with a Bachelor of Science degree in civil engineering in 1967. He immigrated to the U.S.A. in 1971 to practice as a licensed professional engineer and land surveyor. From his early childhood, Gadalla pursued his Ancient Egyp- tian roots with passion, through continuous study and research. Since 1990, he has dedicated and concentrated all his time to re- searching the Ancient Egyptian civilization. As an independent Egyptologist, he spends a part of every year visiting and studying sites of antiquities. Gadalla is the author of ten internationally acclaimed books. He is the chairman of the Tehuti Research Foundation—an interna- tional, U.S.-based, non-profit organization, dedicated to Ancient Egyptian studies. Other Books By The Author [See details on pages 352-356] Egyptian Cosmology: The Animated Universe - 2nd ed. Egyptian Divinities: The All Who Are THE ONE Egyptian Harmony: The Visual Music Egyptian Mystics: Seekers of the Way Egyptian Rhythm: The Heavenly Melodies Exiled Egyptians: The Heart of Africa Pyramid Handbook - 2nd ed. Tut-Ankh-Amen: The Living Image of the Lord Egypt: A Practical Guide Testimonials of the First Edition: Historical Deception gives an excellent overview of all things Egyptian. The style of writing makes for an easy read by the non- Egyptologists amongst us. Covering a wide variety of topics from the people, language, religion, architecture, science and technol- ogy it aims to dispel various myths surrounding the Ancient Egyp- tians. If you want a much better understanding of Ancient Egypt, then you won’t be disappointed be with the straight forward, no-non- sense approach to information given in Historical Deception. -
Copy of Poverty Point Binder.Pdf
1. Exhibit Information for Teachers Thanks for choosing to share this fascinating piece of Louisiana prehistory with your students! The new, revamped Poverty Point Classroom Exhibit is an updated and expanded version of the well-loved Poverty Point exhibit that has been in circulation since 1986. The exhibit includes one DVD and three books, as well as artifacts and activities to teach your class about the Poverty Point site and culture. The activities contained within the exhibit are designed to teach, but also to be fun. This section provides a preview of what's included, and is designed to help in planning the Poverty Point unit for your class. When the Poverty Point unit is complete, please return all items in the exhibit, including the clay. If you have any questions, please call us at the Division of Archaeology (225-342-8166). We hope you enjoy these activities, and welcome your comments and suggestions! Exhibit Contents The Suitcase Artifacts Many artifacts are included in the suitcase. A complete inventory of artifacts is in the table on the next page. The artifacts can be introduced using a discovery learning or presentation technique. The Artifact Investigation Worksheet in Section 4 and the Artifact Question Cards should be used with the discovery learning technique. The Artifact Caption Cards may be displayed when using a presentation technique, or at the conclusion of the discovery learning technique. Most of the artifacts in the suitcase are 3,500 years old. Students may examine and touch them, but please take care to avoid dropping or damaging the artifacts. -
Hawara & Meidum Add-On
Hawara & Meidum add-on (day 1 of the tour) - $195 per person Do you want to see even more pyramids in Egypt? For the guests who would like to arrive one day early, we prepared a trip to Hawara and Meidum pyramids. On that day we normally organize reception at the airport for the arriving guests, but you will drive towards Faiyum oasis and make a stop in Meidum. In many ways, Meidum, built for pharaoh Snefru, is the most mysterious of all the great Pyramids. It is often known as the "collapsed pyramid" because of its ruined state. It seems to have been designed as a seven step pyramid with a further step being added once construction was in a fairly advanced stage. It was then turned into the first true pyramid by filing in the steps and capping them with limestone. No sarcophagus was found inside the chamber and there is no evidence that Snefru or anyone else was ever buried in this pyramid. We will enter inside the pyramid and later we will also visit a nearby mastaba of an unknown noble which can be entered via a robber's tunnel. The burial chamber contains the first example of a red granite sarcophagus known in antiquity. After the visit in Meidum, we will drive south to see the Hawara pyramid. The pyramid stands in the north of an elaborate complex enclosed by a wall measuring 385 by 158 meters. This makes the Hawara complex the largest Middle Kingdom funerary complex. The entrance was located at the southern corner of the east wall. -
99516 Bickel OLA Funerary Texts ID 07 BICKEL.Indd
This pdf is a digital offprint of your contribution in S. Bickel & L. Díaz-Iglesias (eds), Studies in Ancient Egyptian Funerary Literature, ISBN 978-90-429-3462-7 The copyright on this publication belongs to Peeters Publishers. As author you are licensed to make printed copies of the pdf or to send the unaltered pdf file to up to 50 relations. You may not publish this pdf on the World Wide Web – including websites such as academia.edu and open-access repositories – until three years after publication. Please ensure that anyone receiving an offprint from you observes these rules as well. If you wish to publish your article immediately on open- access sites, please contact the publisher with regard to the payment of the article processing fee. For queries about offprints, copyright and republication of your article, please contact the publisher via [email protected] ORIENTALIA LOVANIENSIA ANALECTA ————— 257 ————— STUDIES IN ANCIENT EGYPTIAN FUNERARY LITERATURE edited by SUSANNE BICKEL and LUCÍA DÍAZ-IGLESIAS PEETERS LEUVEN – PARIS – BRISTOL, CT 2017 TABLE OF CONtENtS Abbreviations VII Susanne Bickel, Lucía Díaz-Iglesias Introduction XIII Florence Albert Un groupe de papyrus funéraires tardifs 1 James P. Allen The Pyramid Texts as Literature 29 Bernard Arquier Le double sarcophage de Mésehti: l’espace, le verbe et le temps 43 Burkhard Backes Re-reading Pyramids? Gedanken zu Korrelationen zwischen Inhalt, Anbringungsort und hypothetischer Lesefolge funerärer Texte anhand PT 313‒321 73 Susanne Bickel Everybody’s Afterlife? “Pharaonisation” -
Pyramid of Unas : 11 Unas (Unis)(C. 2356
11 : Pyramid of Unas . Unas (Unis)(c. 2356 - 2323 BC) was the last king of the Fifth Dynasty. The pyramid dedicated to this king lies to the south of the Step Pyramid. The Pyramid of Unas (Unis) is in poor condition however, the burial chambers are worth the visit. In this chamber, you will find the earliest Egyptian funerary texts carved into the walls and filled with a blue pigment. These are referred to as the Pyramid Texts. They are the rituals and hymns that were said during the in the walls of the pyramids. burial. Before this time, nothing was engraved The pyramid, when it was complete stood about 62 ft (18.5 m). The core of the pyramid was loose blocks and rubble and the casing was of limestone. Today it looks like a pile of dirt and rubble, especially from the east side. Although the outside of the pyramid is in ruin, the inside is still sound. You may enter the pyramid from the north side. Trying to block the way, are three huge slabs of granite. Once inside the chamber, you will find the Pyramid Texts that were intended to help the pharaoh's soul in the afterworld. They were to help the soul find Re, the sun god. 12 : Pyramid of Pepi II . South Saqqara is completely separate from Saqqara. It is located about 1km south of the pyramid of Sekhemkhet, which is the most southern of all the pyramids in Saqqara. South Saqqara was founded in the 6th Dynasty (2345 - 2181 BC) by the pharaohs. -
Egypt Revisited “It Was an Amazing Experience to See Such Wonderful Sites Enhanced by Our Lecturer’S Knowledge...A Fabulous Experience!”
Limited to just 16 guests EGYPT Revisited “It was an amazing experience to see such wonderful sites enhanced by our lecturer’s knowledge...A fabulous experience!” - Barbara, Maryland Foreground, Red Pyramid at Dahshur; background, Temple of Seti I at Abydos October 19-November 3, 2019 (16 days | 16 guests) with Egyptologist Stephen Harvey optional extensions: pre-tour Siwa Oasis & Alexandria (8 days) and/or post-tour Jordan (5 days) Archaeology-focused tours for the curious to the connoisseur. Dear Traveler, You are invited to return to Egypt on a brand-new, custom-designed tour in the company of AIA lecturer/host Stephen Harvey, Egyptology guide Enass Salah, and a professional tour manager. © Ivrienen Snefru's Bent Pyramid at Dahshur Highlights are many and varied: • Gain inside access to the Red Pyramid at Dahshur, enter the burial chamber of the collapsed pyramid at Meidum, and visit two mud-brick pyramids (Illahun and Hawara) at the Fayoum Oasis. • Go behind-the-scenes at the ancient necropolis of Saqqara to see some of the new and remarkable excavations that are not open to the public, including (pending final confirmation) special access to the newly- discovered, 5th-dynasty Tomb of Wah Ti. • Make a special, private visit (permission pending) to the new Grand Egyptian Museum. • Explore the necropoli of Beni Hasan, known for its 39 rock-cut tombs © Olaf Tausch with well-preserved paintings of dancing, acrobatics, juggling, fishing, Red Pyramid at Dahshur hunting, and weaving; and Tuna el-Gebel, with huge catacombs for thousands of mummified ibises and baboons, and much more. • Visit Tell el-Amarna, which replaced Thebes (modern Luxor) as capital of Egypt under the heretic, 18th-dynasty pharaoh Akhenaton and was significant for its monotheism and distinctive artistic style. -
Catalog SCIROCCO
Главная Назад Каталог пирамид. Каталог ШИРОКО Дата публикации: 2013г. Версия 3 от 13.09.2013 [email protected] Кат. N: PYReg001.GIZ01.LpsIV Название: Пирамида фараона Хеопса (Cheops) Другие названия: Куфу(Khufu), Великая(Great); Лепсиуса IV(Lepsius IV), Kheops Координаты: 29°58'45.03''N 31°08'03.69''E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.89° Материал: , камень (известняк) Размеры,м: 230x230x146.5 Азимут, °: 0 Коментарий:Самая большая из рукотворных пирамид M01, M02 000, 001, 002, 003, 004, 005, 006, Кат. N: PYReg002.GIZ02.LpsVIII Название: Пирамида фараона Хафры (Khafre) Другие названия: Хефрена(Khephren); Урт-Хафра (Hurt-Khafre); Лепсиус VIII(Lepsius VIII) Координаты: 29°58'34"N 31°07'51"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 53.12° Материал: , камень (известняк) Размеры, м: 215.3x215.3x143.5 Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003 004, 005, Кат. N: PYReg003.GIZ03.LpsIX Название: Пирамида фараона Менкаура(Menkaure) Другие названия: Микерина (Menkaure), Лепсиус IX (Lepsius IX); Херу; Координаты: 29°58'21"N 31°07'42"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.72° Материал: , камень (известняк) Размеры, м: 102.2x104.6x65.5 Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003, 004, 005, 006, 007, 008, 009, 010, 011, 012, 013, 014, 015, 016, 017, 018, Кат. N: PYReg004.GIZ04.LpsV Название:Пирамида царицы Хетепхерес I (Hetepheres I) фараона Хеопса. Другие названия: Царица Хетепхерес I (Queen Hetepheres I) ; G I-a; Лепсиус V (Lepsius V); Координаты: 29°58'43.80"N, 31° 8'10.23"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.72° Материал: , камень Размеры, м: 47.5x47.5x30.1(?) Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003, 004, 005, 006, 007, 008, 009, Кат.